| Artist |
 |
 |
|
| Date |
 |
|
|
| Issue Number |
|
|
|
| Notes |
|
|
|
| BUNTING, George | 1888 | EP/S.IVE/02 | St Ives from the west, with the Backwater and the steeple of the parish church in the foreground; the Free Church, New Bridges and the steam mill behind; Bridge Terrace and Fenstanton church in the right background. A lurid pink and yellow sky, the right half of the picture apparently out of perspective with the left half. | | BUNTING, George | No date | EP/HEM.G/01 | The Ouse at Hemingford Grey, looking down the river at the church with the boathouse in the right foreground and two boats on the river; dark and gloomy, and the perspective of the landing stage a bit peculiar. | | COOKE, Edward William, R.A. | 1855 | EP/CONIN/01 | A disused drainage mill in the snow: the mill with its sails and scoop wheel - all showing signs of dilapidation - towards the left of the picture on the bank of a frozen drain; on the right is a waggon loaded with bundles of reeds with more bundles on the ground behind it; two more mills in the background; the landscape covered in snow and the sky grey and overcast. | | COOKE, Edward William, R.A. | 1855 (contd.) | EP/CONIN/01 (contd.) | | | HADDON, Trevor | 1933 | EP/S.IVE/06 | Herbert Norris: half-length seated portrait, showing Norris in grey suit, blue waistcoat and red patterned tie, sitting in a chair with an open book on his lap, looking to the right. | | LEWIS, Steve | 2008 | EP/BLUNT/01 | Skaters on Bury Fen: an expanse of ice and snow with trees behind and the steeple of Bluntisham church beyond them, a colourful sunset sky in the background; many skaters on the ice. | | MENCE, Anne Strange | No date (i) | EP/HEM.G/04 | Hemingford Grey water mill: seen from the other side of the river and showing the mill and the mill house with outbuildings, lock and footbridge to the right. | | MENCE, Anne Strange | No date (ii) | EP/S.IVE/09 | St Ives bridge and chapel, from downstream, with the extra storeys still on the chapel; trees and glimpses of buildings on the left, the Manor House and Quay to the right, rowing boats moored in the foreground. | | MENCE, Anne Strange | No date (iii) | EP/S.IVE/10 | St Ives bridge and chapel from upstream, with the extra storeys still on the chapel; the Manor House, Free Church spire and other buildings on the left, one with a signboard reading "Boats [illeg.]"; also bundles of osiers on the bank and boats beside them; outhouses of the Dolphin on the right; the roof of the Masonic Lodge and the chimney in Wellington Street in the background. | | MENCE, Anne Strange | No date (iv) | EP/S.IVE/11 | St Ives parish church steeple from the west, with trees around it, the backwater in the foreground, also the churchyard wall and wooden boathouse; in the right background is the old granary where the Norris Museum was later built and the spire of the Free Church. | | MENCE, Anne Strange | No date (iv) (contd.) | EP/S.IVE/11 (contd.) | | | MILNE, William Watt | 1938 | EP/S.IVE/01 | The Broadway, St Ives: looking east with the Norris Museum just visible in the right foreground, as far as the Victoria Memorial and the shops at the east end of the street, with the Free Church spire behind. There is a laden cart on the left of the street and a tree prominent in the right foreground. | | MILNE, William Watt | 1944 | EP/SAWTY/01 | A cottage garden at Sawtry: a central mass of colourful flowers with hollyhocks to left and right and a little grass in the foreground; a path on the right side leads back to a thatched cottage; two women with baskets are on the path apparently gathering flowers. The top of the cottage is cut off (but actually present over the runner of the frame) and there is an open landscape in the left background. | | MILNE, William Watt | 1944 (contd.) | EP/SAWTY/01 (contd.) | | | MILNE, William Watt | No date (i) | EP/HOUGH/01 | A thatched cottage at Houghton: the cottage in two blocks, the further one taller and the nearer one lower with a dormer window in the roof; there are figures sitting in front of the door and two women standing in the path in front of it; a dead tree in the right foreground, open landscape with distant woods in the left background. | | MILNE, William Watt | No date (i) (contd. 1) | EP/HOUGH/01 (contd. 1) | | | MILNE, William Watt | No date (i) (contd. 2) | EP/HOUGH/01 (contd. 2) | | | MILNE, William Watt | No date (ii) | EP/HEM.G/02 | Hemingford Grey watermill: with the mill house to the left and weir to the right, trees and reeds on the right side and more trees behind the buildings; fishermen at various places near the mill. | | MILNE, William Watt | No date (iii) | EP/S.IVE/05 | A man ploughing with two horses - apparently unfinished or a sketch: the horses on the left, pulling vigorously, with the man braced against them on the right of the picture; the plough itself is suggested by a few lines of paint; vivid patches of textures in the sky, brown plough soil below. | | MILNE, William Watt | No date (iv) | EP/WYTON/01 | The Three Jolly Butchers at Wyton: the pub in the right foreground with big chimney stack and gabled wing, the pub sign on a post beside the road and a group of customers with two heavy horses in front of the pub; thatched cottages in the background - very different from the real appearance of this street, with a gap in the houses beyond the pub and the cottages on the left built on a high bank, with the street running down to a flat landscape and distant horizon behind. | | MILNE, William Watt | No date (v) | EP/S.IVE/12 | The Angler's Rest and the parish church: the Angler's Rest on the right with trees to the left and the church behind; three people outside the house are watching a group of people in the churchyard - one seems to be dressed in full-length white so perhaps a wedding. | | MILNE, William Watt | No date (v) (contd.) | EP/S.IVE/12 (contd.) | | | MORGANS, Phyllis | No date | EP/HUNTS/01 | "Still of the Evening, near Huntingdon": a fisherman in shirtsleeves and trilby hat, standing fishing beside an area of water surrounded by trees, with a pink-tinged sky behind. | | MORGANS, Phyllis | No date (contd.) | EP/HUNTS/01 (contd.) | | | MUIRHEAD, John | No date | EP/HOUGH/02 | A scene of water meadows, with a river in the foreground and an angler on the left sitting on a staunch or revetted bank; a stile on his right and two ladies with baskets beside the river; in the background are meadows, tress and a distant church spire (or is it a poplar?). | | PETERS, T. | 1919? | EP/HEM.A/02 | The Backwater at Hemingford Abbots: a view across river channels and meadows with willow trees in the foreground and a line of trees and a church steeple behind. | | R., E.E. | 1887 | EP/S.IVE/08 | St Ives bridge from the west: with Hemingford Meadow in the foreground, the Manor House and the buildings behind it to the left of the bridge and the outhouses of Lindsells or the Dolphin on the right; the pigments rather yellowy-brown. | | SADLER, Walter Dendy | No date | EP/HEM.G/03 | "The Broken Pitcher": in a doorway into a kitchen or dairy a young red-haired girl in 19th-century costume sits and weeps over the remains of a jug of milk which has broken on the steps down from the door; leaning up to the right of the door are objects including two baker's peels and a broom. | | SADLER, Walter Dendy | No date (contd.) | EP/HEM.G/03 (contd.) | | | STRANGE, Anne | No date | | See Anne Strange MENCE. | | TYRRELL, Edwin Robert | No date | EP/S.IVE/04 | St Ives bridge and chapel, seen from downstream before the removal of the chapel's upper storeys in 1930; on the left are trees and a boat with masts, on the right the Manor House with a tree in front of it; the parish church spire just visible behind the bridge. | | UNKNOWN | No date (i) | EP/HUNTN/01 | Oliver Cromwell: a head-and-shoulders portrait with face turned slightly to the left, shown wearing a feathered hat, white shirt collar and armour on breast, shoulders and arms; the wart over the right eye is present but apart from that it is not an accurate likeness; in a black oval on a slightly lighter background. | | UNKNOWN | No date (i) (contd.) | EP/HUNTN/01 (contd.) | | | UNKNOWN | No date (ii) | EP/HUNTN/02 | Oliver Cromwell: a head-and shoulders portrait with face turned slightly to the right, shown bare-headed with white shirt-collar and armour on breast, shoulders and arms; in an oval with painted frame round it within a rectangular canvas. | | UNKNOWN | No date (iii) | EP/S.IVE/07 | St Ives bridge and chapel, seen from downstream before the removal of the chapel's upper storeys in 1930; on the left are trees and glimpses of buildings, on the right are moored boats and the buildings behind Wellington Street, with the Manor House and the spire of the parish church in the right background; a horse and cart are crossing the bridge, there is a sunset glow in the sky. | | UNKNOWN | No date (iv) | EP/HEM.A/01 | The Black Bridge, Hemingford Abbots: a wooden footbridge with railings over a river channel, with rushes to the left and trees on the right, a faint church spire in the background; a lady in floor-length white dress looks over the railings. | | WESTON, Henry F. | No date | EP/S.IVE/03 | The Old Court Hall, St Ives: a jettied, three-storey building with tiled roof, the ground floor bay windows apparently boarded up - so perhaps painted shortly before demilition in 1887. | | WHYMPER, Charles | No date | EP/HOUGH/03 | "A Wise Old Owl": a long-eared owl in a tree, ears up and with one foot raised, looking to the right of the picture where, in the background by a fence, a man in plus fours and cloth cap has his arm round a young woman. 1920s to judge by her dress. | | <------- 38 records found. -------> |
| |
