Photographs
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(*)The collection includes a number of very faint early photographs. Dates, where known, are in the early 1850s and the process, where described, is a "calotype" or "Talbotype" - two names for the same process: see Cuthbert BEDE, 1855, "Photographic Pleasures", p. 20. As the photos all look so similar, they are probably all calotypes taken in the 1850s. See the V&A website for details of early photographic processes.Our early pictures were taken by Cuthbert Bede, John Moyer Heathcote (presumably John Moyer Heathcote I, because of the early dates of the photos and his friendship with Bede) and Capt Grenville Wells. See the PWD index for biographical detals of the fir
(**)Calotypes by Bede: PH/ELTON/12, Elton Hall c.1852, heavily overdrawn with pencil; PH/HINCH/33, Hinchingbrooke House, pencil and wash added.Calotypes by Heathcote: PH/CONIN/28, the "Queen of Scots" chair in Conington church, outlining by Bede; PH/ELTON/13, Elton water mill, 1854; PH/GLATT/18, Glatton church before the 1857 restoration, with outlining by Bede; PH/HOLME/14, snow scene in Ho
(S.IVE) *2007.39-49THE JUDE COLLECTION: a large collection of glass negatives and lantern slides, given to the Museum by Julia Briars Filby who had them from M. Jude, 57 Newport Drive, Alcester, Warwick B49 5BJ. The pictures were presumably all taken by R.C. (Bob) Jude, who lived on "The Island" at St Ives until his death in the 1980s.Because they are difficult to view and have items from different locations jumbled together, they have not been put into our usual location-based photographs index. Instead they are listed by their accession numbers, grouped together as they came to the
(S.IVE) *2007.39-49 (contd.)There are no doubt ways of viewing, printing and scanning pictures like these. When this has been done, rearranging the collection might be considered. Note in the meantime that the pictures include some unique images, including the only photograph I've seen of the bridge chapel upper storeys in the course of demolition in 1930, some good shots of the Broadway and elsewhere during the coronation celebrations of 1937 and good colour slides of the river frozen over in 1963.
(S.IVE) *2010.17-18A second set of pictures from the collection, which had become separated from the others, was given to us in 2010.
(S.IVE) 2007.39.01-3232 glass lantern slides showing: 1-3) 1937 coronation decorations at 25 Crown Street (Ruston's), Bridge Street & Mr Scotney's House in North Road; 4) Maypole dancing in the Broadway, 12.5.1937; 5) the river in flood, from the Quay, 27.1.1939; 6) the Waits with three single-decker buses; 7-8) the bridge chapel and the Manor House; 9-10) the river, looking upstream from near the bridge; 11) the Norris Museum (faded); 12) the Backwater near the parish church, Museum in the background; 13-16) the bridge and chapel from Bob Jude's garden on the Island; 17) the Old River; 18) Free Church Passage; 19-20) small boats near Hemingford Mill; 21) a sailing dinghy; 22) motorised dinghy "Tern"; 23) the same or similar moored, occupants fishing & knitting; 24-5) sailing dinghy also called "Tern", H. Grey church in background of 24; (contd.)
(S.IVE) 2007.39.01-32 (contd.)26) Hemingford regatta; 27) the Ferry Boat Inn & ferry, Holywell; 28) St Ives Road, Houghton, with Manor Farm; 29) flood water in a lock, location unknown; 30) a weir, location unknown, with people in a punt beyond it; 31) autumn trees at Hilton; 32) Barnes Walk, showing punts moored in front of cottages.32 glass slides, 82 x 82mm (3¼"), some b-&-w but most in colour.
(S.IVE) 2007.40.01-1212 glass lantern slides showing scenes at St Ives: 1-2) the river frozen over, 25.1.1963, looking upstream from the bridge; 3) ditto, the Bridge Chapel downstream side from the south bank; 4) ditto with swan and wildfowl, from the Quay; 5) ditto from east end of the Quay; 6) ditto looking downstream from the bridge; 7) ditto looking downstream from the Quay; 8) ditto, tree branches over the ice, location unknown; 9) the Quay in summer with moored boats, seen from the bridge; 10) Bob Jude's garden on the Island looking across to the back of Wellington Street; 11) the bridge from the Island; 12) the Market Hill from the east.12 glass slides, 70mm x 70mm (2¾"), colour photos.
(S.IVE) 2007.41.1-1919 glass negatives showing: 1-5) front pages of the Daily Express re death of George V, Abdication, and proclamation of George VI; 6-8) crowd in St Ives Market Hill facing the Town Hall; 9) Mayor with lines of policemen receiving people at Town Hall door; 10) Mayor reading from Town Hall balcony; 11) Mayor in front of the Town Hall, crowds with flags and umbrellas, the street very wet; 12-15) a parade, with police, scouts & guides, assembling on the Waits; 16-18) ice skaters on Bury Fen; 19) flood water in the Broadway.19 glass negatives, 45 x 60mm.
(S.IVE) 2007.41.1-19 (contd.)
(S.IVE) 2007.42.1-1515 glass negatives showing St Ives celebrations of the 1937 Coronation: 1) the parish church floodlit; 2) Mr Scotney's house in North Road decorated; 3) Burleigh House on the Waits; 4) Co-op shop in Crown Street decorated; 5-13) celebrations in the Broadway with children, scouts, maypole dancing & gymnastics, parade with float on a lorry; 14) Bridge Street decorated; 15) military parade in the Market Hill being inspected.15 glass negatives, 45 x 60mm.
(S.IVE) 2007.43.1-1111 glass negatives showing St Ives celebrations of the 1937 Coronation: 1-2) the bridge and chapel decorated; 3) shop in Crown Street decorated; 4-5) Mr Scotney's house in North Road decorated; 6) the parish church floodlit; 7-8) Crown Street looking east from the Cross; 9) crowd outside the Town Hall; 10-11) events in the Broadway.11 glass negatives, 45 x 60mm.
(S.IVE) 2007.44.1-1111 glass negatives showing: 1) a 4-oar racing boat on the river near the Dolphin; 2) Market Hill in snow; 3) a house, location unknown; 4) sheep in a field; 5) swans & cygnets; 6-7) Humphrey Warren's wedding cake; 8-10) flood scenes near the Hermitage at Earith; 11) a tug towing a lighter.11 glass negatives, 45 x 60mm.
(S.IVE) 2007.45.1-77 glass negatives showing: 1) the fire station on the corner of White Hart Lane and East Street being built; 2) the fire station complete with the fire engine outside it and a crowd of people - the opening ceremony?; 3) bridge & chapel from Bob Jude's garden on the Island; 4) unknown location with trees and advertising hoarding - Warner's Park??; 5-6) cottages on the corner of the Waits and Ramsey Road, before and after demolition; 7) road works in Bridge Street, from the corner of Merryland.7 glass negatives, 45 x 60mm.
(S.IVE) 2007.46.1-88 glass negatives showing: 1) road works in Bridge Street; 2-8) the bridge and chapel, some photos with the river in flood.8 glass negatives, 45 x 60mm.
(S.IVE) 2007.47.1-99 glass negatives showing: 1-3) the Cross of Sacrifice on the Market Hill with the road very wet ?or flooded - two photos of it floodlit at night, one by day; 4) the mayor and crowds outside the Town Hall with umbrellas and flags; 5) a staunch on the river, where?; 6) St Ives staunch; 7) two sailing dinghies; 8) dinghy or motor boat moored; 9) horse and cart in front of a row of houses, where?9 glass negatives, 45 x 60mm.
(S.IVE) 2007.48.1-99 glass negatives showing: 1-2) celebrations of the 1937 Coronation in Crown Street and the Broadway; 3) an old photo of the bridge and chapel before the 1930 restoration; 4) a horse being shown for sale at the east end of East Street; 5) Crown Street looking west from the Cross; 6) the upper storeys of the bridge chapel being demolished, river in flood; 7) copy of the classic photo of the cattle market in the Broadway; 8) the parish church from Hemingford Meadow; 9) a punt on the river by the Thicket path..9 glass negatives, 1-2) 45 x 60mm,; 3-5) 65 x 90mm; 6-9) 80 x 110mm.
(S.IVE) 2007.48.1-9 (contd.)
(S.IVE) 2007.49.1-101101 film negatives showing: 1-2) a wedding at the Church of the Sacred Heart; 3) Manor House; 4-5) the Waits; 6-7) locks on the river; 8) a riverside building; 9) flood water in a lock; 10-11) cottages and the Ferryboat pub at Holywell; 12) a seaside town; 13) village sign for West Winch; 14-16) river scenes; 17) man sitting reading; 18-25) animals being paraded etc. at an agricultural show; 26-28) bride & groom emerging from a church porch; 29-30) crowds near a church; 31) sandbags piled outside St Ives police station; 32-37) the Waits flooded; 38-9) houses, road, hedges - where? 40) half-timbered building; 41) bushes & trees; 42-3) flooded streets; 44-6) London Road flooded; 47) street scene; 48) The Waits, river frozen; 49) The Waits, snow; 50) view downhill to a village; 51) a water mill; 52) trees and undergrowth; 53) man picking flowers; 54) river with small boat; 55) river with Hem. Grey church; 56-8) sailing dinghy "Tern"; 59) river scene; 60) motor boat; 60-61) two men, one holding a ?blackboard; (contd.)
(S.IVE) 2007.49.1-101 (contd. 1)62) "Tern" again; 63) part of a painting of flowers; 64) river scene with H. Grey church; 65-6) two men & blackboard again; 67-70) the oak beam with Ramsey Abbey arms now at 7 The Pavement but here seen somewhere else; 71) river looking downstream to the bridge and chapel, frozen and snow covered; 72-4) East Street in snow; 75) The Quadrant in snow; 76) tree & hedge; 77) pages of a magazine showing fishing reels; 78) people sitting round a tea table; 79-80) East Street in snow again; 81-82) a dog; 83) the fire station sandbagged and in snow; 84-5) a woman and a man with that blackboard behind them; 86-7) Jude's garden on the Island, bridge & chapel behind; 88) ?the Island; 89-96) Jude's garden; 97-9) man in a punt in Jude's flooded garden; 100) people paddling on beach; 101) ditto, beach huts & houses behind.(contd.)
(S.IVE) 2007.49.1-101 (contd. 2)101 film negatives, various sizes up to 70mm x 70mm, in an album of sleeves of that size.
(S.IVE) 2010.17.1-2121 glass negatives of copies of photographs and engravings (6-21 are familiar - Norris index numbers for the originals are given): 1) the entrance gate to the Thicket with two ladies; 2) the Island, Wellington Lane and the Priory seen from high in the Old Mill; 3) the north side of Crown Street from the end of the Crown into the Market Hill; 4) oval photo of sheep in the sheep market, with another of an unidentified building; 5) geese at Alconbury, village houses in the background; 6) the bridge and chapel (PH/S.IVE/Bridge/23); 7) Bridge Street (PH/S.IVE/Bdge.St/12); 8) the Broadway (PH/S.IVE/Broadwy/10); 9) Hankin print of the Market Hill (PWD/S.IVE/72x); 10) the bridge with the Temperance Hotel being built (PH/S.IVE.Bridge/21); 11) the Cromwell statue (PH/S.IVE/CStatue/10); 12) Lydia Green watercolour of Slepe Hall entrance hall (PWD/S.IVE/21); 13) the two Hunter prints of Slepe Hall (PWD/S.IVE/4-5); 14) 2 copies of the Bullock Market in the Broadway (PH/S.IVE/Broadwy/01); 15) Harraden print of St Ives from How Hill (PWD/S.IVE/25); (contd.)
(S.IVE) 2010.17.1-21 (contd.)16) Barratt print of the Old Court Hall (PWD/S.IVE/23); 17) Hunter print of St Ives from the west (PWD/S.IVE/38); 18) the 1911 coronation tea (PH/S.IVE/Mrkt.Hl/25); 19) 2 copies of the Market Hill from the west (PH/S.IVE/Mrkt.Hl/10); 20) 2 copies of Bridge Street from the north (PH/S.IVE/Bdge.St/10); 21) barges moored at the Island (PH/S.IVE/River/09).21 glass negatives (3 of them are duplicated, so 24 altogether), 60 x 85mm, all except no. 4 in paper envelopes.
(S.IVE) 2010.18.1-51 glass negative and 4 film negatives of copies of photographs and a painting: 1) the parish church from the west, with 1913 bridge over the Backwater; 2) Wellington St & the Priory from the Old Mill (identical to 2010.17.2) and horses being sold in East Street; 3) the river frozen over (PH/S.IVE/River/07); 4) painting by Watt Milne of the bridge (post 1930); 5) Bridge Street from the south.1) film neg 60 x 45mm; 2-3) film negs 60 x 85mm in paper envelopes; 4) glass neg 45 x 60mm in paper envelope; 5) film neg 115 x 160mm.
PH/?????/01a-bA thatched cottage, presumably local: one-storey cottage with dormers in the thatched roof and a wide verge or bank in the foreground.110 x 150mm, 115 x 160mm, sepia prints mounted on card.
PH/?????/02a-bA wooden footbridge, location unknown: a trestle bridge crossing a stream or backwater, with mown grass and staked willow sapling in the foreground, cottages just visible in the background, with a man standing on the bridge.135 x 200mm, 120 x 160mm, prints mounted on card.
PH/ABB.R/01St Andrew's Church, Abbots Ripton. A general exterior view from the south, with part of the churchyard, and a wooden fence in the foreground.100 x 145 mm, sepia print on paper.
PH/ABB.R/02St Andrew's Church, Abbots Ripton. A general view from the south-east, in sunshine with the trees in full leaf.100 x 130mm, print.
PH/ABB.R/03St Andrew's Church, Abbots Ripton. A general view from the north-east, with part of the churchyard, and gravestones in the foreground.110 x 150mm, sepia print on paper
PH/ABB.R/04St Andrew's Church, Abbots Ripton. A general view from the south-east, the church partly hidden by trees and the end of the Chancel out of shot.110 x 155 mm, sepia print on paper.
PH/ABB.R/05St Andrew's Church, Abbots Ripton. A view from the south-west, showing only the tower: the rest of the church is hidden by yews, and the top of the tower is out of shot. The churchyard, with gravestones, in the foreground.95 x 145mm, sepia print
PH/ABB.R/06The tower of St Andrew's Church, Abbots Ripton. Seen from the south-west, in sunshine with trees in full leaf. Gravestones in the foreground.105 x 70mm, sepia print on paper.
PH/ABB.R/07St. Andrew's Church, Abbots Ripton. An interior view looking eastwards down the nave and into the chancel. Pulpit to the right of the chancel arch, and four lozenge-shaped escutcheons above the arch.155 x 110mm, sepia print on paper
PH/ABB.R/08St Andrew's Church, Abbots Ripton. An interior view looking west along the nave and into the base of the tower, showing hanging oil lamps in the nave and in the arcade arches.105 x 150mm, sepia print on paper.
PH/ABB.R/09The wrought-iron gates of Abbots Ripton Hall. Seen from just inside the gates, with one gate clearly visible in the foreground, the other less clear against the trees behind. A motor car with black-out hoods on the headlamps stands just outside.105 x 60mm, print.
PH/ABB.R/10Straw stacks in a stubble field, with part of a road in the foreground and electricity cables on wooden poles in the field.80 x 120 mm, colour print.
PH/ABBTY/01St Margaret's Church, Abbotsley. A general exterior view from the south-east with fence and hedgerow in the foreground, and trees in full leaf.90 x 140 mm, print on postcard
PH/ABBTY/02The Vicarage, Abbotsley. Rear view of house with verandah and garden. Trees in full leaf.90 x 140 mm, print on postcard,
PH/ALBUMS/HILTN/01Album with title page: "S.U. Hurst, From her affect. Brother Fred, Nov. 1872": portraits of Mrs Garnett, née Agnes Hurst; Susan Charter sister to Jane Smith, later Mrs William Hurst; Susan Hurst; Emily Hurst later Mrs S. Furniss; Samuel Furniss; Julia Hurst later Mrs S. Standen; Samuel Standen; Florence Charter; John Giddens and Mrs Louisa Giddens née Louisa Hurst; Francis [sic] Mary Hurst; Elizabeth Hurst later Mrs Clark; Mabel, Ernest, Amy and Jack Giddens; ditto; Ernest & Amy Giddens; Fanny Hurst; Susan Hurst; St Ives parish church interior; Fred and Will Furniss; Frederick Hurst; Ida Standen; William Hurst; John and Louisa Giddens; Samuel Furniss; William Furniss; Susan Hurst; Frederick Hurst senior; (contd.)
PH/ALBUMS/HILTN/01 (contd.)Jenny Hurst; Samuel Standen; Mrs F. Hurst with Henry, George & Fred; unidentified; Fanny Hurst; Julia Hurst later Mrs S. Standen; Susan Hurst; Arthur Hurst; 4 unidentified; Sam Standen; unidentified; George Hurst; Susan Hurst; Emily & Agnes Hurst; Emily Hurst; unidentified; W. Furniss; 2 unidentified.Album 165 x 135mm, pockets containing photos, tooled binding with clasp.
PH/ALBUMS/HUNTS/01"Photographs &c Huntingdonshire": from 24 parishes arranged alphabetically plus "Ely Diocese" at the end, mostly churches and old buildings, also St Neots floods and freezes, the 1897 Jubilee and various portraits. Also some photos from postcards, Frith etc.Album, 355 x 280mm, 148pp (alternate pages numbered).
PH/ALBUMS/S.IVE/Council/01The ceremonies connected with signing twinning charters betweeen St Ives and Stadtallendorf in April 1989: diginitaries and ceremonies shown in both towns.Album 290 x 290mm, no pagination, with 76 colour prints each 190 x 130mm.
PH/ALBUMS/S.IVE/People/01"Festival of Britain St Ives. 1951. 1-7th July": SUNDAY (narrative); MONDAY (narrative with newspaper photo); TUESDAY AND WEDNESDAY (narrative with 6 photos of pageant in the Broadway); THURSDAY (narrative); FRIDAY (narrative with 4 photos and one newspaper photo of the historical costume cricket match); SATURDAY (narrative with 6 photos of procession on river, bridge & chapel floodlit, pageant in the Broadway).Album 205 x 280mm, grey paper, no pagination, prints fastened in with photo-corners, MS narrative in white ink.
PH/ALBUMS/S.IVE/Slepe.H/01Photographs etc. from Slepe Hall School up to 1959: watercolour by Janet Wallis of Slepe Hall decorated for the 1897 Jubilee; 5 screened prints of various parts of the grounds; portrait of Miss Lloyd; 3 photos, girls in the gymnasium; 8 photos of the grounds; staff photo and school photo, 1947; choir, 1948; 3 screened prints of grounds and activities; "Merrie England" by St Ives Choral Society; school photo, also staff and prefects, 1952; "Quality Street" cast and helpers, 1952; 23 photos of various rooms and pupils, some dated 1950 or 1953; winners of sports trophies 1955; programme and 7 photos of "The Rose and the Ring" 1959; loose photo of old girls reunion c.1960; aerial photo of St Ives.Album 240 x 320mm, grey paper, no pagination, many pages loose.
PH/ALBUMS/S.IVE/Slepe.H/02Photographs etc. from Slepe Hall School, mostly 1950s: printed announcement of school concert, 1910; photo of Slepe Hall; school photo 1947; 17 photos of various activities 1953; 3 of domestic science kitchen June 1960; 20 photos of various rooms and activities including 2 school photos - almost all numbered, presumably for people to order copies, but undated.Album 270 x 360mm, grey paper in ring binder.
PH/ALBUMS/S.IVE/Standen/01The Standen family & engineering firm: portraits of Edward Standen; horse-drawn hoe at the White Horse, 1925; horse hoe, 1909; beet loader topper, 1924; ditto, 1926, with F.A. Standen; various tractors; showroom at Ely, 1938; Standen works at St Ives (presumably the Audrey Lane site), 1942; tractors, various; goshawk c.1936; F.A. Standen at John Deere works in U.S.A.; Stanpoint implements, various; Hunts Show at Ramsey, 1921; implements demonstrated at Wisbech, 1953; Standen works at Whittlesey (aerial photo); Edward Standen on tractor in floods in Needingworth Road - said to be "March 1948" but presumably 1947 as no floods recorded in March 1948 newspapers; Whittlesey works, 1950; Cambs Show/Royal Show, 1951; Peterborough Show, July 1967; Standen works at Wisbech; opening of new factory at Ely; Borsig engine and plough at Peterborough show, 1922.Album 240 x 300mm, grey paper, no pagination, with prints on paper stuck in
PH/ALBUMS/S.IVE/Standen/02The Standen Chain Rail Tractor launching the Redcar lifeboat, c.1920. 12 photographs showing the tractor pulling the lifeboat through the streets and helping to launch it over the open beach, with crowds of spectators. The words "Redcar Lifeboat" are painted on the boat's bows.Album 155 x 185mm, grey paper, no pagination, with prints on paper stuck in.
PH/ALBUMS/S.IVE/StatnRd/01Photographs of coachbuilding at Coote and Warren, Station Road, collected by James T. Rowan: showing lorries and vans in the livery of many firms, local, national and from other areas, inc. Coote & Warren and Charringtons; interiors of the workshops in Station Road with men at work in them; a Christmas display at Ouse Valley Motors; coal elevators; and a model railway yard.Album 260 x 310mm, (36)pp, black paper: 35 prints stuck in and a further 43 prints loose, some of them plainly removed from the album; some of the photos are duplicates.
PH/ALBUMS/S.IVE/StatnRd/01 (contd.)
PH/ALBUMS/SKATE/01"Photos of Holland Skating, some with Tebbutts" - an album with 8pp of photos of Dutch skating scenes, some showing the Tebbutts and the Bury Fen Bandy Club: 1) 3 scenes of ice etc with Bury Fen players & ladies in one, also 2 of church towers and one of a font in Vollendam; 2) 6 scenes of ice & Dutch skaters, one marked "Vollendam" & 2 "Marken" (cf PWD/SKATE/06c); 3) 6 scenes of ice & Dutch skaters, one with two Tebbutts identified in the caption; 4) 6 ice scenes, inc "Pumping mill", "Heerenveen" and "Skating match"; 5) 6 scenes of ice, skaters & a horse-drawn sled (cf PWD/SKATE/06d); 6) a page dated "1904 Nov" with 5 scenes of ice & skaters, one with a group of Bury Fen skaters inc C.G. Tebbutt, also a printed photo of Houghton Mill; 7) a page dated "1899" with 4 scenes of a Bandy match at Harlem & 2 of the two teams; 8) 2 printed photos of "McGill College [Ice] Hockey Team" & "Bandy, Amsterdam".
PH/ALBUMS/SKATE/01 (contd.)Album 240 x 280mm with prints on paper stuck in, front cover missing.
PH/ALC.W/01Alconbury Weston showing the north side of the brook, with cottages to the right. Rough ground to the left, with bridge and trees in the background.90 x 145mm, print on postcard.
PH/ALC.W/02A brick-built house with a man and woman standing in front of it and a gravel path and garden in the foreground, ?farm buildings behind and to the left. The woman wears an elaborate and voluminous dress, the man side whiskers and a top hat.145 x 200mm, sepia print mounted on card.
PH/ALC.W/03A drawing of the Wheatsheaf Inn, Alconbury, with numerous windows, bow windows on the end wings and four chimneys.150 x 235mm, half-tinted print on paper.
PH/ALC.W/04a-dA drawing of Alconbury Hill showing an isolated cottage with trees all round it and a milestone obelisk to the left.120 x 165mm, prints on paper.
PH/ALC.W/05a-cA drawing of the Wheatsheaf Inn, Alconbury Hill, showing the inn to left of the picture surrounded by open land, elaborate sign to the right.100 x 160mm, prints on paper.
PH/ALC.W/06The two drawings showing Alconbury Hill and the Wheatsheaf Inn (PH/ALC.W/04-05) printed one above the other.140 x 110mm, print on paper.
PH/ALCON/01a-bChurch of SS Peter & Paul, Alconbury. Exterior view from north, showing walled graveyard with tree in leaf. Wooden gate.105 x 150mm, sepia print on paper; 115 x 165mm, blue print on paper
PH/ALCON/02a-bChurch of SS Peter & Paul, Alconbury. Exterior view from south, showing gravestones and three evergreen trees. Slightly blurred.105 x 140mm, sepia print on paper; 115 x 165mm, blue print on paper
PH/ALCON/03a-bChurch of SS Peter & Paul, Alconbury. Exterior view of steeple from the south-west, with gravestones. Background trees in full leaf.130 x 110mm, sepia print on paper; 165 x 120mm, blue print on paper
PH/ALCON/04Church of SS Peter & Paul, Alconbury. Exterior view from south showing graveyard surrounded by several trees in leaf. Path and three evergreen trees.110 x 150mm, print on paper
PH/ALCON/05a-dChurch of SS Peter & Paul, Alconbury. Exterior view of tower and north side of nave and north aisle..130 x 110mm, 2 sepia prints on paper, one dark; 150 x 120mm, blue print on paper; 165 x 120mm, blue print on paper
PH/ALCON/06a- dChurch of SS Peter & Paul, Alconbury. Exterior view from the north-east showing north side and east window of north aisle. Paths and gravestones in the foreground.130 x 105mm,sepia print on paper; 125 x 115mm, sepia print on paper; 125 x 120mm, sepia print on paper; one dark; 165 x 120 mm, blue print on paper
PH/ALCON/07a-bChurch of SS Peter & Paul, Alconbury. Interior view looking east from a high point at the west end of the nave into the chancel.165 x 120mm, blue print on paper; 140 x 110mm, sepia print on paper
PH/ALCON/08a - dA stone carving perhaps in Alconbury churchyard. Broken and cracked column, two decapitated figures in undergrowth.60 x 110mm, sepia print on paper; 60 x 105mm, sepia print on paper; 80 x 120mm, blue print on paper; 80 x 120mm, blue print on paper
PH/ALCON/09a-cAlconbury Bridge, south side. Four spans, three pointed arches and one round-headed one and with cut-water piers. Post and rail fences at both ends.100 x 150mm, sepia print on paper; 120 x 165mm, sepia print on paper; 120 x 165mm, blue print on paper
PH/ALCON/10Alconbury bridge, south side. Seen from further back than PH/ALCON/09, with river banks in the foreground, trees and a glimpse of houses behind.110 x 150mm
PH/ALCON/11a-cAlconbury bridge, north side. With two houses in background and trees in leaf. Post and rail-fences on left.100 x 145mm, sepia print on paper; 120 x 165mm, two blue prints on paper.
PH/ALCON/12a-cManor Farm, Alconbury, south side. Brick-built with gables and tall chimneys. Two top windows with sun-blinds. Trees and shrubbery in leaf.100 x 145mm, sepia prints on paper; 120 x 165mm, two blue prints on paper, one dark
PH/ALCON/13Dr Garrood's house, Alconbury Hill. Brick built, two storey, with dormer windows, extension on the left side. Lady in Victorian dress by bay window. Circular carriage drive. Flower bed and shrubbery in leaf. Wooden gate.80 x 120mm
PH/ALCON/14Church of SS Peter & Paul, Alconbury. Interior vew of nave looking east towards the tower arch, showing the organ to the right of the arch; lectern and pews in the foreground.100 x 140mm, sepia print on paper
PH/ALCON/15Church of SS Peter & Paul, Alconbury. Interior view of the chancel.100 x 145mm, sepia print on paper
PH/ALCON/16Church of SS Peter and Paul, Alconbury. A general exterior view from the south, showing porch, south aisle, nave and tower. Gravestones in churchyard, trees in leaf on either side.150 x 95mm, print on paper
PH/ALCON/17Church of SS Peter and Paul, Alconbury. An exterior view from the south showing the whole building. Gravestones in churchyard, tomb with railings in foreground. Trees in leaf on either side.160 x 205mm, sepia print on paper
PH/ALCON/18Church of SS Peter and Paul, Alconbury. An interior view from the west showing chancel and chancel arch, nave arches with pews on either side.150 x 110mm, print on paper.
PH/ALCON/19Church of SS Peter and Paul, Alconbury. An interior view of chancel showing altar in background, choir stalls, part of lectern in foreground.110 x 150mm, print on paper.
PH/ALCON/20Alconbury Green, Alconbury, showing river, with four-arched stone bridge with cutwaters. Houses to the right with open land either side. Trees to the left in background. Ducks and geese on river bank.160 x 200mm, sepia print on paper.
PH/ALCON/21Alconbury Bridge with four arches and cutwaters. Grassy banks on either side of brook. Trees in leaf in background.105 x 150mm, print on paper.
PH/ALCON/22House in Alconbury with gabled roof, windows and chimneys. Fencing and hedging in front, unmade road in foreground.105 x 145mm, print on paper.
PH/ALWAL/01a-cSt Andrew's church Alwalton. West tower from the south-east. One evergreen tree to right of porch, gravestones.100 x 125mm, 115 x 115mm, 115 x 115mm; 3 sepia prints on paper, one dark.
PH/ALWAL/02St Andrew's church, Alwalton, from the south-east. Stone-walled churchyard with bare trees; child in foreground.85 x 140mm, tinted b-&-w photograph on postcard.
PH/ALWAL/03a-bSt Andrew's church, Alwalton. North-east side, showing closed gate in stone wall and road. House visible on left hand side of larger print. Bare trees.a) 115 x 160mm, sepia print on paper; b) 80 x 105mm, sepia print on paper.
PH/ALWAL/04a-cSt Andrew's church, Alwalton. View from south-east, showing stone wall, graveyard, bare trees, path and road.120 x 160mm, 110 x 120mm, 80 x 105mm, sepia prints on paper.
PH/ALWAL/05a-cManor House Lodge with rounded archway, moulded imposts and archivolt and an ornamental keystone. Flanking it are Doric columns. Two storey. Walled garden, wooden fence, bare trees.110 x 115mm, 110 x 115mm, 110 x 125mm.(torn), sepia prints on paper, one light.
PH/ALWAL/06a-cSt Andrew's church, Alwalton, showing interior view of nave through to chancel, right-hand side nave arcade and timber ceiling. Furnished with wooden chairs and two central lamps, font in foreground.110 x 150mm. 110 x 150mm, 105 x 150mm, prints on paper, one faint.
PH/ALWAL/07Architectural drawings showing Manor House Lodge, Alwalton, (removed and re-erected); gateway in West Street, Oundle; gateway in garden wall, Stibbington Hall.160 x 120mm, sepia print on paper.
PH/ALWAL/08a-b.Architectural drawings of Manor House Lodge at Alwalton, Huntingdonshire.a) 155 x 75mm, sepia print on paper; b) in two pieces, each 75 x 45mm.
PH/ALWAL/09Manor House Lodge with rounded archway, moulded imposts and archivolt and an ornamental keystone. Flanking it are Doric columns. Two storey. Walled garden, trees in leaf.150 x 150mm, print on paper.
PH/ALWAL/10St Andrew's church Alwalton: a general exterior view from the south-east, showing chancel, south transept, south porch, south aisle, and tower. Gravestones in churchyard with rough grass, trees in leaf on either side.105 x 150mm, print on paper.
PH/ALWAL/11St Andrew's church Alwalton: an exterior view of tower from the south, showing part of south porch with large shrub to the left, two gravestones with rough grass in foreground. Trees in leaf to the left of photograph.140 x 95mm, print on paper.
PH/ALWAL/12Alwalton Hall Gate House: two storey house with gable showing part of single storey house to the left. Trees in leaf in the background with stone wall to the right of photograph. Shrubs behind wire fence in front of single storey house.150 x 95mm, print on paper.
PH/ALWAL/13St Andrew's Church, Alwalton: an interior view from east showing tower arch with nave arches on either side and chairs. Prie Dieu in foreground. An elaborate tie beam roof.155 x 110mm, print on paper.
PH/ALWAL/14St Andrew's Church, Alwalton: an interior view from the west showing chancel and chancel arch, nave arches and chairs on either side. Pulpit to the left, lectern to the right, Prie Dieu in front of chancel. Also showing the elaborate tie beam roof with hanging lamps.110 x 155mm, print on paper.
PH/ALWAL/15St. Andrew's Church, Alwalton: an interior view from the west showing chancel, chancel arch, nave arches and chairs on either side. Pulpit to the left lectern to the right. Prie Dieu in front of chancel. Also showing the elabrate tie beam roof with hanging lamps.110 x 150mm, print on paper.
PH/ALWAL/16 Print of elevation of S.W. front of Alwalton Lodge.195 x 285mm, print on paper, damaged.
PH/BARHM/01a-ePlan of St Giles church, ¼" scale.95 x 140mm, 110 x 150mm, 90 x 135mm, sepia prints on paper; 120 x 165mm, blue print on paper.
PH/BARHM/02a-dSouth porch door, St Giles church, with wrought iron hinges and studded vertical batons. Two arches, one with chevron ornament and the inner one chamfered150 x 105mm, sepia print on paper; 160 x 120mm, 160 x 120mm, 165 x 120mm, prints on paper.
PH/BARHM/03a-cSt Giles Church, Barham, showing south porch and bell-turret, gravestones and trees in leaf.105 x 155mm, sepia print on paper; 115 x 160mm, 120 x 160mm, prints on paper.
PH/BARHM/04St Giles Church, Barham: south-west view showing bell-turret, gravestones, path, several trees without leaf. House in distance.110 x 150mm, sepia print on paper.
PH/BARHM/05a-dSt Giles church, Barham: north east-view showing bell-turret, thatched cottage to right-hand side with leafless trees. Double grave with railings to left-hand side. Evergreen tree in background.120 x 160mm, 120 x 165mm, 120 x 165mm, prints on paper; 105 x 150mm, sepia print on paper.
PH/BARHM/06a-dSt Giles church, Barham, from the west, showing bell-turret on gable, with window and buttresses.155 x 110mm, 165 x 125mm, 165 x 120mm, prints on paper; 140 x 110mm, sepia print on paper.
PH/BARHM/07a-bTwo storey house with extension. Pub sign to right of shop extension. Lower windows shuttered, pantiled roof, brick building to left-hand side. To extreme left a thatched cottage. Post and rail fence. Unmade road in foregrouind, trees in leaf.100 x 145mm, sepia prints on paper.
PH/BARHM/08St Giles church, Barham: from the north, showing bell-turret faintly, also three small windows and one large window. Grass and water-butt in churchyard.105 x 155mm, sepia print on paper.
PH/BARHM/09St Giles church, Barham, showing north view of the nave, with bell-tower and three windows.80 x 120mm, blue print on paper. (White spots)
PH/BARHM/10a-cSt Giles church, Barham, showing north view of nave and bell-turret, three windows. Water-butt in churchyard.80 x 110mm, 85 x 110mm 85 x 110mm, dark sepia prints with blotches.
PH/BARHM/11a-gSt Giles church, Barham, showing north view of nave and bell-turret. Three windows and water-butt in grave yard.75 x 105mm, 85 x 105mm, 85 x 110mm, 85 x 110mm, 100 x 105mm, 100 x 125mm, 100 x 125mm, sepia prints on paper.
PH/BARHM/12a-bSt Giles church, Barham, showing interior view of chancel and chancel arch, nave and nave arcade. Pulpit to the right and the font to the left. Pews.110 x 145mm, 100 x 150mm, sepia prints on paper.
PH/BARHM/13a-bSt Giles Church, Barham: the same as PH/BARHM/12 but with a larger view of the nave arcade.110 x 150mm, 115 x 155mm, sepia prints on paper.
PH/BARHM/14St Giles church, Barham, showing font, pews and nave arcade.150 x 105mm, sepia print on paper.
PH/BARHM/15a-bSt Giles church, Barham, showing view of nave from the chancel, with window, font, pews and small harmonium?150 x 105mm, dark sepia print on paper; 145 x 105mm, light sepia print on paper (blurred).
PH/BARHM/16a-bSt Giles church, Barham, showing interior view of nave, nave arcade of three bays, west window, pews and font; beamed roof, very prominent ?stove-pipe with diagonal braces to the roof.110 x 155mm, 110 x 150mm, sepia prints on paper, blurred, one very faint.
PH/BARHM/17St Giles church, Barham: chalice and paten.100 x 70mm, sepia print on paper.
PH/BARHM/18St Giles Church, Barham, an exterior view from the south west showing bell turret, nave, south porch and chancel; numerous gravestones in churchyard with rough grass; trees in leaf on either side.105 x 145mm, print on paper.
PH/BARHM/19St Giles Church, Barham, an interior view looking east showing chancel and chancel arch, north nave arcade, pews on either side with font in centre. Also showing tie-beam roof and stove-pipe.110 x 155mm, print on paper.
PH/BLUNT/01St Mary's church, Bluntisham. View from north-east of the nave, chancel, tower and north porch. Graveyard with gravestones, trees in leaf. Chimney on north wall of chancel. Cross on top of turret.105 x 150mm, sepia print on paper.
PH/BLUNT/02St Mary's church, Bluntisham, showing view from north-east of the nave, chancel, tower and north porch. Cross on roof of nave and three crosses on the apse of the chancel. Trees in leaf in background. Railings to the left.150 x 100mm, print on paper.
PH/BLUNT/03St Mary's church, Bluntisham, showing view from north-east of the nave, chancel, tower and north porch. Cross on roof of nave and three crosses on the apse of the chancel. Trees in leaf in background. Railings on left.140 x 105mm, print on paper.
PH/BLUNT/04St Mary's church, Bluntisham, showing view from north-east of the nave, chancel, tower and north porch. Cross on roof of nave and three crosses on apse of the chancel. Trees in leaf in background. Railings to the left.165 x 120mm, sepia print on paper.
PH/BLUNT/05a-bSt Mary's church, Bluntisham, showing view from the south of the south porch, nave, chancel and tower. Three large trees in leaf and brick wall to the foreground.105 x 135mm, dark sepia print; 100 x 140mm, light sepia print.
PH/BLUNT/06St Mary's church, Bluntisham, showing south-east view of chancel, nave and porch with tower in background. Table tomb and gravestones in churchyard. Trees in leaf.100 x 145mm sepia print on paper.
PH/BLUNT/07St Mary's church, Bluntisham, showing north-east view of tower, nave and north porch. Cross over turret. Two large trees in leaf and hedge in foreground.135 x 105mm, sepia print on paper.
PH/BLUNT/08a-bSt Mary's church, Bluntisham, showing interior of nave, chancel, part of south aisle, pews, and pulpit. Oil lamp in south aisle. Two stoves on left.120 x 165mm, two prints on paper.
PH/BLUNT/09St Mary's church, Bluntisham, showing interior of nave, chancel, north aisle, part of font, lamps, pulpit on right, pews and stove on left.105 x 150mm, print on paper.
PH/BLUNT/10St Mary's church, Bluntisham, showing interior of nave, chancel, part of north and south aisles, pulpit on the right, pews, oil lamps, stove on left.85 x 140mm, print on postcard.
PH/BLUNT/11St Mary's church, Bluntisham, showing interior of nave looking towards tower, with one window and a lancet above, pews, and two stoves on right.135 x 105mm, sepia print on paper.
PH/BLUNT/12a-cSt Mary's church, Bluntisham, May 1896: showing interior of nave looking towards the chancel. Oil lamps, pews, pulpit on right and two stoves.160 x 120mm, 165 x 125mm, 135 x 105mm, two prints on paper and one sepia print on paper.
PH/BLUNT/13St Mary's church, Bluntisham: the font, octagonal, of carved stone with elaborate wooden cover also carved, with pinnacles, crockets etc.; screen and pew in the background.150 x 105mm, sepia print on paper.
PH/BLUNT/14St Mary's church, Bluntisham: a Latin inscribed tablet dated 1693.70 x 90mm, print on paper.
PH/BLUNT/15a-cBluntisham Rectory: three-storeyed building with two-storey wings to left and right, three chimneys, two ladders with workmen, trees in leaf and lawn in foreground. (Wisteria in flower - must be about May).75 x 100mm, three sepia prints on paper; 80 x 115mm, blue print on paper.
PH/BLUNT/16Wrought iron gate at Bluntisham, with elaborate decoration of leaf motifs and an arch of wrought iron leaves above it.110 x 65mm, print on paper.
PH/BLUNT/17St Mary's church, Bluntisham, an exterior view from the north east; showing chancel, north vestry, nave, north aisle, north porch and tower; gravestones in churchyard, rough grass in foreground, railed tomb on left, tree behind.200 x 145mm, print on paper, copied from PH/BLUNT/03.
PH/BLUNT/18St Mary's church, Bluntisham, seen from the north-west from across the road, with the war memorial and signpost in the foreground.85 x 135mm, print on postcard.
PH/BLUNT/19The Bluntisham blacksmith V. Pittoors, standing to the right of the picture and showing various pieces of wrought ironwork leaning against a brick wall, with a small blackboard on the left reading "V. PITTOORS BLACKSMITH BLUNTISHAM 1916".85 x 135mm, print on postcard.
PH/BLUNT/20Bluntisham High Street, showing the village stores of L. Baker, with enamel advertising signs outside; parked car to left of shop and barograph in front of shop.85 x 140mm, print on postcard.
PH/BLUNT/21Bluntisham High Street, Hunts, showing houses and shops on the left of the street, with horse chestnut trees in leaf on the right.80 x 130mm, print on postcard.
PH/BLUNT/22Bluntisham village with the Rose and Crown public house ("Huntingdon Ales") to the left with red telephone box outside; houses and telegraph poles on both sides of the street.85 x 140mm, print on postcard.
PH/BLUNT/23Bluntisham, showing post 1914-18 war council housing on left, with hedges and fences in front; road, footpath and grass verge curving in distance to left with signpost and war memorial; church spire in the background.85 x 140mm, print on postcard.
PH/BLUNT/24a-bA team of players from the Bury Fen Bandy Club during a tour of the Netherlands in 1891: sitting on ice chairs or standing, with a flag-decorated building behind them.120 x 165mm, sepia print mounted on board.
PH/BLUNT/24a-b (contd.)
PH/BLUNT/25John Wheatley of Bluntisham, shown standing with his round marquetry table, three telescopes and a cello; dressed in a jacket and waistcoat, beard under his chin, his hands resting on the table and on one of the telescopes.150 x 205mm, sepia print mounted on card.
PH/BLUNT/26Portrait believed to be of John Weatley: head-and-shoulders full face portrait of an elderly bearded man in heavy coat and waistcoat.145 x 95mm, print on paper.
PH/BLUNT/27Portrait of a woman, found with the original for PH/BLUNT/26 and so presumed to be Mrs John Weatley: head and sholders portait in a bonnet and dark dress with oval brooch at the throat.145 x 95mm, print on paper.
PH/BLUNT/28Portrait believed to be of John Weatley: head-and-shoulders picture of a bearded man in a heavy coat.145 x 95mm, print on paper.
PH/BLUNT/29A team of players from the Bury Fen Bandy Club, presumably while touring the Netherlands in 1891: eleven men standing on the ice, two sitting in front, with a blurred image of stands and flags behind.155 x 220mm, sepia print mounted on card.
PH/BRAMP/01Parish church of St Mary the Virgin from the south, showing the tower, nave, south aisle, chancel with chimney stack and south porch. Trees and bushes in leaf. Gravestones in graveyard.90 x 140mm, print on postcard.
PH/BRAMP/02a-bParish church of St Mary the Virgin showing close-up of south side, tower, nave, south aisle, part of chancel with chimney stack, south porch and gravestones.100 x 150mm, 105 x 150mm, prints on paper (b slightly darker).
PH/BRAMP/03Parish church of St Mary the Virgin showing north side, tower, nave, north aisle, north porch and north vestry. Trees in leaf and several gravestones in churchyard.110 x 150mm, sepia print on paper.
PH/BRAMP/04Parish church of St Mary the Virgin from the west, showing tower with clock and west windows of north and south aisles. Yew hedge, stone wall (with brick buttress), gate and two gas lamps.160 x 120mm, sepia print on paper.
PH/BRAMP/05Parish church of St Mary the Virgin from the south-west, showing the bottom of the tower and south aisle in background. Large pine tree in foreground and gravestones.110 x 150mm, sepia print on paper.
PH/BRAMP/06Parish church of St Mary the Virgin from the south-east, showing nave, tower, south aisle and chancel with chimney stack; gravestones and shrubs and trees in leaf.120 x 160mm, sepia print on paper, slightly blurred.
PH/BRAMP/07Parish church of St Mary the Virgin from the north, showing tower, nave, north aisle, north porch, gravestones, railings, and small fir tree.120 x 120mm, sepia print on paper, blurred.
PH/BRAMP/08The parish church of St Mary the Virgin from the south-west, and from the other side of the road, showing the tower, nave, south aisle and south porch, with trees in leaf and churchyard wall in front.150 x 200mm, 140 x 210mm, sepia prints on paper (b darker).
PH/BRAMP/09a-bParish church of St Mary the Virgin, interior view of nave, chancel, north and south aisles, looking east. Organ in north aisle, several oil lamps in nave arcade, pulpit150 x 200mm, 145 x 215mm, sepia prints on paper; b) blurred, corner torn.
PH/BRAMP/10The Parish church of St Mary the Virgin, interior, showing the Sandwich chapel with screen, shields and inscriptions, altar and east window.110 x 150mm, print on paper.
PH/BRAMP/11Parish church of St Mary the Virgin, interior view looking east along the south aisle to the Sandwich chapel; south porch door, pews, altar and screen.150 x 110mm, print on card.
PH/BRAMP/12Parish Church of St Mary the Virgin, interior view of south aisle with south porch door and pews.145 x 110mm, sepia print on paper, faded.
PH/BRAMP/13Parish church of St Mary the Virgin, interior view of nave looking west through the chancel screen to the west door, showing nave roof, three lamps and large cross.145 x 110mm, sepia print on paper, slightly blurred.
PH/BRAMP/14Parish church of St Mary the Virgin, interior view looking east and showing chancel window, altar, nave and roof, screen, pews, pulpit and lectern.145 x 105mm, sepia print on paper.
PH/BRAMP/15Parish church of St Mary the Virgin, interior view of the chancel showing east window and altar. Three hanging lamps and four wall lamps.110 x 150mm, sepia print on paper.
PH/BRAMP/16Parish church of St Mary the Virgin, exterior view of tower and clock from the south-west. Trees in leaf, hedge and one street lamp.140 x 90mm, print on postcard.
PH/BRAMP/17Parish church of St Mary the Virgin, exterior view of tower from the west, showing clock and north and south aisle windows. Hedging, stone wall, wooden gate and two street lamps.140 x 90mm, print on postcard.
PH/BRAMP/18Pepys House, Brampton, showing front of house with mature trees and lawn. House has two chimneys, three first floor and two attic windows.90 x 140mm, print on postcard.
PH/BRAMP/19a-bPepys House, Brampton, showing front of house with three ground floor windows, three first floor and two attic windows, front door open. Chimneys just showing behind branches of mature trees to left and evergreen to right. Lawn.90 x 140mm, prints on postcards, a) slightly darker.
PH/BRAMP/20a-bPepys House, Brampton, showing exterior view of front with four chimneys, three ground floor windows, three first floor windows, and two attic windows, front door, side wall with gate. Mature tree to left has been lopped and the branches are bare. Lawn with low box hedging along side drive.90 x 135mm, prints on postcards.
PH/BRAMP/21Brampton Park, showing the house in a magnificent setting of trees, shrubbery and lawns with figures in the foreground; paths with part of steps showing.95 x 150mm, sepia print on paper.
PH/BRAMP/22Brampton Pond with the village school behind, cattle in pond and trees in leaf.90 x 140mm, sepia print on postcard.
PH/BRAMP/23Brampton Mill, showing the long mill building with arch over the mill race in the foreground; water, reeds, trees in leaf.90 x 140mm, sepia print on postcard.
PH/BRAMP/24Brampton Mill showing the mill and mill race from the south-east, with water, reeds and five men in a boat. House to the right, trees in leaf.90m x 140mm, sepia print on postcard.
PH/BRAMP/25Brampton Mill showing the mill and mill race from the south-east, with water, reeds and five men in a boat. House to the right, trees in leaf.90 x 140mm, sepia print on postcard, faded.
PH/BRAMP/26Brampton Road, Huntingdon, showing horse and carriage with two men, one man on a bicycle and three pedestrians. Road unmade. Trees in leaf. Lush grass.90 x 140mm, print on postcard with added colours.
PH/BRAMP/27Brampton village showing two thatched cottages, one with lower windows and shutters, wooden gate. Wooden fence between the two, boy by wooden fence, trees in leaf, unmade lane.90 x 140mm, sepia print on postcard.
PH/BRAMP/28Brampton looking east to turnpike obelisk; houses in distance, trees in leaf.100 x 150mm, sepia print on paper.
PH/BRAMP/29Brampton, showing cottage south of church with bow windows above and below. Two houses to the right and part of one to the left. Cottages in distance. Lady in doorway. Trees in leaf. Unmade road.110 x 140mm, sepia print on paper.
PH/BRAMP/30Brampton Hut: the public house with inscription over the door "William King, licensed retailer of beer and spirits. Dealer in tobacco". Hoarding at side with advertisements. Three men and two bicycles outside pub. Pub sign unreadable.90 x 140mm, print on postcard.
PH/BRAMP/31a-bPepys House, Brampton, seen from one side with field in foreground; climbing shrubs or creepers on walls. Large tree in leaf in foreground.110 x 150mm, 120 x 160mm, sepia prints on paper.
PH/BRAMP/32Pepys House, Brampton, showing the front and the side with hedgerows and a tree in the foreground, in leaf.80 x 120mm, blue print on paper.
PH/BRAMP/33Pepys house, Brampton, showing the front and side, trees in leaf and hedgerow bordering unmade road with path.100 x 150mm, sepia print on paper.
PH/BRAMP/34A drawing of Pepys House, Brampton. from the front and with a large pollarded tree in front of it, sketch by C. Hodgson.110 x 150mm, print on card.
PH/BRAMP/35St Mary's Church, Brampton, from the-south west and across the road, showing part of the tower and nave behind trees; stone wall and hedging in front with unmade road, men on bicycles and horse drawn cart with driver.80 x 130mm, print on postcard.
PH/BRAMP/36St Mary's Church, Brampton, from the west showing tower with clock and west doorway, stone wall and hedge on either side of gateway, above low wall. Lamppost on either side of gateway.145 x 105mm, print on paper.
PH/BRAMP/37St Mary's Church, Brampton, from the south-east showing chancel behind trees, nave, south aisle, south porch and tower; gravestones in churchyard with rough grass.105 x 155mm, print on paper.
PH/BRAMP/38St Mary's Church, Brampton: interior view looking east, showing nave and arcades, chancel and chancel arch in the background with pulpit and organ pipes on left, lectern on right; kneeling desk in centre of aisle with pews on either side of nave.155 x 110mm, print on paper.
PH/BRAMP/39St Mary's Church, Brampton: interior view of the south aisle with screen in front of chapel, south door of church standing open, and pews on either side.145 x 110mm, print on paper.
PH/BRAMP/40a-bBrampton pond and schools: pond with cattle in and around it in the foreground, the school behind and a house to the right. Trees in leaf.90 x 140mm, prints on postcards, one tinted.
PH/BRAMP/41Pepys House, Brampton, showing house of three bays with large chimneys, timber frame with brick lower floor and rendered upper floor. Two dormer windows in tiled roof; drive leading to house with hedge and ancient tree standing in lawn.105 x 150mm, print on paper.
PH/BRAMP/42A cottage at Brampton Park in 1936, shown with thatched roof in background with picket fenced areas in foreground, trees in leaf.80 x 130mm, postcard.
PH/BRAMP/43A lithograph of Brampton Park in about 1852 by John Sunman Austin, showing the house and grounds (rebuilt 1820, burned down 1907).170 x 270mm, print on paper.
PH/BRAMP/44A lithograph of Brampton Park in 1852 by John Sunman Austin, similar to PH/BRAMP/43 but closer to the building and from a different angle170 x 270mm, print on paper.
PH/BRAMP/45Brampton Park: the house in the background with extensive lawns in front; and Nuns Bridge: looking along the road that goes over the bridge (itself only just visible in the background) with trees in leaf on either side, two boys in a horse and trap on the road and another boy standing on the path to the left, heaps of gravel along the right-hand grass verge.Two photographs mounted back to back: 150 x 205mm, sepia prints mounted on card.
PH/BRAMP/46Bromholme Bridge, leading from Brampton onto Portholme: a single-arched brick-built bridge with fencing beside it and an angler fishing from a boat in the right foreground.80 x 135mm, sepia print on postcard.
PH/BRAMP/47An oil painting of Samuel Pepys: showing him sitting in a high-backed chair wearing neckcloth and full wig, with his hand on a book and musical instruments on the table beside him, a large terrestrial globe in the left foreground; a sea scene in the right background, very dark.280 x 240mm, colour print on paper.
PH/BRING/01All Saints' Church, Brington from the south, with churchyard, wooden fence on the left and stone wall on the right. Trees in leaf.140 x 105mm, sepia print on paper.
PH/BRING/02a-bAll Saints' Church, Brington from the south-west: showing the tower, most of the rest concealed by hedge in foreground and trees in leaf.140 x 105mm, sepia prints on paper, one dark.
PH/BRING/03All Saints' Church, Brington from the north-west with wooden fence in foreground, gravestones and trees in leaf.140 x 105mm, sepia print on paper.
PH/BRING/04All Saints' Church, Brington from the south, showing the nave, south porch, tower (up to the base of the spire) and chancel. Railings and gravestones. Tree in leaf.110 x 150mm, sepia print on paper.
PH/BRING/05All Saints' Church, Brington: exterior view of the chancel from the east with stone wall and tree in leaf in the foreground.130 x 105mm, sepia print on paper.
PH/BRING/06All Saints' Church, Brington: interior view of the nave looking east to the chancel, with pulpit, pews and stove with prominent stovepipe.140 x 110mm, sepia print on paper.
PH/BRING/07All Saints' Church, Brington: the font, with window and pews.150 x 105mm, sepia print on paper, blurred.
PH/BRING/08All Saints' Church, Brington: interior view of the nave looking east to the chancel, with pulpit, pews, stovepipe and hanging lamps.90 x 140mm, print on postcard.
PH/BRING/09The Rectory, Brington: a large, brick-built 19th-century house with dormer windows, with the chursh steeple behind and to the right.90 x 140mm, print on postcard.
PH/BRING/10All Saints' Church, Brington: interior view of the nave looking west to the tower, with pews, font cover, wall lights, stove with pipe.105 x 145mm, sepia print on paper.
PH/BRING/11All Saints' Church, Brington from the south showing chancel, nave, south porch, and tower with part of churchyard in front. Trees with and without leaf on either side. Hedging with wooden gate to left of photograph and low stone wall to the right.150 x 205mm, sepia print on paper.
PH/BRING/12All Saints' Church, Brington from the south-west showing tower, nave, south porch and chancel with graves in churchyard. Wooden fencing and rough grass in foreground with trees in leaf to the right.150 x 110mm, print on paper.
PH/BRING/13All Saints' Church, Brington: interior view of the nave looking east to the chancel and chancel arch, pulpit to the left with pews on either side. Stove in middle of aisle. Numerous hanging lamps and wall lights.155 x 205mm, sepia print on paper.
PH/BRING/14All Saints' Church, Brington: interior view of the nave looking east to the chancel and chancel arch, pulpit to the left, lectern to right with pews on either side, stove in centre of aisle. Numerous hanging lamps and wall lights.155 x 110mm, print on paper
PH/BRING/15All Saints' Church, Brington: the font with pyramidal wooden cover, in front of a window.150 x 85mm, print on paper.
PH/BROUG/01a-bAll Saints' Church, Broughton from the south, with stone chuchyard wall and wooden gate, trees in leaf.105 x 145mm, prints on paper.
PH/BROUG/02a-bAll Saints' Church, Broughton from the west, showing steeple, gravestones in front of and either side of tower, wooden fence and five-bar gate in foreground.140 x 85mm, 145 x 100mm, prints on paper.
PH/BROUG/03All Saints' Church, Broughton from the south-west, showing most of steeple and side of south porch. Part of churchyard wall visible in foreground.145 x 110mm, sepia print on paper.
PH/BROUG/04All Saints' Church, Broughton from the north-west. showing tower and north aisle, north wall with creepers, hedge and fence.145 x 105mm, sepia print on paper.
PH/BROUG/05a-bAll Saints' Church, Broughton from the north-east, showing chancel and north wall with creepers, cross on apex of chancel roof. Gravestone with figure at right side of photograph. Wooden fence in foreground.120 x 100mm, 145 x 100mm, sepia prints on paper.
PH/BROUG/06a-bAll Saints' Church, Broughton from the south-east showing chancel with cross on apex of roof, gravestones amongst grass and old stone wall in foreground.120 x 105mm, 140 x 100mm, sepia prints on paper.
PH/BROUG/07a-dAll Saints' Church, Broughton: rubbings of the Lawrence Martin brass (c.1490): body and detached head of man in civil dress, with four fragments of marginal inscription, a shield and a roundel with the evangelical symbol of St Luke.115 x 100mm, sepia print on paper; 120 x 105mm, 120 x 90mm, 95 x 65mm, three blue prints on paper (one torn).
PH/BROUG/08a-bAll Saints' Church, Broughton: interior of the nave and north and south arcades, looking east to the chancel and showing the roof with four figures of angels on the soffits. Brasses on floor of nave.155 x 110mm print on paper and print on card.
PH/BROUGH/09a-bAll Saints' Church, Broughton: interior of the nave looking east into the chancel, with pulpit on left side, part of timbered roof visible with suporting angel on each side. Wall paintings visible over chancel arch.110 x 150mm, 80 x 135mm, sepia prints on paper.
PH/BROUGH/10All Saints' Church, Broughton: interior of the nave looking west from the chancel, with lectern on right side, timbered roof with two supporting angels.110 x 150mm, sepia print on paper.
PH/BROUGH/11A house of brick, showing curvilinear dutch gable and heavy square chimney stack, creeper on walls and brick wall round it.100 x 125mm, sepia print on paper.
PH/BROUGH/12a-bBroughton Rectory, of two storeys with attics, timber-framed and plastered, long verandah with climbers on each support, lawns at front, hedge on left side, border at right.105 x 150mm, sepia prints on paper.
PH/BROUGH/13Plan of All Saints' Church, Broughton.80 x 140mm, print on paper.
PH/BROUGH/14Houses in Broughton, showing a large house to the left, smaller houses to the right, with the church spire in the background. Wooden fence, hedging and water in foreground.95 x 140mm, print on paper.
PH/BROUGH/15House in Broughton, showing a house to the left with woodpile, old five-bar gate and wood in the foreground. Trees on either side of the house.105 x 1140mm, print on paper.
PH/BROUGH/16Houses in Broughton, showing several with thatched roofs in the background with hedging, five-bar gate and water in foreground.85 x 90mm, print on paper.
PH/BROUGH/17Houses in Broughton, showing houses to the left with part of building to the right. Church in background with tower and spire, fence and unmade road in the foreground.65 x 105mm, print on paper.
PH/BUCKD/01The Lion Hotel, Buckden: exterior view from across the street, showing the hotel with many signs; in front of it an open-backed car with two men standing by, and a lady in a long dress in a doorway.85 x 130mm, print on postcard.
PH/BUCKD/02a-bConeygarth, Buckden: a two-storey house with wooden fence and a low brick wall. Trees without leaf, road in foreground.100 x 140mm, sepia print on paper and blue print on paper.
PH/BUCKD/03Coneygarth, Buckden: a two-storey house with glasshouse attached. Shuttered ground floor windows, low wall and grass in foreground.100 x 140mm, sepia print on paper.
PH/BUCKD/04Buckden Manor House and Vicarage: two houses bounded by walls; in the foreground is a lady wearing a long dress leaning against a low wall with her hand on a wooden gate. To the left is a leafless tree.95 x 125mm, sepia print on paper.
PH/BUCKD/05The Lion Hotel Buckden, from across the street with two women at the door, a man on the right, and a car with unidentifiable figure in rear. Hotel signs on wall, AA sign above coach entrance and a clock showing 2.45.75 x 110mm, print on trade card.
PH/BUCKD/06Houses at Buckden: a two-gabled one to the right and a simpler cottage to the left, with village street and large brick wall on right-hand side.100 x 140mm, print on paper.
PH/BUCKD/07Looking along the main street at Buckden with the Red Lion Hotel on the left and the George and the Dragon on the right, cottages in the background and a line of people across the road.60 x 80mm, screened print on paper.
PH/BUCKD/08a-bLooking north up the main street in Buckden, with the George and Dragon on the left and the Lion on the right, with the Offord road opening behind it. In the background on the right is the Palace wall. At the door of the Lion Hotel are two figures, one female with white apron, male figure partially obscured by door, children and adults in background.100 x 150mm, sepia print on paper; 120 x 165mm, print on paper.
PH/BUCKD/09a-eLooking north up the main street in Buckden, identical view to PH/BUCKD/08.110 x 155mm, blue print on paper; 120 x 160mm, four prints on paper.
PH/BUCKD/10Wrought iron gate at Stirtloe House, and glasshouses beyond.100 x 60mm, print on paper.
PH/BUCKD/11Wrought iron railings at Stirtloe House, with gate of similar design to that shown in PH/BUCKD/10. Small broken wall in front and leafless trees behind railings.70 x 110mm, print on paper.
PH/BUCKD/12a-fA print of Buckden Palace, showing gardeners at work. Large lawns and trees in leaf. Turreted gatehouse at right.115 x 150mm, prints on paper.
PH/BUCKD/13a-fA print of Buckden Palace with the parish church to the left, the large turreted building in the middle and the house to the right, lawns in the foreground.110 x 145mm, prints on paper.
PH/BUCKD/14a-mBuckden Palace from the churchyard, showing the main turreted building with the gatehouse on the left.80 x 100mm, twelve sepia prints on paper; 80 x 115mm, blue print on paper.
PH/BUCKD/15a-eBuckden Palace from the churchyard, showing the main turreted building with the gatehouse on the left, rows of gravestones in the foreground.105 x 150mm, two sepia prints on paper; 120 x 160mm, sepia print on paper; 120 x 160mm, two blue prints on paper.
PH/BUCKD/16Buckden Palace from the east, showing the main turreted building and the gatehouse beyond it to the right.195 x 125mm, screened print on paper.
PH/BUCKD/17Buckden Palace: the main turreted building and a corner of the parish church seen through railings.145 x 110mm, sepia print on paper.
PH/BUCKD/18Buckden Palace: the small gateway onto the village main street, with wrought iron gate, ivy clad walls and trees in leaf.120 x 155mm, sepia print on paper.
PH/BUCKD/19a-dBuckden Palace: the gatehouse with bridge over the moat, and curtain wall to the right. Trees in leaf.150 x 195mm, two sepia prints on paper; 70 x 95mm, two prints on card.
PH/BUCKD/20a-bBuckden Palace from near the gatehouse, looking south-east to the main turreted building with the spire of the parish church behind, creeper clad walls and trees in leaf, wooden fence in front.160 x 200mm, sepia prints on paper.
PH/BUCKD/21Buckden Palace: the main turreted building with the gardens in front of it.150 x 200mm, sepia print on paper.
PH/BUCKD/22a-rSt. Mary's Church, Buckden, from the south-west, showing steeple and part of south side, some gravestones in front, trees without leaf.105 x 75mm, 18 sepia prints on paper; 120 x 80mm, blue print on paper.
PH/BUCKD/23St. Mary's Church, Buckden: interior view looking east through the nave to the chancel, showing wooden vaulted roof, south aisle on right of photograph, columns and pews.150 x 110mm, sepia print on paper.
PH/BUCKD/24a-bSt. Mary's Church, Buckden, seen from across the churchyard to the south-west, with Buckden Palace behind and to the left.65 x 90mm, prints on card.
PH/BUCKD/25a-bSt. Mary's Church, Buckden, a distant view from the north-east with Buckden Palace on the right, wooden fence in front separating buildings and parkland. Trees in leaf.70 x 100mm, prints on card.
PH/BUCKD/26a-bThe gatehouse of Buckden Palace looking east to St Mary's church on right. Male figure in foreground on bridge. Trees in leaf.70 x 95mm, prints on card.
PH/BUCKD/27a-bBuckden Palace showing the main turreted building and St Mary's spire in the background. Ivy-clad wall of gatehouse on right, wooden fence in front of buildings separating them from parkland in foreground.70 x 95mm, prints on card.
PH/BUCKD/28a-bBuckden Palace showing the main turreted building and St Mary's spire in the background Trees in leaf, wooden fence in front.70 x 95mm, prints on card.
PH/BUCKD/29a-bBuckden Palace showing the west side of the gatehouse with ivy-clad walls. Wooden fence in front and parkland in foreground, trees in leaf.70 x 95mm, prints on card.
PH/BUCKD/30An engraving of Buckden Palace from the east, with St Mary's church steeple on the left, man sitting on the right under a tree.80 x 110mm, print on card.
PH/BUCKD/31A drawing of Buckden Palace, with parkland in the foreground and the spire of St Mary's church behind.120 x 160mm, print on card.
PH/BUCKD/32A drawing of Buckden Palace, with parkland in the foreground and the spire of St Mary's church behind.120 x 160mm, print on card.
PH/BUCKD/33A drawing of Buckden Palace showing the gatehouse with St Mary's church in the right background.120 x 160mm, print on card.
PH/BUCKD/34a-dBuckden Palace from the east, showing the main turreted building on the left, the gatehouse in the centre background and the Victorian house to the right, lawn in front.90 x 140mm, prints on postcards - d) coloured.
PH/BUCKD/35Buckden Palace and Church from the north-east, showing the church on the left, the main turreted building in the centre and the gatehouse to the right, lawn in front, trees in leaf.90 x 140mm, print on postcard.
PH/BUCKD/36Buckden Palace and Church from the north-east, showing the church on the left and the main turreted building on the right, lawn in front, trees in leaf.90 x 140mm, print on postcard.
PH/BUCKD/37St. Mary's Church, Buckden: the western half of the church from the south, with part of Buckden Palace behind to the left. Gravestones, trees in leaf, and stone wall in front.135 x 90mm, print on postcard.
PH/BUCKD/38St. Mary's Church, Buckden: the western half of the church from the south, with part of Buckden Palace behind to the left. Gravestones, trees in leaf, and stone wall in front.140 x 90mm, print on postcard.
PH/BUCKD/39St. Mary's Church, Buckden from the south-west, showing numerous gravestones, and Buckden Palace to the left.150 x 105mm, print on paper.
PH/BUCKD/40St. Mary's Church, Buckden from the north-west, showing several gravestones in foreground, steeple of church with clock showing time as 11.43, part of Buckden Palace on left, trees and shrubs in leaf.140 x 105mm, sepia print on paper.
PH/BUCKD/41St. Mary's church, Buckden from the south-west, showing steeple, south aisle, and porch. Several gravestones in foreground, tower of Buckden Palace on left, trees in leaf.135 x 100mm, sepia print on paper.
PH/BUCKD/42St. Mary's Church, Buckden: a general view from the south, gravestones in foreground and leafless trees. Part of Buckden Palace behind to the left.110 x 140mm, faded sepia print on paper.
PH/BUCKD/43St. Mary's Church, Buckden, from the south-west, showing steeple, south aisle and porch, gravestones in foreground. Trees in leaf and part of Buckden Palace visible on left.155 x 120mm, faded sepia print on paper.
PH/BUCKD/44St. Mary's Church, Buckden: a close-up view of the north vestry and organ chamber with a glimpse of the steeple. Part of Buckden Palace on the right. Trees and shrubs in leaf.110 x 150mm, sepia print on paper.
PH/BUCKD/45a-bSt. Mary's Church, Buckden from the south-east, showing most of the church except the top of the spire, gravestones in foreground. Trees and shrubs in leaf.105 x 150mm, 120 x 165mm, sepia prints on paper.
PH/BUCKD/46St. Mary's Church, Buckden from the south showing the western half of the church, churchyard wall in foreground, gravestones between it and church. Buckden Palace on left, trees and shrubs in leaf.140 x 90mm, print on postcard.
PH/BUCKD/47Buckden Palace and Church from the north-east, trees and shrubs in leaf and lawns in foreground.90 x 140mm, print on postcard.
PH/BUCKD/48Buckden Palace and Church: from a raised viewpoint (probably a house in the High Street) looking north-east, showing the main turreted building and part of the gatehouse on the left. Trees and shrubs in leaf, roof of house and greenhouse in left corner.90 x 140mm, print on postcard.
PH/BUCKD/49a-bSt. Mary's Church, Buckden: a general view from the south with parts of Buckden Palace to the left. Gravestones in churchyard with trees without leaf on either side.90 x 115mm, prints on postcards
PH/BUCKD/50a-bBuckden Palace from the east, showing the main turreted building on the left and the Victorian house on the right, lawn in foreground.75 x 135mm, prints on postcards.
PH/BUCKD/51Buckden Palace and St Mary's Church: a distant view from the north-east, showing the church to the left, the main turreted building in the centre and the Victorian house to the right. Trees in leaf all round, gardens in front, rough grass in foreground.90 x 140mm, print on postcard.
PH/BUCKD/52a-bAn engraving of "The West View of Buckden Palace in the County of Huntingdon" by Samuel and Nathaniel Buck.70 x 130mm, prints on postcards.
PH/BUCKD/53a-bThe Lion Hotel, Buckden, with ivy-clad walls and advertisements for "Wells and Winch and Co., Biggleswade Ales and Stout". Foreign and British Wines and Spirits". Several men with bicycles to left, horse-drawn vehicle to right.55 x 75mm, prints on postcards.
PH/BUCKD/54A drawing of the Lion Hotel, Buckden.80 x 120mm, print on postcard.
PH/BUCKD/55High Street, Buckden, with the Lion Hotel on the left, several people in foreground and a cart on the road.75 x 120mm, print on postcard.
PH/BUCKD/56The George Hotel, Buckden, showing three-story brick building with an archway, several bricked-up windows, window boxes. Shop on the right and two cars and a man on the road.85 x 140mm, print on postcard.
PH/BUCKD/57The Lion Hotel, Buckden, showing several signs, an archway and ivy-clad walls85 x 135mm, print on postcard.
PH/BUCKD/58The Lion Hotel, Buckden, showing two sides of the building with several signs, an achway, ivy-clad walls and window boxes, also a car and people outside the hotel.90 x 135mm, print on postcard.
PH/BUCKD/59The Lion Hotel, Buckden, showing a room with a fireplace, furniture, low ceiling with beams and flowers on table.85 x 135mm, print on postcard.
PH/BUCKD/60The Lion Hotel, Buckden, showing several signs, an archway, ivy-clad walls, several people (some with bicycles) and a horse and trap.70 x 110mm, print on advertising card.
PH/BUCKW/01Buckworth Rectory, showing front of two storey house with dormer windows, creepers on walls, lawn with two garden seats in front, trees in leaf.90 x 140mm, print on postcard.
PH/BUCKW/02Buckworth Rectory showing the back gable ends from the garden. Trees and shrubs in leaf.90 x 140mm, print on postcard.
PH/BUCKW/03All Saints' Church, Buckworth: from the south-west, showing steeple and south side of church including porch. Two gravestones in foreground, fence and seat to right of photograph, trees in leaf.140 x 100mm, sepia print on paper.
PH/BUCKW/04All Saints' Church, Buckworth: from the south-east, showing steeple and weather vane, south porch and the western end of the south aisle and clerestorey, with gravestones in foreground, trees in leaf to left.150 x 85mm, print on paper.
PH/BUCKW/05a-bAll Saints' Church, Buckworth: looking east through the nave to the chancel, showing the font in the nave, pulpit, choir stalls with stained glass east window. Ceiling bosses clearly visible as are carved corbels.140 x 110mm, sepia prints on paper.
PH/BUCKW/06a-bAll Saints' Church, Buckworth: a general view from the north-east although with much of the building hidden by trees.150 x 110mm, 140 x 105mm, sepia prints on paper, b) slightly blurred.
PH/BUCKW/07All Saints' Church, Buckworth: from the south but not showing the top of the spire or the east end of the chancel. Gravestones and trees in leaf.110 x 155mm, sepia print on paper.
PH/BUCKW/08All Saints' Church, Buckworth: a close-up view of the north aisle seen from the north-west.105 x 150mm, sepia print on paper, rather blurred.
PH/BUCKW/09All Saints' Church, Buckworth: looking west through the nave to the tower arch with the organ in it, the font in front of it. Pews in foreground and one stove.150 x 110mm, sepia print on paper.
PH/BUCKW/10All Saints' Church, Buckworth: a general exterior view from the south, with part of the churchyard and trees in leaf in the foreground.105 x 145mm, print on paper.
PH/BUCKW/11All Saints' Church, Buckworth: looking east through the nave to the chancel, showing side aisles with pulpit on the left and lectern on right, pews and font in foreground.105 x 150mm, print on paper.
PH/BUCKW/12All Saints' Church, Buckworth: from the south, showing the steeple and west end of the nave and south aisle, with south porch; part of the churchyard in foreground and trees in leaf in background.150 x 95mm, print on paper.
PH/BURY/01The Brook, Bury, with the church and village in the background. Cattle in field, trees without leaf.90 x 140mm, print on postcard.
PH/BURY/02Church of the Holy Cross, Bury: a general view from the south-west, gravestones in foreground, hedge and trees with and without leaf.150 x 205mm, sepia print on paper.
PH/BURY/03Church of the Holy Cross, Bury: a general view from the south-east, gravestones and trees in leaf.100 x 150mm, sepia print on paper.
PH/BURY/04Church of the Holy Cross, Bury: a general view from the north, also showing gravestones, water butts, and iron railings in foreground. Buildings to left in background.105 x 155mm, sepia print on paper.
PH/BURY/05Church of the Holy Cross, Bury: from the south-west showing the tower and south porch. One gravestone visible, brick wall and path in foreground.145 x 100mm, sepia print on paper.
PH/BURY/06a-bChurch of the Holy Cross, Bury: the west door, at the base of the tower, seen from outside, with arches over it.110 x 65mm, prints on paper.
PH/BURY/07Church of the Holy Cross, Bury: the round-headed archway over the door between the tower and the nave, looking east through the doorway into the nave.155 x 110mm, print on paper.
PH/BURY/08a-bChurch of the Holy Cross, Bury: the doorway between the tower and the nave, with round-headed arch above it, looking through into the nave to the chancel screen and east window, with pews and hanging lamp.150 x 100mm, sepia prints on paper.
PH/BURY/09Church of the Holy Cross, Bury: looking west through the nave to the tower door, showing side altar in north aisle, pews, four hanging lamps, and chest beyond doorway.110 x 150mm, sepia print on paper.
PH/BURY/10Church of the Holy Cross, Bury: looking east through the nave to the chancel, showing chancel screen, pulpit to left, pews and four hanging lamps. Lectern (early 14th century) to the left near pulpit.105 x 150mm, sepia print on paper.
PH/BURY/11Church of the Holy Cross, Bury: looking east through the nave to the chancel, showing chancel screen, pulpit to left, pews and hanging lamps. Lectern (early 14th century) to the left near pulpit; also harmonium; font just visible in left foreground.110 x 150mm, print on paper.
PH/BURY/12Church of the Holy Cross, Bury: a print of the 14th-century lectern.160 x 55mm, sepia print on paper.
PH/BURY/13a-cChurch of the Holy Cross, Bury: the 14th-century carved wooden lectern, with the pulpit and steps partly visible to the left, with crucifix above and hymn board on wall.150 x 100mm, sepia prints on paper.
PH/BURY/14a-bChurch of the Holy Cross, Bury: the back of the 14th-century lectern with part of the nave behind: harmonium, chairs, pews, one column of the nave arcade, and lamp.150 x 100mm, prints on paper.
PH/BURY/15Church of the Holy Cross, Bury: from the west, showing the tower, side buttresses and side of the south porch. Stone wall and wooden fence in foreground.80 x 65mm, sepia print on paper.
PH/BURY/16a-cChurch of the Holy Cross, Bury: a general view from the south, looking across the road from the field opposite, with a crowd of people in the churchyard and - I think - a horse drawn charabanc parked on the road (but largely hidden by a wall).60 x 80mm, two prints on paper; and 100 x 145mm, photographic copy of b).
PH/BURY/17Bury bridge from south showing bridge with single arch, rough grass on either side.100 x 130mm, sepia print on paper.
PH/BURY/18Bury Village, showing post office and cottages with road.90 x 140mm, coloured print on postcard.
PH/BURY/19The Brook, Bury: identical image to PH/BURY/01 but without the blank band at the bottom of the card and therefore allowing more of the trees at the top to be included.90 x 140mm, coloured print on postcard.
PH/BYTHN/01St Lawrence's Church, Bythorn: from the east, with semi-derelict cottage on left of photograph, gateway in wall, gravestones visible on right; green, traversed by paths, in front of church and cottage. Trees in leaf.90 x 140mm, sepia print on postcard.
PH/BYTHN/02a-eSt Lawrence's Church, Bythorn: a general view from outside the churchyard wall to the east, stone wall in front with gravestones visible on right, green with path in foreground, trees in leaf.165 x 120mm, three prints on paper; 150 x 110mm, print on paper; 140 x 105mm, sepia print on paper.
PH/BYTHN/03St Lawrence's Church, Bythorn: from the west showing steeple (except the top), west wall of south aisle, side view of south porch and roof of nave. Table tomb and gravestones in foreground, trees in leaf.140 x 110mm, sepia print on paper.
PH/BYTHN/04St Lawrence's Church, Bythorn: a distant view from the north-east, with part of a house visible on the left, overgrown land in foreground with shrubs and trees in leaf.115 x 105mm, sepia print on paper.
PH/BYTHN/05St Lawrence's Church, Bythorn: a general view from the north-west, with stone churchyard wall in left foreground, iron gate and rough fencing on right.145 x 110mm, sepia print on paper.
PH/BYTHN/06St Lawrence's Church, Bythorn: looking east through the nave to the chancel and the east window, showing pews and the north arcade.120 x 165mm, blue print on paper.
PH/BYTHN/07a-bSt Lawrence's Church, Bythorn: looking east from the centre of the nave, showing two arches of the arcade on each side, diamond design on floor, wooden pews, oil lamps and east window, raftered roof.140 x 110mm, sepia prints on paper, b) slightly larger and faded.
PH/BYTHN/08St Lawrence's Church, Bythorn: looking west through the nave, showing oil lamps, pews and wooden roof.140 x 105mm, sepia print on paper.
PH/BYTHN/09St Lawrence's Church, Bythorn: looking west through the nave to the tower arch and west window, showing the nave arcade and oil lamps.120 x 165mm, blue print on paper.
PH/BYTHN/10a-bSt Lawrence's Church, Bythorn: rubbing of an inscription reading: "Here lyeth ye body of Sillina Parris ye wife of William Parris shee dyed ye 31 of Octor 1658".35 x 70mm, blue prints on paper.
PH/BYTHN/11St Lawrence's Church, Bythorn: a general view from the south-east, trees in leaf on either side, stone wall with iron gate in front of church, rough grass and unmade path in foreground.150 x 105mm, sepia print on paper.
PH/BYTHN/12St Lawrence's Church, Bythorn: a general view from the south-east, gravestones in churchyard with stone wall and rough grass in foreground, trees in leaf behind church.150 x 105mm, print on paper.
PH/BYTHN/13St Lawrence's Church, Bythorn: a general view from the north-west, with hedge in front of church and girl standing by open churchyard gate, rough grass in foreground.145 x 100mm, print on paper
PH/BYTHN/14St Lawrence's Church, Bythorn: looking east through the nave to the chancel, showing chancel arch, east window, pulpit to the left and lectern to the right, nave arcade on either side; several hanging lamps in both aisles and nave.110 x 155mm, print on paper.
PH/CALDE/01St Mary Magdelene's Church, Caldecote: a general view from the south, gravestones in foreground, trees in leaf.150 x 105mm, sepia print on paper.
PH/CALDE/02St Mary Magdelene's Church, Caldecote: looking east through the nave to the chancel arch and chancel, east window of three lights, pulpit, pews and windows on either side of nave, central chandelier with four lamps.155 x 105mm, sepia print on paper.
PH/CALDE/03St Mary Magdelene's Church, Caldecote: a general view from the south with trees in leaf and the churchyard overgrown with long grass and wild flowers.105 x 145mm, print on paper.
PH/CALDE/04A watercolour of St Mary Magdelene's Church, Caldecote, c. 1860, by Cuthbert Bede: showing the church before its rebuilding in 1874, seen from the south-east and then with a small western tower instead of the later bellcote.160 x 225mm, print on paper.
PH/CALDE/05St Mary Magdelene's Church, Caldecote: looking east through the nave to the chancel with pews, pulpit and altar, elaborate oil lamps hanging from the ceiling beams.110 x 150mm, print on paper.
PH/CALDE/06A pen and ink sketch by Cuthbert Bede of the Herne family of gypsies at Caldecote, 4th October 1861. Various gypsies sit in or out of cloth shelters, with a cart and donkeys behind. A young man is playing patience, a woman is smoking a pipe. Notes at top and bottom name individuals as "French Herne (of March), "Eunice Herne", "Moses Herne", "Crimea Herne", "Madona Herne", "Mabel Grey (who was sister to Mrs Herne)" and "Wm. Grey". Below are written "At Caldecote Octr 4 1861" and "For note on French Drove, Thorney, see N & Q 4th. S II 238 (see also 464)".150 x 180mm, print on paper.
PH/CAMBS/01Windmill at ?Fen Drayton: a tower mill with a round cap, the tower itself showing a colour change about half-way up, perhaps because of rebuilding; the shuttered sails look complete; in the foreground are a hedge and a small country road, with a bicycle leaning against a gate.120 x 165mm, print on paper.
PH/CAMBS/02Windmill at ?Fen Drayton: a tower mill with a round cap and complete sails, with a stack of something in the foreground and a hedge and house-roof behind; the same mill as in PH/CAMBS/01 but from a different angle and with the sails in a different position.120 x 165mm, print on paper.
PH/CAMBS/03The tower of Elsworth church, with a thatched cottage in the foreground.120 x 165mm, print on paper.
PH/CAMBS/04Two thatched cottages, believed to be at Elsworth: one cottage in the foreground is one-storey and slightly ruinous, another half hidden behind it is two-storey and in better condition.120 x 165mm, print on paper.
PH/CAMBS/05Oak Cottage, Fen Drayton: a half-timbered cottage, two-storeyed and tile-roofed, with exposed timbers on the front of the first storey, the roof half-hipped at one end; some plastering has come away and the garden looks uncultivated.120 x 165mm, print on paper.
PH/CATWO/01St Leonard's Church, Catworth: a general view from the south, with gravestones, trees in leaf.120 x 165mm, sepia print on paper, a little blurred.
PH/CATWO/02St Leonard's Church, Catworth: from the south-east, showing porch, south aisle, clerestory, part of chancel and part of steeple, gravestones in foreground.105 x 150mm, sepia print on paper.
PH/CATWO/03St Leonard's Church, Catworth: from the south, showing porch, south aisle, clerestory, part of chancel and part of steeple; gravestones and water butt in foreground.105 x 155mm, sepia print on paper.
PH/CATWO/04St Leonard's Church, Catworth: a general view from the south-west, gravestones and yew trees in foreground.145 x 95mm, print on paper.
PH/CATWO/05St Leonard's Church, Catworth: from the south-west, showing most of steeple, south aisle, clerestory and porch; gravestones and churchyard wall in foreground, trees in leaf.145 x 105mm, sepia print on paper.
PH/CATWO/06St Leonard's Church, Catworth: from the north, showing steeple, part of north aisle and clerestory (the rest hidden by trees in leaf); churchyard wall and road in foreground.145 x 105mm, sepia print on paper.
PH/CATWO/07St Leonard's Church, Catworth: a distant view from the south of the steeple emerging through trees, with churchyard wall and gate, with end view of The Croft.140 x 105mm, sepia print on paper.
PH/CATWO/08St Leonard's Church, Catworth: looking east through the nave to the chancel, showing screen with pulpit to the left and lectern to the right, oil lamps in nave and pews either side, rug on floor of central aisle.140 x 105mm, sepia print on paper.
PH/CATWO/09St Leonard's Church, Catworth: looking east out of the chancel and through the nave, with screen, pews and oil lamps.145 x 105mm, sepia print on paper.
PH/CATWO/10a-bCatworth Rectory: a partial view of the house, surrounded by trees with a brick wall in front of it, gravestones in the churchyard in the foreground.90 x 120mm, blue print on paper; 105 x 150mm, sepia print on paper.
PH/CATWO/11A house in Little Catworth: the front view of a two-storey house with tall chimneys, surrounded by wooden fence with shrubs and trees in foreground.105 x 150mm, sepia print on paper.
PH/CATWO/12a-cCharity Hall, Little Catworth: a two-storey house with one-storey extension, standing on its own and surrounded by fields.65 x 95mm, sepia prints on paper.
PH/CATWO/13a-bPigeon House at Little Catworth, standing in a field showing no roof or windows, trees in leaf.70 x 100mm, sepia prints on paper.
PH/CATWO/14St. Leonard's Church, Catworth: a general view from the south-west, gravestones in churchyard with trees in leaf on either side.145 x 95mm, print on paper.
PH/CATWO/15St. Leanord's Church, Catworth: the west end of the church from the south, showing steeple, some of south aisle and clerestorey, and south porch; gravestones in churchyard and trees in leaf on either side.145 x 95mm, print on paper.
PH/CATWO/16St. Leonard's Church, Catworth: looking east through the nave to the chancel and showing chancel arch and wooden screen; pulpit on left, lectern to right, nave arcades on either side, pews in nave, oil lamps hanging from nave arcade with candelabra in centre, clerestorey windows on either side with beamed, wooden roof.150 x 110mm, print on paper.
PH/CATWO/17St. Leonard's Church, Catworth: looing east through the nave to the chancel and showing chancel arch with arched wooden, carved screen, pulpit to left, lectern to right and nave arcade on either side. Numerous pews, wall lamps in both aisles with candelabra in centre of nave.155 x 210mm, sepia print on paper.
PH/CATWO/18A fragment of an embroidery orphrey showing a pope with right hand raised, carrying a crozier in his left hand and wearing a tiara; below, a shield with the Leybourne Arms. With details of stitching, showing edging and tassels all round.270 x 145mm, print on paper.
PH/CATWO/18 (contd.)
PH/CATWO/19Two fragments of embroidered orphreys showing St Simon, wearing a long robe and holding a closed book in his right hand and a torch in his left hand, and St Thomas, holding a sceptre in his left hand and something indiscernable in his right hand. With details of stitching, showing edging and tassels all round.400 x 380mm, print on paper.
PH/CATWO/19 (contd.)
PH/CATWO/20Fragments of two embroidered orphreys showing St Philip, in long robe and holding a receptacle in his left hand and a closed book in his right hand, and a King, also in a long robe and holding a staff in his right hand and a model of a church in his left; a shield with the arms of Clinton below each figure. With details of stitching, showing edging and tassels all round.440 x 395mm, print on paper.
PH/CATWO/20 (contd.)
PH/CHEST/01St Michael's Church, Chesterton: a general view from the south side with creeper-clad porch; trees in leaf and churchyard with graves in foreground.105 x 145mm, print on paper.
PH/CHEST/02St Michael's Church, Chesterton: a general view from the south showing south porch with notice on door clearly visible; small, single-storey building on the left, churchyard in foreground with gravestones, trees in leaf.110 x 150mm, print on paper.
PH/CHEST/03St Michael's Church, Chesterton: the west end of the church from the south, showing steeple, south porch, railings and part of the single-storey building on the left; trees in leaf, path and churchyard in foreground.150 x 90mm, print on paper.
PH/CHEST/04a-cSt Michael's Church, Chesterton: from the south, showing steeple (except for the top of the spire), south porch and railings, part of south aisle and clerestorey, gravestones in foreground.160 x 110mm, 140 x 120mm, 125 x 110mm, sepia prints on paper, blurred.
PH/CHEST/05a-bSt Michael's Church, Chesterton: the steeple and part of the church from the north-west, with wooden fence and gate in foreground, wall to the right; trees bare of leaves.155 x 120mm. sepia prints on paper, faded; b) has top left corner torn.
PH/CHEST/06St Michael's Church, Chesterton: a general view from the south, with gravestones in foreground, trees bare of leaves.110 x 115mm, sepia print on paper.
PH/CHEST/07a-dSt Michael's Church, Chesterton: a general view from the north, with wooden fence and wall in foreground, trees bare of leaves.125 x 115mm, 115 x 115mm, 80 x 105mm, three sepia prints on paper; 85 x 120mm, blue print on paper; c) and d) probably cropped at bottom, c) has torn corner; all prints blurred and faded.
PH/CHEST/08St Michael's Church, Chesterton: a general view from the south; gravestones in churchyard with trees and shrubs in and around churchyard, railings on both sides of church, sky apparently retouched.110 x 150mm, print on paper.
PH/CHEST/09St Michael's Church, Chesterton: looking east through the nave to the chancel and showing the chancel arch with wooden screen,, nave arcades, pews in nave, pulpit to left, lectern to right, several hanging lamps in front of nave arcade piers.110 x 155mm, print on paper.
PH/CHEST/10St Michael's Church, Chesterton: an interior view showing the monument in the north aisle to Sir Robert Bevill and his son Robert dated 1611, an elaborate tomb with two arches, each holding the kneeling figure of a gentleman and lady, with a long row of kneeling children in the panel below them.145 x 105mm, print on paper.
PH/COLNE/01St Helen's Church, Colne: a distant view of the pre-1896 church, taken from a meadow with trees and hedgerow in leaf; tower with cupola above, roof of church with some windows visible.75 x 110mm, sepia print on paper.
PH/COLNE/02a-bSt Helen's Church, Colne: a general view of the pre-1896 church from the south-east, showing the four dormer windows in the nave roof; gravestones in churchyard, which is surrounded by a wooden fence with gate to the right. Two small trees in the churchyard (in leaf), one to the right and the other to the left, are protected by wooden frames.105 x 150mm, sepia print on paper; 150 x 205mm, print on paper.
PH/COLNE/03St Helen's Church, Colne: a general view of the pre-1896 church from the south-east, gravestones in graveyard, which is surrounded by a wooden fence. The photograph seems to have been taken later than PH/COLNE/02 as trees with frames in that picture are now well grown; trees bare.110 x 150mm, print on paper.
PH/COLNE/04a-cSt Helen's Church, Colne: a distant view of the pre-1896 church from the south-east, with a track curving towards the church in the foreground. To the right are two men with bicycles; trees in leaf.120 x 160mm, prints on thin card.
PH/COLNE/05St Helen's Church, Colne: from the south-east, showing the ruins after the church fell down on 24th April 1896. The chancel and south porch are still standing; rubble in the foreground and remains of wooden fence; gravestones, trees in leaf.100 x 140mm, sepia print on paper.
PH/COLNE/06a-bSt Helen's Church, Colne: from the south-east, showing the ruins after the church fell down on 24th April 1896. Identical view to PH/COLNE/05 but cropped less closely on the right side.120 x 160mm, prints on paper.
PH/COLNE/07a-cSt Helen's Church, Colne: from the north-east, showing the ruins after the church fell down on 24th April 1896. The chancel and the east end of the north aisle are still standing, with broken windows.110 x 150mm, sepia print on paper; 120 x 160mm, two prints on paper.
PH/COLNE/08St Helen's Church, Colne: from the south-west, showing the ruins after the church fell down on 24th April 1896. The south-west corner of the building is partly intact, with the south porch beyond it and the west wall of the chancel visible behind; small tree surrounded by iron railings unscathed beside the porch.80 x 100mm, sepia print on paper.
PH/COLNE/09a-cSt Helen's Church, Colne: from the south-west, showing the ruins after the church fell down on 24th April 1896. A similar view to PH/COLNE/08 but from further back and showing much rubble on the site of the nave and tower.105 x 115mm, sepia print on paper; 115 x 165mm, two prints on paper.
PH/COLNE/10St Helen's Church, Colne: the ruins after the church fell down on 24th April 1896, looking west out of the chancel arch to the rubble of the nave; a workman in cloth cap and braces is busy among the wreckage to the right.105 x 135mm, sepia print on paper.
PH/COLNE/11a-bSt Helen's Church, Colne: the ruins after the church fell down on 24th April 1896, looking west out of the chancel arch to the rubble of the nave; almost identical to PH/COLNE/10.120 x 160mm, prints on paper
PH/COLNE/12a-cSt Helen's Church, Colne: the ruins after the church fell down on 24th April 1896, looking east from an elevated position to the chancel and east aisle walls: a workman, probably the same man seen in PH/COLNE/10-1, is working in about the same place at the east end of the nave.105 x 145mm, sepia print on paper; 120 x 165mm, two prints on paper.
PH/COLNE/13a-cSt Helen's Church, Colne: from the north-west, showing the ruins after the church fell down on 24th April 1896, with part of the north wall and the chancel in the background, gravestones in front.105 x 135mm, sepia print on paper; 120 x 165mm, two prints on paper.
PH/COLNE/14a-bSt Helen's Church, Colne: the new church of 1899-1900, a general view from the west, with railinged wall and gate in front, also a bench seat between two trees.90 x 140m, prints on postcards.
PH/COLNE/15Bluntisham Road, Colne: showing houses to the left and right, background with an unmade road and telegraph poles to left, two men standing in doorway on left.90 x 135mm, print on postcard.
PH/COLNE/16May Day celebrations at Colne, c. 1914/15: showing several children dressed up for the occasion with floral garlands in front of the school.90 x 140mm, print on postcard.
PH/COLNE/17May Day celebrations at Colne, c. 1914/15: showing several children dressed up for the occasion with floral garlands in front of the school: similar to PH/COLNE/16 but more children have now joined the group.90 x 140mm, print on postcard.
PH/COLNE/18May Day celebrations at Colne, c. 1914/15: showing children dressed up for the occasion with floral garlands and sitting in a flower-bedecked cart with a cloth-capped boy leading the pony in the shafts; unmade road and brick wall behind.90 x 140mm, print on postcard.
PH/COLNE/19May Day celebrations at Colne, c. 1914/15: showing a large group of children, not specially dressed or garlanded but sitting in a large flower-bedecked waggon with a cloth-capped boy leading the horse in the shafts; taken at the same place as PH/COLNE/18, with unmade road and brick wall behind.85 x 135mm, print on postcard.
PH/CONIN/01a-bAll Saints' Church, Conington: a general view from the south-east, gravestones in foreground with chain and post fencing, trees in leaf.150 x 105mm, print on paper; 140 x 90mm, print on postcard.
PH/CONIN/02All Saints' Church, Conington: from the north-east, showing the nave, north aisle and tower, gravestones in forgeround, trees in leaf.150 x 100mm, print on paper.
PH/CONIN/03All Saints' Church, Conington: the interior, looking east through the nave to the chancel, pews in foreground, pulpit to left of chancel, timber roof.155 x 110mm, print on paper.
PH/CONIN/04All Saints' Church, Conington: looking west through the nave to the south aisle and west window, with pulpit on right, pews in foreground.110 x 150mm, sepia print on paper.
PH/CONIN/05Conington Castle with the church tower in the left background: view across the Castle gardens with flower beds and trees not in leaf behind.90 x 140mm, print on postcard.
PH/CONIN/06Conington Castle: a square-on view of the front of the building with the church tower behind to the left, iron railings in foreground, drive to front of castle and terraces to right.90 x 140mm, print on postcard.
PH/CONIN/07All Saints' Church Conington: the interior, looking east through the nave to the chancel, with poppyheads prominent on the pew ends.110 x 150mm, sepia print on paper.
PH/CONIN/08All Saints' Church, Conington: stone effigy of a knight in cowl and habit, with to the left a separate stone slab inscribed "Here lyeth the body of Catherine daughter of John C . . ."145 x 75mm, print on paper.
PH/CONIN/09a-bAll Saints' Church Conington: the wall monument to Sir Robert Cotton in white veined marble, with bust, decorated scroll below and shields of arms above, Latin inscription at the bottom.145 x 85mm, prints on paper.
PH/CONIN/10All Saints' Church Conington: Mary Queen of Scots' chair, of carved wood with high back, decorated ornately with top rail carved with kneeling figures, arms curved and carved with two pairs of angels.145 x 90mm, print on postcard.
PH/CONIN/11All Saints' Church, Conington: memorial tablet to Sir Robert Cotton and Eliza Shirley his wife, also Thomas Cotton and Lucy Harvey his wife, surmounted by shields of arms.145 x 90mm, print on paper.
PH/CONIN/12a-bConington Castle: a square-on view of the front, with front lawn and drive in foreground, creeper-clad walls on right side of building.105 x 145mm, prints on paper.
PH/CONIN/13Conington Castle from the north-east, showing the back of the castle with semi-octagonal projecting bay, ground floor windows are inset under round-headed stone arches; formal gardens in front (box edged beds and urn on plinth), trees to the right.105 x 150mm, print on paper.
PH/CONIN/14a-bThe Crown and Woolpack Inn: brick-built with two wings coming forward to gable ends, garden with wall and railings; Sign board on the left wing reads "Crown and Woolpack Inn" and another "Good accommodation and food".120 x 165mm, 105 x 155mm, prints on paper.
PH/CONIN/15All Saints' Church, Conington: a general view from the south-east, gravestones in churchyard, rough grass in foreground with trees in leaf on either side.150 x 105mm, print on paper.
PH/CONIN/16All Saints' Church, Conington: the interior, looking east through the nave to the chancel, showing chancel arch, pulpit to the left, lectern to the right, nave arches and pews either side, beamed roof with clerestory windows, part of north aisle with hanging lamp.155 x 110mm, print on paper.
PH/CONIN/17Drawing of Conington Castle and church by J.M. Heathcote, c. 1860: the Castle and its grounds on the right, the church tower behind to the left.165 x 235mm, print on paper.
PH/CONIN/18Drawing of Conington Castle and church by Cuthbert Bede, 1860: parkland with trees and cattle in the foreground, in the background a road with stage coach, then the Castle behind a balustrade, large glasshouse to the left, church tower behind.165 x 230mm, print on paper.
PH/CONIN/19Houses in Conington Village: several large cottages behind a hedge with a green in the foreground and a prominent tree to the right.80 x 120mm, print on postcard.
PH/CONIN/20Conington Castle: the north front of the east wing (two storeyed with arcade on the ground floor and projecting section in the middle, battlemented parapet), with formal gardens in front and trees or shrubbery on either side.85 x 130mm, print on postcard.
PH/CONIN/21Conington Castle and church: part of the north front of the east wing of the castle to the right of the picture, trees to the left of it and the tower of Conington church in the left background; formal gardens in front - trees in leaf and garden flowers in bloom.85 x 130mm, print on postcard.
PH/CONIN/22The Crown and Woolpack, the old coaching inn on the Great North Road on the corner of Conington Lane: a large brick building with two wings coming forward to the road (which is narrow and deserted), with railings in front; trees bare of leaves.80 x 130mm, print on postcard.
PH/CONIN/23Conington Castle and church: the west front of the south wing of the Castle seen from a little distance across a park with big trees on the right, and the church tower in the distance behind more trees to the left.85 x 130mm, print on postcard.
PH/CONIN/24Conington Castle and church: a distant view of the west front of the south wing of the Castle, seen from the park with grass and big trees in the foreground, a stone balustrade marking the edge of the garden; the church and tower in the distance behind the Castle.85 x 130mm, print on postcard.
PH/CONIN/25A house in Conington village: large and brick built with tile roof, but plain and probably semi-detached so presumably an estate cottage. With hedge, fence and grass in front, trees in front and behind.85 x 130mm, print on postcard.
PH/CONIN/26Houses in Conington village: several houses set among garden hedges, parkland and trees, with a boy and girl sitting in the foreground.90 x 140mm, print on postcard.
PH/CONIN/27The Woolpack Inn, Conington: a two and three storey building with gable ends with ivy clad walls, iron railings in front with trees and bushes to the right and in front of the building, road and grass in foreground.60 x 85mm, print on paper.
PH/CONIN/28The Mary Queen of Scots chair in Conington church: the chair, elaborately carved, with an arch and mouldings in the stonework behind.195 x 150mm, very faint early photograph (calotype) on paper mounted on card, with details outlined in pencil.
PH/COPPN/01The King Charles cottage at Coppingford: front view of a two storeyed thatched cottage, hedgerow in front, thatch in poor condition.110 x 155mm, print on paper.
PH/COPPN/02The King Charles cottage at Coppingford, seen from the front and side and apparently in better repair than in PH/COPPN/01, especially the thatch and chimneys: five-bar railings around hedgerow, wooden gate at side of cottage and fence to fields at back.100 x 150mm, blue print on paper.
PH/COPPN/03The King Charles cottage at Coppingford, apparently in poor condition as in PH/COPPN/01, with iron railings and wooden gate in front, trees, shrubs and rough grass in foreground, part of haystack to the right.110 x 150mm, print on paper.
PH/COVIN/01St Margaret's Church, Covington: a general view from the south-west, trees in leaf.110 x 150mm, sepia print on paper.
PH/COVIN/02St Margaret's Church, Covington: a general view from the south, gravestones in foreground, creeper on chancel wall by door, trees in leaf.105 x 150mm, sepia print on paper.
PH/COVIN/03St Margaret's Church, Covington: a general view from the south, gravestones and long grass in foreground with foliage on tower and trees in leaf.100 x 150mm, sepia print on paper.
PH/COVIN/04St Margaret's Church, Covington: a general view from the north-west, gravestones in foreground, part of building to right of tower and trees in leaf.105 x 140mm, sepia print on paper.
PH/COVIN/05St Margaret's Church, Covington: a general view from the north-east, with gravestones in foreground, railings and part of building to left, shrubs in foreground and trees in leaf.110 x 145mm, sepia print on paper.
PH/COVIN/06a-eSt Margaret's Church, Covington: showing outside view of north doorway to nave, with carved tympanum over the door, round-headed arch.150 x 100mm. three sepia prints on paper; 165 x 120mm, blue print on paper
PH/COVIN/07St Margaret's Church, Covington: the south door seen from the porch, with notices on the door, moulded arch, ring door handle.145 x 105mm, sepia print on paper.
PH/COVIN/08St Margaret's Church, Covington: interior view looking east through the nave to the chancel with pews, pulpit on left and pendant lamps, covered font left foreground.150 x 105mm, sepia print on paper.
PH/COVIN/09St Margaret's Church, Covington: interior view looking west from the chancel arch, through the nave to the tower arch, showing pews, chairs, pendant lamps and covered font in north-west corner.150 x 110mm, sepia print on paper.
PH/COVIN/10St Margaret's Church, Covington: a general view from the south, with rough grass and gravestones in churchyard, trees in leaf on either side.105 x 150mm, print on paper.
PH/COVIN/11St Margaret's Church, Covington: the north doorway seen from outside, with round-headed arch and carved tympanum.150 x 100mm, print on paper.
PH/COVIN/12St Margaret's Church, Covington: interior view looking east through the nave to the chancel, showing chancel arch, beamed roof and pews, pulpit to the left, lectern to the right with several hanging lamps.105 x 150mm, print on paper.
PH/DENTN/01All Saints' Church, Denton: a general view from the south with stove pipe protruding from south door of nave and sundial above right of window, gravestones and hedge in foreground, part of a building in the background, trees in leaf.105 x 150mm, sepia print on paper.
PH/DENTN/02All Saints' Church, Denton: a general view from the south-east, stovepipe protruding through south door of nave, sundial to right of large window, gravestones in long grass, buildings in background to right and left and trees in leaf.100 x 150mm, print on paper.
PH/DENTN/03All Saints' Church, Denton: the chancel and nave from the north-east, partly hidden by large yew trees; gravestones with part of railing showing, all rather overgrown; in the left background two chimneys of a house are visible.100 x 150mm, sepia print on paper.
PH/DENTN/04All Saints' Church, Denton: a general view from the north-west but partly hidden by large trees in the foreground. Picket gate with bicycle leaning against it, farm gate to the right with another bicycle. In the background, part of a building, hedge and paths, trees in leaf.75 x 100mm, print on paper.
PH/DENTN/05a-bAll Saints' Church, Denton: the font, with a door in the background.150 x 100mm, 165 x 120mm, prints on paper.
PH/DENTN/06All Saints' Church, Denton: interior view looking east through the chancel arch with pews, lamps and pulpit on the right with canopy.100 x 150mm, print on paper.
PH/DENTN/07Double exposure of two church interiors superimposed.110 x 150mm, print on paper.
PH/DENTN/08All Saints' Church, Denton: a general view from the south-east showing, gravestones in churchyard with rough grass and trees in leaf to the right.105 x 155mm, print on paper.
PH/DENTN/09All Saints' Church, Denton: interior view looking east through the nave to the chancel, showing chancel arch, pulpit with wooden canopy to the right, pews on either side and one central hanging lamp.100 x 145mm, print on paper.
PH/DIDDN/01St Lawrence's Church, Diddington: a general view from the south-east, a small part of the churchyard in front, shrubs and trees in leaf.105 x 150mm, sepia print on paper.
PH/DIDDN/02St Lawrence's Church, Diddington: a general view from the south-west, showing ivy-clad tower, gravestones in foreground and trees in leaf.105 x 145mm, sepia print on paper.
PH/DIDDN/03St Lawrence's Church, Diddington: a general view from the south-east through bare trees.90 x 140mm, print on postcard.
PH/DIDDN/04St Lawrence's Church, Diddington: a general view from the north-east, gravestones in the foreground, trees in leaf.100 x 150mm, sepia prints on paper.
PH/DIDDN/05St Lawrence's Church, Diddington: the tower and some of the rest of the building from the north-west, the tower ivy-clad, iron railings in the foreground, with trees in leaf.140 x 100mm, sepia print on paper.
PH/DIDDN/06St Lawrence's Church, Diddington: interior view looking east through the nave to the chancel and south aisle, with pews and font, lectern on the right, pulpit to the left, several hanging oil lamps.115 x 150mm, print on paper.
PH/DIDDN/07St Lawrence's Church, Diddington: interior view looking through the nave arcade to the south chapel with two windows, two hatchments, lectern and pews in the foreground.110 x 150mm, sepia print on paper.
PH/DIDDN/08St Lawrence's Church, Diddington: interior view of the chancel arch seen from the nave and the chancel beyond it, with east window and altar, lectern on the right and pulpit on left, pews in the foreground.125 x 160mm, sepia print on paper, slightly damaged on lower edge.
PH/DIDDN/09St Lawrence's Church, Diddington: interior view looking west through the nave to the tower arch, with west window, north clerestory window and pews in the foreground.150 x 120mm, sepia print on paper.
PH/DIDDN/10a-bDiddington Hall: a distant view of the Hall behind ivy clad wall and wrought iron gates, grass in the foreground with logs lying on the grass, trees in leaf.105 x 135mm, sepia print on paper; 80 x 115m, blue print on paper.
PH/DIDDN/11Diddington Lane: a tree-lined road with telegraph poles, a house on the right, trees in leaf and hedge in the foreground, horse and carriage and man with sheep on the lane.90 x 140mm, print on postcard.
PH/DIDDN/12a-bSt Lawrence's Church, Diddington: rubbing of the brass of Alice Taylard and three children, 1513, showing a woman kneeling with scroll coming from her mouth, children behind her and Virgin and child at top left, indent for inscription below and shield and two plates with "1513" below that.135 x 90mm, prints on paper.
PH/DIDDN/13St Lawrence's Church, Diddington: rubbing of the brass of William Taylard, 1505, showing kneeling man in tabard (mostly missing) and his wife, with inscription below and panels of saints on each side, indent of a Trinity and two shields above, indents of two groups of children below.135 x 65mm, sepia print on paper.
PH/DIDDN/14St Lawrence's Church, Diddington: a rubbing of the William Taylard brass as in PH/DIDDN/13, with two rubbings from other churches on the left.140 x 90mm, sepia print on paper.
PH/DIDDN/15St Lawrence's Church, Diddington: rubbing of the William Taylard brass, the top not shown.155 x 100mm, sepia print on paper.
PH/DIDDN/16St Lawrence's Church, Diddington: rubbing of the William Taylard brass, the central section with the man and wife and inscription only.140 x 105mm, sepia print on paper.
PH/EARTH/01Plan of Earith Bulwark: a plan of the earthwork with location map below.150 x 120mm, blue print on paper.
PH/EARTH/02a-cAn engraving of a Romano-British bronze statuette: bearded god in armour with helmet, hand raised to hold a spear or thunderbolt.120 x 80mm, blue prints on paper.
PH/EARTH/03a-dA printed page (p. 466), headed "Antiquarian Relics" and describing the statuette shown in PH/EARTH/02.100 x 75mm, blue prints on paper.
PH/EARTH/04a-cA printed page (p. 467), headed "Roman Statuette".120 x 75mm, blue prints on paper.
PH/EARTH/05a-bA printed page (p. 4697), headed "Roman Statuette".120 x 80mm, blue prints on paper.
PH/EARTH/06a-cA printed page (p. 468), headed "Antiquarian Relics".100 x 75mm, blue prints on paper.
PH/EARTH/07The Dog and Gun Inn in Earith High Street, with houses along the right side of the street, horses and a cart with osiers, women and children, one with a bicycle, and a cat and dog.65 x 115mm, print on postcard.
PH/EARTH/07 (contd.)
PH/EARTH/08The skater A. Leeland of Earith, in his 90th year in 1891: head and shoulders portrait of a white haired man with side whiskers and a cravat.75 x 50mm, oval sepia print on a rectangle of card.
PH/EARTH/09The Hermitage Lock, just below Earith, in 1937: taken from the northern bank of the Old West River, looking upstream towards the lock, with the road bridge just visible behind; the lock keeper's cottage is left of the lock, to the right are the buildings of the former Hardwick Arms, lived in by the Dring family after it had ceased to be a pub, and since demolished.135 x 175mm, print on paper, mounted on card.
PH/EARTH/10The Hermitage Lock, just below Earith, in winter: taken from the southern bank of the Old West River, looking upstream towards the lock, with the road bridge behind, lock keeper's cottage to the left, former Hardwick Arms to the right. Snow on the ground and the river partly frozen.80 x 75mm, print on paper.
PH/EARTH/11The Hermitage Lock, just below Earith, and the Railway Bridge below it, in winter: taken from the Willingham Road, on the southern bank of the Old West, looking upstream to the railway bridge, with the lock itself out of sight behind, and the suspension bridge over the New Bedord River in the right background. Shelford Farm is in the foreground to the left of the road, with a man wheeling a barrow of turnips or similar (see PH/EARTH/28). Snow on the ground.70 x 120mm, print on postcard.
PH/EARTH/12The Hermitage Lock, Earith, in 1909: taken from the southern bank of the Great Ouse, looking eastwards at the upstream end of the lock; buildings to the right and left, the road bridge going across the lock, and a horse and cart on the roadway to the left.60 x 100mm, print on paper mounted on card
PH/EARTH/13Earith Bridge Railway Station: looking across the tracks to the station building, whose name is discernable on the name board. A signal box is visible to the west of the station (left of the picture), and there are a boy and girl and a bicycle on the platform.85 x 140mm, print on postcard.
PH/EARTH/14Earith West End, looking westwards along the road out of the village with Bluntisham Church just visible in the background. A group of cottages in the left foreground, a horse and cart visible on the road in the background.80 x 130mm, print on postcard.
PH/EARTH/15Earith West End, looking westwards along the road out of the village with Bluntisham Church in the background. A wagon parked beside the cottages in the foreground. A similar view to PH/EARTH/14 (and similar date to judge by the treescape) but the trees not in full leaf..85 x 135mm, print on postcard.
PH/EARTH/16Earith West End, looking westwards along the road out of the village, with Bluntisham Church in the background. An almost identical view to PH/EARTH/15, but a few years difference in date to judge by the tree in front of the foremost cottage - the telegraph poles are also of a different design.90 x 135mm, print on postcard.
PH/EARTH/17Chapel Pond, Colne Road, Earith: looking north along the road towards Colne, with the pond on the left, a man on a bicycle in the foreground, a horse and cart in the background.85 x 135mm, print on postcard.
PH/EARTH/18Chapel Pond, Colne Road, Earith: looking south along the road, with the pond on the right, a couple of figures just visible, their costume suggesting a date about the turn of the 20th century.85 x 140mm, print on postcard.
PH/EARTH/19Earith High Street, looking eastwards: various advertisement signs visible, but no obvious shop or inn signs for identification, television aerials on the roofs. A bay-windowed house in the middle of the picture is the present-day River View Hotel.85 x 135mm, print on postcard.
PH/EARTH/20Lantern's Café, Earith, with telephone box and telegraph pole - street furniture consistent with the postmark of July 1958.80 x 130mm, print on postcard.
PH/EARTH/21Seven Holes Bridge, at the eastern end of Earith village street: seen from the Causeway to the east of the bridge, looking west to the village.55 x 90mm, sepia print on paper.
PH/EARTH/22The eastern end of Earith, looking westwards up the village street. The Angel Inn is on the left, the Boat Inn a little way beyond it, with the wide space of The Hill in the foreground. A horse and cart are moving away up the street.110 x 160mm, unmounted print.
PH/EARTH/23The road between the two bridges at Earith, in time of flood: taken from the end of the Seven Holes Bridge and looking eastwards to the suspension bridge at the Hermitage.85 x 135mm, print on postcard.
PH/EARTH/24The suspension bridge at the Hermitage seen fron the south, taken from the south bank of the Ouse or from a boat: a horse and cart on the bridge, cattle on the bank in the foreground.75 x 100mm (approx), sepia print on paper, cut to a rough hexagon.
PH/EARTH/25The junction of the Great Ouse and New Bedford Rivers: taken from between the Hermitage Lock and the suspension bridge, looking west towards Earith village, the Seven Holes Bridge dimly visible to the right, Bluntisham church spire in the left background.80 x 130mm, print on postcard.
PH/EARTH/26The Great Ouse just below Earith: taken from the southern bank, west of the junction with the New Bedford River, looking west towards the Seven Holes Bridge and Earith village. A horse on the near bank, a cow on the other bank.110 x 145mm, sepia print on paper.
PH/EARTH/27Shelford Farm, just south-east of the Hermitage Lock, on the road from Earith to Willingham: seen from the other side of the Old West, with outbuildings and stacks to the right of the house.100 x 125mm, sepia print on paper.
PH/EARTH/28A snow scene in front of Shelford Farm, Willingham Road, Earith: a cheerful, bearded, gap-toothed man, warmly dressed, holding a wheelbarrow full of turnips or some such root crop (see PH/EARTH/11, presumably taken on the same occasion). Another man, in a dark suit, bowler hat and watch chain, looks on from the garden path.80 x 80mm, sepia print on paper, damaged.
PH/EARTH/29The farmyard at Shelford Farm, Wilingham Road, Earith: a boy with sacking apron in the foreground, behind him is the gap-toothed man of PH/EARTH/28 in a waistcoat and wellingtons, also cattle and chickens.80 x 80mm, sepia print on paper, right side torn.
PH/EARTH/30The Dog and Gun Inn and part of Earith High Street: the same image as PH/EARTH/07.70 x 115mm, print on postcard (cut down from a larger postcard).
PH/EARTH/31The Dog and Gun pub at West End, Earith: the same pub as in PH/EARTH/30 but seen from closer, men, women and boys in the left foreground. A few years later than PH/EARTH/30 to judge by the costume, and minor alterations in some of the buildings.100 x 135mm, sepia print on paper, damaged.
PH/EARTH/32The Dog and Gun pub at West End, Earith: the same pub as in PH/EARTH/30-31 but taken from further back along the street, with houses also visible on the left side of the street. Probably taken at a similar date to PH/EARTH/31, perhaps on the same occasion.85 x 130mm, sepia print on paper.
PH/EARTH/33Part of Earith High Street, looking west towards the junction with Colne Road: the sign of the Red Lion ("Fenstanton Ales") protrudes in the left foreground, and the prominent light-coloured walls of the George Inn jut out into the street from the right background, marking the corner of the Colne Road.80 x 90mm, sepia print on paper.
PH/EARTH/34Cattle in a field, with a waterway in front, trees and vague buildings behind. The field also contains a man in a waistcoat and flat cap, and a milk churn. Exact location uncertain.90 x 140mm, print on postcard.
PH/EARTH/35A man poling a boat across a waterway: exact location hard to identify, although the waterway looks too narrow to be the main channel of a river; what is almost certainly Bluntisham Church is in the background. The boat has broad, clinker strakes, is pointed at both ends, has a vertical spar near the bow for towing and a tiller and rudder at the stern. Some kind of timber framing in the middle, perhaps to accommodate large loads of osiers or the like.70 x 100mm, sepia print on paper.
PH/EARTH/36Wheeled plough, with ploughman and two horses. No clues as to location. The ploughman wears high-waisted trousers with braces and a broad-brimmed hat and has side-whiskers. Before 1900, to judge by his appearance.60 x 100mm, sepia print on card.
PH/EARTH/37The Forge in Earith High Street: a thatched house with creeper-clad walls, plough and harrow in the foreground; two men to the right of the photograph, one in an apron, two women to the left, one with a peaked cap and apron; a small boy in the centre.85 x 135mm, print on postcard.
PH/EARTH/38Thomas Murphy of Earith, in waistcoat and flat cap, with a cow on a halter in front of a hedgerow.95 x 70mm, print on postcard.
PH/EARTH/39The Old Suspension Bridge, Earith, in 1962: seen from near one end with boats, oil drum and timber to the right in the foreground.80 x 120mm, colour print on paper.
PH/EARTH/40The Old Suspension Bridge, Earith, probably in the 1880s: showing the stone piers with wooden posts round them and the metal superstructure.90 x 125mm, sepia print on card.
PH/EARTH/41The Old Suspension Bridge, Earith, seen from one side: with people on it, spanning large channel of water with rough grass on either side and trees in the background.80 x 125mm, print on postcard.
PH/EARTH/42The Dog and Gun pub in Earith: the same image as PH/EARTH/07 and PH/EARTH/30.65 x 115mm, print on postcard.
PH/EARTH/43Two eel glaives leaning against a fence, with a piece of board put behind them to show off the shape of the blades. One is four-pronged, the other five-pronged but with one prong broken off.130 x 80 mm, print on postcard.
PH/EARTH/44a-dTwo conical-necked beakers of Nene Valley ware with white curvilinear decoration (Museum objects X.899 and X.1285, Roman, Earith (Fen Drove)).115 x 155mm, prints on paper.
PH/EARTH/45a-bThe Seven Holes Bridge, Earith, from the north-east: with seven round-headed arches and white railings above, large expanse of rough grass in the foreground, with water, grassy bank and trees in the background.115 x 160mm, prints on paper.
PH/EARTH/46a-bThe Seven Holes Bridge, Earith, seen from close to the west end: iron railings and rough grass in the foreground, parts of sluices to the right.100 x 155mm, prints on paper.
PH/EARTH/47a-bThe Suspension Bridge, Earith, from the north: with the houses of the Hermitage in the left background, reflections in the water and rough grass in the foreground.95 x 155mm, prints on paper.
PH/EARTH/48a-bEarith Bridge Railway Station: the same image as PH/EARTH/13.95 x 155mm, prints on paper.
PH/EARTH/49a-bThe Seven Holes Bridge, Earith, looking along the bridge from its east end towards the village: with men and children on the bridge, a horse and cart, a boy in cap and white apron seated in the right foreground.85 x 120mm, prints on paper.
PH/EARTH/50a-bWest End, Earith: looking west along the street with houses on either side, including the Dog and Gun pub in the right foreground and another pub with a sign beyond it, trees in the background.95 x 155mm, prints on paper.
PH/EARTH/51a-bPart of the High Street at Bridge End, Earith: looking east to the Seven Holes Bridge in the background, with houses on either side and a shop on the right, several groups of children (girls in white pinafores) and adults standing on either side of the street, horse and cart outside the shop.100 x 155mm, prints on paper.
PH/EARTH/52a-bEarith High Street, looking west with the Riverview Hotel on the right: houses on both sides of the street and two groups of children, one on each side of the street, girls in white pinafores, trees in leaf.100 x 150mm, prints on paper.
PH/EARTH/53a-bEarith High Street: looking along the street with houses on either side, two groups of children in the foreground, the girls in white pinafores.100 x 150mm, prints on paper.
PH/EARTH/54a-bEarith High Street: looking along the street with houses on either side, a shop with double fronted windows and shop signs to the left, a man with a handcart standing in the middle of the street.100 x 150mm, prints on paper.
PH/EARTH/55a-bEarith High Street: showing houses on either side of the street with people standing on the pavement to the left, one man in the centre of the road.100 x 155mm, prints on paper.
PH/EARTH/56a-bEarith High Street: with houses on either side, pavement to the left and children playing in the street to the right, trees in leaf in the background.100 x 155mm, prints on paper.
PH/EARTH/57a-bBluntisham Road, Earith: looking west along the road at the edge of Earith village, with houses on either side and several children, street light to the right with trees in leaf on either side.85 x 140mm, print on paper.
PH/EARTH/58A house in Earith High Street: double-fronted with dormer windows, and smaller house to the left.100 x 155mm, prints on paper.
PH/EARTH/59A painting of Earith Quaker Meeting in 1839: men, women and children sitting on three rows of benches with one man standing to address the meeting from the back row. With numbers inked onto the people and a photograph of the key to their names mounted below the main photograph, also "painted by Samuel Lucas".185 x 245mm, 45 x 150mm, mounted on card.
PH/EASTN/01a-dDrawings by Inskip Ladds of two lead rainwater spouts at Easton parish church, showing them from the side and in section and with a detail of the construction of one of them.a-b) 120 x 155mm, c-d) 110 x 155mm, sepia prints on paper.
PH/EASTN/02a-cPlate at Easton parish church: the underside of the chalice and the paten: there seem to be hallmarks under the chalice but they are indecipherable.a) 55 x 70mm, sepia print on paper; b) 75 x 75mm, sepia print on paper; c) 110 x 80mm, print on paper.
PH/EASTN/03a-bPlate at Easton parish church: the chalice seen from the side and the paten from the top, showing hallmarks on the chalice.a) 70 x 75mm, sepia print on paper; b) 110 x 85mm, print on paper.
PH/EASTN/04The tower of Easton parish church from the west, showing nearly to the top of the tower but not the spire.140 x 110mm, sepia print on paper.
PH/EASTN/05a-cEaston parish church in 1897, seen from the south-west and showing the tower (but with most of the spire out of shot), the south aisle and part of the nave.a) 160 x 115mm, print on paper; b) 150 x 110mm, print on paper; c) 145 x 110mm, sepia print on paper.
PH/EASTN/06Easton parish church from the north-east, showing the whole building with trees to left and right and the churchyard wall in front.100 x 150mm, sepia print on paper.
PH/EASTN/07Easton parish church from the south-east, showing the whole building except the top of the spire, with a tree to the right and the top of the churchyard wall in the foreground.100 x 135mm, sepia print on paper.
PH/EASTN/08Easton parish church from the north, showing the tower (top out of shot), north aisle, north porch and part of the chancel.110 x 150mm, sepia print on paper.
PH/EASTN/09a-cThe south aisle of Easton parish church seen from the south-west, with part of the tower and nave also visible: the south aisle seemingly in poor repair, with rendering stained and in some places missing.a) 110 x 135mm, sepia print on paper; b) 105 x 140mm, print on paper; c) 110 x 140mm, print on paper.
PH/EASTN/10a-bEaston parish church from the south-east, showing most of the building with a tree to the right and the long grass of the churchyard (no gravestones visible) in the left foreground.150 x 105mm, prints on paper.
PH/EASTN/11a-dEaston parish church from the north-east, showing the whole building with trees around it, the churchyard wall in front and a curving lane in the foreground.a) 125 x 105mm, sepia print on paper; b) 145 x 105mm, sepia print on paper; c-d) 150 x 105mm, sepia prints on paper.
PH/EASTN/12a-bEaston parish church from the south-east, showing the whole of the building apart from the top of the spire, with a tree to the right and the top of the churchyard wall in the foreground.a) 105 x 145mm, print on paper; b) 110 x 150mm, print on paper.
PH/EASTN/13Easton parish church in 1933-4, seen from the south-east, showing the whole of the building with trees to right and left.105 x 150mm, print on paper.
PH/EASTN/14a-cEaston parish church in 1897, seen from the north-east and showing the whole building, with foliage to left and right, the churchyard and the shadow of the churchyard wall in the foreground.a) 145 x 105mm, sepia print on paper; b) 155 x 115mm, print on paper; c) 150 x 110mm, print on paper.
PH/EASTN/15a-cEaston parish church from the north, showing the whole of the building and the churchyard wall in the foreground.140 x 110mm, sepia prints on paper.
PH/EASTN/16a-bThe interior of Easton parish church, looking east down the nave and into the chancel, showing the font bowl in the foreground and part of a stove to the right, pews and the pulpit in the nave and the chancel screen with "Holy Holy Holy" painted on it.155 x 105mm, sepia prints on paper.
PH/EASTN/17a-bThe interior of Easton parish church: a dark shot looking east down the south aisle and with the nave arcade on the left, the pulpit visible behind; the south aisle roof beams shown quite clearly.105 x 150mm, sepia prints on paper.
PH/EASTN/18The interior of Easton parish church, looking west down the nave, showing pews, the font, stove with stovepipe to the left, ceiling beams over the nave and tower window behind - the latter retouched by hand.145 x 110mm, sepia print on paper.
PH/EASTN/19The interior of Easton parish church, looking west along the nave and into the south aisle, showing the nave arcade, font, stove and stovepipe.110 x 140mm, sepia print on paper.
PH/EASTN/20a-dThe south door of Easton parish church, showing strangely shaped hinge straps; the rendering of the south aisle in a poor state with stonework showing through.a-c) 160 x 110mm, prints on paper; d) 135 x 105mm, sepia print on paper.
PH/EASTN/21a-bA detail of the hinge on the south door of Easton parish church, showing just the hinge itself and a small part of the door.a) 110 x 160mm, blue print on paper; b) 100 x 145mm, sepia print on paper.
PH/EASTN/22Easton parish church from the north, showing the whole of the building with a tree and the churchyard wall in front, with fencing to the right and a lane in the foreground.210 x 160mm, sepia print on paper.
PH/EASTN/23The interior of Easton parish church looking east down the nave and into the chancel: the rendering has been taken off the walls and the "Holy Holy Holy" off the screen since PH/EASTN/16 was taken.110 x 150mm, print on paper.
PH/EASTN/24The interior of Easton parish church looking east down the nave to the chancel screen, which has the "Holy Holy Holy" painted on it, although the rendering on the walls has been removed as in PH/EASTN/23; lots of flowers and foliage are decorating the screen.160 x 200mm, sepia print mounted on card.
PH/EASTN/25The war memorial in Easton churchyard: a stone obelisk, the plain back and side seen here, looking away from the church towards the churchyard wall, trees in the background.200 x 150mm, print mounted on card in folder.
PH/EASTN/26The war memorial in Easton churchyard: a stone obelisk, with names of the fallen on the front and the north aisle and north porch of the church visible behind.200 x 150mm, print mounted on card in folder.
PH/EASTN/27Mrs Eliza Read of Easton sitting at her lace-making pillow: an old lady in spectacles, striped blouse and long dark dress, sitting out of doors with a house window and gateway behind her; in front of her is her lace pillow on its wooden "horse".130 x 80mm, print on postcard, mounted on a piece of card cut from a medical record!
PH/EASTN/27 (contd.)
PH/EATON/01Eaton Socon from the air, 1986: view from the north showing the whole village, with the Ouse on the left, the old North Road going through the centre and the A1 dual carriageway on the right.200 x 200mm, print on paper.
PH/EATON/02Eaton Socon from the air, 1986: view from the north-west looking across the village to the Ouse and St Neots, most of which is visible in the background; the Barford Power Station on the far right.200 x 200mm, print on paper.
PH/EATON/03St Peter's Church, Eaton Socon: a general view from the south, with gravestones in the churchyard and a few people standing by the porch, trees in leaf on either side.80 x 110mm, print on postcard.
PH/EATON/04The view over the Ouse and St Neots Common from Cross Hall Lodge: looking down a slope to trees and the river with meadows beyond.150 x 200mm, sepia print mounted on card.
PH/EATON/05Cross Hall Lodge: a 19th-century house with turret to the left and conservatory, with trees, lawn and a path to the left.140 x 200mm, sepia print mounted on card.
PH/EATON/06Cross Hall Lodge seen from across the river: a three-storeyed house with outbuilding to the right, largely hidden by trees and with meadow grass in the foreground.145 x 200mm, sepia print mounted on card.
PH/EATON/07Cross Hall Farm: a large two-storeyed building of brick with a single-storeyed extension on the right side, parts of the farm buildings visible behind and a tennis court in the foreground.150 x 200mm, sepia print mounted on card.
PH/EATON/08Cross Hall Farm: a two-storeyed brick building with trees, a fence, a road and a stone heap in the foreground.145 x 200mm, sepia print mounted on card.
PH/ELLIN/01All Saints' Church, Ellington: a general view from the south, with tombstones, stone wall and wooden gate in the foreground.150 x 200mm, sepia print on paper stuck on card.
PH/ELLIN/02a-bAll Saints' Church, Ellington: a general view from the north with part of the village street in the foreground, with brick wall and iron gate, trees and hedgrow in leaf, street lamp in centre, cottage to the left and part of a shed to the right.140 x 190mm, 150 x 195mm, sepia prints on paper.
PH/ELLIN/03a-bAll Saints' Church, Ellington: a general view from the south-west, behind rubble wall which is screened by a hedgerow and wooden fencing in the foreground, end of a thatched cottage on the left.140 x 190mm, 150 x 190mm, sepia prints on paper.
PH/ELLIN/04All Saints' Church, Ellington: the same image as PH/ELLIN/03 but printed backwards and as a negative.140 x 195mm, sepia negative print on paper.
PH/ELLIN/05a-bAll Saints' Church, Ellington: the north porch from the outside, with wooden gate across it, part of clerestorey behind.160 x 120mm, sepia print on paper; 160 x 110mm, blue print on paper.
PH/ELLIN/06a-tAll Saints' Church, Ellington: a general view from the south, with stone wall, cart and building to the left in the background, gate posts in the foreground with expanse of grass.a-q) 120 x 95mm, sepia prints on paper, r-t) 125 x 100mm, prints on paper.
PH/ELLIN/07a-lAll Saints' Church, Ellington: a general view from the south with wall and road in the foreground, tree without leaf.a-f) 100 x 80mm, sepia prints on paper; g) 95 x 80mm, sepia print on paper; h-k) 105 x 75mm, sepia prints on paper; l) 105 x 80mm, blue print on paper.
PH/ELLIN/08a-bAll Saints' Church, Ellington: gravestones inside railings with inscriptions on two in the foreground in memory of Ann and William Ladds and Martha Ladds.105 x 150mm, 105 x 160mm, sepia prints on paper.
PH/ELLIN/09a-fAll Saints' Church, Ellington: a plan of the church and churchyard.105 x 75mm, sepia prints on paper.
PH/ELLIN/10a-bAll Saints' Church, Ellington: a general view from the north-east, brick wall and gate in the foreground, trees in leaf. Slightly blurred.100 x 150mm, 105 x 145mm, sepia prints on paper.
PH/ELLIN/11a-dAll Saints' Church, Ellington: a general view from the north-east, brick wall and gate in the foreground, trees in leaf, pile of gravel in front of the wall.120 x 165mm, prints on paper.
PH/ELLIN/12a-cAll Saints' Church, Ellington: a general view from the north, with wall and iron gate and railings in the foreground, trees in leaf.130 x 105mm, 160 x 120mm (slightly torn), 165 x 120mm, sepia prints on paper.
PH/ELLIN/13All Saints' Church, Ellington: the same image as PH/ELLIN/06 but printed backwards and as a negative.125 x 100mm, blue negative print on paper.
PH/ELLIN/14a-bAll Saints' Church, Ellington: a general view from the south but missing out the spire and the east end of the chancel, with gravestones in the foreground.110 x 155mm, sepia print on paper; 110 x 160mm, blue print on paper.
PH/ELLIN/15All Saints' Church, Ellington: the same image as PH/ELLIN/06.125 x 100mm, blue print on paper.
PH/ELLIN/16a-bAll Saints' Church, Ellington: a general view from the south, behind stone wall and gate with a road in the foreground, a wooden fence to the right.150 x 110mm, 140 x 105mm, sepia prints on paper.
PH/ELLIN/17a-bAll Saints' Church, Ellington: the steeple and west end from the west, with gravestones behind a stone wall, gate and wooden fence in the foreground, trees in leaf in the background.130 x 100mm, blue print on paper; 140 x 95mm.
PH/ELLIN/18All Saints' Church, Ellington: a general view from the south, with gravestones behind stone wall and gate, trees in leaf.145 x 105mm, print on paper.
PH/ELLIN/19All Saints' Church, Ellington: a distant view from the south-west, with buildings, fence, trees, a path and a green in the foreground.85 x 135mm, colour tinted print on postcard.
PH/ELLIN/20a-bAll Saints' Church, Ellington: a general view from the High Street on the north, with cottage and brick wall with gate in the foreground, trees in leaf hiding the chancel.90 x 140mm, prints on postcards.
PH/ELLIN/21a-dAll Saints' Church, Ellington: interior view looking west through the nave to the tower, showing the lectern and part of the pulpit in the foreground.130 x 100mm, 130 x 105mm, 160 x 115mm, three sepia prints on paper; 160 x 115mm, blue print on paper.
PH/ELLIN/22a-bAll Saints' Church, Ellington: interior view looking east through the nave to the chancel and showing the nave roof with a carved angel, aisle arcades and pews. A little blurred.140 x 110mm, 130 x 105mm, sepia prints on paper.
PH/ELLIN/23All Saints' Church, Ellington: interior view looking east through the nave to the chancel and part of the north aisle, showing the pulpit to the left and lectern to the right, pews in the foreground and two hanging lamps in the north arcade, part of the nave roof including two carved angels.145 x 110mm, print on paper.
PH/ELLIN/24All Saints' Church, Ellington: interior view of the south aisle looking west, with part of the octagonal font in the foreground, and showing the roof with a carved angel.135 x 105mm, sepia print on paper.
PH/ELLIN/25a-cBrook Farm, Ellington: a brick-built house with two gabled wings, with brick wall and railings with gate, hedge to the left and trees in leaf.110 x 155mm, prints on paper.
PH/ELLIN/26a-gBrook Farm, Ellington: the same image as PH/ELLIN/26.110 x 160mm, six prints on paper; 110 x 150mm, blue print on paper.
PH/ELLIN/27a-gManor Farm, Ellington: a distant view of a half-timbered house with dormer windows, in the foreground part of a water-filled moat, trees in leaf and a fence and thorn hedge in the foreground.110 x 155mm, three prints on paper; 110 x 155mm, sepia print on paper; 100 s 150mm, blue print on paper; 95 x 145mm, sepia print on paper; 100 x 150mm, sepia print on paper.
PH/ELLIN/28Manor Farm, Ellington: the side and back of the house, surrounded by trees and hedgerow in leaf, with wooden fence, gate and unmade road in the foreground.100 x 150mm, sepia print on paper.
PH/ELLIN/29a-bBrook Farm, Ellington: a brick-built house with two gabled wings and ivy-clad walls, brick wall with iron railings and gate in the foreground.70 x 95mm, prints on postcards.
PH/ELLIN/30a-cBrook Farm, Ellington: the front of the house with ivy-clad walls, brick wall and iron railings and gate with road in the foreground, trees in leaf and shrubbery to the right.100 x 150mm, 100 x 135mm, 105 x 150m, sepia prints on paper..
PH/ELLIN/31a-fEllington Vicarage: a brick-built house with extension to the right, and trees and shrubs. Field of crops in the foreground with path.75 x 100mm, blue print and five sepia prints on paper.
PH/ELLIN/32Mrs Rowlatt's shop, Ellington: a thatched house with a shop front in its end wall to the left, with a wooden fence, horse and cart outside, grass and unmade road in the foreground, cottages and barn in the background.110 x 155mm, sepia print on paper.
PH/ELLIN/33Ellington High Street: with brick-built house to the left with wall and iron railings and gates, lamp high on the wall; cottages downhill to the right in the background; evergreen hedges and trees without leaf.90 x 140mm, coloure print on postcard .
PH/ELLIN/34Brook Farm Corner, Ellington: looking along the unmade road with the back of Brook Farm to the left, an L-shaped cottage in the centre and College Farm to the right.100 x 150mm, print on paper.
PH/ELLIN/35a-bEllington High Street: showing brick-built house to the right and thatched cottages beyond.90 x 140mm, coloured prints on postcards.
PH/ELLIN/36a-bEllington village: showing the Old Mermaid Inn (large and rambling building) to the right with the spire and tower of the parish church behind; cottages to the left and hedges with wooden gates on either side of the street; man in pony and trap in the foreground, two boys walking in the background.90 x 140mm, prints on postcards.
PH/ELLIN/37Ellington Village: houses and part of the village street to the left, the parish church in the right background, trees without leaf.90 x 140mm, coloured print on postcard.
PH/ELLIN/38a-bEllington Mill: a distant view of a wooden smock mill with a pond and field in the foreground, trees and hedge to the right.85 x 140mm, coloured prints on postcards.
PH/ELLIN/39Sibthorpe Road, Ellington: a country road with very wide verges, with the vicarage and parish church in the left background, trees and hedgerows in leaf.110 x 120mm, sepia print on paper.
PH/ELLIN/40a-bEllington: a stone memorial plaque surrounded by foliage.75 x 110mm, 70 x 100mm, sepia prints on paper.
PH/ELLIN/41Brook Farm Corner, Ellington: a cut-down section of PH/ELLIN/34, showing the left of that picture only.70 x 95mm, sepia print on paper.
PH/ELLIN/42All Saints' Church, Ellington: from the west. showing the steeple with aisles on either side, north porch on the left, gravestones in the churchyard, wooden fence in the foreground, trees in leaf on either side.155 x 100mm, print on paper.
PH/ELLIN/43All Saints' Church, Ellington: a general view from the north, brick churchyard wall and trees in leaf to the left, iron railings to the right, gravestones in the churchyard.160 x 110mm, print on paper.
PH/ELLIN/44All Saints' Church, Ellington: a general view from the north, gravestones in the churchyard with brick churchyard wall and leafless trees to the left, iron railings to the right with gate.210 x 160mm, sepia print on paper.
PH/ELLIN/45All Saints' Church, Ellington: identical image to PH/ELLIN/23.150 x 110mm, print on paper.
PH/ELLIN/46All Saints' Church, Ellington: interior view looking east through the nave to the chancel, showing nave arcades, pulpit to the left and lectern to the right, pews in the foreground.155 x 205mm, sepia print on paper.
PH/ELLIN/47Ellington High Street: showing houses on either side with hedgerows to the right, trees in leaf in the background; petrol pumps to the left with a car beside them, and a larger vehicle in front of the Old Mermaid public house on the right.85 x 135mm, print on postcard.
PH/ELLIN/48Ellington High Street: showing houses on either side with the residents standing in front of their gardens and doorways, the women wearing white aprons and everyone wearing a hat. Man with pony and trap in the background.155 x 210mm, sepia print on paper.
PH/ELLIN/49The Old Mill, Ellington: wooden smock mill on a tall roundhouse, plainly in a bad state of repair, with hedgerow and tree.85 x 135mm, print on postcard.
PH/ELLIN/50Ellington: the church steeple in the background, with houses to the left of it and trees and hedgrows in front; pond with rough grass and wild flowers in the foreground, village pumps? and man standing on the far bank.85 x 135mm, print on postcard.
PH/ELLIN/51Rev Arthur Lee Grimley, Vicar of Ellington: a clergyman in surplice, moustached and holding a book, standing in front of a panelled wall.145 x 100mm, print on card.
PH/ELTON/01All Saints' Church, Elton: a general view from the south-east, gravestones in the foreground, trees in leaf.100 x 150mm, sepia print on paper.
PH/ELTON/02All Saints' Church, Elton: from the west, showing the tower and the west ends of the aisles, gravestones in the foreground, trees in leaf.150 x 100mm, sepia print on paper.
PH/ELTON/03All Saints' Church, Elton: interior view looking east through the nave to the chancel, with font in the foreground, roof and nave arcades.150 x 100mm, sepia print on paper.
PH/ELTON/04All Saints' Church, Elton: interior view looking east through the nave from the chancel arch, showing font in the background, roof, nave arcades just visible on either side, Lectern to the left.150 x 100mm, sepia print on paper.
PH/ELTON/05a-cAll Saints' Church, Elton: the two 11th-century standing crosses in the churchyard, with circular heads and carving of interlaced decoration, the church wall to the right.150 x 105mm, sepia print on paper and two prints on paper.
PH/ELTON/06Elton Hall: the south-east front with formal gardens in the foreground.90 x 140mm, coloured print on postcard.
PH/ELTON/07Elton Hall: from the north-east showing two sides of the Hall with tower in the centre, parkland in the foreground with sundial in the drive. Trees in bud and leaf.210 x 290mm, print on paper.
PH/ELTON/08Elton Hall: the stable buildings, in two ranges round a square green, with dormer windows in the roof to the right, drying green in the foreground, tree in blossom to the right but other trees bare.210 x 295mm, print on paper.
PH/ELTON/09Elton Rectory: a large and rambling two-storey house in a gothic style with many gables and chimnyes, large pollarded tree in the foreground, not in leaf.90 x 140mm, print on postcard.
PH/ELTON/10Elton Hall: carved stone panel on the gatehouse showing the arms of Sapcote (three dovecotes with goat's head crest and motto), with windows above and below it. A cut-down version of PH/ELTON/16.110 x 80mm, print on paper.
PH/ELTON/11All Saints' Church, Elton: interior view looking east through the nave to the chancel and showing the nave arcades with parts of the north and south aisles, pulpit to the left of the chancel arch and lectern to the right, pews in the foreground.110 x 150mm, print on paper.
PH/ELTON/12Elton Hall c. 1852: the south-west front with the grounds in the foreground and a horse and rider beside the house.125 x 175mm, an early photograph, very faint with pencil outlining added, mounted on card.
PH/ELTON/13A watermill at Elton: a wide building with lower extensions to left and right, a sack-hoist near the middle; water in the foreground with wooden structures to the left, trees to left and right - everything is very difficult to make out in this early, faded photograph.150 x 190mm, sepia print on paper mounted on card, very faded.
PH/ELTON/13 (contd.)
PH/ELTON/14All Saints' Church, Elton: a general view from the south-east, gravestones in the churchyard with shrubs and trees in leaf.100 x 150mm, print on paper.
PH/ELTON/15All Saints' Church, Elton: a general view from the south-east, gravestones in the churchyard with shrubs and trees in leaf.90 x 140mm, print on postcard.
PH/ELTON/16Elton Hall: carved stone panel on the gatehouse showing the arms of Sapcote (three dovecotes with goat's head crest and motto), with windows above and below it.160 x 90mm, print on paper.
PH/ELTON/17All Saints' Church, Elton: the two 11th-century standing crosses in the churchyard, with circular heads and carving of interlaced decoration, with the wall of the church behind and rough grass in the foreground.150 x 90mm, print on paper.
PH/ELTON/18Elton Hall: the gatehouse, with crenelations and machiolations and the Sapcote arms in a carved panel, creeper on the wall, shrubbery in leaf to the right with gravel drive and grass in the foreground.200 x 150mm, print on paper.
PH/ELTON/19Elton Hall: the south-east front with formal gardens and lawns in the foreground.150 x 200mm, print on paper.
PH/ELTON/20Elton Hall C. 1875: the south-east front with an expanse of uncut grass in the foreground.170 x 240mm, print on paper.
PH/ELTON/21A drawing of one of the 11th-century crosses in Elton churchyard, from the front and one side.240 x 190, print on paper.
PH/ELTON/22a-bA drawing of the south-west front of Elton Hall, in ink on tracing paper and photgraphed from both sides, a) being correct and b) being reversed.130 x 200mm, prints on paper.
PH/ELTON/23A drawing of the north front of Elton Hall, in ink on tracing paper, showing the dining room with its three traceried windows and the northern extension on the right, with metal fence in the foreground.130 x 200mm, print on paper.
PH/ELTON/24a-bA drawing of part of the south-east front of Elton Hall, in ink on tracing paper and photgraphed from both sides, a) being correct and b) being reversed: the left side of the south-east front, from the turrets at the south corner to the staircase.145 x 200mm, prints on paper.
PH/ELTON/25A drawing of the south-east front of Elton Hall c. 1800, with grass in front and trees to right and left, hiding the left (south) end of the building.110 x 195mm, print on paper.
PH/ELTON/26a-bElton Hall c.1852: a photograph of PH/ELTON/12 complete with its pencil additions.130 x 180mm, 135 x 205mm, prints on paper.
PH/ELTON/27A drawing of part of Elton Hall from the north, 1791, showing the gatehouse and chapel.175 x 245mm, print on paper.
PH/ELTON/28A drawing of Elton Hall, c. 1850, showing the north front with a metal fence in front of it, a top-hatted pedestrian with a walking stick and trees to right and left.155 x 240mm, print on paper.
PH/ELTON/29A drawing of Elton Hall, c. 1850, showing the south-east front with grass in the foreground, trees to right and left and a lady and gentleman standing admiring the house.155 x 240mm, print on paper.
PH/ELTON/30A drawing of Elton Hall c. 1850, showing the south-west front with a carriage drawn up to the door, metal fence and trees to the right, the church tower in the far left background.155 x 240mm, print on paper.
PH/ELTON/31A drawing of Elton Hall c. 1730, showing the house from the north with the gatehouse, chapel and dining room, ?stables to the left, formal gardens in front and the steeples of Warmington and Oundle marked in and named in the background.185 x 355mm, print on paper.
PH/ELTON/32A drawing of part Elton Hall, in ink on tracing paper: some fragments of the building on the right, trees on the left - incomplete, but seems to show the gatehouse from the north side (cf. PH/ELTON/27).145 x 190mm, print on paper.
PH/EYNES/01a-dSt Mary's Church, Eynesbury: cross in the churchyard, showing an elaborate stone cross on a tall shaft on decorated base - modern work presumably, designed by Inskip Ladds? The north side of the church visible behind, including the north porch and part of the tower.190 x 150mm, four prints on paper, c-d) mounted on card.
PH/EYNES/02a-fSt Mary's Church, Eynesbury: an exterior view from the north showing part of the north porch and aisle, churchyard cross in the foreground.130 x 80mm, prints on postcards.
PH/EYNES/03a-dSt Mary's Church, Eynesbury: an exterior view from the north showing the churchyard cross in the foreground and the west end of the church behind.130 x 80mm, prints on postcards.
PH/EYNES/04a-dSt Mary's Church, Eynesbury: 1914-18 War Memorial Plaque on outside wall (north wall of west end of north aisle, see PH/EYNES/03 for the position).130 x 80mm, prints on postcards.
PH/EYNES/05a-fSt Mary's Church, Eynesbury: a general view from the north, trees in leaf on either side, stone wall in front with iron railings, and two lamps on stone pillars on either side of gate.80 x 125mm, sepia prints on paper, blurred.
PH/EYNES/06St Mary's Church, Eynesbury: a general view from the south, trees and shrubs in leaf, buildings on the street in the left background.80 x 110mm, print on postcard.
PH/EYNES/07St Mary's Church, Eynesbury: a general view from the south, trees in leaf to left and right.90 x 140mm, print on postcard.
PH/EYNES/08St Mary's Church, Eynesbury: from the east, showing tower, chancel and north porch, trees in leaf, ivy clad walls, laurel hedge and iron railings in the foreground.140 x 105mm, sepia print on paper.
PH/EYNES/09St Mary's Church, Eynesbury: from the south, showing tower, south aisle and nave; trees and shrubs in leaf, grass and iron railings in the foreground.140 x 105mm, sepia print on paper.
PH/EYNES/10St Mary's Church, Eynesbury: a general view from the north-west; trees in leaf.110 x 150mm, sepia print on paper, blurred and over exposed.
PH/EYNES/11St Mary's Church, Eynesbury: interior view showing altar in the north aisle with altar rail in the foreground.110 x 80mm, print on postcard.
PH/EYNES/12St Mary's Church, Eynesbury: interior view looking east through the nave to the chancel, showing the lectern to the left with pulpit to the right, pews in the foreground with the font in the centre foreground.140 x 195mm, sepia print on paper.
PH/EYNES/13St Mary's Church, Eynesbury: a general view from across the street to the north, trees and shrubs in leaf behind churchyard wall with railings, road in the foreground.90 x 140mm, print on postcard.
PH/EYNES/14Eynesbury Rectory: a distant view of a large and rambling house with lawn in the foreground, trees in leaf on either side.90 x 140mm, print on postcard.
PH/EYNES/15a-bEynesbury House, on the east side of Berkeley Street, Eynesbury: a large and elaborate house with decorative woodwork on the gables and creepers on the walls; a lady stands on the lawn and another at a window.65 x 90mm, screened prints on postcards.
PH/EYNES/16St Mary's Church, Eynesbury: interior view looking east through the nave to the chancel, showing chancel arch and nave arcades, pulpit to the right, lectern to the left, and font with ornamental jug in the foreground, a prie-dieu in front of the chancel arch.225 x 295mm, sepia print on paper mounted on card.
PH/EYNES/17St Mary's Church, Eynesbury: interior view looking east through the nave to the chancel, showing chancel arch and nave arcades, pulpit to the right, lectern to the left, with font in the centre foreground.230 x 285mm, sepia print on paper mounted on card.
PH/EYNES/18St Neots UDC employees in their depot in Eynesbury: nine men and a boy standing in front of a steam roller with some kind of cart or tender to the right (marked "Bayley's Improved"), with a shed to the left and a house behind to the right; the men have brooms, spades, etc. On the left is a better-dressed, bearded man, presumably in charge.155 x 210mm, print mounted on card.
PH/EYNES/19St Mary's Church, Eynesbury: a general view from the north, iron railing on the wall surrounding the churchyard, with a gate; buildings on either side with leafless trees, children in the foreground.220 x 290mm, sepia print on paper mounted on card.
PH/EYNES/20St Neots District Masons outside Waterloo House in about 1930: a group photograph with the members sitting and standing, the house and two cars behind.235 x 285mm, sepia print mounted on card with paper folder.
PH/FARCT/01St Mary's Church, Farcet: a general view from the south-west, with tombs and gravestones in the churchyard, a small tree in leaf and buildings on either side of the church in the background.100 x 145mm, print on paper.
PH/FARCT/02St Mary's Church, Farcet: a general view from the south-west, with tombs and gravestones in the churchyard, buildings on either side of the church in the background.110 x 150mm, sepia print on paper.
PH/FARCT/03St Mary's Church, Farcet: a general view from the north-west.110 x 160mm, sepia print on paper, blurred and over exposed.
PH/FARCT/04St Mary's Church, Farcet: interior view looking east through the nave to the chancel and showing the pulpit to the left.110 x 150mm, sepia print on paper.
PH/FARCT/05St Mary's Church, Farcet: the pulpit, with elaborately carved panels, with a pew to the left.110 x 150mm, sepia print on paper.
PH/FARCT/06St Mary's Church, Farcet: the pulpit, identical image to PH/FARCT/05.110 x 155mm, sepia print on paper.
PH/FARCT/07St Mary's Church, Farcet: the pulpit, a cut-down version of PH/FARCT/05-6.80 x 110mm, sepia print on paper.
PH/FARCT/08St Mary's Church, Farcet: the pulpit, a cut-down version of PH/FARCT/05-6.100 x 120mm, blue print on paper.
PH/FARCT/09St Mary's Church, Farcet: the pulpit, a cut-down version of PH/FARCT/05-6.110 x 80mm, sepia print on paper, damaged corner.
PH/FARCT/10St Mary's Church, Farcet: the tower from the west, with gravestones and rough grass in the foreground and trees in leaf on either side.155 x 105mm, print on paper.
PH/FENSTSee also PH/S.IVE/Bdge.Ft/07-08: two transparencies of the Thomas Telford drawing of the New Bridges, which lie partly in Fenstanton parish.
PH/FENST/01St Peter and St Paul's Church, Fenstanton: a general view from the south, with gravestones in the churchyard.90 x 125mm, coloured print on postcard.
PH/FENST/02a-cSt Peter and St Paul's Church, Fenstanton: a general view from the north-east, with brick wall, wooden fence and wire fencing in the foreground, small wooden hut to the right.160 x 110mm, print on paper; 145 x 100mm, sepia print on paper; 150 x 100mm, sepia print on paper.
PH/FENST/03St Peter and St Paul's Church, Fenstanton: a general view from the south, with gates and brick churchyard wall in front, trees and shrubs, street lamp on corner of brick wall, road in the foreground.140 x 90mm, print on postcard.
PH/FENST/04St Peter and St Paul's Church, Fenstanton: the east window seen from the north, with elaborate Decorated tracery and part of the chancel.150 x 100mm, print on paper.
PH/FENST/05St Peter and St Paul's Church, Fenstanton: from the north-west, showing most of the building but the top of the spire and the chancel not visible.145 x 105mm, sepia print on paper.
PH/FENST/06St Peter and St Paul's Church, Fenstanton: a general view from the south, with brick churchyard wall and double gates in the foreground, tree and gravestones in the churchyard.145 x 105mm, sepia print on paper.
PH/FENST/07St Peter and St Paul's Church, Fenstanton: interior view looking east through the nave to the chancel and showing pews, pulpit to the left, lectern to the right and several lamps suspended from the arches of the nave arcades.145 x 105mm, sepia print on paper.
PH/FENST/08St Peter and St Paul's Church, Fenstanton: an interior view looking west through the nave to the tower, showing parts of the pews and two hanging lamps.150 x 110mm, sepia print on paper, over exposed.
PH/FENST/09a-bA windmill on the Low Road, Fenstanton, with wooden body and sails in position, trees in the background.95 x 70mm, sepia prints on paper, dark.
PH/FENST/10Fenstanton clock tower, looking east with houses on the south side of the High Street behind and to the left; vignette print with blurred edges.105 x 150mm, sepia print on paper.
PH/FENST/11Fenstanton Vicarage: a two-storey brick house with dormer windows and tall chimneys on either end; trees in leaf on either side with drive and lawn in the foreground, two men with tent on the lawn, the church spire in the background.90 x 140mm, print on postcard.
PH/FENST/12a-cThe Gables, Hilton Road, Fenstanton: front view of house with two gabled wings and tall chimneys, with a brick wall to the right.100 x 150mm, blue print on paper; 110 x 150mm, sepia print on paper; 100 x 140mm, sepia print on paper.
PH/FENST/13The Gables, Hilton Road, Fenstanton: looking south down Hilton Road with a side view of the house on the left, a two-storey building with tall chimneys, brick wall in front, road with pavement to the right.100 x 150mm, colour print on paper.
PH/FENST/13-30Photographs given by Arthur Dunn showing The Gables, Hilton Road, Fenstanton being restored in the late 1980s.Information from donor: The building is a timber framed one with later inserted brick work at ground floor level. There is a lot of stone in the footings and it is a building of c.1550 (Grade II listed). It is possible that it was the property owned by
PH/FENST/13-30 (contd.)
PH/FENST/14The Gables, Hilton Road, Fenstanton: a close-up view of part of the front, with the gable end of the south cross wing, the house in a poor state of repair with the lower windows boarded up; trees to the right with Hilton Road in the foreground.100 x 150mm, colour print on paper.
PH/FENST/15The Gables, Hilton Road, Fenstanton: looking north up Hilton Road and showing the south wall of the south cross wing, plainly in a poor state of repair with rendering falling away; trees and shrubs on either side, with Hilton Road and pavement running to the left of the house.100 x 150mm, colour print on paper.
PH/FENST/16The Gables, Hilton Road, Fenstanton: interior view of part of the brick barn, showing roof timbers on a brick wall with part of a doorway at bottom right.150 x 100mm, colour print on paper
PH/FENST/17The Gables, Hilton Road, Fenstanton: interior view of the brick barn, showing restored roof with its older timber supports, brick walls with open doorway to the left.100 x 150mm, colour print on paper.
PH/FENST/18The Gables, Hilton Road, Fenstanton: interior view of the brick barn, showing the roof timbers, partly uncovered, and the end wall.150 x 100mm, colour print on paper
PH/FENST/19The Gables, Hilton Road, Fenstanton: interior view of the brick barn, showing the roof timbers and supports, partly uncovered to the right.150 x 100mm, colour print on paper
PH/FENST/20The Gables, Hilton Road, Fenstanton: interior view of the wooden barn, showing roof timbers and supports with wooden walls and open gable space all in disrepair.100 x 150mm, colour print on paper.
PH/FENST/21The Gables, Hilton Road, Fenstanton: the north cross wing seen from the back, with restoration work in progress.100 x 150mm, colour print on paper.
PH/FENST/22The Gables, Hilton Road, Fenstanton: interior view of part of a brick chimney breast, with wattle and plaster walling to the right.150 x 100mm, colour print on paper.
PH/FENST/23The Gables, Hilton Road, Fenstanton: interior view showing some of the roof timbers and various extra supports.150 x 100mm, colour print on paper.
PH/FENST/24The Gables, Hilton Road, Fenstanton: the rear view of the courtyard between the two cross wings, with restoration work in progress.150 x 100mm, colour print on paper.
PH/FENST/25The Gables, Hilton Road, Fenstanton: rear view of the part of the house between the two cross wings, showing the timber frame and original windows.100 x 150mm, colour print on paper.
PH/FENST/26The Gables, Hilton Road, Fenstanton: a detail of some of the timber framework at the rear with two original windows.150 x 100mm, colour print on paper.
PH/FENST/27The Gables, Hilton Road, Fenstanton: interior view of a half timbered passage or gallery.150 x 100mm, colour print on paper.
PH/FENST/28The Gables, Hilton Road, Fenstanton: showing the rear of the house, in a poor state of repair.100 x 150mm, colour print on paper.
PH/FENST/29The Gables, Hilton Road, Fenstanton: interior view of some of the main roof timbers over the central part of the roof.150 x 100mm, colour print on paper.
PH/FENST/30The Gables, Hilton Road, Fenstanton: the back gable end of the south cross wing, with timbering and original windows.150 x 100mm, colour print on paper.
PH/FENST/31The Clock Tower, Fenstanton, looking west, with a lean-to shelter against its east wall. The clock shows 3.15 and a small lorry is driving past, away from the camera on the right side.115 x 165mm, print on paper.
PH/FENST/32Honey Hill, Fenstanton: cottages, with the parish church steeple in the background, a woman and child walking in the lane.115 x 165mm, print on paper.
PH/FENST/33Row of cottages in Honey Hill, Fenstanton: two thatched cottages on the left and part of a tile-roofed one on the right, with a child in the foreground. The child and the cottages are probably the same ones shown in PH/FENST/32.115 x 165mm, print on paper.
PH/FENST/34Cottage in Honey Hill, Fenstanton: tiled roof with dormers, outhouse and pump in the foreground, with bicycle, woman and child - the woman and child perhaps the same as in PH/FENST/32-33.115 x 165mm, print on paper.
PH/FENST/35The remains of a post mill on the south-west side of the Low Road, Fenstanton, grid ref. 311704: the mill framework, now without its outside planking, on top of a roundhouse.115 x 165mm, print on paper.
PH/FENST/36The remains of a post mill on the Low Road, the same mill as in PH/FENST/35 but from a different angle, looking up the trail of the mill, with millstones leaning against the roundhouse, and a straw stack to the left of the picture.115 x 165mm, print on paper.
PH/FENST/37The Woolpack Public House, which used to stand at the road junction where the road from St Ives joins the present-day A14, since demolished for road widening. An L-shaped building, on the south-east side of the then crossroads, seen here from the west across the Hilton road. With "Flowers" signs and "Whitbread" sunshades, milestone next to one corner of the building.115 x 160mm, print on paper.
PH/FENST/38A house in Hilton Road, Fenstanton, in 1963: two-storey house with tiled, hipped roof with chilmney stack, wooden fence in front and trees in leaf.80 x 120mm, print on paper.
PH/FENST/39Fenstanton clock tower, with a shelter against its east wall, looking west towards the King William IV and the road to St Ives.85 x 135mm, print on postcard.
PH/FENST/40A post windmill on the Low Road, Fenstanton: with two shuttered sails and two cloth ones (only the framework visible, no cloths fitted), on top of a roundhouse, with fencing and a waggon in front.145 x 160mm, print on paper.
PH/FENST/41-49These photgraphs show views of the donor's grandfather's cottage in Hilton Road, Fenstanton - see PH/FENST/45, with the clock tower in the background, to pin down the location.The accession book entry says they were taken c. 1937 - but note that they show the cottage at two different dates, judging by changes in its roof, etc.; but all photographs look very similar from the point of view of the paper they're printed on etc., s
PH/FENST/41a-bCottage in Hilton Road, Fenstanton: one-storey building with three dormers in the roof and with one-storey extensions at each end. Telegraph pole and part of a car in the left background.60 x 80mm, 110 x 155mm, prints on paper.
PH/FENST/42a-bCottage in Hilton Road, Fenstanton: one-storey building with three dormers in the roof, with large one-storey extension in the foreground, tall chimney in the middle. Road in the foreground and part of the fence round the village pond.60 x 80mm, 110 x 155mm, prints on paper.
PH/FENST/43a-bCottage in Hilton Road, Fenstanton: a similar view to PH/FENST/41 but apparently taken earlier - the cottage has smaller windows and only one dormer, and the walls are bare brick and not rendered.60 x 80mm, 110 x 155mm, prints on paper.
PH/FENST/44a-bCottage in Hilton Road, Fenstanton: a similar view to PH/FENST/42 but once again apparently taken before restoration - see PH/FENST/43.60 x 80mm, 110 x 155mm, prints on paper.
PH/FENST/45Cottage in Hilton Road, Fenstanton: looking towards the Clock Tower; an end-on view of the cottage, with the pond fence on the left and another house beyond it; lean-to on the far side of the clock tower and cars parked near it; a few people on the pavement.60 x 80mm, print on paper.
PH/FENST/46Cottage in Hilton Road, Fenstanton: single-storey but with high-pitched roof and a kind of dormer with an upper door in it. Untidy yard in the foreground, leafless trees behind.60 x 80mm, print on paper.
PH/FENST/47Cottage in Hilton Road, Fenstanton: single-storeyed but with dormers in the high-pitched roof; grass verge near the pond in the foreground.60 x 80mm, print on paper.
PH/FENST/48Cottage in Hilton Road, Fenstanton: seen from the rear and before restoration; similar view to PH/FENST/46, although trees in the background have been lopped in this picture.60 x 80mm, print on paper.
PH/FENST/49Cottage in Hilton Road, Fenstanton: a rear view before restoration, with a closer view than PH/FENST/48 of the back of the building and the gable end of the house next to it.60 x 80mm, print on paper.
PH/FENST/50The Clock Tower at Fenstanton, looking west to the houses on the west side of the green and the road towards Huntingdon and St Ives; men and bicycles stand beside the tower and telegraph poles lead off down the road.90 x 140mm, print on postcard.
PH/FENST/51Wiliam Hookham, lighterman, of Fenstanton Low Road: a middle-aged man, unshaven, with overcoat and fur hat, holding a small bundle in a spotted cloth as he leans on the gunwale of a small boat. Thatched and weatherboarded buildings behind.215 x 165mm, print on paper.
PH/FENST/52"Laleham", a house in London Road, on the outskirts of St Ives, seen soon after it was built in 1900: a brick-built two-storey house of elaborate design, with circular turret above the porch and half-timbered upper storey on the right with elaborate woodwork on the gable. Rubble lies in front, and the garden is bare, suggesting the house is newly built; trees are bare and it is raining.235 x 295mm, print on paper.
PH/FENST/53The New Bridges on London Road seen from the east, showing about 14 of the arches, with cars on the road and the trees of Houghton Hill behind, Fenstanton Meadow in the foreground.145 x 200mm, print on paper.
PH/FLETN/01St Margaret's Church, Fletton: a general view from the south, with part of the churchyard.150 x 105mm, sepia print on paper.
PH/FLETN/02a-dSt Margaret's Church, Fletton: from the north-west, showing the steeple and north aisle, with trees in leaf on both sides.165 x 120mm, two prints on paper; 160 x 105mm, sepia print on paper; 140 x 105mm, sepia print on paper; all very blurred.
PH/FLETN/03St Margaret's Church, Fletton: window with quatrefoil tracery in the south wall of the chancel, seen from outside, with frieze of corbels above.110 x 75mm, print on paper.
PH/FLETN/04a-dSt Margaret's Church, Fletton: the quatrefoil window seen in PH/FLETN/03, seen from further back so as to include buttresses on either side and two carved figures next to the buttresses.110 x 155mm, 110 x 150mm, 110 x 165mm, prints on paper; 120 x 165mm, blue print on paper.
PH/FLETN/05a-bSt Margaret's Church, Fletton: interior view looking west through the nave.120 x 155mm, prints on paper.
PH/FLETN/06a-bSt Margaret's Church, Fletton: the free-standing Anglo-Saxon cross outside the church, with the church wall behind it.155 x 120mm, 150 x 100mm, prints on paper.
PH/FLETN/07a-bSt Margaret's Church, Fletton: a general view from the north-east, but much of the building hidden by trees.160 x 120mm, 150 x 110mm, prints on paper.
PH/FLETN/08St Margaret's Church, Fletton: one of the carved figures beside the buttresses on the south wall of the chancel (see PH/FLETN/04 for its location and PH/FLETN/09 for the other one).50 x 80mm, print on paper.
PH/FLETN/09St Margaret's Church, Fletton: the other carved figure from beside the buttresses on the south wall of the chancel (see PH/FLETN/04 for its location and PH/FLETN/08 for the other one).50 x 80mm, print on paper
PH/FLETN/10St Margaret's Church, Fletton: a general view from the south east, numerous gravestones in the churchyard with trees in leaf on either side, rough grass in the foreground.105 x 150mm, print on paper.
PH/FLETN/11St Margaret's Church, Fletton: a general view from the south, gravestones in churchyard with rough grass, leafless trees behind.155 x 105mm, print on paper.
PH/FLETN/12St Margaret's Church, Fletton: from the north-west, identical to PH/FLETN/02.150 x 110mm, print on paper.
PH/FLETN/13St Margaret's Church, Fletton: the south wall of the chancel, identical to PH/FLETN/04.110 x 155mm, print on paper.
PH/FLETN/14St Margaret's Church, Fletton: the south wall of the chancel, eastern end, with window, corbel table and corner buttress.105 x 145mm, print on paper.
PH/FLETN/15St Margaret's Church, Fletton: the free-standing Anglo-Saxon cross outside the church, with the church wall and part of a window behind it.150 x 10mm, print on paper.
PH/FLETN/16St Margaret's Church, Fletton: the free-standing Saxon cross, identical to PH/FLETN/06.155 x 110mm, print on paper.
PH/FLETN/17St Margaret's Church, Fletton: a general view from the north-east with the building mostly hidden by trees, identical to PH/FLETN/07.150 x 110mm, print on paper.
PH/FLETN/18a-bSt Margaret's Church, Fletton: interior view looking east through the nave to the chancel and showing the chancel arch with pulpit to the right, lectern to the left, nave arcades on either side, pews in nave and in aisles, font in the foreground to the left of photo, with prie-dieu in front of chancel.110 x 155mm, print on paper.
PH/FLETN/19St Margaret's Church, Fletton: interior view looing east through the nave to the chancel and showing the chancel arch with pulpit to the left, lectern to the right, nave arcades with hanging lamps on either side and pews in the foreground.155 x 160mm, print on paper.
PH/FLETN/20St Margaret's Church, Fletton: interior view looking west from the chancel and showing the chancel arch with pulpit to the right, lectern to the left, nave arcades and pews on either side, font in front of the tower arch.110 x 155mm, print on paper.
PH/FLETN/21St Margaret's Church, Fletton: interior view looking west through the nave to the tower arch and north aisle, showing the font, nave arcades and pews.105 x 155mm, sepia print on paper.
PH/FLETN/22A painting by Cuthbert Bede, c. 1860: showing the River Nene with the bridge into Peterbrough from Fletton on the right, boats on the river, houses and other buildings on the far bank and the towers of the cathedral in the background; many trees.115 x 195mm, print on paper.
PH/FLETN/23a-bDrawings of the west and south sides of the Saxon cross at St Margaret's Church, Fletton.245 x 195mm, prints on paper.
PH/FLETN/24a-bDrawings of the east and north sides of the Saxon cross at St Margaret's Church, Fletton.245 x 195m, prints on paper.
PH/FLETN/25St Margaret's Church, Fletton: the outline of a complicated compound cross - ?a brass indent or a relief carving on a stone coffin lid.210 x 160mm, print on paper.
PH/FOLKS/01St Helen's Church, Folksworth: a general view from the south-west, gravestones in the foreground with trees in leaf to the left, a bicyle leaning against the wall of the south transept.110 x 160mm, print on paper.
PH/FOLKS/02St Helen's Church, Folksworth: a general view from the east, gravestones in the churchyard, stone churchyard wall in the foreground, trees in leaf on either side.110 x 160mm, print on paper.
PH/FOLKS/03St Helen's Church, Folksworth: the north doorway, seen from outside, with round-topped arch and carved tympanum.145 x 100mm, print on paper (dark).
PH/FOLKS/04St Helen's Church, Folksworth: the north doorway, seen from outside, with round-topped arch and carved tympanum.150 x 110mm, sepia print on paper (slightly blurred).
PH/FOLKS/05St Helen's Church, Folksworth: a general view from the south-west, gravestones in the churchyard, path to the south porch, trees in leaf on either side of the church.105 x 145mm, print on paper.
PH/FOLKS/06St Helen's Church, Folksworth: the north doorway, seen from outside, with round-topped arch and carved tympanum, rough grass in front of it.145 x 105mm, print on paper.
PH/G.GID/01St Michael's Church, Great Gidding: from the south-west, showing most of the building except the chancel and the top of the spire.135 x 105mm, sepia print on paper (slightly blurred).
PH/G.GID/02St Michael's Church, Great Gidding: a general view from the south-east, with gravestones and path in the foreground of churchyard, trees in leaf.110 x 150mm, print on paper.
PH/G.GID/03St Michael's Church, Great Gidding: a distant view from the south-east, with gravestones in the overgrown churchyard, trees in leaf.105 x 135mm, sepia print on paper.
PH/G.GID/04St Michael's Church, Great Gidding: from the north, showing parts of the north aisle, clerestorey and chancel.105 x 140mm, sepia print on paper.
PH/G.GID/05St Michael's Church, Great Gidding: interior view looking east through the nave to the chancel, showing nave arcades and pews.110 x 135mm, sepia print on paper (slightly blurred).
PH/G.GID/06St Michael's Church, Great Gidding: interior view looking east through the nave to the chancel and showing part of the north and south aisles, pews in the foreground, five hanging lamps.105 x 150mm, print on paper.
PH/G.GID/07a-fA house in Great Gidding: a two-storey thatched cottage with the thatch in poor condition, bay windows, and a buttress to the left of the front door; overgrown garden, wrought iron railings.80 x 120mm, sepia prints on paper.
PH/G.GID/08St Michael's Church, Great Gidding: a general view from the south-east, with gravestones in the churchyard, path to the south porch, trees in leaf on either side.110 x 255mm, print on paper.
PH/G.GID/09St Michael's Church, Great Gidding: looking east through the nave to the chancel and chancel arch, pulpit to the left, lectern to the right, prie-dieu in front of chancel steps, nave arcades and part of the north and south aisles, with pews on either side.110 x 155mm, print on paper.
PH/G.STA/01a-bSt Andrew's parish church, Great Staughton: from the north-east, showing chancel, north vestry, north chapel, part of nave, north aisle, and tower. Curved brick wall with swivel gate in the foreground.100 x 150mm, print on paper and sepia print on paper.
PH/G.STA/02St Andrew's parish church, Great Staughton: from the south-east, showing chancel, nave, south aisle, part of south porch and tower. Trees without leaf in foreground.105 x 150mm, sepia print on paper.
PH/G.STA/03St Andrew's parish church, Great Staughton: from the south showing chancel, nave, south aisle, south porch and tower. Gravestones in foreground.110 x 150mm, sepia print on paper.
PH/G.STA/04St Andrew's parish church, Great Staughton: from the south, showing the bottom of the tower, nave, south aisle, south porch. Gravestones in foreground.110 x 140mm, sepia print on paper.
PH/G.STA/05St Andrew's parish church, Great Staughton: from the north-west, showing most of tower, part of nave, north aisle.130 x 105mm, sepia print on paper.
PH/G.STA/06St Andrew's parish church, Great Staughton: from the west, showing the tower, the end of the south aisle, brick wall and gate in front, house to the right of picture, with pony trap in foreground.145 x 100mm, sepia print on paper.
PH/G.STA/07St Andrew's parish church, Great Staughton: a distant view from the west, showing the tower of the church, with Place House in the foreground, evergreen hedge and lawn in front of house.110 x 150mm, print on paper.
PH/G.STA/08St Andrew's parish church, Great Staughton: looking east through the nave and showing the chancel, nave, nave arcade, and pews in foreground, hanging lamps on either side of nave.110 x 155mm, sepia print on paper.
PH/G.STA/09St Andrew's parish church, Great Staughton: looking west through the nave, showing window over west door, nave, nave arches, and pews in the foreground.105 x 150mm, sepia print on paper.
PH/G.STA/10a-bSt Andrew's parish church, Great Staughton: the monument in the chancel of Sir James Deyer 1580, Margaret his wife 1560, Sir Richard Deyer 1605, and Marie his wife 1601.150 x 105mm, prints on paper.
PH/G.STA/11St Andrew's parish church, Great Staughton: the Deyer monument in the chancel; standing lamp in the foreground.150 x 95mm, sepia print on paper.
PH/G.STA/12St Andrew's parish church, Great Staughton: the Deyer monument in the chancel.145 x 95mm, print on paper.
PH/G.STA/13St Andrew's parish church, Great Staughton: the Deyer monument in the chancel; standing lamp in the foreground.145 x 100mm, sepia print on paper.
PH/G.STA/14St Andrew's parish church, Great Staughton: the Deyer monument in the chancel; standing lamp in the foreground.160 x 110mm, sepia print on paper.
PH/G.STA/15St Andrew's parish church, Great Staughton: the monument in the south aisle of Sir George Wauton, 1606.140 x 85mm, print on paper.
PH/G.STA/16St Andrew's parish church, Great Staughton: the monument in the south aisle of Sir George Wauton, 1606, with font in foreground.145 x 100mm, sepia print on paper.
PH/G.STA/17St Andrew's parish church, Great Staughton: the monument on the south wall (interior) in memory of John Baldwin and John Conyers.130 x 80mm, print on paper.
PH/G.STA/18a-bGreat Staughton Vicarage, a grand two-storey house with chimneys and ivy-clad walls with raised garden and lawns in foreground.110 x 155mm, print on paper and blue print on paper.
PH/G.STA/19a-cGreat Staughton Vicarage from the south-west, surrounded by terrace with steps leading down to the lawn in foreground.110 x 155mm, two prints on paper; 100 x 150mm, sepia print on paper.
PH/G.STA/20a-ePlace House, Great Staughton, from the south-west, showing the long east wing, with many windows of various styles, and the transverse west wing with three arches on the left. Various brick walls and wooden gates in foreground facing on to the road.100 x 145mm, two prints on paper, two blue prints on paper, one sepia print on paper.
PH/G.STA/21a-cPlace House, Great Staughton, from the east, showing the end of the east wing and small attached building to the north with thatched roof; brick wall in foreground, and trees without leaf.75 x 100mm, two sepia prints on paper, one blue print on paper.
PH/G.STA/22Manor Farm, West Perry, Great Staughton, showing front of house with ivy-clad walls, tiled roof with chimneys, stone-framed windows. Railings and brick pillars in front of house, with unmade road and grass in foreground. Farm buildings in left background. Trees in leaf to right of picture.100 x 150mm, blue print on paper.
PH/G.STA/23a-dThe White house, Great Staughton, showing village sundial & cross in the right foreground and shop behind it. To the left of picture and in front of the White House, a low brick wall, topped by railings, trees on either side of house. Unmade road in foreground.105 x 150mm, three prints on paper, one sepia print on paper.
PH/G.STA/24a-dThe Grotto at the White House, Great Staughton, showing small building with one window on either side of doorway, ivy-clad walls with shrubs in foreground.105 x 150mm, prints on paper.
PH/G.STA/25A pub at Great Staughton, showing a building with steep pitched roof and gable to left, man standing in porch over front, central door. Board on front of house reads "Arthur Mehew licensed to sell beer etc. etc." Greenhouse visible behind high wall on right.110 x 150mm, print on paper.
PH/G.STA/26Main Street, Great Staughton, showing houses on either side; stone cross or sun dial in left foreground, small shop beyond. Two ponies and traps in foreground on unmade road.90 x 140mm, print on postcard.
PH/G.STA/27a-bThe village cross or sun dial, Great Staughton, showing Main Street beyond, with house on left and shops behind sun dial. People standing on either side of unmade road.70 x 95mm, sepia prints on paper.
PH/G.STA/28a-bA distant view of St Andrew's parish church, Great Staughton, showing the tower surrounded by trees in leaf. In the foreground a brick-built bridge with four arches, ending in wooden railings on the right. White horse and cart, driver wearing bowler hat, small boy looking over wooden railings, reeds in foreground.155 x 210mm, sepia print on paper; 80 x 110mm, print on postcard.
PH/G.STA/29St Andrew's parish church, Great Staughton, looking east through the nave, showing chancel, chancel arch, nave, nave arches and part of both aisles. Pulpit to the left, lectern to the right of chancel arch. Twin oil lamps, with globe shades on decorative brackets on each stone pillar in nave. Pews in foreground, poppyhead inward-facing pews in chancel.155 x 205mm, sepia print on paper.
PH/G.STA/30Great Staughton House: a large two-storey stucco Georgian house with plain parapet, sash windows, and verandah. Bow fronted end to right of verandah, main entrance door on the side elevation to left of photograph. Trees in leaf on either side of house. Hedgerow to left of croquet lawn and three croquet balls in foreground.155 x 210mm, sepia print on paper.
PH/G.STU/01a-cSt Barthomolew's Church, Great Stukeley: a general view from the north-west, with gravestones and leafless trees in the foreground.75 x 125mm, prints on postcards.
PH/G.STU/02St Barthomolew's Church, Great Stukeley, from the north-west, showing tower and north aisle. Gravestones in the churchyard with rough grass in foreground.155 x 105mm, print on paper.
PH/G.STU/03St Barthomolew's Church, Great Stukeley, from the west, showing the tower, with trees in leaf to the left, gravestones in the churchyard with rough grass in foreground.150 x 105mm, print on paper.
PH/G.STU/04St Barthomolew's Church, Great Stukeley: a general view from the north-east, numerous gravestones in churchyard with trees in leaf on either side.110 x 155mm, print on paper.
PH/G.STU/05St Barthomolew's Church, Great Stukeley: a close-up view from the south-east, showing parts of the chancel, south aisle, nave and tower. A few gravestones in the foreground.100 x 150mm, print on paper.
PH/G.STU/06St Barthomolew's Church, Great Stukeley: looking out of the nave through the porch, April 1923.100 x 70mm, print on paper.
PH/G.STU/07St Barthomolew's Church, Great Stukeley: an exterior view of the partly demolished porch, showing three men at work, two of them standing in a trench in the foreground.135 x 80mm, print on postcard.
PH/G.STU/08St Barthomolew's Church, Great Stukeley: looking eastwards through the nave to the chancel, showing pulpit to the left and nave arches, numerous chairs in nave.110 x 155mm, print on paper.
PH/G.STU/09St Barthomolew's Church, Great Stukeley: looking east through the nave to the chancel, showing chancel arch and nave arches, pews in the foreground.110 x 155mm, print on paper.
PH/G.STU/10a-cSt Barthomolew's Church, Great Stukeley: looking east through the chancel arch and showing the east end of the nave, and part of the south arcade; beyond, the chancel with its peculiar roof timbers, the altar rail and altar with candles and flowers on it.120 x 80mm, prints on postcards
PH/G.STU/11a-cSt Barthomolew's Church, Great Stukeley: an interior view of the east end of the north aisle, with the arcade to the right and an altar with candles under the aisle east window.80 x 120mm, prints on postcards.
PH/G.STU/12a-cSt Barthomolew's Church, Great Stukeley: the altar under the east window, with a cross and candles, a lamp hanging above it and the altar rails in the foreground.120 x 75mm,. prints on postcards.
PH/G.STU/13St Barthomolew's Church, Great Stukeley: looking east through the nave to the north aisle and chancel, showing nave arches to the left, chancel in the background with chairs in the foreground.80 x 130mm, print on postcard (blurred).
PH/G.STU/14St Barthomolew's Church, Great Stukeley: looking across the nave from the west end of the south aisle, showing nave arches, with chairs in the foreground.105 x 80mm, print on postcard.
PH/G.STU/15St Barthomolew's Church, Great Stukeley: four interior views of the church, showing the altar, north aisle altar, font and a general view of the nave - arranged in four frames on a black background.90 x 140mm, print on paper.
PH/G.STU/16St Barthomolew's Church, Great Stukeley: a drawing of the brass of Sir Nicholas Styvele, by William Stukeley: a knight in 15th-century armour with a chalice below his feet and four indents around him - probably two wives and two children - and indent of a marginal inscription all round.140 x 60mm, sepia print on paper.
PH/G.STU/17Part of the grounds at Stukeley Hall: a lawn with ornamental flower bed in knot garden style, with two men looking at them (?the owner and his gardener), with trees and parkland behind; the picture taken from high up, presumably an upstairs window.150 x 210mm, sepia print mounted on card.
PH/GLATT/01a-bA painting by Cuthbert Bede of St Nicholas' Church, Glatton, from the south, with farm buildings, haystack and livestock in the foreground.160 x 225mm, print on paper.
PH/GLATT/02St Nicholas' Church, Glatton: the tower from the west, with trees in leaf, a stone wall and grass in the foreground.150 x 110mm, print on paper.
PH/GLATT/03St Nicholas' Church, Glatton: a general view from the south-west, with trees in leaf, stone wall and green in the foreground.130 x 80mm, print on postcard.
PH/GLATT/04St Nicholas' Church, Glatton: a general view from the south-east, with trees, gravestones and lamp to the right of the chancel, stone wall and grass in the foreground.80 x 130mm, print on postcard.
PH/GLATT/05St Nicholas' Church, Glatton: the tower from the west, with trees in leaf, stone wall and grass in the foreground.145 x 100mm, print on paper.
PH/GLATT/06St Nicholas' Church, Glatton: from the south, showing the whole building except the chancel, gravestones in the foreground.110 x 150mm, print on paper.
PH/GLATT/07St Nicholas' Church, Glatton: a general view from the south-east, with gravestones and grass in the foreground, trees in leaf behind.110 x 150mm, print on paper.
PH/GLATT/08St Nicholas' Church, Glatton: a general view from the south-east, with gravestones in the foreground.100 x 150mm, sepia print on paper.
PH/GLATT/09St Nicholas' Church, Glatton: from the north-east showing the whole building except the southern edge of the chancel east wall, gravestones in the foreground.100 x 150mm, sepia print on paper.
PH/GLATT/10St Nicholas' Church, Glatton: a general view from the north, with gas lamp to the left, wooden gate, fence, long grass and shrub in the foreground.100 x 150mm, sepia print on paper.
PH/GLATT/11Glatton: a tree-lined road leading into the village, with the church tower emerging from trees in the background, houses to the right.80 x 130mm, print on postcard.
PH/GLATT/12St Nicholas' Church, Glatton: interior view looking east through the nave to the chancel, showing screen, organ, lectern, lamps and pews.115 x 150mm, sepia print on paper.
PH/GLATT/13St Nicholas' Church, Glatton: interior view looking east through the nave to the chancel, showing screen, lectern, pulpit, lamps and pews.155 x 110mm, print on paper.
PH/GLATT/14a-bSt Nicholas' Church, Glatton: interior view of the north vestry with vaulted ceiling, altar, stove and oil lamp.135 x 110mm, print on paper (rather dark); 150 x 110mm, print on paper.
PH/GLATT/15St Nicholas' Church, Glatton: interior view of the north vestry showing vaulted ceiling, door, part of a chest and chair.105 x 150mm, sepia print on paper.
PH/GLATT/16a-cA map of part of the Manor of Glatton by John Hausted, 1613.135 x 110mm, print on paper; 135 x 90mm, two prints on postcards.
PH/GLATT/17St Nicholas' Church, Glatton: dated plan of the building phases of the church.125 x 170mm, print on paper.
PH/GLATT/18St Nicholas' Church, Glatton: a general view from the south, with stone wall in front of churchyard, farm buildings at the right foreground and trees without leaf behind them.140 x 190mm, sepia print mounted on card with outlining added in ink.
PH/GLATT/19St Nicholas' Church, Glatton: the west door, showing the carved stonework around the door and the bottom of a window above it.150 x 105mm, print on paper.
PH/GLATT/20St Nicholas' Church, Glatton: a general view from the south-east, with gravestones in the churchyard in the foreground, trees in leaf behind.110 x 150mm, print on paper.
PH/GLATT/21St Nicholas' Church, Glatton: from the west, showing tower and part of the south aisle, stone wall and rough grass in the foreground with trees in leaf on either side.150 x 105mm, print on paper.
PH/GLATT/22St Nicholas' Church, Glatton: interior view looking east through the nave to the chancel, showing chancel arch with screen, pulpit to the left, lectern to the right, nave arcades, pews and hanging lamps on either side.110 x 155mm, print on paper.
PH/GLATT/23St Nicholas' Church, Glatton: interior view of the north vestry showing vaulted celing and altar.155 x 110mm, print on paper.
PH/GLATT/24St Nicholas' Church, Glatton: a general view from the south-east but with most of the east wall of the chancel out of shot, gravestones in the churchyard, with trees to the left.90 x 60mm, print on paper.
PH/GLATT/25St Nicholas' Church, Glatton: a distant view from the east, with gravestones in the churchyard just visible behind stone wall, trees in leaf on either side.60 x 85mm, print on paper.
PH/GODMCFor a good aerial view of buildings close to the river to Huntingdon, see PH/HUNTN/22.
PH/GODMC/01a-bPost Street, Godmanchester: looking north, with buildings (including several pubs) on either side, the top of Island Hall just visible on the left.90 x 135mm, print on postcard.
PH/GODMC/02Water mill at Godmanchester: a weatherboarded building with three gables and a mill wheel housing on the left and trees on either side; looking south up the mill leet, with the Chinese Bridge visible in the background.90 x 140mm, print on postcard.
PH/GODMC/03a-bPart of the river at Godmanchester: looking south towards the old water mill shown in PH/GODMC/02 - probably a later photograph as the mill wheel housing seems to have been removed; trees on either side and a two-storey boat house to the right.90 x 135mm, print on postcard.
PH/GODMC/04Godmanchester: sluice gates, with the Chinese Bridge, Queen Elizabeth Grammar School, Town Hall and church steeple behind.90 x 135mm, print on postcard.
PH/GODMC/05Godmanchester: the mill pool beside the Causeway, with the Chinese Bridge, Queen Elizabethe Grammar Schoool, houses to the right and church steeple behind; trees without leaf.90 x 140mm, print on postcard.
PH/GODMC/06The Queen Elizabeth Grammar School, Godmanchester: the south side with porch and sundial, Post Street and the church steeple to the right, trees without leaf.90 x 135mm, print on postcard.
PH/GODMC/07Offord Hill House, Godmanchester: large Edwardian house with mullioned windows and half-timbered gables, with lawn and trees, girl in the foreground with a donkey and dog.155 x 210mm, print on paper.
PH/GODMC/08a-cOfford Hill House, Godmanchester: the front of the house with stone-faced entrance, tower and garage to the right, drive in foreground with newly planted trees on the right.85 x 130mm, two prints on postcards; 155 x 205mm, print on paper.
PH/GODMC/09a-bOfford Hill House, Godmanchester: identical to PH/GODMC/07.85 x 135mm, prints on postcards.
PH/GODMC/10Offord Hill House, Godmanchester: a similar view to PH/GODMC/07 & 09 but taken later, as the garden is more grown up and there is creeper over parts of the house.90 x 140mm, print on postcard.
PH/GODMC/11a-cOfford Hill House, Godmanchester: an interior with large panelled fireplace, carpet and furniture.85 x 135mm, prints on postcards.
PH/GODMC/12Offord Hill House, Godmanchester: identical to PH/GODMC/11.160 x 210mm, print on paper.
PH/GODMC/13Offord Hill House, Godmanchester: a close-up of part of the house, covered with creeper, area of garden in the foreground with a woman in a large hat, feeding chickens on gravel terrace.140 x 85mm, print on postcard.
PH/GODMC/14a-bOfford Hill House, Godmanchester: interior of a room with a panelled partition with windows, a fireplace and mantlepiece, fire irons and fender, several paintings, photographs on the mantleshelf, cattle horns above the doorway, three carved chairs and a wooden chest, wooden floor with a hearth rug, wall light to the right of mantlepiece.85 x 135mm, print on postcard; 155x 205mm, print on paper.
PH/GODMC/15Water mill at Godmanchester: a similar view to PH/GODMC/02 but narrower and with less background visible.90 x 75mm, sepia print on paper.
PH/GODMC/16a-bIsland Hall, Godmanchester: the front of the house with the street in front, the ends of the left and right wings out of shot.110 x 60mm, prints on paper.
PH/GODMC/17a-bIsland Hall, Godmanchester: part of the lower storeys of the right side of the front of the house, with railings, pavement and two passers-by in front.60 x 110mm, prints on paper.
PH/GODMC/18Island Hall, Godmanchester: the front of the house, with top storey and left wing out of shot, iron railings, pavement and street in front.65 x 110mm, print on paper.
PH/GODMC/19Island Hall, Godmanchester: the front of the house, with top storey and end of left wing out of shot, iron railings, pavement and street in front.65 x 110mm, print on paper.
PH/GODMC/20a-bSt Mary's Church, Godmanchester: the First World War Memorial, three panels of names with carved stone surround, below the organ pipes.90 x 135mm, prints on postcards.
PH/GODMC/21a-bSt Mary's Church, Godmanchester: the font, quite crudely carved basin on a square base, pews in the background.85 x 135mm, sepia print on postcard, print on postcard.
PH/GODMC/22St Mary's Church, Godmanchester: interior view looking east through the carved screen into the chancel, to the altar and east window; pulpit in the left foreground with lectern to the right.90 x 135mm, print on postcard.
PH/GODMC/23a-cSt Mary's Church, Godmanchester: interior view looking east through the chancel to the altar and east window.90 x 135mm, prints on postcards.
PH/GODMC/24St Mary's Church, Godmanchester: interior view looking east through the nave to the chancel arch and screen, with nave arcades and pews.110 x 150mm, print on paper.
PH/GODMC/25St Mary's Church, Godmanchester: interior view looking east through the nave to the chancel arch and screen, with nave arcades and pews; with contrasting light and shade, leaving it darker than PH/GODMC/24.110 x 150mm, print on paper.
PH/GODMC/26St Mary's Church, Godmanchester: a general view from the north-west from outside the churchyard railings, with gravestones round the church, two boys playing on the pavement in the foreground.90 x 140mm, sepia print on postcard, arched top.
PH/GODMC/27abSt Mary's Church, Godmanchester: a general view from the north-west, gravestones in the foreground, tree in leaf on the right.90 x 135mm, prints on postcards.
PH/GODMC/28St Mary's Church, Godmanchester: a general view from the north-west, gravestones in the foreground, tree in leaf on the right.110 x 150mm, print on paper.
PH/GODMC/29St Mary's Church, Godmanchester: a general view from the north-west, house to the right and trees to the left, gravestones in the foreground.80 x 130mm, print on postcard.
PH/GODMC/30St Mary's Church, Godmanchester: a general view from the north-west, bushes and gravestones in the foreground.140 x 90mm, print on postcard.
PH/GODMC/31St Mary's Church, Godmanchester: a general view from the south-east, trees and bushes in the foreground.90 x 135mm, print on postcard.
PH/GODMC/32St Mary's Church, Godmanchester: a distant view from the north-east, with trees on either side and gravestones in front of the church; in the foreground is a pond, a man carrying a pick-axe, two boys, and sections of felled tree trunks.90 x 140mm, prints on postcards, one tinted.
PH/GODMC/33St Mary's Church, Godmanchester: identical to PH/GODMC/32.140 x 190mm, print on paper.
PH/GODMC/34a-bSt Mary's Church, Godmanchester: brass rubbing of man in long fur-trimmed robe, c.1520.70 x 30mm, sepia prints on paper.
PH/GODMC/35a-bSt Mary's Church, Godmanchester: brass rubbing, identical to PH/GODMC/34, enlarged.150 x 55mm, sepia prints on paper.
PH/GODMC/36Romano-British jar from Emmanuel Knoll, Godmanchester.100 x 70mm, print on paper.
PH/GODMC/37a-eA tracing of a seal impression, with central fleur-de-lys and Latin inscription round it.80 x 65mm, sepia prints on paper.
PH/GODMC/38The same seal impression as in PH/GODMC/37, but now with the lettering reversed and a tinted red background.100 x 65mm, sepia print on paper, background tinted red.
PH/GODMC/39This number vacant.
PH/GODMC/40The railway level crossing where the road from Huntingdon to Godmanchester crossed the Huntingdon to St Ives railway, photographed from an upper floor of one of the nearby mills; the Ouse and Portholme meadow are in the background, a coal depot in the foreground.120 x 170mm, print on paper.
PH/GODMC/41The Railway Hotel, between Huntingdon and Godmanchester, photographed from an upper floor of one of the nearby mills; Huntngdon Castle Hills and the Ouse are in the background, and a row of cottages (since demolished) in the foreground.120 x 200mm, print on paper.
PH/GODMC/42The Causeway, Godmanchester, looking south-east across the mill lade. Various houses, one with a shop blind. Slightly out of focus.115 x 165mm, print on paper.
PH/GODMC/43The Causeway, Godmanchester, looking south-east across the mill lade, row of houses behind, with a horse and cart taken down into the water to drink, and a motor coach on the street beyond.120 x 165mm, print on paper.
PH/GODMC/44Part of the Causeway, Godmanchester: a similar view to PH/GODMC/43 but without the horse and cart or the coach.125 x 165mm, print on paper.
PH/GODMC/45The old water mill at Godmanchester, showing mill with three gable ends and numerous windows with railinged bridge, a man standing in front of the door. A similar view to PH/GODMC/02, but the mill wheel housing has gone and pieces of the wheels are leaning against the building.80 x 130mm, print on postcard, tinted.
PH/GODMC/46Aerial view of the old bridge between Huntingdon and Godmanchester, with buildings on either side of the river, including the Bridge Hotel on the far (north) side and the Hosiery Mill and its outbuildings on the near (south) side.80 x 135mm, print on postcard.
PH/GODMC/47Corpus Christi, Godmanchester: a large two gabled, two storey house with gabled extension, large chimney stack between the two front gables and another on the extension, the house in poor condition; wooden fence and a brick wall in front with rough grass in the foreground; back view of a person near the gate.110 x 60mm, print on paper.
PH/GODMC/48The old water mill, Godmanchester: three-gabled weatherboarded building with railinged bridge in front, and three men, one standing by the railing, another fishing and one just standing; trees in leaf on either side with pathway and water in the foreground.140 x 190mm, print on paper.
PH/GODMC/49Roman pots from Godmanchester: two sets of three pots, perhaps grave groups, and two decorated cups.160 x 110mm, screened print on paper.
PH/GODMC/50Pieces of Roman pottery and bronze statuette of Minerva from Godmanchester.170 x 110mm, screened print on paper.
PH/GODMC/51Pieces of decorated Samian ware from Godmanchester.150 x 105mm, screened print on paper.
PH/GODMC/52Pieces of Roman pottery from Godmanchester.120 x 105mm, screened print on paper.
PH/GODMC/53Pieces of painted ware from Roman Godmanchester.145 x 105mm,screened print on paper.
PH/GODMC/54The old water mill at Godmanchester in hard winter weather: three-gabled, weatherboarded building with frosted trees all round and the lade in front frozen over. A group of five people on it, three of them children and another seated, perhaps while the fifth person puts on their skates.105 x 145mm, sepia print mounted on card.
PH/GODMC/55Island Hall, Godmanchester, seen from the site of the present-day school across the street to the east: the street front of the building with stables to the left and other buildings around, a plume of smoke coming from one of the chimneys (north wind), and trees and meadow in the foreground.120 x 205mm, sepia print mounted on card.
PH/GODMC/56The river near Godmanchester frozen over, with the road to Offord and a three storey house in the background (?Farm Hall) with snow-covered trees and parkland in the foreground, also several people on the ice.105 x 150mm, sepia print on paper.
PH/GODMC/56-62These photographs were found with PH/HUNTN/57-58, which show the 1887 Jubilee. They are presumably of similar date and perhaps show the hard winter of 1890-91.
PH/GODMC/57A snow-covered lane with trees, hedges and wooden fencing.105 x 145mm, sepia print on paper.
PH/GODMC/58A river channel with snow-covered trees, hedges, a small bridge over the water and a path in the foreground.150 x 205mm, sepia print on paper.
PH/GODMC/59Snow-covered trees and shrubs beside a path leading to a small bridge over a side channel, a main river channel to the right.150 x 200mm, sepia print on paper.
PH/GODMC/60A snow scene, similar to PH/GODMC/59.150 x 205mm, sepia print on paper (blurred).
PH/GODMC/61Snow-covered trees, with grass, water and a path.150 x 205mm, sepia print on paper (torn).
PH/GODMC/62The bridge seen in PH/GODMC/58-59, with a snow-covered path, trees, and water on the left.150 x 200mm, sepia print on paper (edge curled).
PH/GODMC/63The River Ouse and part of Portholme seen from Castle Hills, Huntingdon: Godmanchester spire in the background, the trees of the Avenue and the bridge at its end on the left, the river in the foreground with two people in a rowing boat (slightly blurred).155 x 205mm, sepia print mounted on card.
PH/GODMC/64The old water mill at Godmanchester: the familiar view of the three-gabled wooden building with water wheel housing to the left, mill leet in the foreground and a ?summerhouse on the right. The mill is dilapidated, especially the wheel housing. Three cows are to the left of it and a man in a cloth cap stands on the walkway in front of it.345 x 440mm, print on paper.
PH/GODMC/65Buildings in the centre of Godmanchester: the Chinese Bridge with the Queen Elizabeth Grammar School and the Town Hall behind, the church spire behind them; river bank and water in the foreground.355 x 280mm, colour print on paper.
PH/GODMC/66The river frontage at Godmanchester, looking from Portholme towards the Causeway, with the Queen Elizabeth Grammar School and Chinese Bridge on the left, river channels and weir in the foreground, with two ladies in a rowing boat and boys on either bank.150 x 205mm, sepia print mounted on card.
PH/GODMC/67The road and railway bridges over the Ouse, looking from the Huntingdon side to the mills and other buildings on the Godmanchester bank; with the Hosiery Mill and Brown and Goodman's Mill prominent. A group of people standing by the railway bridge and others in a rowing boat on the river.155 x 205mm, sepia print mounted on card.
PH/GODMC/68The river at Godmanchester frozen over: river bank in the right foreground with a wooden footbridge; trees to the left and right covered with hoar frost; two men on the bank and skaters on the river in the background.100 x 150mm, sepia print mounted on card.
PH/GODMC/69The Causeway, with an artist's impression of the future A604/A14 embankment and flyover: looking north towards the Hosiery Mill, with the planned diversion of the Causway marked in, also the proposed river flyover on the left.95 x 415mm, three prints on card taped together to give a panorama, pencil and wash added.
PH/GRAFM/01a-eAll Saints' Church, Grafham: a general view from the south-east, with gravestones and trees without leaf.155 x 110mm, three prints on paper; 120 x 110mm, print on paper; 150 x 110mm, sepia print on paper.
PH/GRAFM/02All Saints' Church, Grafham: a general view from the south-east but with the chancel out of shot, gravestones in the foreground and trees in leaf.160 x 110mm, print on paper.
PH/GRAFM/03All Saints' Church, Grafham: the tower from the north-west, partly hidden by trees in leaf, seen from a garden adjoining the church, with lawn, paths, roses and bare rose arch in the foreground. The churchyard is bounded by railings and bushes.150 x 110mm, print on paper.
PH/GRAFM/04All Saints' Church, Grafham: the tower and part of the nave and south porch, seen from the south-west, with gravestones, railings and trees in leaf, hedge in he foreground.140 x 110mm, sepia print on paper.
PH/GRAFM/05a-cAll Saints' Church, Grafham: from the north-east, showing the east end of the chancel, part of the nave and the tower; gravestones and trees in leaf.160 x 110mm, print on paper; 140 x 110mm, two sepia prints on paper.
PH/GRAFM/06a-cAll Saints' Church, Grafham: the north aisle seen from outside, with doorway, windows and buttresses.105 x 155mm, 110 x 160mm, sepia prints on paper; 110 x 155mm, blue print on paper.
PH/GRAFM/07a-cAll Saints' Church, Grafham: the south porch seen from outside, with part of the tower and nave, gravestones, railings and trees in leaf.150 x 105mm, 165 x 105mm, 150 x 110mm, prints on paper.
PH/GRAFM/08a-bAll Saints' Church, Grafham: interior view looking east through the nave to the chancel, showing part of the north aisle, pews, lamps, pulpit, lectern and top of font.110 x 150mm, 115 x 155mm, sepia prints on paper.
PH/GRAFM/09a-bAll Saints' Church, Grafham: interior view looking east through the nave to the chancel, showing part of the north aisle, pews, pulpit, lectern, eight lamps and font cover in the foreground.110 x 155mm, prints on paper.
PH/GRAFM/10All Saints' Church, Grafham: interior view looking east through the nave to the chancel, showing font, porch door, pews, part of the south aisle, lectern on the left and pulpit on the right.110 x 155mm, print on paper.
PH/GRAFM/11a-bGrafham Rectory: the front of a large house with two wings and a gable in the middle, with ivy clad walls; trees on either side, lawn in the foreground.110 x 160mm, prints on paper (slightly blurred).
PH/GRAFM/12Grafham Water in the drought of 1976: a beach of dried, cracked soil across which a horse and cart is being driven; bushes in the foreground, the water with an angler standing in it behind.195 x 240mm, print on paper.
PH/GRAFM/13All Saints' Church, Grafham: a general view from the south, gravestones and rough grass in the churchyard with trees in leaf on either side.105 x 155mm, print on paper.
PH/GRAFM/14All Saints' Church, Grafham: interior view looking east through the nave to the chancel, showing nave arcades, pews, pulpit to the right, lectern to the left and font in the centre foreground.110 x 155mm, print on paper.
PH/GRAFM/15All Saints' Church, Grafham: the carved stone effigy of a priest, an eroded upper half of the effigy set in stonework.140 x 100mm, print on paper.
PH/GT.GR/01St Bartholemew's Church, Great Gransden: a general view from the north, with scaffolding on north side of tower, trees without leaf on either side, shrubs and gravestones in the foreground.100 x 140mm, sepia print on paper.
PH/GT.GR/02St Bartholemew's Church, Great Gransden: a general view from the north-east, gravestones in the foreground.110 x 145mm, sepia print on paper.
PH/GT.GR/03St Bartholemew's Church, Great Gransden: a general view from the south-east, with gravestones and rough grass in the foreground.110 x 150mm, sepia print on paper.
PH/GT.GR/04a-dSt Bartholemew's Church, Great Gransden: a distant view from the south-east, through a foreground of trees and shrubs.50 x 40mm, small prints on postcards.
PH/GT.GR/05a-bSt Bartholemew's Church, Great Gransden: interior view looking east through the nave to the chancel, showing pews, the roof with carved figures at ends of beams, pulpit on the right.150 x 110mm, prints on paper.
PH/GT.GR/06St Bartholemew's Church, Great Gransden: interior view looking east from the east end of the nave to the chancel arch and chancel, showing rood screen, pulpit canopy and box pews.75 x 110mm, sepia print on paper.
PH/GT.GR/07St Bartholemew's Church, Great Gransden: interior view looking west through the nave to the tower, showing the nave arcades and west window, poppyheads and book on reading desk in the foreground.110 x 150mm, sepia print on paper.
PH/GT.GR/08St Bartholemew's Church, Great Gransden: interior view looking east through the nave to the chancel, with lamps on tall pole fittings among the pews.110 x 145mm, sepia print on paper (blurred).
PH/GT.GR/09Gransden Hall, Great Gransden: from the north-east, a large and elaborate house, ivy-covered, with lawn and drive in the foreground.70 x 110mm, sepia print on paper.
PH/GT.GR/10a-bThe Priory or Manor House, Great Gransden, and the Baptist Chapel (two pictures printed one above the other): the Priory is ivy-clad with a stone wall in front of it, behind which the top half of a man wearing a hat can be seen; the chapel is a plain building with hipped roof, and gravestones in the foreground.160 x 90mm (the two pictures together), blue prints on paper.
PH/GT.GR/11The old Post Office, Great Gransden: a thatched house on the left, with trees and a hedge bank to the right, in the road are children and a man in pony and trap, and a man standing outside the Post Office.65 x 100mm, print on postcard.
PH/GT.GR/12Rectory Farm, Great Gransden: two photographs, printed one above the other, showing two views of the building with the church tower in the background, a field in the foreground.115 x 75mm (the two pictures together), sepia prints on paper.
PH/GT.GR/13The Barnabas Oley Almshouses, Great Gransden: a row of thatched cottages, with hedge, fence and tree in the right foreground, old man and woman in front of the cottages.85 x 135mm, sepia print on paper.
PH/GT.GR/14The Old School House, Great Gransden: a square building of brick and tiled with hipped roof, chimney, arched blind windows, and three arched windows over the door, trees in leaf.70 x 100mm, sepia prints on paper.
PH/GT.GR/15The Vicarage, Great Gransden: a large, square, brick-built house with hipped roof and dormer windows, ivy covered, with lawn in the foreground.80 x 110mm, sepia print on paper.
PH/GT.GR/16St Bartholemew's Church, Great Gransden: part of the clock mechanism, with gear wheels and levers in a wooden frame.80 x 120mm, blue print on paper.
PH/GT.PA/01a-bHoly Trinity Church, Great Paxton, from the south-west showing tower, nave, south aisle, south porch and part of chancel. Trees in leaf on either side with grass and path in foreground with gravestones.90 x 140mm, print on postcard.
PH/GT.PA/02a-bHoly Trinity Church, Great Paxton, from the south-west showing tower, and part of nave, south aisle, south porch and chancel. Numerous trees in front of church with a stone wall, gate and rough grass and pond on left.90 x 140mm, prints on postcards.
PH/GT.PA/03Holy Trinity Church, Great Paxton, from the south showing tower, nave, south aisle, south porch and chancel. Gravestones, trees and rough grass in foreground.105 x 150mm, print on paper.
PH/GT.PA/04Holy Trinity Church, Great Paxton, from the south showing tower, nave, south aisle, south porch and chancel with gravestones and rough grass in foreground.80 x 125mm, print on postcard.
PH/GT.PA/05a-bHoly Trinity Church, Great Paxton, an exterior view from the south east showing chancel, nave, south aisle, south porch and part of tower in background. Gravestones and trees in churchyard.a) 110 x 155mm, sepia print on paper. b) 100 x 155 mm, sepia print on paper
PH/GT.PA/06Holy Trinity Church, Great Paxton, from the south-west showing tower, nave, south aisle, and porch. Two ?yew bushes in foreground..135 x 110mm, sepia print on paper.
PH/GT.PA/07Holy Trinity Church, Great Paxton: a distant view from the north-east showing church in background with Manor Farm to the right. Church surrounded by trees with hedgerow and expanse of grass with sheep grazing in foreground.80 x 110mm, sepia print on paper.
PH/GT.PA/08Holy Trinity Church, Great Paxton: interior view looking east through the nave to the chancel with pulpit to the left; hanging lamps on both sides with pews in foreground.110 x 155mm, print on paper.
PH/GT.PA/09Holy Trinity Church, Great Paxton: interior view looking east through the nave to the chancel, with hanging lamps on either side and pews in foreground.110 x 155mm, sepia print on paper.
PH/GT.PA/10Holy Trinity Church, Great Paxton: interior view looking west through the nave to the tower arch, hanging lamps on either side, pews and pulpit to the right in foreground.110 x 155mm, sepia print on paper.
PH/GT.PA/11a-bGreat Paxton village: a view from Paxton Hill to the south looking over the village, small and not very clear.55 x 140mm, sepia print on paper and screened print on paper.
PH/GT.PA/12A view from Great Paxton Hill, looking south-west from below the road at the top, over the railway line to the Ouse.155 x 200mm, sepia print on paper, mounted on card.
PH/GT.PA/13A view from Great Paxton Hill, looking north-west over the railway and the Ouse.135 x 200mm, sepia print on paper, mounted on card.
PH/HADDN/01St Mary's Church, Haddon: a general view from the south, gravestones and rough grass in the foreground.90 x 150mm, print on paper.
PH/HADDN/02St Mary's Church, Haddon: a general view from the north-west, with scaffolding round the tower, chain fence in the foreground with trees on either side.90 x 150mm, print on paper.
PH/HADDN/03St Mary's Church, Haddon: the tower from the south-west, with scaffolding .150 x 90mm, print on paper.
PH/HADDN/04St Mary's Church, Haddon: two-light window in the north wall of the chancel, seen from outside.100 x 75mm, print on paper.
PH/HADDN/05St Mary's Church, Haddon: interior view, looking east through the nave to the chancel and south aisle, showing the round-headed chancel arch and two arches in the south arcade, with prominent central stove pipe.110 x 150mm, print on paper.
PH/HADDN/06St Mary's Church, Haddon: a general view from the south, gravestones in churchyard with rough grass.105 x 145mm, print on paper.
PH/HADDN/07St Mary's Church, Haddon: two-light window in the north wall of the chancel, seen from outside.145 x 105mm, print on paper.
PH/HADDN/08St Mary's Church, Haddon: interior view looking east through the nave to the chancel, showing chancel arch with reading desk in front of it, nave arcades, pulpit to the left and chairs on either side, several hanging lamps.110 x 150mm, print on paper.
PH/HAILW/01a-bSt Nicholas's Church, Hail Weston: a general view from the north.105 x 155mm, sepia prints on paper, a) darker.
PH/HAILW/02St Nicholas's Church, Hail Weston: a general view from the south-east, with gravestones in the churchyard, brick wall on the south and east sides of the churchyard, wooden fence in the foreground, house in the right background.100 x 145mm, sepia print on paper.
PH/HAILW/03St Nicholas's Church, Hail Weston: a general view from the south-east, with gravestones in the churchyard, brick wall on the south and east sides of the churchyard, wooden fence in the foreground.110 x 120mm, sepia print on paper.
PH/HAILW/04St Nicholas's Church, Hail Weston: a general view from the north, with gravestones in the foreground, trees in either side.110 x 155mm, sepia print on paper (over exposed).
PH/HAILW/05St Nicholas's Church, Hail Weston: the wooden tower and part of the west end of the nave, seen from the south-west.135 x 110mm, sepia print on paper.
PH/HAILW/06a-bSt Nicholas's Church, Hail Weston: interior view looking east through the nave to the chancel (no division between the two), showing timbered roof, lectern and pulpit to the left, pews and font in the foreground.130 x 110mm, sepia prints on paper.
PH/HAILW/07St Nicholas's Church, Hail Weston: a general view from the west, before restoration, showing the timbered tower and part of the west end of the nave; with brick churchyard wall and man leaning on it in the foreground.110 x 140mm, sepia print mounted on card.
PH/HAILW/08Hail Weston Brook: a small piece of water surrounded by shrubs and trees, with a man in a flat cap rowing a boat.130 x 175mm, sepia print mounted on card.
PH/HAILW/09The Bucks. Otter Hounds at Hail Weston: showing men with poles standing to the side of a road with the hounds; trees in the background, with hedge to the right.115 x 160mm, print on paper.
PH/HAILW/10The Bucks. Otter Hounds at Hail Weston: men and women with poles walking in the road with horse-drawn carriages to the left, trees without leaf in the background.115 x 155mm, print on paper.
PH/HAILW/11The Bucks. Otter Hounds at Hail Weston: men and women with poles standing on either side of the road with the hounds, a car stands to the left in the background, trees and hedges on either side.115 x 160mm, print on paper.
PH/HAILW/12Wood House Farm, Hail Weston: a two-storeyed farmhouse with two bay windows and central chimney, with wooden buildings, fences and gate in the foreground. Rough grass and track to the right.145 x 200mm, sepia print mounted on card.
PH/HAILW/13A farm at Hail Weston: a group of buildings facing onto the street, one of them brick fronted and one with half-hipped roof. Railings and fence in the foreground.145 x 200mm, sepia print mounted on card.
PH/HAILW/14Brook End Farm House, Hail Weston: two-storeyed house with creeper on the walls and tall chimneys, lawn in the foreground with man, woman and dog sitting. Servant in starched apron looking from an upstairs window.140 x 200mm, sepia print mounted on card.
PH/HAILW/15Pastures Farm, Hail Weston: two-storeyed house of curious appearance with rounded corner facing the camera and round-topped windows on the first floor, large french windows all round the ground floor. Farm buildings behind, trees and lawn in front.145 x 200mm, sepia print mounted on card.
PH/HAILW/16A farm at Hail Weston: a long, low farmhouse, extended or originally built as two cottages, two-storeyed with tiled roof; rough fencing in front, part of a large weatherboarded barn to the right.150 x 200mm, sepia print mounted on card.
PH/HAILW/17Pastures Farm, Hail Weston: the same round-cornered two-storeyed house that appears in PH/HAILW/15, from slightly further back in the same direction as that photograph.230 x 290mm, sepia print mounted on card.
PH/HAILW/18Pastures Farm, Hail Weston: a long range of buildings of different heights, two two-storeyed houses on the left joining a one-storey building on the right. A climbing plant on the walls, a rainwater butt and pile of bricks in front. The chimneys of part of the farmhouse shown in PH/HAILW/15 & 17 are just visible behind the roof.230 x 280mm, sepia print mounted on card.
PH/HAILW/19Street scene looking uphill between two rows of houses, with a horse and trap near the top of the slope and leafless trees beyond.115 x 155mm, sepia print on paper mounted on card.
PH/HAILW/20Street scene with a row of houses on the right, including two pubs - "The Snug Corner" in the foreground with a sign naming Isaac Abraham as the licensee, and another illegible pub sign further down the street with a trap parked outside it.115 x 155mm, sepia print on paper mounted on card.
PH/HAMER/01a-bAll Saints' Church, Hamerton: a general view from the south-west, with the church surrounded by leafless trees, churchyard wall and gate in the foreground with a woman standing by the gate.160 x 210mm, prints on paper.
PH/HAMER/02All Saints' Church, Hamerton: a general view from the north-west, with trees in leaf on either side, a hedgerow in front of the church and an expanse of grass in the foreground.90 x 115mm, print on postcard.
PH/HAMER/03All Saints' Church, Hamerton: a general view from the north-west, with trees in leaf on either side and a hedgerow in the foreground.110 x 140mm, sepia print on paper.
PH/HAMER/04All Saints' Church, Hamerton: a general view from the south-east, with trees on either side and gravestones in the foreground.100 x 150mm, print on paper.
PH/HAMER/05All Saints' Church, Hamerton: a general view from the south-east, with the walls partly ivy-clad and gravestones in the foreground.105 x 145mm, sepia print on paper.
PH/HAMER/06All Saints' Church, Hamerton: interior view looking west through the nave to the tower arch, showing pews, lectern or carved angels in the left foreground..110 x 140mm, sepia print on paper.
PH/HAMER/07All Saints' Church, Hamerton: interior view looking from the nave into the south aisle and showing the font, stove and pews.110 x 150mm, sepia print on paper.
PH/HAMER/08All Saints' Church, Hamerton: interior view looking east through the nave to the chancel arch and chancel, and showing pews, lamps, candle holders, pulpit and lectern.110 x 150mm, print on paper.
PH/HAMER/09Hameron Rectory: an elaborate brick-built house with mullioned windows, showing the front door, gravel drive and trees in leaf.90 x 120mm, print on postcard.
PH/HAMER/10a-bHamerton Parish Room: a one-storey brick building with chimney and gable end with applied timber decoration, double main doors and porch above. Lane with hedgerow and fence leading past the building.90 x 120mm, print on postcard.
PH/HAMER/11Hamerton Parish Room: commemorative plaque reading "THIS ROOM WAS BUILT BY JAMES MOSS AND JANE ELIZABETH HOWSON IN MEMORY OF THEIR DEARLY LOVED DAUGHTER BEATRICE MURIEL WHO DIED AT HAMERTON ON THE 14TH OCT. 1901 IN HER 17TH YEAR" and decorated with Art Nouveau motifs.20 x 115mm, sepia print on paper.
PH/HAMER/12Manor Farm, Hamerton: a two-storey house with tiled roof and two chimney stacks, other buildings to the right and left of the house, shrubs and fruit trees in the foreground, with a deck chair.105 x 150mm, print on postcard.
PH/HAMER/13Manor Farm, Hamerton: a two-storey house with tiled roof and two chimney stacks, casement windows and ivy-covered porch with gate. Garden chair and seat in front of windows. Trees not in leaf but shrubs and bushes in flower.110 x 150mm, print on postcard.
PH/HAMER/14Manor Farm, Hamerton: a distant view of a two-storey house from across field and two hedgerows, taken from east of the house and showing one of the gable ends. No ivy growing over the porch, as there is in PH/HAMER/12 & 13. Farm buildings to the rear, trees without leaf.100 x 150mm, sepia print on paper.
PH/HAMER/15Manor Farm, Hamerton: identical to PH/HAMER/14 (but cut down).80 x 115mm, blue print on paper.
PH/HAMER/16a-bHamerton Bridge: with four stone piers and white wooden railings above, ford through nearly dry stream, trees in the background and a wooden fence in the foreground.115 x 150mm, 100 x 140mm, prints on paper.
PH/HAMER/17Hamerton Bridge: showing the stone piers, railings, trees in leaf, and lane with ford parallel to the bridge, leafy bank in the foreground. Taken from the opposite bank of the stream from PH/HAMER/16.115 x 150mm, print on paper.
PH/HAMER/18Hamerton Bridge: showing the stone piers, railings, lane going into the ford on the left, trees without leaf, a house in the background on the left.90 x 120mm, print on postcard.
PH/HAMER/19Hamerton Bridge: a distant view of the bridge over the brook, with a path along the side of the brook in the right foreground, with a fence beside it; trees without leaf, a house in the distance.90 x 115mm, print on postcard.
PH/HAMER/20a-bA cottage at Salome Wood, Hamerton, (grid ref. 133778) in 1911: a thatched cotage with two front doors and two ground floor windows and an open window visible under the right-hand gable, with a brick and tile extension on the left. A man with a shotgun stands in front of one door, a man and a woman in front of the other (he very tanned and wearing a white hat). Tall plants in the foreground.90 x 100mm, print on paper; 155 x 200mm, colour photocopy (showing the sepia of the original).
PH/HAMER/20a-b (contd.)
PH/HAMER/21All Saints' Church, Hamerton: a general view from the south-east, with gravestones in the churchyard and trees in leaf on either side.105 x 150mm, print on paper.
PH/HAMER/22All Saints' Church, Hamerton: the tower from the west, with the north and south aisles on either side, gravestones in the churchyard with iron railings and a hedge in the foreground, trees on either side.150 x 105mm, sepia print on paper.
PH/HAMER/23All Saints' Church, Hamerton: interior view looking east through the nave to the chancel arch, with pulpit to the left and lectern to the right, nave arcades, pews, organ to the right in south aisle with hanging lamps in the nave and nave arches.155 x 110mm, print on paper.
PH/HAMER/24All Saints' Church, Hamerton: interior view looking east through the nave to the chancel but with tops of arches all out of shot, pulpit to the left and lectern to the right, pews on either side in the foreground, iron stove to the right.150 x 210mm, sepia print on paper (blurred).
PH/HAMER/25Manor Farm, Hamerton: seen from one of the gable ends, with chimney stacks, surrounded by trees and shrubs with two deck chairs to the left and two ladies to the right beside a gateway in the garden wall; rough ground in the foreground.110 x 155mm, print on paper.
PH/HAMER/26Hamerton Bridge: with wooden railings on stone piers, trees in the background with buildings to the left, rough grass and a wooden fence in the foreground.85 x 145mm, print on paper.
PH/HARTF/01All Saints' Church, Hartford: a general view from the south, from the opposite bank of the river, with trees in leaf and a small building to the left.80 x 125mm, print on postcard.
PH/HARTF/02All Saints' Church, Hartford: interior view looking east through the nave to the chancel and showing pulpit, lectern, wall memorial tablets, lamps and pews.85 x 130mm, print on postcard.
PH/HARTF/03All Saints' Church, Hartford: a general view from across the river to the south-west, grass and river in the foreground with a boat and lady dressed in white at the oars; trees in leaf and a small wooden building on the river bank.85 x 140mm, print on postcard, tinted.
PH/HARTF/04The River Ouse near Hartford: the river with rowing boat and boatman in the foreground, meadow, trees in leaf and church spire in the background - the spire is probably Hemingford Abbots.90 x 135mm, print on postcard, tinted.
PH/HARTF/05All Saints' Church, Hartford: a general view from the south-west showing brick churchyard wall in front with an adjacent wall with pathway leading up to an iron gate. Trees with and without leaf.145 x 110mm, sepia print on paper.
PH/HARTF/06All Saints' Church, Hartford: a general view from the north-west showing gravestones in the churchyard with rough grass in the foreground; the tower ivy-clad with trees without leaf on either side.145 x 110mm, sepia print on paper, blurred.
PH/HARTF/07All Saints' Church, Hartford: a general view from the north-east, with gravestones in the churchyard.145 x 110mm, sepia print on paper.
PH/HARTF/08All Saints' Church, Hartford: identical to PH/HARTF/02.
PH/HARTF/09All Saints' Church, Hartford: interior view looking west through the nave to the chancel and part of the north aisle, showing chancel arch with stone carving, carvings on either side of altar, pulpit to the left, lectern to the right, pews on either side, prie-dieu in front of chancel with hanging lamps on either side of nave; font in the foreground.100 x 150mm, print on paper.
PH/HARTF/10All Saints' Church, Hartford: a distant view from the south-east, from meadows on the opposite side of the river, the church surrounded by trees; a wooden bridge spans a side channel in the foreground, with a man standing on it, and rough grass and reeds.55 x 90mm, screened print on card.
PH/HARTF/11a-bAll Saints' Church, Hartford: a general view from the south from across the river, the church surrounded by trees, with two-storey house to the left, a man fishing in the centre, three men in a boat, two with hats and one with a cap, rowing from left to right; water and reeds in the foreground.150 x 205mm, prints on paper.
PH/HARTF/12All Saints' Church, Hartford: a distant view from the south-east from across the river, with trees and houses on either side, two channels of water with raised grass bank and wooden fence in the middle, a boat at the water's edge to the left.140 x 195mm, sepia print on paper.
PH/HARTF/13All Saints' Church, Hartford: a distant view from the south-east from across the river, showing the church with trees on either side, with a two-storey house to the right; rowing boat on the river with three ladies, and cattle on the ferry with three men to the left. A single cow standing on rough grass nearby, water with reeds in the foreground.75 x 200mm, print mounted on thin card.
PH/HARTF/14a-bAll Saints' Church, Hartford: a general view from the south from across the river, with trees without leaf and gravestones in the churchyard, two-storey house to the left, with a stone wall in front of the churchyard; a rowing boat is pulled onto the river bank in the foreground.135 x 195mm, 95 x 195mm, sepia prints on paper.
PH/HARTF/15All Saints' Church, Hartford: a distant view from the south from across the river, with a two-storey house to the left and trees in leaf all round. Two men and a lady in a boat on the river, reeds on either side of the water.85 x 135mm, print on postcard.
PH/HARTF/16All Saints' Church, Hartford: a general view from the south for across the river, with a two-storey house to the left surrounded by trees; river with reeds on either side with a man and a woman in a rowing boat.80 x 130mm, print on postcard.
PH/HARTF/17All Saints' Church, Hartford: a distant view from the south-east from across the river, with a two-storey house to the right, the ferry to the left, a boat on the river with a man rowing.150 x 205mm, sepia print mounted on card.
PH/HARTF/18All Saints' Church, Hartford: from the opposite side of the river, with houses to left and right of the church and the ferry moored to the right with a pub sign (looks like a Crown) behind it; children stand by the railings in front of the church, a man in black clothes and top hat stands behind them with another man standing in a boat by the river bank.125 x 215mm, sepia print mounted on card.
PH/HARTF/19Eleven coins from the Hartford Hoard: ten groats and one half groat of Henry VII, showing the obverse side with the head in profile. Photographed with labels "Groats", "Henry VII (Profile)" and "Half Groat".160 x 210mm, print on paper.
PH/HARTF/19-44The Hartford Hoard, 1108 coins of the 15th & 16th centuries, were discovered on 1st August 1964 at grid ref. 255727, when the new road through Hartford was being built. The treasure trove inquest was reported in the Hunts Post of 13th August 1964, pp. 1 and 16, and the coins were described in "Records of Hunts." vol. 1 part 1 (1965) pp, 2-4.PH/HARTF/19-42 show all the coins; PH/HARTF/43-44 show the treasure trove inquest.
PH/HARTF/20Eleven coins from the Hartford Hoard: the reverse sides of the same groats and half groat shown in PH/HARTF/19, with the same labels.160 x 210mm, print on paper.
PH/HARTF/21Coins from the Hartford Hoard: 96 groats minted at London (out of a total of 430 in the hoard), arranged showing the obverse sides with kings' heads; in eight rows of twelve coins, with the label "London".160 x 210mm, print on paper.
PH/HARTF/22Coins from the Hartford Hoard: the reverse sides of the 96 groats shown in PH/HARTF/21, arranged in the same way and with the same label.160 x 210mm, print on paper.
PH/HARTF/23Coins from the Hartford Hoard: another 96 groats minted in London (out of a total of 430 in the hoard), showing the obverse sides with kings' heads, arranged in eight rows of twelve coins, with the label "London".160 x 210mm, print on paper.
PH/HARTF/24Coins from the Hartford Hoard: the reverse sides of the 96 groats shown in PH/HARTF/23, arranged in the same way and with the same label.160 x 210mm, print on paper.
PH/HARTF/25Coins from the Hartford Hoard: another 96 groats minted in London (out of a total of 430 in the hoard), showing the obverse sides with kings' heads, arranged in eight rows of twelve coins, with the label "London".160 x 210mm, print on paper.
PH/HARTF/26Coins from the Hartford Hoard: the reverse sides of the 96 groats shown in PH/HARTF/25, arranged in the same way and with the same label.160 x 210mm, print on paper.
PH/HARTF/27Coins from the Hartford Hoard: another 88 groats minted in London (out of a total of 430 in the hoard), arranged in eight rows of eleven coins, with alternate rows showing the obverse and reverse sides. No label.160 x 210mm, print on paper.
PH/HARTF/28Coins from the Hartford Hoard: the 88 groats shown in PH/HARTF/27 but now all turned over so that those showing the obverse in that picture now show the reverse, and vice versa.160 x 210mm, print on paper.
PH/HARTF/29Coins from the Hartford Hoard: the remaining 54 groats minted in London (out of a total of 430 in the hoard), arranged in four rows of twelve coins and one row of six; and 23 coins minted at York, in two rows of twelve and eleven coins; all showing the obverse sides with kings' heads. With labels "Groats" "London" and "York (Eboraci)".160 x 210mm, print on paper.
PH/HARTF/30Coins from the Hartford Hoard: the 54 London minted groats and 23 York minted groats shown in PH/HARTF/29, arranged the same way and with the same labels, but now showing the reverse sides.160 x 210mm, print on paper.
PH/HARTF/31Coins from the Hartford Hoard: 10 groats minted at Bristol, 3 from Coventry, one each from Norwich, Waterford and Calais; showing the obverse sides with kings' heads, with labels giving the mints.160 x 210mm, print on paper.
PH/HARTF/32Coins from the Hartford Hoard: the 16 groats shown in PH/HARTF/31, arranged in the same way but now showing their reverse sides; with the same labels.160 x 210mm, print on paper.
PH/HARTF/33Coins from the Hartford Hoard: 180 half groats and halfpennies minted at Canterbury, arranged in twelve rows of fifteen coins and showing the obverse sides with kings' heads. With labels "Half Groats and Pennies" and "Canterbury Mint (Cantor)".160 x 210mm, print on paper.
PH/HARTF/34Coins from the Hartford Hoard: the 180 half groats and halfpennies shown in PH/HARTF/33, arranged in the same way and with the same labels, but now showing the reverse sides.160 x 210mm, print on paper.
PH/HARTF/35Coins from the Hartford Hoard: another 180 half groats and halfpennies minted at Canterbury, arranged in twelve rows of fifteen coins and showing the obverse sides with kings' heads. With labels "Half Groats and Pennies" and "Canterbury Mint (Cantor)".160 x 210mm, print on paper.
PH/HARTF/36Coins from the Hartford Hoard: the 180 half groats and halfpennies shown in PH/HARTF/35, arranged in the same way and with the same labels, but now showing the reverse sides.160 x 210mm, print on paper.
PH/HARTF/37Coins from the Hartford Hoard: 125 half groats and halfpennies minted at Canterbury, 88 of them with the mint mark "Cantor" arranged in five rows of fifteen coins and one row of thirteen; and 37 with the mint mark "Canter", in two rows of fifteen coins and one of seven. Showing the obverse sides with kings' heads, and with the labels "Half Groats and Pennies", "Canterbury Mint (Cantor)" and "Canterbury Mint (Canter)".160 x 210mm, print on paper.
PH/HARTF/38Coins from the Hartford Hoard: the 125 half groats and halfpennies shown in PH/HARTF/37, arranged in the same way and with the same labels, but now showing the reverse sides.160 x 210mm, print on paper.
PH/HARTF/39Coins from the Hartford Hoard: half groats and halfpennies - 24 from the London mint, 16 from York, 1 from Northampton, 2 from Edinburgh, 1 from Norwich, 4 from Dublin and 6 from Calais; also three coins labelled "unclassified" and two "French"; all showing obverse sides with kings' heads (except the French ones) and with labels identifying them.160 x 210mm, print on paper.
PH/HARTF/40Coins from the Hartford Hoard: the same half groats and halfpennies etc. shown in PH/HARTF/39 but showing the reverse sides.160 x 210mm, print on paper.
PH/HARTF/41Coins from the Hartford Hoard: 84 coins from Brabant, arranged in seven rows of eleven coins and one row of seven, showing the obverse side with a shield on each one.160 x 210mm, print on paper.
PH/HARTF/42Coins from the Hartford Hoard: the 84 coins from Brabant shown in PH/HARTF/41, arranged in the same way but showing the reverse sides with elaborate crosses on them.160 x 210mm, print on paper.
PH/HARTF/43The treasure trove inquest into the Hartford Hoard, held at the magistrates' court in Huntingdon Town Hall on 10th August 1964: Philip Dickinson the County Archivist is seen laying out the coins on a table, watched by three people, the right-hand one of whom is probably one of the finders, Cyril Agger or Claud Hart.155 x 200mm, print on paper.
PH/HARTF/44The treasure trove inquest into the Hartford Hoard, held at Huntingdon Magistrates' Court (in the Town Hall) on 10th August 1964: the coins are on the table in the well of the Court with Philip Dickinson sitting by them, the presiding County Coroner and (presumably) his deputy are on the left; a police officer and journalists behind; a witness is giving evidence on the right - the same man who appears in PH/HARTF/43 and presumably one of the finders.155 x 200mm, print on paper.
PH/HARTF/45Quoits players at Hartford in 1898: twelve men in three rows, standing, sitting and sitting on the ground, dressed informally with some holding quoits and one a silver cup; in a grass field with fences and trees behind.160 x 210mm, print on paper, top right corner of original missing.
PH/HEM.A/01St Margaret's Church, Hemingford Abbots: part of the church from the north-west, showing the tower (top of the spire out of shot), north aisle and nave, gravestones in the foreground.150 x 115mm, sepia print on paper.
PH/HEM.A/02St Margaret's Church, Hemingford Abbots: a general view from the south-east (west end of south aisle and much of the chancel out of shot), gravestones in the foreground.160 x 120mm, blue print on paper.
PH/HEM.A/03St Margaret's Church, Hemingford Abbots: part of the tower and north aisle, identical to PH/HEM.A/01 but cut down.120 x 85mm, blue print on paper.
PH/HEM.A/04a-bSt Margaret's Church, Hemingford Abbots: identical to PH/HEM.A/01.160 x 120mm, blue print on paper.
PH/HEM.A/05St Margaret's Church, Hemingford Abbots: A general view from the south-east, with the churchyard gates and brick wall, and the street in the foreground; trees in leaf.155 x 110mm, print on paper.
PH/HEM.A/06St Margaret's Church, Hemingford Abbots: interior view looking east through the nave to the chancel arch, showing hanging lamps and branched standard oil lamps. The walls above the nave arcades are rendered.145 x 110mm, sepia print on paper.
PH/HEM.A/07St Margaret's Church, Hemingford Abbots: interior view looking west from the chancel to the tower arch, showing oil lamps. The walls above the nave arcades are rendered.145 x 110mm, sepia print on paper.
PH/HEM.A/08St Margaret's Church, Hemingford Abbots: interior view looking east through the nave to the chancel, showing the roof, pews, lamps and part of the north aisle; the wall above the nave arcade is now stripped of its rendering, exposing the stone rubble walling.155 x 110mm, print on paper.
PH/HEM.A/09St Margaret's Church, Hemingford Abbots: a distant view from the north-east, with a half-timbered cottage and barn in the foregorund hiding everything except the steeple. Wooden electricity pylon to the right, graveyard to the left.125 x 165mm, print on paper.
PH/HEM.A/10St Margaret's Church, Hemingford Abbots: a distant view from the east, showing the east wall of the chancel and the steeple behind, with half-timbered cottage to the right, tree and large house to the left.120 x 165mm, print on paper.
PH/HEM.A/11Thatched cottage in Hemingford Abbots, probably in Common Lane: three dormer windows, and three windows with shutters on the ground floor, tiled roof outhouse in the foreground. Perhaps No. 44 Common Lane.120 x 165mm, print on paper.
PH/HEM.A/12Part of a thatched cottage: a rendered building with dormer window, two windows with sliding sashes on the ground flor, and a rustic wooden porch, also thatched. There is a name board over the door, too small to read.120 x 165mm, printed on paper.
PH/HEM.A/13The last use of the St Ives Royal Observer Corps post, 9th September 1991, before the Corps was stood down. Seven people, some in uniform, are shown at night around those parts of the post that protrude above ground.115 x 170mm, print on paper.
PH/HEM.A/14Houses on the corner of High Street and Royal Oak Lane, Hemingford Abbots: the large building in the centre of the picture is the "Old House", supposed to date from about 1560 and to have been the oldest house in Hemingford Abbots - it was demolished in 1959 and a new house built on the spot. The cottage just visible on the left of the picture still stands.80 x 120mm, print on paper.
PH/HEM.A/15Whitehall, Common Lane, Hemigford Abbots in about 1930: The house (with false half timbering and a Dutch gable) stands behind a fence and a tree, while in the lane in front a man with hat and pipe is driving by in a horse and cart, with another horse and cart parked on the left of the picture.150 x 205mm, print mounted on card.
PH/HEM.A/16The centre of Hemingford Abbots, looking west towards the Axe and Compass and with the church spire in the right background; showing houses with hedgerow and fencing, a tree in the centre, and the pub sign "The Wheatsheaf" (with licence details over the door naming Frederick Bidwell) in the right foreground.85 x 135mm, print on postcard.
PH/HEM.A/17The Backwater, Hemingford Abbots: an area of water with trees on either side, boats moored on the left with a small thatched boathouse behind.85 x 135mm, sepia print on postcard.
PH/HEM.A/18Battcock's Island: a river channel between wooded banks, with a man in a rowing boat to the left.55 x 70mm, sepia print mounted on four-page greetings card.
PH/HEM.GSee also PH/S.IVE/Bdge.Ft/07-08: two transparencies of the Thomas Telford drawing of the New Bridges, which lie partly in Hemingford Grey parish.
PH/HEM.G/01St James's Church, Hemingford Grey: the east end of the chancel and north porch with the tower behind; gravestones in the foreground, trees without leaf.115 x 145mm, sepia print on paper.
PH/HEM.G/02St James's Church, Hemingford Grey: a general view from the south; behind the chancel roof are two chimney stacks; gravestones in the foreground, with trees in leaf.110 x 150mm, print on paper.
PH/HEM.G/03St James's Church, Hemingford Grey: a general view from the south-west from the other side of the river, trees without leaf.140 x 190mm, print on paper.
PH/HEM.G/04St James's Church, Hemingford Grey: interior view looking east through the nave to the chancel from a raised point of vantage at the west end, showing the pulpit, lectern, pews and lamps.110 x 150mm, print on paper.
PH/HEM.G/05St James's Church, Hemingford Grey: interior view of the nave looking north-east to the north arcade and north aisle, showing the pulpit, pews and lamps.110 x 150mm, print on paper.
PH/HEM.G/06St James's Church, Hemingford Grey: interior view of the nave and north aisle, very similar to PH/HEM.G/05 but with different lamps and therefore taken at a different date.110 x 150mm, print on paper.
PH/HEM.G/07St James's Church, Hemingford Grey: interior view looking west from the chancel through the nave to the tower arch, showing the font, pews and lamps.145 x 105mm, sepia print on paper, blurred.
PH/HEM.G/08Hemingford Grey water mill from the north-west, with the Mill House dimly visible on the left, reeds and water in the foreground.160 x 140mm, print on paper.
PH/HEM.G/09Aerial view of new estates on the southern side of Hemingford Grey, early 1968: looking north, with Marsh Lane running across the lower part of the picture (flooded gravel pits to the right), Weir Road, Weir Close and Apple Orchard up the left of the picture, and houses being built along Marsh Lane north side, in front of where the Sadlers Way estate is now.305 x 380mm, print on paper.
PH/HEM.G/10The New Crown Inn, on the junction of Hemingford Road and London Road, during floods: looking south along London Road, past the junction to another house in the background, although two houses later built just south of the junction are not yet there. Several two-wheeled carts on the road, two ladies on the pub doorstep.80 x 105mm, print on paper.
PH/HEM.G/11a-cThe Queen's Head, No 1 Victoria Terrace, Hemingford Grey: men in jackets and waistcoats are leaning over the railings in front and a notice over the door reads "CHARLES MAILE, LICENSED TO SELL BEER BY RETAIL" etc.130 x 75mm, sepia print on postcard, faded and badly creased; with (b-c) two recent black and white copies by Brian Jones, 95 x 140mm.
PH/HEM.G/12The Mill House, Hemingford Grey, in 1960: seen after the demolition of the mill, with the weir and flood gates to the right, the mill pool in the foreground.85 x 130mm, print on paper.
PH/HEM.G/13Part of Hemingford Grey water mill: various weatherboarded gables with the river to the right.120 x 165mm, print on paper.
PH/HEM.G/14Hemingford Grey water mill: the whole building visible with part of the Mill Pool in the foreground, a ladder leaning up against one outhouse125 x 165mm, print on paper.
PH/HEM.G/15Hemingford Grey water mill: detail of part of the building, with the same ladder in the same position as on PH/HEM.G/14.115 x 165mm, print on paper.
PH/HEM.G/16Hemingford Grey water mill: part of the building seen from the west?, showing weatherboarded gable end with windows; leaves and plants all round.120 x 165mm, print on paper.
PH/HEM.G/17Hemingford Grey water mill: from the south, with a woman feeding chickens in the foreground, and part of a line of washing on the right.115 x 165mm, print on paper.
PH/HEM.G/18Hemingford Grey water mill and part of the mill house (mill on the right, house on the left), with a man in a waistcoat and cloth cap wheeling a barrow away from the camera.120 x 165mm, print on paper.
PH/HEM.G/19Filbert's Walk, Hemingford Grey (demolished in 1960): from the north-east, seen from London Road or thereabouts, showing the terrace of cottages, with slightly larger houses in the middle (presumably the Green Man pub) and each end.80 x 120mm, print on paper.
PH/HEM.G/20Floods at Armes Corner, looking west towards Victoria Terrace, in 1940. Part of the New Crown is visible to the right, with three schoolboys in a rowing boat in the foreground.85 x 135mm, print on postcard.
PH/HEM.G/20-28These photographs show floods at Armes Corner and Victoria Terrace. They came to the Museum at different times and were catalogued as showing floods in 1937 and 1940. However, 21-25 must show the same occasion as they show the same people in the same punt. 20 may also be the same, as 1940 newspaper reports (Hunts Post 7.3.1940 p. 9) say the 1940 flood was the worst for 40 years, and the water seems as high in 20 as in the others.1940 seems a better bet than 1937. PH/HEM.G/20 is dated securely by the boys' ages. 21 has the date "January 1940" (it should probably have been February actually - see the card) in a fairly old hand. But all the supposed 1937 pictures were dated on th
PH/HEM.G/20-28 (contd. 1)Traces of snow and ice in some pictures would also fit in with February 1940, January having been exceptionally cold (see reports in the Hunts Post printed several weeks late because of war time censorship). HP 7.3.1940 p. 9 also says there was a severe frost DURING the flood.The pictures certainly DON'T show the flood of 1947, when the water was higher than shown here - see the 1993 article in Ken Seddon's cuttings album, inc a photo of Peggy Seamark's.
PH/HEM.G/20-28 (contd. 2)There are two potentially misleading points in 20-28: the railings are still shown in front of Victoria Terrace, which might suggest a pre-war date. But Peggy's photo, showing the railings gone by 1947, says they were removed "towards the end of the war". And Ida Chapman in 22 might be thought to be wearing Land Army uniform - but it's not! The had dark jumpers, not light, and didn't wear berets.There WERE floods in Hemingford Road in March 1937 (see Hunts Post 18.3.1937, p. 9) - but they're probably not the ones shown on these photographs.
PH/HEM.G/21Floods at Victoria Terrace, in February 1940: the houses on the right with tradesmen delivering goods to the first floor windows from a punt.130 x 80mm, print on postcard.
PH/HEM.G/22Floods at Victoria Terrace, Hemingford Grey, probably in February1940: showing postman Jack Reynolds delivering mail to the first floor windows from a punt, the punt towed by Mrs Ida Chapman; Harry Cotton the photographer stands in it beside the postman, Dave Darnell of 33 Victoria Terrace leans on his fence.200 x 155mm, print on paper.
PH/HEM.G/23Floods at Victoria Terrace, Hemingford Grey, probably in February 1940: showing postman Jack Reynolds and Harry Cotton the photographer with two other men in a punt on the Hemingford Road, looking east with Victoria Terrace in the left background; there seem to pieces of ice floating in the water.155 x 200mm, print on paper.
PH/HEM.G/24Floods at Victoria Terrace, Hemingford Grey, probably in February 1940: a similar photograph to PH/HEM.G/23 with a punt being overtaken by a horse and cart, the cart painted with the name "A. J. R[ADFO]RD".155 x 200mm, print on paper.
PH/HEM.G/25Floods at Armes Corner, probably in February 1940, looking south-westwards from the corner of London Road and Hemingford Road: showing the postman's punt lying empty in the foreground beside an ice-covered verge and in the background a horse and cart, the cart packed with people and a bicycle.155 x 200mm, print on paper.
PH/HEM.G/26a-bFloods at Armes Corner, probably in February 1940: very similar to PH/HEM.G/25, with the horse and cart in the same place but with a lorry beyond it and a man with a bicycle in front.155 x 200mm, 105 x 165mm, prints on paper.
PH/HEM.G/27Floods at Victoria Terrace, Hemingford Grey, probably in February 1940: looking west along the Terrace with people looking out from the first-floor windows and one woman standing at the railings outside.155 x 200mm, 105 x 165mm, prints on paper.
PH/HEM.G/28a-bFloods at Armes Corner, probably in February 1940, looking south-westwards from the corner of London Road and Hemingford Road: showing the postman's punt and a six-wheeled lorry. 155 x 200mm, print on paper.
PH/HEM.G/29Hemingford Grey water mill: a general view from across the mill pond, with trees on either side, rough grass in the foreground and a man standing in front of the mill.150 x 200mm, screened print on paper.
PH/HEM.G/30a- iSt James's Church, Hemingford Grey: interior view looking east through the nave to the chancel arch and chancel, with pulpit to the left, lectern to the right, nave arcade, pews on either side with hanging lamps in the aisles, pipes along the floor on either side of the nave aisle.105 x 150mm, sepia prints mounted on card.
PH/HEM.G/31a-bHemingford Grey water mill, with trees to the right and rough grass on either side, other buildings in the background and a large expanse of water in the foreground.105 x 160mm, prints on paper.
PH/HEM.G/32Hemingford Grey lock and water mill in the 1920s: the lock gate seem from the downstream side, with grassy banks and trees on either side, the top of the mill just visible above the trees in the background.65 x 80mm, print on paper.
PH/HEM.G/33This number vacant.
PH/HEM.G/34London Road in the flood of 1937, 1940 or 1947? Looking south from the junction with Hemingford Road, Lyndhurst on the left and other houses on the right, with telegraph poles and part of the signpost; three cars and a van are driving through the water towards the camera.105 x 165mm, print on paper.
PH/HEM.G/35Hemingford Grey Boathouse: a two-storeyed wooden building, painted white with a balcony, and standing parallel to the river bank; a one-storeyed tarred wood building runs back from the river on the right. A man is helping a lady in or out of a boat. There is a sign below the balcony: "Giddins & Son".200 x 250mm, print on paper.
PH/HEM.G/36A timber waggon with a large tree trunk on it being pulled by a team of three horses, in a grass field with trees in the background.200 x 250mm, print on paper.
PH/HEM.G/37Hemingford Grey Boathouse: a two-storeyed wooden building with a balcony, with a dilapidated single-storey shed in the foreground: a houseboat, rowing boat and cabin cruiser moored in front.160 x 210mm, print on paper.
PH/HEM.G/38Hemingford Grey water mill in 1927: seen from across the river, with the Mill House to the left and trees behind.80 x 135mm, print on card.
PH/HEM.G/39Hemingford Grey water mill in 1953 shortly before its demolition: seen from across the river, the weatherboarding of the mill in a bad state of repair; with the Mill House to the left and trees behind.85 x 135mm, print on card.
PH/HEM.G/40The River Ouse at Hemingford Grey, looking north from near the boathouse to the parish church in the background with trees on either side; part of the boat house to the right with two men standing in front, three men and a woman in a rowing boat in the middle of the river.100 x 150mm, print on paper.
PH/HEM.G/41Hemingford Grey Boat House, looking north down the river and with a large house to the right behind it; the parish church to the left in the background with trees on either side.70 x 200mm, print mounted on card.
PH/HEM.G/42Hemingford Grey Manor House (before Lucy Boston's restoration), showing the gable end, rendered, with a Romanesque window in the middle, trees on either side.75 x 115mm, print on postcard.
PH/HEM.G/43Houses in Hemingford Grey High Street, some with thatched roofs and chimneys; with bicycle leaning against a wall in the foreground, man with a bicycle near a car in the background.80 x 130mm, print on postcard.
PH/HEM.G/44Hemingford Grey water mill: a distant view showing the mill to the left with trees in the background, a large expanse of water to the right with rough grass and reeds in the foreground.85 x 135mm, print on postcard.
PH/HEM.G/45Hemingford Grey water mill, seen from across the river with the Mill House behind and other buildings in the left background.75 x 130mm, sepia print on postcard - matt, and now faded and creased.
PH/HEM.G/46Battcock's Island: showing a dense growth of trees with water in the foreground and a boy fishing on the grassy bank to the left.85 x 140mm, print on postcard.
PH/HEM.G/47Hemingford Grey water mill, seen from across the mill pond: with trees in the background, and a lady in a boat in the centre.80 x 135mm, print on postcard.
PH/HEM.G/48London Road in the floods of May 1908: looking north up the road towards Armes Corner with the New Crown prominent on the left, the telegraph poles along the west side of the road and some houses visible on the right side (in Fenstanton parish). Various vehicles including carts and bicycles, and a rowing boat; quite a crowd of people around the New Crown - the road is plainly higher, and dry, beyond the road junction.90 x 140mm, print on postcard.
PH/HEM.G/49a-bThe New Crown pub and Armes Corner in the floods of August 1912: in front of the pub, with a telegraph pole to the right, a motor car has been hitched to two horses so that they can pull it out of the flood; there is a man on each horse, two in the car and various people standing round.85 x 135mm, prints on postcards.
PH/HEM.G/49a-b (contd.)
PH/HEM.G/50The same motoer car as in PH/HEM.G/49, in deeper water - almost up to the tops of its wheels; with the same two occupants, various spectators behind and a man poling a boat. A fence and trees in the background - this may be Armes Corner again, looking north-east with the road to Fenstanton in the right background.85 x 145mm, print on postcard.
PH/HEM.G/51Hemingford Grey water mill: interior view showing machinery, including a pinion wheel on a vertical axle and a mill stone housing, also the beamed ceiling.105 x 105mm, print on card.
PH/HEM.G/52Hemingford Grey water mill: interior view showing the remains of a water wheel in its housing, with a brick wall to the left; only the hub, spokes and a few paddles of the wheel are still present.105 x 105mm, print on card.
PH/HEM.G/53Hemingford Grey water mill: interior view showing a close-up of pinions, cog wheels and axles.105 x 105mm, print on card.
PH/HEM.G/54Hemingford Grey water mill: interior view showing the wooden housings round two sets of millstones, with various axles, wheels and belt drives.105 x 105mm, print on card.
PH/HEM.G/55Hemingford Grey water mill: inside the top storey, with a wheel, axles, pulley block etc., under the rafters; there is no covering on the roof, and trees are visible through the gaps.105 x 105mm, print on card.
PH/HEM.G/56Hemingford Grey water mill: interior view showing part of a cog wheel and cross beams.105 x 105mm, print on card.
PH/HEM.G/57Hemingford Grey water mill: interior view looking up into the roof timbers.105 x 105mm, print on card.
PH/HEM.G/58Hemingford Grey water mill: interior view showing various cog wheels and pinions leaned up against vertical beams, with two shovels leaned in front of them.105 x 105mm, print on card.
PH/HEM.G/59Hemingford Grey water mill: interior view showing one of the wooden housings of the millstones, with various beams and pieces of machinery.105 x 105mm, print on card.
PH/HEM.G/60Hemingford Grey water mill: exterior view showing a wooden structure in a poor state of repair with broken windows, shrubs on either side with rough grass in the foreground.110 x 150mm, print on card.
PH/HEM.G/61Hemingford Grey water mill: exterior view showing a wooden structure with shrubs on either side, water with reeds in the foreground.110 x 150mm, print on card.
PH/HEM.G/62a-cHemingford Grey water mill in 1893: seen from across the river with the Mill House and other buildings behind, and in the foreground a rowing boat containing a man, a boy and a lady with a parasol.105 x 150mm, sepia prints on paper.
PH/HEM.G/63Hemingford Grey water mill: seen from across the mill pond, with sluices etc. to the right, trees behind and reeds in the foreground.110 x 150mm, print on paper.
PH/HEM.G/64a-cHemingford Grey water mill: looking downstream towards the railway bridge in the background; wooden fence in front, rough grass in the foreground.140 x 190mm, print on paper; 110 x 200mm, sepia print on paper; 140 x 190mm, hand-coloured print mounted on card.
PH/HEM.G/65Hemingford Grey water mill: seen from across the mill pond, with Mill House to the left and trees without leaf in the background.105 x 155mm, sepia print on paper.
PH/HEM.G/66Floods in London Road, looking south down the west side of the road, beyond the junction with Hemingford Road. There are houses along the right-hand side, with the silhouette of the bellcote at the school beyond them; two telegraph poles; and two vans driving away from the camera through the water.195 x 245mm, print mounted on card in paper folder.
PH/HEM.G/67St James's Church, Hemingford Grey in 2000: seen from the south, taken near the churchyard gate, showing the tower, nave, south aisle and south porch, with the chancel hidden by foliage; some graves in the foreground.300 x 200mm, colour print on paper.
PH/HEM.G/68Hemingford Grey Manor House in 2000: seen from near the river, looking south across the lawns and garden with part of the house visible through the foliage.200 x 300mm, colour print on paper.
PH/HEM.G/69River House, Hemingford Grey, in 2000: seen from the garden, looking south to the back of the house with a gravel walk, lawn and luxuriant plants in the foreground.200 x 300mm, colour print on paper.
PH/HEM.G/70Half-timbered thatched cottages in Hemingford Grey High Street in 2000: looking east along the street to the cottages on the south side, which are painted pink.300 x 200mm, colour print on paper.
PH/HEM.G/71Two cars, swamped in the Dolphin Hotel car park during the Easter flood of April 1998: looking west from the New Bridges, with the tops of the cars showing above the water, beyond them the fence dividing the car park from Hemingford Meadow, trees in the background.100 x 150mm, colour print on paper.
PH/HILTNSee also a photograph album of the Hurst family of Hilton, indexed under PH/ALBUMS.
PH/HILTN/01St Mary Magdalene's Church, Hilton: a general view from the north, with gravestones, path, young trees in leaf in the foreground, large trees in the background.150 x 225mm, print on paper (faded).
PH/HILTN/02St Mary Magdalene's Church, Hilton: a general view from the south, with brick churchyard wall in the foreground and trees in leaf; a ladder is leaning against the west wall of the tower.110 x 160mm, print on paper, mounted on card.
PH/HILTN/03St Mary Magdalene's Church, Hilton: interior view looking east through the nave to the chancel, showing pulpit, lectern, hanging lamps and pews.155 x 105mm, sepia print on paper, mounted on card.
PH/HILTN/04St Mary Magdalene's Church, Hilton: interior view looking east through the chancel, showing altar, chancel windows and choir stalls.155 x 110mm, sepia print on paper, mounted on card.
PH/HILTN/05St Mary Magdalene's Church, Hilton: identical to PH/HILTN/02.110 x 155mm, sepia print on paper.
PH/HILTN/06St Mary Magdalene's Church, Hilton: a general view from the south, with a ladder leaning against the west wall of the tower as in PH/HILTN/02.110 x 155mm, sepia print on paper.
PH/HILTN/07a-bSt Mary Magdalene's Church, Hilton: a general view from the south-east, with gravestones in the foreground.105 x 155mm, sepia prints on paper.
PH/HILTN/08St Mary Magdalene's Church, Hilton: a general view from the south-east, with trees to the left, numerous gravestones and the brick churchyard wall in the foreground.100 x 140mm, print on paper.
PH/HILTN/09a-bSt Mary Magdalene's Church, Hilton: a general view from the north-west, with gravestones and trees in leaf, brick churchyard wall with gate in the centre, three adults and three children standing against the brick wall..90 x 140mm, sepia print on postcard and print on postcard.
PH/HILTN/10a-eSt Mary Magdalene's Church, Hilton: a general view from the north-west, showing scaffolding and ladders at the north-west corner of the tower; gravestones and a wall in the foreground, tree to the left and a young tree in the centre.120 x 90mm, three prints on paper; 120 x 95mm, two sepia prints on paper.
PH/HILTN/11St Mary Magdalene's Church, Hilton: a general view from the north, with gravestones and numerous recently planted saplings in the foreground, mature trees to the left and right.110 x 155mm, print on paper.
PH/HILTN/12St Mary Magdalene's Church, Hilton: a general view from the north-east.100 x 150mm, sepia print on paper.
PH/HILTN/13St Mary Magdalene's Church, Hilton: a general view from the north-west, with trees to the left and a house in the background, gravestones in the foreground with the brick churchyard wall just visible.105 x 150mm, sepia print on paper.
PH/HILTN/14St Mary Magdalene's Church, Hilton: interior view looking east through the nave to the chancel, with two oil lamp fittings with glass globes hanging in the centre.150 x 110mm, sepia print on paper.
PH/HILTN/15St Mary Magdalene's Church, Hilton: interior view looking west through the nave to the tower and part of the north aisle, with pews and central oil lamp fittings with glass globes.150 x 100mm, sepia print on paper.
PH/HILTN/16St Mary Magdalene's Church, Hilton: interior view looking east through the chancel, showing the altar, windows and oil lamp fittings in the centre.100 x 145mm, sepia print on paper (dark exposure).
PH/HILTN/17a-dThe Sparrow monument in the middle of Hilton maze: a stone pillar with cornice and ball terminal, inscription on south face, with part of the maze visible around it and leafless trees behind.100 x 70mm, sepia prints on paper.
PH/HILTN/18a-bHilton maze, with the stone column in the centre, the school (nowadays the village hall) and road in the background, with trees without leaf on either side.105 x 125mm, sepia prints on paper.
PH/HILTN/19Hilton Hall: the front of the house, which is tall and narrow with three storeys, showing trees and shrubs on either side, lawn with a path in the foreground.90 x 140mm, print on postcard.
PH/HILTN/20a-bPark Farm, Hilton: a rambling house with two wings, bay windows and elaborate chimneys, with trees and hedge to the left and gate with fence to the right, green with path in the foreground.110 x 150mm, sepia print on paper, blue print on paper.
PH/HILTN/21Two houses on the Green at Hilton: the vicarage on the left and "The Limes" on the right, seen from a distance with the Green and leafless trees in the foreground.105 x 150mm, sepia print on paper.
PH/HILTN/22Members of Hilton Cricket Club standing in front of the Pavilion, on the occasion of its opening in 1906: 24 men, mostly in cricketing costume as it was then, with a variety of hats.110 x 170mm, print on paper.
PH/HILTN/23Hilton from the air, 1986: from the south, showing most of the village, including the church, and village green; the Woolpack gravel pits and Fenstanton are dimly visible in the background.200 x 200mm, print on paper.
PH/HILTN/24Hilton from the air, 1986: from the east, showing most of the village, with the green in the foreground.200 x 200mm, print on paper.
PH/HILTN/25Hilton from the air, 1986: from the north, showing the whole of the village.200 x 200mm, print on paper.
PH/HILTN/26St Mary Magdalene's Church, Hilton: from the north-east showing especially the east ends of the chancel and north aisle; some gravestones in the foreground, the grass recently mowed.85 x 140mm, print on postcard.
PH/HILTN/27The lychgate and bridge at the entrance to the St Mary Magdelen's Church, Hilton: the bridge in the foreground with the gate rather blurred behind, and the trunks of the avenue of trees just visible through it.140 x 85mm, print on postcard.
PH/HILTN/28The Village Hall, Hilton: a general view from the south, with the Sparrow monument visible behind.85 x 140mm, print on postcard.
PH/HILTN/29Hilton village green: a general view looking north-west, showing sign post, trees and glimpses of houses behind them.80 x 135mm, print on postcard.
PH/HILTN/30Rose Cottage and Beech Cottage, Hilton: a pair of semi-detached thatched cottages, the thatch new, flowers in the garden in bloom, and a wooden-framed child's swing in the the foreground.85 x 140mm, print on postcard.
PH/HILTN/31Oak Tree Farm, Hilton: the front of the house, which is long and low with new thatch, and has long grass in front.80 x 135mm, print on postcard.
PH/HILTN/32Gypsies on the Vilage Green, Hilton: three traditional-style bow-roofed caravans, with a black and white horse grazing in the foreground, and people sitting, lying and standing in the grass behind.100 x 145mm, colour print on postcard.
PH/HILTN/33Beech Cottage, Hilton: a thatched cottage with garden in front, flowers in full bloom, and wooden bridge over a stream.100 x 145mm, colour print on postcard.
PH/HILTN/34The Village Hall, Hilton: seen from the south, with various people dotted about, and the Sparrow momument just visible behind.100 x 145mm, colour print on postcard.
PH/HILTN/35A print of St Mary Magdalene's Church, Hilton: a general view from the north-east, with houses to the left, trees on either side and a large expanse of grass in the foreground; a small wooden bridge to the right with people standing beside it.135 x 205mm, print on paper.
PH/HILTN/36Julia Rebecca Hurst (later Mrs Sam. Standen): a half-length portrait showing a young woman in a high-necked round-shouldered dress, with a clasp and locket, holding a book.140 x 95mm, print mounted on card and framed.
PH/HINCH/01Hinchingbrooke Lodge and entrance gates: a stone-built lodge and wall with tall chimneys shaded by mature trees.90 x 140mm, print on postcard, with added colour.
PH/HINCH/02Hinchingbrooke House: the south front, showing the now demolished arcaded wing on the left; with flag flying from the tower and lawns in the foreground.90 x 140mm, print on postcard, tinted.
PH/HINCH/03a-bHinchingbrooke House: the east side, with a glimpse of the gardens and the gatehouse visible in the right background.90 x 120mm, print on postcard, tinted.
PH/HINCH/04Hinchingbrooke House: view from Well Court, looking south to the laundry building and into the kitchen yard.80 x 130mm, print on postcard.
PH/HINCH/05a-cHinchingbrooke House: the north front with its two bay windows and main door.90 x 135mm, print on postcard.
PH/HINCH/06Hinchingbrooke House: the north front, seen from a slightly different angle to PH/HINCH/05, and showing part of the circular gravel sweep and lawn.85 x 135mm, print on postcard.
PH/HINCH/07Hinchingbrooke House: the south front showing now demolished arcaded wing on the left: a similar view to PH/HINCH/02 but taken from closer to the house.185 x 140mm, print on postcard.
PH/HINCH/08Hinchingbrooke House: the south front of the main building, with shrubs and part of the grounds in front.85 x 135mm, print on postcard.
PH/HINCH/09Hinchingbrooke House: a distant view of the souht front with the now demolished arcade wing, lawns in front and cedars to the left.70 x 120mm, vignette print on postcard.
PH/HINCH/10Hinchingbrooke House: identical to PH/HINCH/03.85 x 140mm, print on postcard.
PH/HINCH/11a-bHinchingbrooke House: the gatehouse with the gravel sweep in front; the building is covered with ivy, trees in leaf in the background.90 x 140mm, print on postcard.
PH/HINCH/12Hinchingbrooke House: the gatehouse seen from the drive with part of the house visible behind it.90 x 140mm, print on postcard, tinted.
PH/HINCH/13a-cThe Nun's Bridge: with four arches of different shapes and sizes, with cutwaters between them; water and reeds in the foreground, trees in leaf all round.90 x 135mm, tinted print on postcard; 90 x 140mm, sepia print on postcard; 120 x 145mm, print on paper.
PH/HINCH/14Nun's Bridge: looking along the carriageway with parapets to left and right, the river and trees in leaf.105 x 150mm, sepia print on paper.
PH/HINCH/15Nun's Bridge: showing four arches over the river, trees in leaf with grass and reeds in the foreground.105 x 140mm, sepia print on paper.
PH/HINCH/16Samuel & Nathaniel Buck's 1730 print of Hinchingbrooke from the north-east - see PWD/HINCH/08.90 x 135mm, print on postcard.
PH/HINCH/17Hinchingbrooke House: the south front of the now demolished western wing of the house, showing the tower on the left and the arcaded loggia with orange trees in tubs; lawn with path and trees in leaf in the background.90 x 140mm, print on postcard, tinted.
PH/HINCH/18a-dHinchingbrooke House: from the air, from the south-west, and including the whole house and its grounds, including the stable block and kitchen gardens with greenhouses, trees not in leaf; Brampton Road in the bottom right corner.80 x 130mm, prints on postcards
PH/HINCH/19a-bHinchingbrooke House: the gatehouse, with the main house in the background and the ivy-clad wall to the left, trees in leaf.80 x 130mm, prints on postcards.
PH/HINCH/20a-dHinchingbrooke House: the two-storey bow window on the south front, with leaded panes and stone mullions, surmounted by a coat of arms in stone and chimneys on either side.150 x 90mm, sepia print on paper; 125 x 95mm, sepia print on paper; 155 x 115mm, blue print on paper; 155 x 110mm, sepia print on paper.
PH/HINCH/21a-dHinchingbrooke House: the south front from the lawn, with shrubs in the foreground.40 x 65mm, three sepia prints and one blue print on paper.
PH/HINCH/22Hinchingbrooke House: the south front with the now demolished arcaded western wing, showing tower, arcaded loggia, lawn in the foreground, trees in leaf.100 x 150mm, sepia print on paper.
PH/HINCH/23Hinchingbrooke House: the whole length of the south front and western wing, showing tower, loggia, cedars on the left and lawn in the foreground, trees in leaf.95 x 190mm, print on paper.
PH/HINCH/24Hinchingbrooke House: a close-up view of the new western wing, with tower, loggia, trees to the left, lawn in the foreground.75 x 200mm, screened print on paper.
PH/HINCH/25Hinchingbrooke House: the south front seen from a terrace near the south-east corner, with the gravel terrace and gravel paths round the house, lawn and trees on either side.140 x 195mm, sepia print on paper.
PH/HINCH/26Hinchingbrooke House: the gatehouse with ivy-clad wall to the left and trees not in leaf on either side; the house in the background.140 x 195mm, sepia print on paper.
PH/HINCH/27Hinchingbrooke House: the south front of the house, with the grounds, flower beds and shrubs in the foreground and part of cedar tree to the left.140 x 200mm, sepia print on paper.
PH/HINCH/28Hinchingbrooke House: the north front with bay windows and main entrance, gravel drive round circle of grass in the foreground, ivy-clad wing on the right.145 x 200mm, sepia print on paper.
PH/HINCH/29Hinchingbrooke House: the south front, including the now demolished west wing, with shrubs in the foreground.145 x 200mm, sepia print on paper.
PH/HINCH/30a-bHinchingbrooke House: the north front with bay windows and main entrance, gravel drive round circle of grass in the foreground.160 x 210mm, prints on paper.
PH/HINCH/31a-bNun's Bridge: from one side with, reeds and bulrushes in the foreground, bushes and trees all round; a horse and cart is driving over the bridge and two youths are sitting on the parapet.140 x 190mm, prints on paper, b) is tinted and mounted on card.
PH/HINCH/32a-bHinchingbrooke House: the south front, complete with the now-demolished western wing on the left, trees and creepers leafless, cedar on the left and lawn in front.80 x 130mm, sepia prints on postcards.
PH/HINCH/33Hinchingbrooke House: part of the south front, with a blank wall to the left where the western wing was later built.145 x 195mm, early faint print on paper with outlining and colour wash added by hand.
PH/HINCH/34Hinchingbrooke House: The "Nuns' Quarters" (the 16th-century range of buildings on the east side of the Kitchen Yard, seen from the north-west and showing several gables with chimneys, the stone wall at the entrance to the Kitchen Yard on the left and the top of the main house behind.240 x 295mm, sepia print on paper.
PH/HOLME/For the Incense Boat and Censor found at the draining of Whittlesey Mere see PH/RAMSY/15 & 16
PH/HOLME/01St Giles' Church, Holme: A general view from the south-east, during restoration work with wooden baulks supporting the south and east walls of the chancel; trees in leaf on either side, brick and stone wall in the foreground with gravestones behind.110 x 150mm, sepia print on paper.
PH/HOLME/02St Giles' Church, Holme: a general view from the south-east, trees in leaf on either side, brick and stone wall in the foreground with gravestones behind.110 x 150mm, print on paper.
PH/HOLME/03St Giles' Church, Holme: a general view from the south-east, trees in leaf on either side, brick and stone wall in the foreground with part of the road in front of it.110 x 140mm, print on paper.
PH/HOLME/04St Giles' Church, Holme: a general view from the south-west, with gravestones in the foreground, trees in leaf on either side.90 x 110mm, print on postcard.
PH/HOLME/05St Giles' Church, Holme: a general view from the south-west, with trees in leaf on either side, houses to the left in background, gravestones in the foreground.105 x 145mm, sepia print on paper.
PH/HOLME/06St Giles' Church, Holme: the east end, seen from the north-east showing chancel, part of north aisle, nave roof, and bellcote; the east end wall is propped up with timber baulks and two workmen are standing in front of it.110 x 150mm, sepia print on paper.
PH/HOLME/07St Giles' Church, Holme: a close-up view of the south wall of the chancel, with timber baulks against it and the east wall and the same two workmen as in PH/HOLME/06 standing in front.110 x 145mm, sepia print on paper.
PH/HOLME/08St Giles' Church, Holme: a close-up view of the footings of the south-east corner of the chancel, with a workman standing chest deep in a hole in the foreground - slightly blurred by his moving.145 x 105mm, sepia print on paper.
PH/HOLME/09a-bSt Giles' Church, Holme: interior view looking east through the nave to the chancel, with pews on either side, pulpit to the left and lectern to the right.110 x 145mm, sepia prints on paper.
PH/HOLME/10St Giles' Church, Holme: interior view of the chancel arch, looking east into the chancel and showing east window and altar, pulpit to the left of the arch and lectern to the right.90 x 120mm, print on postcard.
PH/HOLME/11St Giles' Church, Holme: interior view looking east through the nave to the chancel and also showing the south aisle; nave arcades and pews in the foreground, pulpit to the left and lectern on the right.110 x 150mm, print on paper.
PH/HOLME/12The Whittlesey Mere Pumping Engine near Holme: a range of brick and tile buildings, including a house on the left side, with a large drainage channel in the foreground. Trees in leaf on either side.120 x 165mm, sepia print on paper.
PH/HOLME/13A hayfield on the site of Whittlesey Mere, with cut hay all over it and trees to the right and in the background.110 x 160mm sepia print on paper.
PH/HOLME/14Holme Fen in the snow, with a loaded haycart and a smaller cart behind, wind pump to the right in the background.150 x 190mm, an early photographic print on very thin paper mounted on card.
PH/HOLME/15Holme House: a two-storey house with an imposing arcaded verandah, trees in leaf on either side, lawns and park in the foreground.165 x 220mm, an early photographic print on very thin paper mounted on card.
PH/HOLME/16A summerhouse in the garden of Holme House, Hunts: arched and decorated, rather like the verandah seen in PH/HOLME/15, with rustic furniture and a short cannon mounted on wheels in front. Leafless trees to the right.115 x 195mm, an early photographic print on very thin paper mounted on card.
PH/HOLME/17Holme House: presumably the back of the house seen in PH/HOLME/15, in three parts, three-storeyed and pedimented to left and right, two-storeyed with dormer windows in the centre, with door to lawn and path running across in front of the house, lawn in the foreground.175 x 225mm, an early photographic print on very thin paper mounted on card.
PH/HOLME/18The Holme Post in 1905, with a man and a boy leaning against it, the post about 12 feet clear of the ground, trees behind.195 x 145mm, print on paper, laminated.
PH/HOLME/19St Giles' Church, Holme: a general view from the south-east, with gravestones in the churchyard, a brick wall in the foreground, trees in leaf on either side.90 x 125mm, print on paper.
PH/HOLME/20St Giles' Church, Holme: interior view looking east through the nave to the chancel, showing the chancel arch, nave arcades with hanging lamps, pews on either side.110 x 155mm, print on paper.
PH/HOLME/21Holme House c. 1860: grass and trees in the foreground, the trees mostly concealing the house although an arcaded verandah can be seen.155 x 230mm, print on paper.
PH/HOLME/22A paintng by Cuthbert Bede of Holme House: showing a two-storeyed house with arcade, fenced-off garden in front and trees and parkland in the foreground.165 x 225mm, print on paper.
PH/HOLYWSee also PH/S.IVE/Bridge/31, a composite postcard including a view of Holywell.
PH/HOLYW/01St John the Baptist's Church, Holywell: a general view from the north-west, with path to the west door through the churchyard in the foreground, girl in a pinafore dress and straw hat sitting on a gravestone.90 x 140mm, print on postcard.
PH/HOLYW/02St John the Baptist's Church, Holywell: a general view from the north-west, with trees in leaf and grass in the churchyard rather overgrown, gravestones in the foreground.90 x 140mm, print on postcard.
PH/HOLYW/03St John the Baptist's Church, Holywell: a general view from the south, gravestones in the foreground.85 x 135mm, coloured print on postcard.
PH/HOLYW/04a-cSt John the Baptist's Church, Holywell: a general view from the south, looking up the slope on that side, with iron fence surrounding church yard and stone wall in the foreground, trees bare.85 x 140mm, prints on postcards.
PH/HOLYW/05St John the Baptist's Church, Holywell: a general view from the south, looking up the slope on that side, with iron fence surrounding church yard and stone wall in the foreground; overgrown pasture in the foreground, trees in leaf.105 x 145mm, print on paper.
PH/HOLYW/06St John the Baptist's Church, Holywell: interior view looking east through the nave to the chancel, with carved chancel screen and showing pews, lectern to the left of screen, and altar; south aisle also has altar; hanging oil lamps in nave arcades.90 x 140mm, print on postcard.
PH/HOLYW/07a-cSt John the Baptist's Church, Holywell: interior view looking east through the carved screen to the chancel, with choir stalls, organ and east window above altar; nave pews in the foreground.140 x 90mm, prints on postcards.
PH/HOLYW/08St John the Baptist's Church, Holywell: interior view looking west through the tower arch to the tower, with wooden screen at foot of tower arch, bell ropes and high west window with three lights, pews in the foreground.140 x 90mm, print on postcard.
PH/HOLYW/09St John the Baptist's Church, Holywell: interior view of the south aisle altar showing plain east window with altar below, hatchment of arms on the south wall, brass candlesticks on altar, oil lamps suspended from the roof. Pews and part of the brass eagle lectern in the foreground.90 x 135mm, print on postcard.
PH/HOLYW/10St John the Baptist's Church, Holywell: interior view looking east to the south aisle altar, with candlesticks on it and flowers in brass vases, east window with inset shields of stained glass. Hatchment hung on wall to the right. Pews in the foreground.140 x 85mm, print on postcard.
PH/HOLYW/11St John the Baptist's Church, Holywell: interior view, the piscina in the south wall of the chancel, ogee arch in which are displayed items of church plate, i.e. flagon, chalice and various patens apparently in silver.90 x 140mm, print on postcard.
PH/HOLYW/12St John the Baptist's Church, Holywell: interior view of two lancet windows in the wall of the chancel, rounded arch with small detached pillar dividing the lights; wooden chair below and square wooden door of cupboard in the wall (aumbry).140 x 90mm, print on postcard.
PH/HOLYW/13a-cThe "Holy Well" in Holywell churchyard, with arched brick top, surrounded by shrubs and rough glass.90 x 140mm, prints on postcards.
PH/HOLYW/14Holywell Rectory: from the south-east, showing two-storey house with brick wall and wooden gate, trees in leaf on either side and lawn and drive in the foreground.90 x 140mm, print on postcard.
PH/HOLYW/15Holywell Rectory: from the south-east, at a slightly different angle to PH/HOLYW/14 and with the church tower in the background.90 x 140mm, print on postcard.
PH/HOLYW/16Holywell Rectory: from the west, including dormer windows and porch, trees in leaf to the right of photo, with drive to the left.90 x 140mm, print on postcard.
PH/HOLYW/17A page of manuscript, two columns of Latin in medieval hand on parchment.90 x 140mm, print on postcard.
PH/HOLYW/18Plasterwork panel on a cottage chimney stack, with raised design of squares, stylized leaves and fleur-de-lys (?or Prince of Wales feathers), with date 16--.60 x 80mm, cut from a postcard.
PH/HOLYW/19St John the Baptist's Church, Holywell: a general view from the south-east, gravestones in the churchyard with iron railings in the foreground, trees in leaf on either side.85 x 140mm, print on postcard.
PH/HOLYW/20This number vacant.
PH/HOLYW/21a-cSt John the Baptist's Church, Holywell: interior view showing the carved oak chancel screen from the nave, with painted shields in the lower half of it, altar in the background, nave pews in the foreground.205 x 155mm, print and two sepia prints mounted on card.
PH/HOLYW/22St John the Baptist's Church, Holywell: the carved oak altar, with decoration carved on three panels, front view.175 x 240mm, print on board.
PH/HOLYW/23St John the Baptist's Church, Holywell: the carved oak altar seen from the front and right side, with an inscription carved at the top of the side panel.170 x 245mm, print on board.
PH/HOLYW/24St John the Baptist's Church, Holywell: interior view looking east through the nave to the chancel screen and chancel, screen with cross on top, pews in the foreground.85 x 140mm, print on postcard.
PH/HOLYW/25Houses along "The Front" at Holywell: showing two-storey house to the left with slate roof and one to the right with a thatched roof, brick wall in front of both houses, rough grass and track in the foreground.90 x 140mm, print on postcard.
PH/HOLYW/26The Ferry Boat Inn at Holywell, seen from the river bank: thatched, with light bulbs along some of the beams and on an "FB" on the front wall. With free-standing inn sign in front, bicycles leaned against it, and three people. New thatch on the roof.165 x 220mm, print on paper.
PH/HOLYW/27Thatched cottage at Holywell, with high-pitched roof, wooden porch with steps leading up to it, and thatched-and-tiled outhouse in the foreground.120 x 165mm, print on paper.
PH/HOLYW/28Row of cottages on the "Front" at Holywell, thatched with dormers, some bay windows, and weaherboarding.115 x 165mm, print on paper.
PH/HOLYW/29The Ferry Boat Inn at Holywell, seen from the opposite bank of the river: two-storeyed thatched building with the gable end of the attached wing on the left. Brick wall in front, trees in leaf on both sides, the ferry moored near the inn and a punt with ?draining spades in it moored in the foreground.90 x 135mm, sepia print on postcard.
PH/HOLYW/30The Ferry Boat Inn at Holywell, seen from the opposite bank of the river: two-storeyed thatched building with one-storey extension to the right, the ferry itself moored in front of it with a horse and wagon beside it, two people standing behind.60 x 95mm, faded sepia print on card.
PH/HOLYW/31a-bThe artist Gilbert Baird Fraser and his daughter Mary: the artist is wearing jacket and trousers, sitting on a rough seat in a field with trees and holding a young girl on his knee.155 x 100mm, two sepia prints on paper.
PH/HOUGH/01Houghton Mill from the south-east, with the parish church spire in the background.145 x 130mm, print on paper.
PH/HOUGH/02Houghton Mill from the south-east, with the parish church spire in the background.145 x 130mm, print on paper.
PH/HOUGH/03a-bHoughton Mill from the west, close-up view with a man and children in the foreground.150 x 130mm, prints on paper.
PH/HOUGH/04Interior of Houghton Mill, showing scales and a workman with a sack barrow.160 x 140mm, print on paper.
PH/HOUGH/05Interior of Houghton Mill, showing a workman dressing a millstone; machinery visible in the background.170 x 140mm, print on paper.
PH/HOUGH/06Houghton Mill seen from the east, with a fisherman on the bank in the foreground, and someone in shorts doing something on the downstream side of the Mill itself.165 x 220mm, print on paper.
PH/HOUGH/07Manor Farm, in St Ives Road, Houghton, seen from the south-west, with the gable of a thatched cottage to the right and three cattle being driven down the street outside it.165 x 220mm, print on paper.
PH/HOUGH/08Capt. John Leslie Green, the Houghton VC: head and shoulders portrait of a young man in uniform, moustached with arms crossed and a regimental badge (RAMC?) on his collar.90 x 60mm, sepia print mounted on card.
PH/HOUGH/09Houghton Mill seen from the south-east, across the millpond: some of the building hidden by trees but it seems to be slightly dilapidated with some window panes missing.85 x 135mm, print on postcard.
PH/HOUGH/10Houghton Village, looking north up the street from near the mill, showing cottages, church spire, and water cart in the foreground.85 x 140mm, print on postcard
PH/HOUGH/11Charles Whymper (1853-1941) the Houghton artist: a head and shoulders portrait in profile, apparently in early middle age with greying sideburns, wearing high collar and heavy coat.185 x 120mm, sepia print on paper.
PH/HOUGH/12Houghton Mill seen from the east (downstream) side, c.1920s. with water wheel housings still in position.90 x 140mm, print on postcard.
PH/HOUGH/13Houghton Mill from the south-west, with part of the southern sluice gate to the right of the picture.120 x 165mm, print on paper.
PH/HOUGH/14The George and Dragon on Houghton Green, seen from the south-west, with all the beams still covered by rendering, and old windows still in position. Two girls and a boy pose in front of it.120 x 165mm, print on paper.
PH/HOUGH/15Manor Farm in St Ives Road, Houghton, seen from the south-east: a half-timbered building with tiled roof and eleaborate chimney stacks; part of a thatched cottage to the left, telegraph pole behind, woman cyclist in the street.120 x 165mm, print on paper.
PH/HOUGH/16a-bHoughton Mill from the downstream side in about 1930: the Mill still has the little cabin-like room protruding from it, with tiled roof and very tall chimney. The water wheel housings on the south side seem to be in some disorder: several windows are broken.a) 155 x 205mm, print mounted on grey card; b) 120 x 160mm, print mounted on white card.
PH/HOUGH/17Houghton Church seen from the river in about 1930: taken from the island south of Houghton Mill, looking across the head of the mill leet to the church, of which only the steeple is visible; a winter scene with reeds and trees leafless.150 x 205mm, print mounted on grey card.
PH/HOUGH/18Cottages in Houghton in about 1930: the scene is perhaps St Ives Road looking south towards the Green, with various cottages on both sides of the street.100 x 145mm, sepia print mounted on card.
PH/HOUGH/19The Green at Houghton, looking north-west to the clock tower with thatched shelter and sign post and water pump to the right; two and three storey houses to the right and in the background of photo, children standing in the square, the George and Dragon in the right background and the railings in front of the Potto Brown bust just visible at bottom right.90 x 140mm, coloured print on postcard.
PH/HOUGH/20A painting of Houghton Mill, not very accurate: a building with dormer windows, willows and water on the left, a bridge in the foreground with a water wheel housing behind it and a lady standing on it.90 x 140mm, coloured print on postcard.
PH/HOUGH/21Houghton Village, looking north up the street from near the mill, showing cottages, church spire, and water cart in the foreground.90 x 140mm, coloured print on postcard.
PH/HOUGH/22Houghton Mill from the north-west, brick and weatherboarding, with windows and two sack hoists, brick wall beside the river, and footbridge to the right, water wheel housing and wooden shed to the left; trees on either side.110 x 155mm, sepia print on paper.
PH/HOUGH/23Houghton Mill from the downstream side, with protruding room and tall brick chimney, water wheel housing to the left, surrounded by trees with water and rough grass in front.110 x 150mm, print on paper.
PH/HOUGH/24The River Ouse at Houghton, with the church spire, trees reflected in the water.80 x 150mm, sepia print on paper.
PH/HOUGH/25a-bHoughton Mill from the south-east, with a man in a rowing boat in the foreground, a woman sitting near him on the river bank. 1920 or 30s to judge by the costume.100 x 150mm, two prints on paper.
PH/HOUGH/26a-dSaxon Hut, Houghton: a hole in the ground presumably representing the floor of a "Grubenhaus"..160 x 210mm, prints on paper.
PH/HOUGH/27Houghton Mill from the south-east, with a man fishing from a boat in the foreground, and woman standing beside him on the river bank. Costume of about 1900.140 x 190mm, hand coloured print mounted on card.
PH/HOUGH/28a-bHoughton Mill from the east: a clear and detailed picture of the building, plainly still in operation with the water wheel housings intact and a rope hanging from the sack hoist on the north side. A horse and cart just visible to the right.300 x 250mm, two sepia prints on paper.
PH/HOUGH/29This number vacant.
PH/HOUGH/30Houghton Mill, from the south-east, water wheel housing to the left, trees in leaf on either side, a man in a rowing boat in the foreground.110 x 200mm, sepia print on a "Giant Postcard".
PH/HOUGH/31Houghton Mill from the south-east: the same view as PH/HOUGH/30 but cropped slightly differently.180 x 290mm, print on "Giant Postcard".
PH/HOUGH/32Houghton Mill from the south-east, water wheel housing to the left, water in the foreground with trees in leaf on either side.200 x 155mm, print on paper.
PH/HOUGH/33Houghton Mill from the south-east, water wheel housing to the left, water in front of the mill with three men in a boat in the foreground, trees in leaf on either side.200 x 250mm, print on paper.
PH/HOUGH/34The Backwater, Battock's Island: the river with a boat and a boy fishing, trees in leaf in the background.65 x 120mm, sepia print on postcard.
PH/HOUGH/35A field with pigs grazing in the foreground, trees and a fence in the background.115 x 175mm, print on paper.
PH/HOUGH/35-41Judging by the writing on the back of PH/HOUGH/36, these photographs must show Coote's excavation in field 119 at Houghton in 1929, which produced among other things the beakers in our Bronze Age Display. The site was published in CHAS 5 pp 248-50. See also PH/HOUGH/26.
PH/HOUGH/36A field with a trench in the foreground and a man, an animal and trees without leaf in the background.125 x 70mm, print on paper.
PH/HOUGH/37A field with a trench in the foreground and the railway line and a bridge in the background.125 x 70mm, print on paper.
PH/HOUGH/38A field with rough grass in the foreground, trees and a fence in the background.70 x 115mm, print on paper.
PH/HOUGH/39A field with rough grass in the foreground, trees, a hedge and a fence in the background.70 x 115mm, print on paper.
PH/HOUGH/40A field with pigs grazing in the foreground and a man sitting on the grass. Trees and a fence in the background with a small house to the right.70 x 115mm, print on paper.
PH/HOUGH/41A field with rough grass and a dark area from left to right, trees and a fence in the background with roofs of buildings to the right.65 x 115mm, print on paper.
PH/HOUGH/42An four-poster bed with elaborately carved panels, presumably in Dr Martin's house in Houghton: seen from the foot of the bed, with a glimpse of a carved chair and a door to the left.155 x 115mm, sepia print on card.
PH/HOUGH/43Houghton Mill from downstream, trees to right and left and the millpond in the foreground, moored boat with cushions or tarpaulin on the left.60 x 80mm, print on paper.
PH/HUNTNThe Magistrates' Court in Huntingdon Town Hall is shown in two photgraphs of the 1964 treasure trove inquest into the Hartford Hoard, indexed as PH/HARTF/43-44.VACANT NUMBERS: PH/HUNTN/25, 35, 65, 71, 72, 74, 90, 96.
PH/HUNTN/001a-gSt Mary's Church, Huntingdon: the west doorway of the west tower, seen from outside, with most of the tower piers visible to left and right.110 x 150mm, three prints on paper; 115 x 155mm, four sepia prints on paper.
PH/HUNTN/002a-gSt Mary's Church, Huntingdon: the west tower seen from the west (from an elevated position, presumably an upper floor in one of the houses opposite); top of the pinnacles not quite in the picture; trees in leaf in the foreground.150 x 110mm, three prints on paper; 165 x 120mm, 165 x 120mm, 175 x 120mm, three sepia prints on paper; 185 x 115mm, print on paper mounted on card.
PH/HUNTN/003a-bSt Mary's Church, Huntingdon: a general view from across the street to the south-west, with house to the left, gravestones behind the churchyard wall with railings; trees without leaf, street lamp to the right.140 x 200mm, sepia prints on paper.
PH/HUNTN/004a-bSt Mary's Church, Huntingdon: a general view from the south (from an elevated position, presumably an upstairs window in the buildings beside the churchyard), churchyard with gravestones and many shrubs and trees in the foreground; house in the far background to the right.140 x 190mm, prints on paper.
PH/HUNTN/005a-bSt Mary's Church, Huntingdon: a general view from the south-east with gravestones and table tombs in the churchyard in the foreground.140 x 200mm, sepia prints on paper.
PH/HUNTN/006St Mary's Church, Huntingdon: a general view from across the street to the south, houses on either side in the background and the spire of Trinity Church in the background to the left; churchyard wall, pavement and street in the foreground.105 x 205mm, print on paper.
PH/HUNTN/007a-bSt Mary's Church, Huntingdon: looking east through the nave to the chancel and showing the nave arcades and the north and south aisles; pews in the foreground and several light brackets of ornate ironwork in the springs of the arches of the nave arcades.140 x 200mm, sepia prints on paper; b) is blurred.
PH/HUNTN/008a-bAll Saints' Church, Huntingdon: a general view from across the Market Square to the south, ornate iron railings on stone wall in front of the church, trees not in leaf, houses, shops and the Old Grammar School in the High Street to the right.140 x 200mm, sepia prints on paper.
PH/HUNTN/009a-bAll Saints' Church, Huntingdon: a general view (although partly hidden by trees) from the Market Square to the south-east; the churchyard is surrounded with ornate iron railings on a low wall and a gate. Houses and shops in the background to the right, gas lamp posts on the pavement, five people in various places.135 x 190mm, prints on paper.
PH/HUNTN/010a-bAll Saints' Church, Huntingdon: a general view from the Market Square to the south, surrounded by ornate iron railings on a low wall with iron gate; two carts and several people, lamp posts, High Street to the right, trees without leaf.150 x 205mm, prints on paper.
PH/HUNTN/011All Saints' Church, Huntingdon: a general view from across the Market Square to the south, with iron railings on a low wall, and gates, round the churchyard; High Street to the right with shops, houses to the left; cart and horse and people in the High Street, two street lamps in front of the Church and part of a cobbled street in the foreground; trees in leaf.140 x 190mm, print on paper
PH/HUNTN/012All Saints' Church, Huntingdon: a general view from across the Market Square to the south, with churchyard surrounded by ornate iron railings on a low wall; two large houses to the left, High Street with shops and houses to the right, awnings out over shop fronts; people in the street, horse-drawn carts in the foreground, two lamp posts in front of the church.75 x 200mm, screened print on paper.
PH/HUNTN/013a-bAll Saints' Church, Huntingdon: looking east from the nave to the chancel arch and screen, with chairs, lectern and prayer desk in the aisle.130 x 80mm, prints on postcards.
PH/HUNTN/014a-cAll Saints' Church, Huntingdon: looking east through the nve to the chancel and showing the nave arcades and aisles, the chancel arch with wall paintings above it (but no screen); organ to the left.140 x 195mm, sepia prints on paper; c) is a reversed and negative image of a-b).
PH/HUNTN/015a-bAll Saints' Church, Huntingdon: the east end of the nave with chancel arch and screen, wall paintings on chancel arch.205 x 150mm, prints on paper.
PH/HUNTN/016All Saints' Church, Huntingdon: looking east through the nave to the chancel and showing the screen with chancel in the background, nave arcades and north and south aisles, organ to the left.145 x 195mm, print on paper.
PH/HUNTN/017a-bAll Saints' Church, Huntingdon: an interior view of the east end of the south aisle, showing stained glass east window.150 x 200mm, prints on paper.
PH/HUNTN/018The Old Bridge Hotel, Huntingdon: part of the building seen from the road on the east side, ivy-clad, with open cars parked outside and people in the background.130 x 80mm, print on postcard.
PH/HUNTN/019The courtyard of the George Hotel, Huntingdon, looking across to the half-timbered west wing, with trellis on the balcony and around the door and window below, tubs in the courtyard with wooden boxes with flowers over windows, clock on the roof.80 x 130mm, print on postcard.
PH/HUNTN/020a-bThe courtyard of the George Hotel, Huntingdon, looking across to the half-timbered west wing, showing clock on roof, balcony and cars in the courtyard. Flowers above windows.85 x 140mm, prints on postcards.
PH/HUNTN/021a-eAn aerial view of Mill Common and Millfield Hospital, looking north-west to the Brampton Road and the road to the railway station, with "HUNTINGDON" laid out on the ground in very big white letters.80 x 135mm, prints on postcards.
PH/HUNTN/022a-dAn aerial view of The Old Bridge between Huntingdon and Godmanchester, looking north and showing buildings on both sides of the river, including the Old Bridge Hotel and the Hosiery Mill, with the railway level crossing in the bottom left corner.80 x 135mm, prints on postcards.
PH/HUNTN/023a-cAn aerial view of Huntingdon, looking north-eastwards across the town centre, with the Walks in the foreground and Trinity Church and St Mary's Church prominent on the High Street.80 x 130mm, prints on postcards.
PH/HUNTN/024a-cHuntingdon Bridge: from the west with the Hosiery Mill to the right and houses and a chimney beyond the bridge to the left; boats and rough grass in the foreground.115 x 160mm, print on paper and two sepia prints on paper.
PH/HUNTN/025This number vacant.
PH/HUNTN/026Huntingdon High Street looking south from the George Hotel, showing part of All Saints' Church on the right, shops with extended blinds on the left, including L.R. Dalgleish chemist & druggist, and the Grammar School; handcart, horse, dog and several people on the street and pavement, the people all staring at the camera.140 x 190mm, print on paper, with copy negative.
PH/HUNTN/027a-bHuntingdon Bridge: the west side seen from the south bank with houses beyond it on the Huntingdon side and trees in leaf and a wall in the foreground.85 x 135mm, sepia prints on postcards.
PH/HUNTN/028Huntingdon Bridge: looking north across it from an elevated position on its east side on the south bank, presumably an upper window of the Hosiery Mill, and showing Huntingdon High Street climbing the slope beyond the bridge, with buildings on both sides and the spire of Trinity Church on the skyline; trees on Castle Hills on the left; a car crossing the bridge.90 x 140mm, sepia print on postcard.
PH/HUNTN/029Huntingdon Bridge: the west side seen from the south bank, with houses and a chimney beyond it on the Huntingdon side, boats and a slipway in the foreground.70 x 100mm, print on paper.
PH/HUNTN/030Huntingdon Bridge: a square-on view of the west side, with moored and beached punts on the south bank in the foreground, with a slipway; buildings to the left of the bridge and a chimney in the background, part of the Hosiery Mill on the right; trees in leaf.100 x 155mm, print on paper.
PH/HUNTN/031Huntingdon Bridge: a square-on view of the west side, with moored rowing boats beside the south bank in the foreground, buildings to the left of the bridge and a chimney in the background, part of the Hosiery Mill on the right; trees without leaf.140 x 200mm, sepia print on paper.
PH/HUNTN/032Huntingdon Bridge: a distant view from the west with buildings on either side of the river including the Hosiery Mill on the right and a boathouse in the foreground with flag flying; rowing boats on the river, one with three men and one with one man in them; a young man lies on the grass on the right; trees in leaf.140 x 195mm, print on paper.
PH/HUNTN/033Huntingdon Bridge from the west: the same picture as PH/HUNTN/33 but cropped all round.140 x 190mm, print on paper.
PH/HUNTN/034Huntingdon Bridge: a distant view from the west, taken from Castle Hills, Huntingdon; with houses and both mills (hosiery and corn) on the right (Godmanchester side) and a house with walled garden to the left (Huntingdon side) with people in the foreground; rowing boats and lighters moored on the right, trees without leaf in the background; horse-drawn carriage leaving the bridge on the right.75 x 200mm, screened print on paper.
PH/HUNTN/035This number vacant.
PH/HUNTN/036The garden of Cromwell House, Huntingdon, with borders, tubs, garden seats and trees in leaf, medieval wall to the right.80 x 130mm, print on postcard.
PH/HUNTN/037a-bCromwell House: the back of the house - square, two-storeyed with pediment and large rectangular windows, with lawn, evergreen tree to the left, creeper-clad walls.80 x 130mm, prints on postcards.
PH/HUNTN/038Cromwell House, Huntingdon: the back of the house with lawns and garden, trees in leaf on either side, garden furniture on the lawns, path in the foreground.140 x 190mm, print on paper.
PH/HUNTN/039a-bCromwell House, Huntingdon: the front of the house with garden wall and street in front, shuttered windows, wrought iron gate, door in the wall and a flag pole over the porch. Trees in leaf.85 x 130mm, prints on postcards.
PH/HUNTN/040Huntingdon County Hospital, in Brampton Road, with the fountain in front of it: a two storey building with ornate façade behind a railinged wall. Trees in leaf on either side. Ornate fountain in the foreground, on stepped plinth.90 x 140mm, print on postcard.
PH/HUNTN/041Huntingdon County Hospital: a two-storey building with ornate façade and with large inscriptions "COUNTY HOSPITAL ERECTED A.D. 1853" on the left and "SUPPORTED BY VOLUNTARY CONTRIBUTIONS" on the right.165 x 215mm, print on paper.
PH/HUNTN/042Huntingdon Grammar School: the west front seen from across the street in the churchyard of All Saints, with the railinged churchyard wall in the foreground. Trees in leaf.130 x 80mm, print on postcard.
PH/HUNTN/043Huntingdon Grammar School: the west end, seen from the Market Place to the south, next-door building shown to the left.130 x 80mm, print on postcard.
PH/HUNTN/044A print of Huntingdon Grammar School in 1845, seen from the east end with houses to the right and All Saints' Church just visible behind; people and chickens in the open yard in the foreground.130 x 200mm, print on paper.
PH/HUNTN/045Huntingdon Grammar School: the west front seen from an upstairs vantage point on the other side of the Market Hill, with part of All Saints' churchyard in the foreground, two people in the lane to the right of the school, trees without leaf to left and right.200 x 150mm, print on paper.
PH/HUNTN/046Huntingdon Grammar School: the interior with desks and a large central stove with stovepipe led off horizontally, desks, blackboard, portrait of Cromwell on the wall to the left.145 x 200mm, sepia print on paper.
PH/HUNTN/047Part of the northern end of Huntingdon High Street, looking south towards the town centre with Ferrar House on the right, cars in the street, trees in leaf.80 x 130mm, print on postcard.
PH/HUNTN/048a-bAn old house (formerly the Bull Inn) in Huntingdon High Street: two-storeyed with steep gable and tiled roof, jettied upper storey and pediment over the door; with gatepost and railings of St Mary's churchyard just visible on the right, the spire of the Trinity Church in the background.130 x 80mm, prints on postcards.
PH/HUNTN/049Whitwell House, Huntingdon: the south front of the house (on the junction of the High Street and Ferrar Road), two-storeyed with iron railings and gate.60 x 110mm, print on paper.
PH/HUNTN/050A large tree at the south corner of All Saints' churchyard, seen from the south side of the Market Hill with the church tower behind and to the left, the Grammar School and other buildings to the right; cars parked in the foreground with several people on either side.100 x 70mm, print on paper.
PH/HUNTN/051Magnolia tree at 6 Market Hill, Huntingdon: the tree in bloom with a building behind it.60 x 110mm, print on paper.
PH/HUNTN/052The view south from Mill Common in the floods of July 1875: grass and trees in the foreground, then flooded Portholme as far as the trees and church spire of Godmanchester; Huntingdon Corporation Mill behind the trees and the racecourse grandstand in the middle distance.100 x 210mm, sepia print mounted on card.
PH/HUNTN/053The Ouse Floods in July 1875 seen from near the footpath that leads from Huntingdon to Portholme: the gas works on the right, the racecourse grandstand behind it, people (and a horse and cart) gathered on the path and the bridge over the river. Flood water in the foreground and three men in a punt on the river.100 x 210mm, sepia print mounted on card.
PH/HUNTN/054The Ouse and Portholme flooded in July 1875: looking from Castle Hills across the water to the trees and church spire of Godmanchester; a boat (retouched) is in the centre, with the railway line to St Ives on its river bridge crossing the centre of the picture; buildings in the left foreground and the grass of Castle Hills in the right foreground.100 x 210mm, sepia print mounted on card.
PH/HUNTN/055The Ouse and Portholme in the floods of July 1875: looking west along the Huntingdon to St Ives railway, which is on the right of the picture, with Castle Hills to the left of it, and further left is flooded Portholme with the racecourse grandstand in the background; a man in a bowler hat sits by the railway looking out over the water and a boat (retouched) is on Portholme.100 x 210mm, sepia print mounted on card.
PH/HUNTN/056a-bHigh Street, Huntingdon: looking south from near the Market Hill with Trinity Church in the left background, shops on either side of the street, with people walking on the street and pavements; Murkett Brothers shop in the right foreground.95 x 155mm, prints on paper.
PH/HUNTN/057Huntingdon High Street during celebrations for the Jubilee of 1887: looking south with the spire of Trinity Church in the background, many flags, the street filled with people, some of whom have umbrellas up.150 x 205mm, sepia print on paper.
PH/HUNTN/058The Market Hill decorated for the 1887 Jubilee: looking north across the market place to All Saints' Church, with many flags and flagpoles and people milling about. A lamp is marked "Fountain Hotel" and a large placard includes the dates 1837 and 1887 - confirming that this is the Golden Jubilee.150 x 200mm, sepia print on paper.
PH/HUNTN/059Aerial view of part of Huntingdon from the south-west, showing Trinty Church in the centre, St Mary's church to the right, numerous houses, the temporary buildings of Pathfinder Force headquarters on the site of the present-day Pathfinder House, and open country to the rear.155 x 205mm, print on paper.
PH/HUNTN/060Huntingdon Market Hill and High Street, showing the Old Grammar School to the right, with houses on either side of it, All Saints' Church with trees in leaf in front it, a few people, shop fronts with awnings, post office on the right.160 x 210mm, sepia print on paper.
PH/HUNTN/061Huntingdon Bridge seen from Castle Hills, with the Hosiery Mill and Brown and Goodman's Mill behind it; lighters are moored on the right, with a steam tug marked "Ouse Transport Co."; on the near bank is the garden wall of the Bridge Hotel, with urns on the top, and a wooden ?boathouse on the river bank.145 x 200mm, screened print on paper.
PH/HUNTN/062Wrought iron sign from the Fox Inn, Huntingdon: a horzontal beam with hooks for a hanging sign, with a diagonal brace above it with an openwork fox on top if it.195 x 245mm, print on paper.
PH/HUNTN/063A panel with four drawings or paintings: on the upper left, a picture of rapids with the caption "Overlanders 1862, The Raft 'Huntingdon' in the Lower Canyon, Upper Fraser River"; upper right, a view of a colonial settlement; bottom left, the George Hotel; and bottom right, Oliver Cromwell.195 x 210mm, print on paper.
PH/HUNTN/064A portrait of Oliver Cromwell: head-and-shoulders in a roundel, showing him with long hair and wearing armour.160 x 145mm, print on paper.
PH/HUNTN/065This number vacant.
PH/HUNTN/066Huntingdon North No. 1 signal box, photographed in 1969; looking south along the main line, with a bridge and two sets of semaphore signals in the background.85 x 130mm, print on paper.
PH/HUNTN/067The first electric train at Huntingdon, 1986: the front of the train, marked "Huntingdon goes electric" can be seen at the station platform, with the front of an Inter City 125 at the other platform in the background.105 x 150mm, print on paper.
PH/HUNTN/068The first electric train at Huntingdon, 1986: the multiple unit train stands at the platform on the west side of the railway, showing part of the station layout and buildings.100 x 150mm, print on paper.
PH/HUNTN/069A print of All Saints' Church, Huntingdon, from the north-east, showing the church surrounded by railings with the buildings on the south side of George Street, and the corner of the George Hotel, on the right; horse-drawn vehicles and people in the foreground.65 x 95mm, sepia print mounted on card.
PH/HUNTN/070Huntingdon County Hospital and part of the Brampton Road from the air, showing the hospital surrounded by open ground with trees, with the enormous "HUNTINGDON" sign and the approach road to the railway station in the foreground; part of Huntingdon town centre behind.80 x 130mm, print on postcard.
PH/HUNTN/071John Sunman Austin's 1852 lithograph of All Saints' Church and the Market Hill - see PWD/HUNT/26.80 x 130mm, print on postcard.
PH/HUNTN/072A print by G. Tytler, 1822, showing part of the north end of Huntingdon High Street, looking south, with the wall of Cromwell House on the left.80 x 130mm, print on postcard.
PH/HUNTN/073Huntingdon from the air, looking at the town centre from the north, with the High Street prominent in the middle; Trinity Church and St Mary's Church, the river bridge just visible in the background, open country to the left.80 x 130mm, print on postcard.
PH/HUNTN/074This number vacant.
PH/HUNTN/075The Old Grammar School: the west end seen from the south.140 x 90mm, print on postcard.
PH/HUNTN/076The Old Grammar School, Huntingdon: the west end, seen square-on from across the street in the churchyard of All Saints, wall and railings of the churchyard in the foreground..105 x 60mm, print on postcard.
PH/HUNTN/077a-bA print of the Old Grammar School, Huntingdon: the west and south sides, with a curved Dutch-style gable at the west end and two rectangular sash windows high in the wall, chimney above the south wall and a bellcote in the middle of the roof; buildings on either side with men and women in the foreground.75 x 110mm, print on postcard.
PH/HUNTN/078a-bA print of the interior of the Old Grammar School, Huntingdon: showing beamed ceiling with pillars, two chimneys, tables, desks and benches, with windows in the end and side walls. Two men standing at far end of the room.75 x 110mm, print on postcard.
PH/HUNTN/079All Saints Church, Huntingdon: memorial tablet to First World War dead, inside the church, with elaborate carved frame round it.135 x 85mm, print on postcard.
PH/HUNTN/080All Saints' Church, Huntingdon: a general view from the south, with railings on stone churchyard wall in front, bare trees on either side, Market Hill in the foreground with two men standing under lamp post to the right.80 x 130mm, print on postcard.
PH/HUNTN/081All Saints' Church: looking east through the nave to the chancel and showing the chancel arch, screen, part of the north aisle with organ and south aisle east window; chancel and east window behind screen; pulpit to the left and lectern to the right, seating by chairs throughout church.80 x 130mm, print on postcard.
PH/HUNTN/082King Edward VII leaving All Saints' Church on 1st July 1906: showing the north corner of the Market Hill with the king in a carriage and pair, one mounted escort (?the Lord Lieutenant or similar) and a policeman standing on the pavement; a crowd in the left foreground (men waving their hats) behind military guard (uniform of Rifle Volunteers or similar?). Two motor cars parked in the background.90 x 140mm, print on postcard.
PH/HUNTN/083St Mary's Church, Huntingdon: a general view from the south, trees withut leaf and conifers in the churchyard behind iron railings; street in the foreground, old house and the spire of Trinity Church behind and to the left.80 x 130mm, print on postcard.
PH/HUNTN/084The tomb of one of the earls of Hunintgdon at Ashby-de-la-Zouch: an interior view of the church (a side chapel with altar), showing the table tomb and wall monuments.80 x 130mm, print on postcard.
PH/HUNTN/085The back view of buildings on Huntingdon High Street, on the site of the present-day St Benedict's Court: derelict houses with rough grass and shrubs overgrown with weeds, tiled roofs at different levels and two dormer windows.90 x 130mm, colour print on paper.
PH/HUNTN/086The seal on the back of a portrait in oils of Oliver Cromwell, found in the attic of the George Hotel and now in the Norris Museum (EP/HUNT/01): showing a shield with an eagle or similar on it, with a ?Latin inscription round the outside.110 x 210mm, print on paper.
PH/HUNTN/087The seal on the back of a portrait in oils of Oliver Cromwell, found in the attic of the George Hotel and now in the Norris Museum (EP/HUNT/01): showing a shield with an eagle or similar on it, with a ?Latin inscription round the outside.130 x 175mm, print on paper.
PH/HUNTN/088Oliver Cromwell's supposed watch and pocket bible: showing the watch both open and closed, the Bible open at the title page with his signature on the fly leaf.90 x 130mm, print on postcard.
PH/HUNTN/089Three Huntingdon views in small separate frames: St. Mary's Church, the Ouse Bridge and the High Street.85 x 135mm, print on postcard, tinted.
PH/HUNTN/090This number vacant.
PH/HUNTN/091The George Hotel, seen from the south with the High street to the right with several people on foot or bicycle, All Saints' churchyard wall in the left foreground.90 x 140mm, print on postcard with colours added..
PH/HUNTN/092Huntingdon High Street, looking south from near the Market place, with Trinity Church spire in the centre background; people walking, some pushing bicycles and one horse and cart; shops on either side with signs, awnings and street lamp to the left.80 x 130mm, print on postcard.
PH/HUNTN/093Huntingdon High Street, looking south from very close to where PH/HUNT/092 was taken, with shops with awnings, a pub sign and wall-mounted street lamps on the right, Trinity Church spire in the centre background; deserted street, shoppers visible at the far end, lone man in left foreground.90 x 140mm, coloured print on postcard.
PH/HUNTN/094Dr Foster of Huntingdon: a middle-aged man with beard below his chin, sitting in an armchair holding a book, with high collar and three-quarter length jacket.90 x 55mm, sepia print mounted on gilt edged card.
PH/HUNTN/095Cromwell House, Huntingdon: from the garden side, with a large expanse of lawn, table and chairs, gravel walk in the foreground, with trees in leaf on either side.90 x 140mm, print on postcard.
PH/HUNTN/096This number vacant.
PH/HUNTN/097Huntingdon Bridge from the west, with buildings and a chimney on the (left) Huntingdon side (all since demolished) and the Hosiery Mill on the (right) Godmanchester side. In the foreground are rowing boats, on the bank or on the river, with a post in the foreground marked "G.N. & G.E. " - presumably beside the railway.80 x 130mm, screened print on postcard.
PH/HUNTN/098A Bleriot Monoplane on Portholme before the First World War: the aircraft parked stationary with the pilot in the cockpit, another man standing beside the wing and a group in the background. Also in the background is the bridge over the river leading back to Huntingdon.85 x 130mm, print on postcard.
PH/HUNTN/099Three men standing in front of a boat on a beach, dressed in jackets, stiff collars, ties and with fob watches, one with a pipe, one with a silver-banded cane and smoking a cigarette, one in a panama hat and two with flat caps; the man in the centre wears spectacles and stands with folded arms.90 x 140mm, print on postcard.
PH/HUNTN/100Part of Ermine Street at the north end of Huntingdon: two-storey houses to the right and left of the street, which is paved with setts; two horse-drawn carts with several people standing on either side of the road.155 x 200mm, sepia print on paper mounted on card.
PH/HUNTN/101Huntingdon Market Square looking south to the Town Hall, with three-storeyed buildings on the east side to the left, the spire of Trinity Church just visible behind.155x 205mm, sepia print mounted on card, once bound into an album or similar.
PH/HUNTN/102Huntingdon Bridge from the west, with buildings and a chimney to the left on the Huntingdon side, the Hosiery Mill on the right; rowing boats and a model yacht on the river, with a moored boat in the foreground.155 x 205mm, sepia print mounted on card.
PH/HUNTN/103Huntingdon Bridge from the west, with the Hosiery Mill to the right and buildings, a chimney and trees to the left; there is a rowing boat on the river, and people and other boats on the bank to the right.345 x 445mm, screened sepia print on paper.
PH/HUNTN/104All Saints' Church seen from the Market Place, in bright sunshine and with trees in leaf to the right and left; a view down the High Street to the right, with a horse and cart.345 x 445mm, screened sepia print on paper.
PH/HUNTN/105An oil painting of Oliver Cromwell, said to be by William Dobson: a head-and-shoulders portrait showng him in armour and bareheaded.180 x 145mm, sepia print mounted on card.
PH/HUNTN/106The Midsteeple at Dumfries: a three-storeyed square stone building, with a clock tower and cupola rising above it, in the middle of a market place plainly recently restored with a surface of clean stone setts.150 x 100mm, colour print on paper.
PH/HUNTN/107a-bA closer view of part of the Midsteeple at Dunfries, showing the mile-plate which includes the distance to Huntingdon: above part of an external staircase are three cast iron plates, one showing a figure with wings and a crozier, the second giving mileages to Annan, Carlisle, Huntingdon (272) etc., the third recording that the Midsteeple was built in 1707 and restored in 1909. TWO PHOTOGRAPHS, but with only very small differences.100 x 150mmm, colour prints on paper.
PH/HUNTN/108Brampton Road, with an artist's impression of the future A604/A14 flyover: looking west along the road, with the entrance road and signboards of the railway station on the left; the flyover and its street lights drawn in.100 x 155mm, print on card, pencil and wash added.
PH/HUNTN/109The Walks, with an artist's impression of the future A604/A14 embankment and bridge: looking south-west from near the ring road, with trees and house roofs behind, fence and a set of swings in the foreground.100 x 155mm, print on card, pencil and wash added.
PH/HUNTN/110Mill Common, with an artist's impression of the future A604/A14 embankment: looking south-west with trees and houses and the gasometer framework in the background, the grass and earthworks of the Common in front.90 x 530mm, four prints on card taped together to give a panorama, pencil and wash added.
PH/HUNTS/01"View Souvenir Booklet" with five Huntingdonshire scenes: Huntingdon Market Hill (PH/HUNTN/012); Huntingdon Bridge with the Godmanchester mills (PH/HUNTN/034); St Ives Bridge and Chapel, with upper storeys (PH/S.IVE/Bridge/25); Hinchingbrooke House, showing the now-demolished west wing (PH/HINCH/24); Houghton Mill with the mill pool in the foreground - no other copy of this in our collections; and Hartford Church (PH/HARTF/13).Each screened print 75 x 200mm, mounted on brown paper.
PH/HUNTS/People/01Group photograph of the Huntingdonshire Volunteers 1901-5: four rows of men sitting and standing with marquees behind them, wearing uniforms including tunics and peaked caps.105 x 290mm, print mounted on card.
PH/HUNTS/People/02a-bGroup photograph of officers of the Hunts Cyclists at Stukeley Hall, March 1919: four rows of uniformed men, some in the front row with walking sticks; also in the front row is Archdeacon Vesey (I think) in ecclesiastical garb including gaiters, apron and mortar board; beside him is a lady, while further to the right is a boy in civilian clothes holding a cat on his lap. The creeper-clad front of the Hall behind.210 x 290mm, print mounted on board; 285 x 370mm, print on paper.
PH/HUNTS/People/03Group photograph of officers of the Hunts Cyclists at Stukeley Hall, March 1919: plainly taken on the same occasion as PH/HUNTS/People/02 but with fewer officers (30 not 32) and the lady and boy not present. Not all the officers in this picture are present in the other one.210 x 280mm, print mounted on board.
PH/HUNTS/People/04Group portrait of a large number of men in uniform with rifles, tents behind: the uniform looks to be Boer War era, with Australian-style hats and bandoliers slung across the tunics.150 x 200mm, print mounted on card.
PH/HUNTS/People/05Group portrait of two cricket teams: 22 men (with a scorer and two umpires) sitting and standing in three rows; the umpires in long white coats but the rest in everyday clothes, with waistcoats, flat caps or straw hats; there are a few pads, gloves and bats; a man in the back row is dressed more neatly than the rest - perhaps a clergyman. Photographed on grass with trees behind - a garden or park.150 x 200mm, print mounted on card.
PH/HUNTS/People/06Sir David Renton, MP for Huntingdonshire, with his wife, walking through a churchyard, he in morning dress.130 x 80mm, print on paper.
PH/HUNTS/People/07Group portrait of B Company, 2nd Battalion, Huntingdonshire Home Guard c.1941: four rows of men in battledress and forage caps, sitting and standing in a grass field with fence and trees behind.160 x 270mm, computer print-out on paper.
PH/K.RIP/01St Peter's Church, Kings Ripton, from the south showing the chancel, nave, south porch and tower. Gravestones in graveyard with stone wall in foreground.105 x 150mm, print on paper.
PH/K.RIP/02St Peter's Church, Kings Ripton, from the south-east showing chancel, nave and south porch and part of tower. Memorial within railings by porch. Gravestones to the left, stone wall in foreground.100 x 150mm, sepia print on paper, slightly blurred.
PH/K.RIP/03St Peter's Church, Kings Ripton, from the north-west showing tower, north aisle and nave. Cottage to right of picture and buildings to left. Gravestones and stone wall with expanse of rough grass in foreground.130 x 110mm, sepia print on paper.
PH/K.RIP/04St Peter's Church, Kings Ripton, from the south-west showing tower, part of aisle, and south porch, stone wall with rough grass in foreground.140 x 105mm, sepia print on paper.
PH/K.RIP/05a-bSt Peter's Church, Kings Ripton, interior view looking east from the tower showing the nave, chancel, chancel arch, pulpit to the left, and pews in part of nave.155 x 110mm, prints on paper.
PH/K.RIP/06St Peter's Church, Kings Ripton, interior view looking east from the tower, showing the nave, chancel, chancel arch, pulpit to left, pews and baptismal font to the right foreground.110 x 150mm, sepia print on paper.
PH/K.RIP/07St Peter's Church, Kings Ripton: the font, square, on four pillars, of carved stone.130 x 110mm, sepia print on paper.
PH/K.RIP/08a-cSt Peter's Church, Kings Ripton, from the south with a thatched cottage in the left foreground, a lady by the cottage door and a group of people outside the church porch. The chancel is obscured by a double exposure.60 x 55mm, prints on paper.
PH/KEYST/01a-bSt John the Baptist Church, Keyston, an exterior view from the north showing the tower, north aisle and transept and chancel. Surrounded by trees with a building to the left. Expanse of grass in the foreground.90 x 140mm, prints on postcards.
PH/KEYST/02St John the Baptist church, Keyston, an exterior view from the south west showing the tower, nave and south aisle. Building to the left with trees bare of leaf, garden plot in foreground.100 x 75mm, print on postcard.
PH/KEYST/03St John the Baptist church, Keyston, an exterior view from the south showing tower, nave, south aisle and chancel. Shed and horse in field in foreground. Trees without leaf.140 x 90mm, print on postcard.
PH/KEYST/04St John the Baptist church, Keyston, an exterior view from the north showing lower part of tower with doorway to the left. New memorial stone cross in foreground with small bush in front.140 x 90mm, print on postcard, rather hazy.
PH/KEYST/05St John the Baptist church, Keyston, an exterior view of the west doorway to the tower, with lozenge shaped window above.150 x 80mm, print on postcard.
PH/KEYST/06a-bSt John the Baptist church, Keyston, an interior view looking west, showing the nave and arcade, pews, lamps, lectern and pulpit.105 x 140mm, sepia print on paper; 115 x 150mm, print on paper.
PH/KEYST/07a-bSt John the Baptist church, Keyston, an interior view looking east, showing nave and arcade, chancel, pews, pulpit and several oil lamps.100 x 145mm, sepia print on paper; 110 x 155mm, blue print on paper.
PH/KEYST/08a-bSt John the Baptist church, Keyston, an interior view looking towards east window and altar, showing nave arcades, pews, pulpit, lectern, several lamps and chancel.90 x 140mm, prints on postcards, rather hazy.
PH/KEYST/09a-dThe White Horse, Keyston: front door, stable door, all under thatched roof. Inn sign on post in front of building and unmade road with grass triangle and trees in the foreground.90 x 140mm, prints on postcards; a) sharper black and white, others faded.
PH/KEYST/10a-b140 x 90mm, prints on postcards.
PH/KEYST/11a, bManor House, Keyston, an exterior view showing the front of a large, ?20th-century house with ivy clad walls and low brick wall in front, unmade road in foreground.90 x 140mm, prints on postcards.
PH/KEYST/12Manor House, Keyston, an exterior view showng two wings of the house on an L-shaped plan. Low brick walls in front with small gate to the left. Unmade road in foreground.90 x 140mm, sepia print on postcard.
PH/KEYST/13St John the Baptist church, Keyston: exterior view from the south-east showing south transept, nave, south porch, tower with spire. Rough grass in churchyard, with shrubs to right of porch. Lamp bracket over porch.145 x 75mm, print on paper.
PH/KEYST/14St John the Baptist church, Keyston: exterior view from the south-east showing chancel, south transept, nave, south porch and tower with spire. Gravestones in churchyard with trees and shrubs.105 x 145mm, sepia print on paper.
PH/KEYST/15St John the Baptist church, Keyston: exterior view of west door with elaborate moulding round doorway, rough grass in foreground.155 x 110mm, sepia print mounted on thin card.
PH/KEYST/16St John the Baptist church, Keyston: exterior view of west door with elaborate stone carving surrounding doorway. Rough grass in foreground.150 x 80mm, print on paper.
PH/KEYST/17St John the Baptist church, Keyston: carved oak effigy of a cadaver, the emaciated body clutching its shroud about it, leaning up against a wall.145 x 75mm, print on paper.
PH/KEYST/18St John the Baptist church, Keyston: interior view looking east, showing chancel and chancel arch, nave and nave arches with pews on either side, pulpit to left, lectern to right and prie-dieu in centre. Stove on left in foreground.110 x 155mm, print on paper.
PH/KIMBN/01St Andrew's Church, Kimbolton: exterior view from the south-west showing tower, part of nave, south aisle and porch. Table tombs, evergreen trees and churchyard wall in foreground.140 x 90mm, print on postcard.
PH/KIMBN/02St Andrew's Church, Kimbolton: exterior view from the south-west showing tower, part of nave, south aisle and porch. Table tombs and evergreen trees in foreground.140 x 90mm, print on postcard.
PH/KIMBN/03St Andrew's Church, Kimbolton: exterior view from the north-east showing chancel, vestry, part of nave, north aisle and tower. Gravestones in foreground.110 x 145mm, sepia print on paper.
PH/KIMBN/04St Andrew's Church, Kimbolton: exterior view from the north-west showing tower, nave and north aisle. Evergreen trees in foreground.135 x 110mm, sepia print on paper.
PH/KIMBN/05St Andrew's Church, Kimbolton: exterior view from the south-east showing south chapel and south aisle with tower in background. Rough grass and railing in foreground.135 x 110mm, sepia print on paper.
PH/KIMBN/06St Andrew's Church, Kimbolton: exterior view from the south-west showing tower, nave, south aisle, porch and chancel. Numerous gravestones with brick wall in foreground.90 x 60mm, sepia print on card.
PH/KIMBN/07a-,jSt Andrew's Church, Kimbolton: the lych gate, looking newly built.130 x 80mm, ten postcards in folder
PH/KIMBN/08a- cSt Andrew's Church, Kimbolton: the lych gate, with elaborate carving on the woodwork, pitched tiled roof, elaborate wrought iron lamp bracket on wall to the right.200 x 150mm, sepia prints on paper.
PH/KIMBN/09St Andrew's Church, Kimbolton: interior view showing the chancel arch, nave and nave arcade, pews, pulpit to the right and chandelier suspended from wooden roof.150 x 110mm, sepia print on paper.
PH/KIMBN/10a-bSt Andrew's Church, Kimbolton: interior view looking east, showing chancel arch and east window, nave and arcades, pews with pulpit on right and two sets of hanging lamps, organ in right foreground.110 x 155mm, prints on paper.
PH/KIMBN/11a-bSt Andrew's Church, Kimbolton: interior view looking west, showing tower arch in background, nave and nave arcade, lectern in foreground, one chandelier suspended from ceiling.110 x 155mm, sepia print on paper, slightly blurred.
PH/KIMBN/12St Andrew's Church, Kimbolton: interior view looking west showng tower arch and west door with font in background. Nave, nave arcade and chandelier in foreground.110 x 150mm, sepia print on paper.
PH/KIMBN/13St Andrew's Church, Kimbolton: interior view looking east showing chancel arch and east window, nave and nave arcade, chandelier in centre and pulpit to the right, part of screens on either side in background.110 x 140mm, sepia print on paper.
PH/KIMBN/14St Andrew's Church, Kimbolton: interior view showing the screen to the north chapel, looking west into the north aisle.110 x 150mm , sepia print on paper.
PH/KIMBN/15a-bSt Andrew's Church, Kimbolton: interior view looking east to the screen to the south chapel with a few pews in the foreground.110 x 150mm, 110 x 135mm, sepia prints on paper.
PH/KIMBN/16a-kSt Andrew's Church, Kimbolton: interior view showing screen to the north chapel.100 x 125 mm, prints on paper (a-j sepia, k blue).
PH/KIMBN/17a-jSt Andrew's Church, Kimbolton: interior view showing the screen to the south chapel with marble cartouche to the Manchester family.100 x 125 mm, prints on paper (a-i sepia, j blue).
PH/KIMBN/18a-lSt Andrew's Church, Kimbolton: interior view showing marble cartouche in south chapel.a-d) 105 x 80mm, sepia prints on paper; e) 110 x 80mm, blue print on paper; f-l) 110 x 80mm, sepia prints on paper.
PH/KIMBN/19a-sSt Andrew's Church, Kimbolton: interior view showing altar tomb and wall monuments in south chapel.a) 105 x 80mm, blue print on paper; b) 95 x 70mm, sepia print on paper; c-d) 90 x 75 mm, sepia prints on paper; e-s) 100 x 75mm, sepia prints on paper.
PH/KIMBN/20a-pSt Andrew's Church, Kimbolton: interior view showing tabard, helm and two coronets in south chapel.a-c) 100 x 125mm, blue prints on paper; d-p) 100 x 125 mm, sepia prints on paper.
PH/KIMBN/21The gatehouse to Kimbolton castle, seen from Castle Green outside, with two girls and two small boys sitting on wall in foreground. Trees in leaf.85 x 140mm, print on postcard.
PH/KIMBN/22Kimbolton Castle from the north, with the castle in the background in its park; a lodge to the right by a gate in the park wall.90 x 140mm, print on postcard.
PH/KIMBN/23Kimbolton Castle from the south-east showing the gatehouse to the left, trees in leaf and an expanse of grass in the foreground.90 x 140mm, print on postcard.
PH/KIMBN/24Kimbolton Castle from the south-east showing trees on either side and grass in foreground.90 x 140mm, print on postcard.
PH/KIMBN/25Kimbolton Castle from the south-west showing gravel drive and lawn.90 x 140mm, print on postcard.
PH/KIMBN/26a-bKimbolton Castle: the east front with portico, steps leading down from it and another flight of steps to the gravel drive in the foreground; trees in leaf to the right.100 x 145mm, prints on paper.
PH/KIMBN/27Kimbolton Castle, an exterior view showing the west front, with lawns in foreground and trees in leaf behind the building.95 x 150mm, print on paper.
PH/KIMBN/28Kimbolton Castle from the south-east showing gatehouse and parish church spire to the left. Grass in foreground with fence at side of gravel drive. Trees in leaf.95 x 145mm, print on paper.
PH/KIMBN/29a-bKimbolton Castle: the courtyard looking to the north-east corner with the steps up to the doorway on the right, showing coat of arms over door, balustrade of steps and 2 lead down pipes.105 x 150mm, prints on paper.
PH/KIMBN/30a-dKimbolton Castle from the north-east, showing parkland with cattle in foreground.a) 80 x 115mm, blue print on paper; b) 80 x 120mm, blue print on paper, rather blurred; c) 75 x 100mm, sepia print on paper; d) 100 x 110mm, sepia print on paper.
PH/KIMBN/31a-dKimbolton Castle from the south-east with an area of grass in foreground.a) 50 x 65mm, blue print on paper; b-d) 40 x 65mm, sepia prints on paper.
PH/KIMBN/32a-nKimbolton Castle: the inner courtyard staircase seen from the across the courtyard.a) 70 x 50mm, blue print on paper; b-n) 70 x 50mm, sepia prints on paper.
PH/KIMBN/33Kimbolton Castle: the Saloon, showing the fireplace, portaits, furniture, rugs, chandelier and wall lights, and parts of ornate plaster ceiling.90 x 140mm, print on postcard.
PH/KIMBN/34Kimbolton Castle: the Saloon, showing the fireplace on the left, portraits on the wall, furniture, carpet and rugs, chandelier and wall lights, ornate plaster ceiling and screen of columns. Also a distant view into next room through open doors.85 x 140mm, print on postcard.
PH/KIMBN/35Kimbolton Castle: the White Hall with central carpet runner and much furniture, chairs etc., on either side, including a stuffed lion on the left, curtained windows, pictures, light fittings, sporting trophies.90 x 140mm, print on postcard.
PH/KIMBN/36Kimbolton Castle: the staircase with Pelligrini's murals, much carved wood, wrought iron ballusters, marble busts on stands, light fittings and a trunk.140 x 90mm, print on postcard.
PH/KIMBN/37a-oKimbolton Castle: Queen Catherine (of Aragon)'s box, a large trunk with leather and studs, shown with the lid raised.a-c) 70 x 50mm, sepia prints on paper; d) 70 x 80mm, sepia print on paper; e-n) 70 x 65mm, sepia prints on paper; o) 60 x 60mm, blue print on paper.
PH/KIMBN/38a-dKimbolton Grammar School from the east. Victorian mock-Gothic building, trees without leaf on either side, wooden fence with hedge behind, in foreground, unmade road running across foreground with grass in front.110 x 150mm, 105 x 150mm, 100 x 145mm, 100 x 130mm, sepia prints on paper.
PH/KIMBN/39Kimbolton Vicarage from the south-west showing two-storey brick and tile house with ivy clad walls, trees and rose garden, greenhouses to the left and lawns, with chain link fences in the foreground. Seated women in the left foreground.105 x 135mm, sepia print on paper.
PH/KIMBN/40a-bWarren House, Kimbolton, from the west: small, square building with pediment in front of the roof, part of another small building to the left. Trees without leaf all around and hedge in foreground.85 x 110mm, 75 x 100mm, sepia prints on paper.
PH/KIMBN/41a-cCemetery Lodge, Kimbolton, from the east: showing house, with arched gateway and small buildings on the left. Bridge over river Kym. Shrubs and trees in the foreground.90 x 120mm, 80 x 100mm, 75 x 120mm, sepia prints on paper.
PH/KIMBN/42a-dTrees in Stonely, showing a small house in the woods.a) 70 x 100mm, b-d) 70 x 95mm; sepia prints on paper, very blurred.
PH/KIMBN/43High street, Kimbolton, looking west and showing houses and shops on either side, some with awnings, small groups of figures with cyclist on the street.90 x 140mm, print on postcard.
PH/KIMBN/44Kimbolton High Street looking east towards the Castle gatehouse. The church wall is on the left in the foreground, shops and houses on either side of the street, horse and cart with figures in the foreground.90 x 140mm, print on postcard.
PH/KIMBN/45Kimbolton High Street looking east towards the Castle gatehouse with church wall in the left foreground. Unmade road with people, cart with milk churns on the street.90 x 140mm, print on postcard.
PH/KIMBN/46Rookery Bridge, Kimbolton: a wooden footbridge over a small stream with a road to the right. A man carrying a tool bag stands on the bridge.85 x 135mm, print on postcard.
PH/KIMBN/47a-bKimbolton War Memorial: a cross on a plinth just outside the churchyard wall, with the church (and a fir tree in the churchyard) behind.a) 185 x 135mm, print on paper mounted on card; b) 130 x 80mm, print on postcard.
PH/KIMBN/48St Andrew's Church, Kimbolton, from the south showing tower and spire, clerestorey of nave, south porch and chancel, with trees and bushes in the churchyard all in leaf, and the churchyard wall in the foreground.115 x 105mm, print on paper.
PH/KIMBN/49Kimbolton Castle from the south west: three storey building with projecting bays, castellated roof line, chimneys and central arched doorway. Lawns, driveway and front gravel on two levels, stone steps in foreground with trees on either side.95 x 145mm, print on paper.
PH/L.GID/01a-cSt John's Church, Little Gidding: a general view from the west, with trellis fence in the foreground and shrubs, gravestones to the right and trees in leaf in the background.150 x 110mm, prints on paper.
PH/L.GID/02a-bSt John's Church, Little Gidding: a general view from the west, showing door to nave open, ivy clad wall, trellis fence in the foreground.160 x 115mm, prints on paper.
PH/L.GID/03St John's Church, Little Gidding: a general view from the west, showing door to nave open, ivy clad wall, trellis fence in the foreground.140 x 90mm, print on postcard.
PH/L.GID/04a-bSt John's Church, Little Gidding: a general view from the west, with ivy clad wall, trees in leaf, trellis fencing in the foreground.130 x 85mm, 125 x 80mm, prints on postcards.
PH/L.GID/05a-bSt John's Church, Little Gidding: interior view showing the brass eagle lectern, with wooden panels in the background.140 x 90mm, prints on postcards.
PH/L.GID/06a-bSt John's Church, Little Gidding: interior view showing the brass font standing on a square-tiled floor.140 x 90mm, prints on postcards.
PH/L.GID/07St John's Church, Little Gidding: interior view of the chancel, looking east, showing the brass font with pews and stained glass window in the background.150 x 110mm, print on paper.
PH/L.GID/08a-cSt John's Church, Little Gidding: interior view looking east through the nave to the chancel, showing stained glass window, brass lectern, stalls, brass chandelier with brass font in the foreground.125 x 80mm, prints on postcards.
PH/L.GID/09St John's Church, Little Gidding: interior view looking east through the nave to the chancel, stained glass window, brass lectern, stalls, brass chandelier with brass font in the foreground.140 x 90mm, print on postcard.
PH/L.GID/10a-cSt John's Church, Little Gidding: interior view looking east through the nave to the chancel, showing stained glass east window, brass lectern, brass chandelier with candles, stalls, and the top of the brass font in the foreground.110 x 150mm, prints on paper.
PH/L.GID/11a-bSt John's Church, Little Gidding: a general view of the church from the north-west, on the right, with large three storey house to the left, hedgerow and two gates in the foreground, trees in leaf.105 x 145mm, sepia print on paper; 100 x 150mm, blue print on paper.
PH/L.GID/12St John's Church, Little Gidding: rubbings of various brasses and inscriptions, pinned to a board with someone's hand holding them up.160 x 115mm, blue print on paper.
PH/L.GID/13St John's Church, Little Gidding: a general view from the north-west, with gravestones to the right and hedge and trellis fence in front, trees in leaf in the background.155 x 110mm, print on paper.
PH/L.GID/14St John's Church, Little Gidding: a general view from the north-west, with gravestones in the churchyard, hedge and trellis fence in the foreground, trees at rear without leaf, evergreen shrubs to the right.110 x 155mm, sepia print on paper.
PH/L.GID/15St John's Church, Little Gidding: a general view from the south-west, with rough grass, trees, wooden fencing in front of church and a pond in the foreground.155 x 110mm, print on paper.
PH/L.GID/16St John's Church, Little Gidding: interior view looking east through the nave to the chancel, with nave stalls, chandelier above hanging centrally, brass font to the left in the foreground.150 x 110mm, print on paper.
PH/L.GID/17St John's Church, Little Gidding: interior view looking east down the centre of the building, with brass font in the foreground and chancel window in the background, nave stalls on either side.155x 105mm, print on paper.
PH/L.GID/18A painting of the interior of St John's Church, Little Gidding, looking east with the building almost empty of furniture except the pulpit, brass eagle lectern and brass font, all standing together close to the chancel step.225 x 275mm, print on paper.
PH/L.STU/01St Martin's Church, Little Stukeley: a general view from the south-east, with gravestones in the churchyard, trees in leaf on either side, iron railings and rough grass in foreground; flag flying from tower.160 x 210mm, print on paper.
PH/L.STU/02a-cSt Martin's Church, Little Stukeley: a general view from the south, with gravestones in the churchyard, houses in the background, trees in leaf.120 x 160mm, prints on paper.
PH/L.STU/03a-bSt Martin's Church, Little Stukeley: a general view from the south-east, identical to PH/L.STU/01 but with edges cropped.120 x 160mm, prints on paper.
PH/L.STU/04a-cSt Martin's Church, Little Stukeley: a general view from the south with hedge and lane to the left and wooden gate to the right.105 x 140mm, print on paper, mounted on card; 110 x 155mm, two prints on paper.
PH/L.STU/05a-eSt Martin's Church, Little Stukeley: from the the west, showing tower, part of the south aisle and south porch. Gravestones in the churchyard with hedge and a small wooden gate in foreground.145 x 100mm, print on paper, mounted on card; 120 x 110mm, two prints on paper; 115 x 80mm, two prints on postcards.
PH/L.STU/06St Martin's Church, Little Stukeley: a general view from the south, gravestones and trees in the churchyard.100 x 150mm, print on paper.
PH/L.STU/07St Martin's Church, Little Stukeley: a general view from the south-east, gravestones and trees in the churchyard.100 x 150mm, print on paper.
PH/L.STU/08St Martin's Church, Little Stukeley: a general view from the south , gravestones and rough grass in the churchyard, trees in leaf on either side.110 x 160mm, print on paper.
PH/L.STU/09St Martin's Church, Little Stukeley: a general view from the south-east, gravestones and trees in the churchyard and a startlingly new and white gravestone in the foreground.115 x 160mm, print on paper.
PH/L.STU/10a-bSt Martin's Church, Little Stukeley: a general view from the south, gravestones and tombs in the churchyard, trees and bushes on either side.80 x 135mm, prints on postcards.
PH/L.STU/11St Martin's Church, Little Stukeley: from the west, showing tower, part of south aisle, porch and nave; gravestones in the churchyard, hedge and small wooden gate in the foreground.80 x 50mm, print on paper.
PH/L.STU/12St Martin's Church, Little Stukeley: a similar view to PH/L.STU/11 but with the top of the tower pinnacles out of shot and the whole thing a bit tilted.80 x 50mm, print on paper.
PH/L.STU/13St Martin's Church, Little Stukeley: from the west, showing tower and south aisle, gravestones in the churchyard, small house and vehicle in the foreground.80 x 50mm, print on paper.
PH/L.STU/14a-cSt Martin's Church, Little Stukeley: the arch inside the north wall of the tower made from reset 12th-century stones from an earlier church on the site, with a few other stones at the bottom of the alcove under the arch.145 x 100mm, print on paper, mounted on card; 155 x 110mm, two prints on paper.
PH/L.STU/15a-bSt Martin's Church, Little Stukeley: the arch inside the north wall of the tower made from reset 12th-century stones from an earlier church on the site, with a few other stones at the bottom of the alcove under the arch.110 x 75mm, prints on postcards.
PH/L.STU/16St Martin's Church, Little Stukeley: the arch inside the south wall of the tower made from reset 12th-century stones from an earlier church on the site, with other stones in the alcove under the arch.115 x 80mm, print on postcard.
PH/L.STU/17a-cSt Martin's Church, Little Stukeley: the arch inside the south wall of the tower made from reset 12th-century stones from an earlier church on the site, with other stones in the alcove under the arch; corbels with carved stone heads to left and right.145 x 195mm, print mounted on card; 75 x 125mm, two prints on postcards.
PH/L.STU/18Little Stukeley Rectory: three-storey house with four sash windows on each storey, conservatory to the right, shrubs and lawn in foreground, trees in leaf to the right.80 x 125mm, print on paper.
PH/L.STU/19Little Stukeley Rectory: the back of the house with a back wing, the conservatory on the left, gardens in the foreground with a man standing in the centre, trees in leaf on either side.80 x 130mm, print n paper.
PH/L.STU/20The Swan and Salmon, Little Stukeley, showing a two-storey building with windows and a side door and chimneys. A board above doorway with the words "John H. Jackson, Licensed to sell beer and spirits by retail to be consumed on the premises and dealer in tobacco". Above, a sign "The Swan and Salmon" supported by brackets and a plaque to the left of it depicting a swan. Children playing in the road with pram, woman sitting on a chair, thatched cottage opposite, with buildings in the background. Trees and hedges in the centre, either side of unmade road.240 x 290mm, print on paper.
PH/LEIGH/01St Mary's Church, Leighton Bromswold, from the south-east showng chancel, south transept, part of south porch and west tower. Tree in leaf on either side, stone wall with small wooden gate in front of church. Grass and trees in foreground.75 x 120mm, print on postcard.
PH/LEIGH/02a-cSt Mary's Church, Leighton Bromswold, from the north-west, showing tower, north porch and north transept. Clock on tower, small building to the right and trees in foreground.a) 110 x 140mm, blue print on paper; b) 110 x 145mm, sepia print on paper; c) 110 x 140mm, print on paper.
PH/LEIGH/03a-bSt Mary's Church, Leighton Bromswold, from the the north-east showing chancel, north transept and part of tower. Small buildings to the right of the church. Stone wall with trees in front of church and grass in foreground.a) 110 x 150mm, blue print on paper; b) 100 x 150mm, print on paper.
PH/LEIGH/04a-dSt Mary's Church, Leighton Bromswold, from the south-east showing chancel, south transept, south porch and part of tower. Buildings to the left with gravestones in churchyard. Stone wall in front of church with tree without leaf and grass in foreground.a) 100 x 140mm, print on paper; b) 100 x 140mm, sepia print on paper; c-d) 100 x 135mm, sepia prints on paper.
PH/LEIGH/05a-bSt Mary's Church, Leighton Bromswold, from the south-west, showing tower, south transept and part of chancel. Stone wall in front of church with low hedging in front. Trees without leaf in foreground.a) 105 x 150mm, print on paper; b) 105 x 155mm, sepia print on paper.
PH/LEIGH/06St Mary's Church, Leighton Bromswold, from the south, showing tower, south porch, south transept and chancel. Trees in leaf on either side, stone wall and low hedge in front of church with grass in foreground.90 x 120mm, sepia print on paper.
PH/LEIGH/07St Mary's Church, Leighton Bromswold, from the south, showing tower, south porch, south transept and chancel. Trees without leaf on either side. Stone wall with low hedging and wooden gate in foreground.90 x 140mm, print on postcard.
PH/LEIGH/08St Mary's Church, Leighton Bromswold, from the north-west, showing tower, north porch and north transept. Hedging in foreground with trees in leaf.95 x 110mm, sepia print on paper.
PH/LEIGH/09St Mary's Church, Leighton Bromswold, from the the east, showing chancel, part of south transept and tower. Tree and shrub without leaf, house and stone wall to left, with grass in foreground.90 x 120mm, sepia print on paper.
PH/LEIGH/10St Mary's Church, Leighton Bromswold, from the south, showing tower, south porch, south transept and chancel. Gravestones and grass in foreground.110 x 150mm, sepia print on paper.
PH/LEIGH/11St Mary's Church, Leighton Bromswold, from the south-east, showing chancel, south transept, part of south porch and tower. Brick wall in foreground with gravestones in churchyard.110 x 150mm, print on paper.
PH/LEIGH/12a-bSt Mary's Church, Leighton Bromswold: exterior view of the south wall of the chancel, showing lead rainwater pipe and one window.95 x 75mm, 100 x 70mm, sepia prints on paper
PH/LEIGH/13St Mary's Church, Leighton Bromswold: a closer view of the lead rainwater pipe shown in PH/LEIGH/12.150 x 105mm, print on paper.
PH/LEIGH/14a-bSt Mary's Church, Leighton Bromswold: the lychgate with conifers and trees without leaf in background. Brick wall and unmade road in foreground.140 x 90mm, prints on postcards.
PH/LEIGH/15St Mary's Church, Leighton Bromswold, from the south, showing tower, south porch, south transept and chancel. Numerous gravestones and grass in foreground.150 x 210mm, sepia print on card.
PH/LEIGH/16St Mary's Church, Leighton Bromswold, interior view showing part of chancel and nave, looking east to the chancel arch with pulpit and reading desk on either side and pews in foreground.150 x 210mm, sepia print on paper.
PH/LEIGH/17St Mary's Church, Leighton Bromswold, interior view looking east along the nave with chancel in background. Pulpit and reading desk on either side of chancel arch with pews and font in foreground.110 x 150mm, print on paper.
PH/LEIGH/18St Mary's Church, Leighton Bromswold, interior view very similar to PH/LEIGH/17 but taken from a slightly different position.110 x 150mm, print on paper.
PH/LEIGH/19a-bSt Mary's Church, Leighton Bromswold, interior view looking west from the chancel into the nave; west window and font in background; chancel stalls in foreground, with part of pulpit and reading desk on either side of chancel arch.110 x 145mm, print on paper and sepia print on paper.
PH/LEIGH/20a-cSt Mary's Church, Leighton Bromswold, interior view showing part of the nave, chancel and south aisle.105 x 140mm, print on paper and two sepia prints on paper.
PH/LEIGH/21a-cThe Castle Gatehouse, Leighton Bromswold, showing the front of the building. Trees and shrubs in leaf, broken wooden fencing in foreground.110 x 160mm, two prints on paper and one sepia print on paper.
PH/LEIGH/22The Castle Gatehouse, Leighton Bromswold, showing the back and side of the building. Small building to the left of picture with trees and shrubs on either side.110 x 160mm, blue print on paper.
PH/LEIGH/23a-cThe Castle Gatehouse, Leighton Bromswold, showing the front of the building with trees. Small building to the left. Fencing and grass with path in foreground.90 x 100mm, print on postcard; 90 x 140mm, two prints on postcards.
PH/LEIGH/24a-dThe Church and Gatehouse, Leighton Bromswold, from the south-east: the church visible behind the gatehouse and to the left of it. Trees without leaf in background. Fencing and hedging intermingled in front with grass in foreground.90 x 140mm, prints on postcards.
PH/LEIGH/24a-d (contd.)
PH/LEIGH/25The Castle Gatehouse, Leighton Bromswold, from the front showing ivy clad walls, trees and shrubs in foreground.105 x 150mm, print on paper.
PH/LEIGH/26The Castle Gatehouse, Leighton Bromswold, from the back of the building. Ivy clad walls with flowers and shrubs in foreground.110 x 155mm, print on paper.
PH/LEIGH/27The Castle Gatehouse, Leighton Bromswold, from the east showing the back of the building with the church in the background. Trees on either side with hedging in foreground.115 x 155mm, sepia print on paper.
PH/LEIGH/28The Castle Gatehouse, Leighton Bromswold, showing the back with ivy-clad walls. Wooden fencing and gate with man standing in front.65 x 90mm, sepia print on paper.
PH/LEIGH/29a-bThe Castle Gatehouse, Leighton Bromswold, showing the front with trees, shrubs and flowers in front with wooden fencing, gate and grass in foreground.75 x 120mm, prints on postcards.
PH/LEIGH/30The church and Castle Gatehouse, Leighton Bromswold, from the south-east with the church in the background and to the left, hedge and grass in the foreground.85 x 135mm, print on postcard.
PH/LEIGH/31The Castle Gatehouse, Leighton Bromswold, from the side, with trees, part of moat and grass in foreground.140 x 90mm, print on postcard.
PH/LEIGH/32a-nThe Castle Gatehouse, Leighton Bromswold, showing the back of building with ivy clad walls, trees and shrubs. Fencing and gate in front, old man standing by fence, grass in foreground.70 x 100mm or 70 x 105mm, sepia prints on paper.
PH/LEIGH/33Leighton Bromswold village showing houses on either side. Unmade road and grass in foreground.75 x 120mm, print on postcard.
PH/LEIGH/34Mrs Garrood in Dr Garrood's car at Salome Wood, Leighton Bromswold: an open-topped car parked on a road or track with a woman looking out from the passenger's seat.140 x 90mm, print on postcard.
PH/LEIGH/35A house at Leighton Bromswold: a large brick and tile house with ivy clad walls, wooden fencing and grass in foreground.110 x 140mm, sepia print on paper.
PH/LEIGH/36The same house at Leighton Bromswold as shown in PH/LEIGH/35 but from a different angle.110 x 150mm, sepia print on paper.
PH/LEIGH/37a-bSt Mary's Church, Leighton Bromswold: the chalice, paten and flagon.95 x 120mm, print on paper; 100 x 125mm, sepia print on paper.
PH/LEIGH/38St Mary's Church, Leighton Bromswold, from the west showing the tower with clock, north porch and north transept and south porch and south transept.160 x 210mm, sepia print on paper.
PH/LEIGH/39St Mary's Church, Leighton Bromswold: interior view looking east showing chancel and chancel arch with pulpit and reading desk on either side, small organ in front of chancel rail to the left, nave with pews on either side and font in foreground, several hanging lamps.155 x 210mm, sepia print on paper.
PH/LEIGH/40St Mary's Church, Leighton Bromswold: interior view looking east showing the chancel and chancel arch with pulpit and reading desk on either side, small organ in front of chancel rail to the left and lectern to the right, nave with pews on either side and font in foreground, several hanging lamps, roof beams with prie-dieu below.110 x 150mm, print on paper.
PH/LEIGH/41St Mary's Church, Leighton Bromswold, from the south-west showing the tower with clock, nave, south porch and south transept. Numerous gravestones in churchyard with wild hedgerow in foreground. Trees on either side.95 x 130mm, colour print on postcard.
PH/LEIGH/42St Mary's Church , Leighton Bromswold, from the south, showing nave, south transept, south porch and tower. Gravestones in churchyard with trees on either side.105 x 150mm, print on paper.
PH/LEIGH/43St Mary's Church , Leighton Bromswold: the tower from the south-west, showing porch and part of south transept. Gravestones in churchyard with path to south porch. Trees to the left in background.100 x 145mm, print on paper.
PH/LEIGH/44St Mary's Church, Leighton Bromswold: lead rainwater pipe on south side of chancel.100 x 145mm, print on paper.
PH/LEIGH/45St Mary's Church, Leighton Bromswold: tomb with two carved reclining figures on top of it, one male (with the legs missing) and one female.100 x 135mm, print on postcard.
PH/LEIGH/46The Gatehouse at Leighton Bromswold, showing the four-turreted building, plainly inhabited (windows are clean and some of them are open), but with ivy on the walls and the garden rather overgrown.105 x 150mm, print on paper.
PH/LEIGH/47The Gatehouse at Leighton Bromswold, showing the four-towered building, seen presumably before the later alterations. Some windows bricked up, a garden in the foreground with a shed to the left.105 x 145mm, print on paper.
PH/LEIGH/48The Gatehouse at Leighton Bromswold, with the moat and bridge over it in the foreground with a broken fence across it. Bits of the building seem to be in disrepair (a door is off its hinges in the basement) but there are rows of plants in the garden.100 x 140mm, sepia print on paper.
PH/LT.PASee also PH/HARTF/17, which has a photograph of "North Road, Little Paxton" on the reverse - presumably the Great North Road, probably before the village was bypassed.
PH/LT.PA/01a-iSt James's Church, Little Paxton, from the south-east showing chancel, nave, south aisle and tower, with part of churchyard and wall in foreground. Trees in leaf.Sepia prints on paper: a) 100 x 155mm, b) 95 x 150mm, c) 95 x 155mm, d-e) 100 x 155mm, f-g) 100 x 150mm, h) 130 x 185mm, i) 100 x 140mm.
PH/LT.PA/02a-cSt James's Church, Little Paxton, from the south-east showing chancel, nave, south aisle and tower, with gravestones in foreground.105 x 155mm, 105 x 150mm, 110 x 160mm, sepia prints on paper.
PH/LT.PA/03St James's Church, Little Paxton, from the south showing chancel, nave, south aisle and tower with weathervane. Gravestones in foreground and trees in leaf in background.105 x 150mm, print on paper.
PH/LT.PA/04a-cSt James's Church, Little Paxton, from the south-west showing tower, nave and south aisle, with gravestones and wall in foreground and trees in leaf in background.90 x 140mm, prints on postcard.
PH/LT.PA/05a-bSt James's Church, Little Paxton, from the south-west showing tower with clock, nave, south aisle and part of chancel. Gravestones and wall in foreground and trees in leaf in background.140 x 105mm, sepia print on paper; 150 x 110mm, blue print on paper.
PH/LT.PA/06a-eSt James's Church, Little Paxton, from the west showing tower, part of nave, north porch and buttresses. Wall in foreground, with single tree in front of tower, trees without leaf in background.125 x 100mm, sepia print on paper; 140 x 100mm, sepia print on paper; 150 x 105, sepia print on paper; 160 x 110 mm, print on paper; 155 x 110 mm, print on paper.
PH/LT.PA/07St James's Church, Little Paxton, from the north-west showing tower with clock, nave, north porch and buttresses. Brick wall in foreground, with pillars and gate. Trees in leaf.135 x 105mm, sepia print on paper.
PH/LT.PA/08St James's Church, Little Paxton, from the north-east showing chancel, nave, north porch, tower and buttresses. Gravestones in foreground and a tree in leaf to the left.105 x 155mm, sepia print on paper.
PH/LT.PA/09St James's Church, Little Paxton, from the north-west showing tower with clock, nave, north porch and buttresses, and part of the chancel. A building in the background, and a wall with closed gate in foreground with headstones behind. Trees without leaf.100 x 125mm, sepia print on paper.
PH/LT.PA/10St James's Church, Little Paxton: the west end of the building seen from the north, showing tower, part of nave, and porch with window between two buttresses. Wall in foreground with gravestones behind it.120 x 100mm, sepia print on paper.
PH/LT.PA/11a-dSt James's Church, Little Paxton: part of the north wall with the porch, three windows and buttresses, with gravestones in the foreground.110 x 155mm, two sepia and two blue prints on paper.
PH/LT.PA/12a-fSt James's Church, Little Paxton: the south door with carved tympanum.150 x 105mm, three prints on paper, one sepia print on paper, one blue print on paper.
PH/LT.PA/13a-cA carved stone cross, circular in section with a crown on top, with garden plants around it.160 x 110mm, blue print on paper; 155 x 110mm, sepia print on paper; 130 x 105mm, sepia print on paper.
PH/LT.PA/14St James's Church, Little Paxton: a distant view from the south-east showing the church from across a field with trees in foreground and nearer to church. Churchyard walled round.80 x 100mm, print on paper.
PH/LT.PA/15a-dSt James's Church, Little Paxton: interior view looking east through the nave to the chancel in the background, with pulpit, lectern to left, nave and pews in foreground. Font and nave arcade to right.105 x 155mm, two prints on paper, two sepia prints on paper.
PH/LT.PA/16a-bSt James's Church, Little Paxton: interior view of the chancel looking east to the altar, railings in foreground. Lectern to the right with wall light above.110 x 150mm, print on paper; 110 x 150 mm, sepia print on paper.
PH/LT.PA/17St James's Church, Little Paxton: interior view looking east through the nave to the chancel and east window with pulpit, lectern to left, nave arcade and pews in foreground, part of nave roof also in view.115 x 155mm, sepia print on paper.
PH/LT.PA/18St James's Church, Little Paxton: interior view looking west through the nave showing nave arches to left with font, pews in foreground.115 x 160mm, sepia print on paper.
PH/LT.PA/19Chalice with cover and paten from St James's Church, Little Paxton.75 x 100mm, sepia print on paper.
PH/LT.PA/20Chalice with cover and paten from St James's Church, Little Paxton.75 x 105mm, sepia print on paper.
PH/LT.PA/21a-bLittle Paxton Park: front view showing carriage sweep and portico over front door.115 x 145 mm, print on paper; 110 x 140mm, sepia print on paper.
PH/LT.PA/22Little Paxton Park: front view showing portico over front door and carriage sweep. Further buildings beyond trees and shrubs to left and shrubs on either side of main house.100 x 125mm, sepia print on paper.
PH/LT.PA/23Little Paxton Park: view from front of house with portico over front door and carriage sweep.110 x 115mm, sepia print on paper.
PH/LT.PA/24Little Paxton Park: the garden front with large conservatory, trees to the right and expanse of lawn in foreground.100 x 125mm, sepia print on paper.
PH/LT.PA/25a-bLittle Paxton Hall, surrounded by mature trees, and rough grass, thatched low buildings with smoking chimneys in foreground.100 x 150mm, sepia prints on paper.
PH/LT.PA/26a-cLittle Paxton Hall: two-storeyed brick house with dormers behind a low parapet, hipped roof and side gables slightly projecting, set in parkland. Animals in foreground with trees without leaf.70 x 100mm, 70 x 95mm, 75 x 90 mm, sepia prints on paper.
PH/LT.PA/27Little Paxton Hall: two-storeyed brick house with dormers, hipped roof and side gables projecting, seen in distance across fields/parkland with trees in leaf.105 x 110mm, sepia print on paper.
PH/LT.PA/28Little Paxton Hall: two-storeyed brick house with dormers behind a low parapet, hipped roof, seen in the far distance across fields with trees on either side of it, hedge and road in foreground.110 x 120mm, sepia print on paper.
PH/LT.PA/29Little Paxton Hall: a smaller version of PH/LT.PA/25, but showing a wider view with trees and open country on each side.75 x 100mm, sepia print on paper.
PH/LT.PA/30a-cLittle Paxton Hall: a side view of the front of the house through trees and woodland. Trees without leaf.70 x 95mm, sepia print on paper; 75 x 95mm, sepia print on paper; 75 x 100mm, blue print on paper.
PH/LT.PA/31a-bLittle Paxton Hall: back view of top part of house with dormer windows, seen through trees without leaf.100 x 160mm, sepia print on paper; 100 x 150mm, blue print on paper.
PH/LT.PA/32a-fThe Grove, Little Paxton: a two-storey house with double bay windows and dormer window in hipped roof. Strong three bar fencing and yard with barn in foreground. Trees in leaf around house.100 x 150mm, three sepia prints on paper; 110 x 155mm, print on paper; 100 x 150mm and 110 x 160mm, two blue prints on paper.
PH/LT.PA/33The Grove, Little Paxton: the front of the house, built of brick with two storeys, with double bay windows and dormer window in hipped roof. Larch tree with leaf in front of house, white gate to left and rustic seat on grass in foreground.100 x 120mm, sepia print on paper.
PH/LT.PA/34a-bThe Grove, Little Paxton: the front of the house with white seven-barred gate to left, rustic garden seat in front of larch tree on lawn in foreground. Other trees and shrubs in leaf around house, outbuildings on right.105 x 150mm, 100 x 160mm, sepia prints on paper.
PH/LT.PA/35a-cThe Grove, Little Paxton: the front of the house with windows and front door open. Group of three men and three woman in front of house, posed, wearing Edwardian dress. The trees to side of house are in leaf.105 x 150mm, 105 x 145mm, sepia prints on paper; 110 x 150mm, print on paper.
PH/LT.PA/36a-bOld chest at The Grove, Little Paxton, showing open chest with long iron hinges on lid and ornate decoration on front of chest, with iron handle attached to right side.100 x 150mm, print on paper and sepia print on paper.
PH/LT.PA/37a-bOld chest at The Grove, Little Paxton, with ornate front, and iron handle on the side, heavily carved wood.110 x 155mm, print on paper; 105 x 150mm, sepia print on paper.
PH/LT.PA/38The Grove Farm, Little Paxton, showing two thatched barns with cattle pens in front, trees without leaf in background.100 x 150mm, sepia print on paper.
PH/LT.PA/39The Grove Farm, Little Paxton, showing outside of farmyard with tall barn and one long, narrow barn, low and thatched. Farm implements and machinery scattered on ground in foreground.100 x 150mm, sepia print on paper.
PH/LT.PA/40a-bThe Grove, Little Paxton, showing a distant view of part of the house behind trees in leaf. Fence in foreground.80 x 100mm, 105 x 120mm, sepia prints on paper.
PH/LT.PA/41The Grove, Little Paxton, showing three-storey house behind trees, without leaf. Fencing in the foreground100 x 140mm, sepia print on paper.
PH/LT.PA/42The Grove, Little Paxton, showing the house behind a wall and buildings to the left with trees in foreground.100 x 155mm, sepia print on paper.
PH/LT.PA/43The Grove, Little Paxton, showing three-storey building with outbuildings behind a wall. Fencing in foreground with a man and woman in front. Trees without leaf.100 x 140mm, sepia print on paper.
PH/LT.PA/44a-bEthel Ladds, in Edwardian costume with straw hat, in a horse and trap. Trees without leaf in background.80 x 95mm, 75 x 100mm, sepia prints on paper.
PH/LT.PA/45a-cThe Nook and Shepherd's Cottage: three storey house and building behind with garden in the foreground,100 x 150mm, two sepia prints and one blue print on paper.
PH/LT.PA/46a-bTwo thatched cottages (present-day St James Cottage) on the left hand side of a path and unmade road. Lady in long dress in the foreground, with fencing and hedgerows to the right. Trees in leaf.95 x 125mm, 105 x 135mm, sepia prints on paper.
PH/LT.PA/47a-bLittle Paxton village showing the Maypole in the centre with Hall Thatched Cottage on the left and Moody's Cottage on the right, seen from the entrance to the parish churchyard. The lady in black who also appears in PH/LT.PA/46 stands on the left.100 x 140mm, print on paper; 105 x 135mm, sepia print on paper.
PH/LT.PA/48Gordon Villas, seen from the churchyard, with headstones and the churchyard wall in the foreground; leafless trees behind.100 x 120mm, sepia print on paper.
PH/LT.PA/49Little Paxton village showing the High Street with Daisy's Cottage on the left, other cottages on the right, with hedge, fencing, trees in leaf behind.100 x 150mm, print on paper.
PH/LT.PA/50Great North Road Cottages: a row of cottages on the right and a house on the left. Trees in leaf with road and rough grass in foreground.100 x 150mm, print on paper.
PH/LT.PA/51Little Paxton Hall: the front of the house, two-storeyed with dormer windows above. Photographed by the donor in 1982, before a new porch was added in 1988.95 x 140mm, print on paper.
PH/LT.PA/52The papermill at Little Paxton: part of two ranges of industrial buildings, with the mill pool in the foreground.120 x 165mm, print on paper.
PH/LT.PA/53Little Paxton papermills - the same image as PH/LT.PA/52 but here printed in reverse. (This version is presumably the incorrect one, as the other two pictures in this sequence corroborate each other).120 x 165mm, print on paper.
PH/LT.PA/54Little Paxton papermills: a range of industrial buildings behind the parapet of the bridge over the mill leet.120 x 165mm, print on paper.
PH/LT.PA/55The Rectory Rangers Quoits Club from Beaumont in Essex: 14 men in two rows, with a well-dressed gentleman and a clergyman in the middle of the front row; some hold quoits, or a score-book or dividers.80 x 125mm, sepia print on postcard.
PH/LT.PA/56St Mary's Football Club, origin unknown: a group of 18 men, some wearing striped football shirts and some in ordinary clothes, including a clergyman. A large house in the background.80 x 125mm, sepia print on postcard.
PH/LT.PA/57Little Paxton Cricket Club, c.1914: 15 men, most of them in white flannels and one in an umpire's coat, grouped in front of a white painted wooden building.80 x 125mm, sepia print on postcard.
PH/LT.PA/58The east front of Paxton Hall: a two-storeyed building with three-storey gables at each end and a single-storey block on the left side; lawn and flower beds in the foreground.145 x 200mm, sepia print mounted on card.
PH/LT.PA/59The west front of Paxton Hall: a two-storeyed house with dormer windows, with a lawn, bushes and a sunken wall in the foreground.140 x 200mm, sepia print mounted on card.
PH/LT.PA/60Paxton Hall seen from a distance: the west front of the hall with trees to the left and right and a large expanse of grass in the foreground.145 x 200mm, sepia print mounted on card.
PH/LT.PA/61A small farm at Little Paxton: a brick farm house with outbuildings to the left and right, a fence and telegraph pole in front, and a snow-covered road in the foreground.145 x 200mm, sepia print on card.
PH/LT.PA/62The Paper Mills before the fire and rebuilding: the river in the foreground with a large group of industrial buildings behind, several of them of wood and looking quite rickety; a tall chimney to the left, a two-storey house to the right.155 x 200mm, sepia print on card.
PH/LT.PA/63The Paper Mills before the fire of 1912 and with the river in flood: a wooden footbridge in the foreground with the river rushing past it in powerful waves; behind, some of the wooden buildings and the house shown on PH/LT.PA/62.95 x 155mm, sepia print on card.
PH/LT.PA/64a-bThe Paper Mills: in the background, with a tree-lined road in front - presumably the one that approaches from St Neots, on the south-east; a range of industrial brick-built buildings with tall chimney to the left - this is presumably after the 1912 fire destroyed the buildings shown in PH/LT.PA/62-3.75 x 125mm, 85 x 135mm, sepia prints on postcards.
PH/LT.PA/65The Paper Mills before the fire and rebuilding: the river in the foreground and a large group of industrial buildings behind with tall chimney to the left; a similar view to PH/LT.PA/62.155 x 205mm, sepia print mounted on card.
PH/LT.PA/66The Paper Mills after the fire of 1912: wrecked buildings with a boiler visible to the left and the wheel of a large steam engine to the right, with two chimneys in the right background. Presumably the morning after the fire, as smoke seems to be rising still on the right of the picture; a crowd of men in the ruins, including two policemen.155 x 205mm, faded sepia print mounted on card.
PH/LT.PA/67The Paper Mills after the fire of 1912: a different view from PH/LT.PA/66 with two chimneys prominent in the foreground among a collection of wrecked buildings.155 x 205mm, faded sepia print on card.
PH/LT.PA/68The Paper Mill seen from the other side of the River Ouse, with the road bridge in front of it, and in the left foreground the "traps" - the precarious-looking wooden walkways with flimsy railings provided for pedestrians when the river was in flood.235 x 285 mm, sepia print on paper.
PH/LT.PA/69Mrs R.L. Towgood: a head-and-shoulders portrait, full face, showing a young woman with hair gathered on each side of her head, a light wrap on her shoulders and a necklace over it, the picture fading away towards the edges.210 x 160mm, sepia print on card.
PH/LT.RA./01St James' Church, Little Raveley from the north-west, showing gabled wall with bell-cote, ivy clad walls. Trees in leaf on either side, and hedging and rough grass in foreground.110 x 145mm, sepia print on paper.
PH/LT.RA./02St James' Church, Little Raveley from the south-east, showing chancel and nave, ivy clad walls, and gravestones to the left in foreground.110 x 150mm, sepia print on paper.
PH/LT.RA./03St James' Church, Little Raveley from the north-east, showing chancel and nave, ivy clad walls and a house to the right in background, a gravestone and rough grass and wild flowers110 x 150mm, sepia print on paper.
PH/LT.RA./04St James' Church, Little Raveley from the south, showing chancel and nave. Trees in leaf in front of church and hedging on both sides of iron gate. Rough grass and path in foreground.105 x 150mm, print on paper
PH/LT.RA./05St James' Church, Little Raveley from the north-east, showing chancel and nave, with gravestones in front of chancel. Hedging in foreground, trees in leaf on either side.110 x 155mm, print on paper.
PH/LT.RA./06St James' Church, Little Raveley: interior view looking east through the nave to the chancel with altar, pulpit to the left and pews on either side in foreground.70 x 90mm, print on paper.
PH/MOLES/01a-bSt Peter's Church, Molesworth from the south-east, showing chancel, nave, south porch and part of tower. Gravestones and rough ground in foreground.100 x 150mm, print on paper; 110 x 150mm, sepia print on paper.
PH/MOLES/02St Peter's Church, Molesworth from the south showing tower, nave, south porch and chancel. Rough grass and gravestones in foreground.110 x 155mm, sepia print on paper.
PH/MOLES/03St Peter's Church, Molesworth from the north-east showing chancel, nave and part of tower in background. Small building and gravestones to the left. Rough grass in foreground.105 x 145mm, sepia print on paper.
PH/MOLES/04St Peter's Church, Molesworth from the north-west, showing tower, nave and chancel. Trees to right of picture with one gravestone and rough grass.100 x 150mm, sepia print on paper.
PH/MOLES/05St Peter's Church, Molesworth: interior view from the chancel looking west into the nave, showing pulpit to the right, lectern to the left, pews, hanging lamp and wall light. Also showing carved wooden angels standing on abacus at chancel arch.110 x 140mm, sepia print on paper.
PH/MOLES/06St Peter's Church, Molesworth: interior view from west showing chancel in background, pulpit to the left, pews and wall lights on either side.110 x 150mm, sepia print on paper.
PH/MOLES/07a-cSt Peter's Church, Molesworth: interior view showing fresco of St Christopher on north wall.95 x 70mm, sepia prints on paper.
PH/MOLES/08a-cSt Peter's Church, Molesworth: chalice and paten.100 x 75mm, 95 x 70mm, 95 x 70mm, sepia prints on paper.
PH/MOLES/09Molesworth Windmill: weatherboarded smock mill on top of a brick roundhouse, surrounded by rough grass.140 x 90mm, print on postcard.
PH/MOLES/10a-dMolesworth Rectory: garden front showing lawns and mature trees on either side. Steps to lawn on left. Trees in leaf.110 x 160mm, 110 x 150mm, two prints on paper; 110 x 155mm, 100 x 120mm, two sepia prints on paper
PH/MOLES/11 a - eMolesworth Rectory, showing sde and front. Trees in leaf, shrubs and lawn in foreground.110 x 155mm, print on paper; 105 x 145mm, 100 x 130mm, 75 x 100mm, three sepia prints on paper; 100 x 150mm, blue print on paper.
PH/MOLES/12St Peter's Church, Molesworth from the north-west, showing chancel, nave and tower. Blocked up doorway to the nave with two large windows on the left. Trees in leaf on either side with rough grass in foreground.105 x 150mm, print on paper.
PH/MOLES/13St Peter's Church, Molesworth: interior view from the west showing chancel and chancel arch, pulpit to the left, lectern to the right with pews on either side. A central lamp and several hanging lamps.110 x 155mm, print on paper.
PH/MOLES/14St Peter's Church, Molesworth: interior view of a wall painting with a niche to the left, containing a stone cross and fragments of stone on either side.150 x 105mm, print on paper.
PH/MORBO/01a-bAll Saints' Parish Church, Morborne, from the north-west showing tower, nave and aisles with north porch, and chancel, some gravestones in unmown churchyard, trees in leaf behind.110 x 145mm, two prints on paper.
PH/MORBO/02 a-cAll Saints' Parish Church, Morborne, an interior view looking east through the nave to the chancel, showing nave arcade and chancel arch, ceiling, pews, pulpit, altar, hanging lamps, etc.110 x 150mm, three prints on paper.
PH/NEEDI/01The Chicory Factory in Needingworth Road, St Ives ?in the 1930s. A tall brick-built structure with doorways and windows on the three storeys and complicated brick structures on the roof, where is also a curved-topped pediment with the words "Chicory Ltd." In the foreground are linear structures of thick timber - to do with the building of the factory, which may be seen here under construction, or are they to contain dumps of chicory? Lots of men standing around, mostly wearing flat caps and waistcoats.145 x 210mm, print on paper.
PH/NEEDI/02The Pike and Eel with Overcote Ferry: the pub and its outbuildings in the background with the ferry loaded with sheep on the river in front, trees in half leaf to the left and right.90 x 140mm, sepia print on postcard.
PH/NEEDI/03The Pike and Eel, Overcote Road: showing the pub and its outbuildings seen from the opposite bank of the Ouse, with the ferry moored in front of it with a young man in cloth cap standing on it, trees in leaf to left and right.90 x 140mm, sepia print on postcard.
PH/NEEDI/04Needingworth High Street with houses on each side, including a shop to the right; a horse and cart is parked to the right and a woman in a bonnet is facing a doorway on the left.90 x 140mm, sepia print on postcard.
PH/NEEDI/05The Lock-up at Needingworth: a small brick building with wooden door with barred window, stone plaque over the door reading "Built 1858". There are half torn posters on the front and a boy and girl leaning on the wall of the building.140 x 90mm, sepia print on postcard.
PH/NEEDI/06The Village Stores at Needingworth: two terraces of houses with the High Street in front, the shop at the right-hand end of the right-hand terrace, with "C. Bedford" over the window. A woman is cleaning the window; men and boys stand to the right, some of them in long white aprons.85 x 90mm, sepia print on postcard (cut from a larger card, with the right side removed).
PH/NEEDI/07The Pike and Eel at Overcote: the pub buildings with outbuildings to the right, a hedge and pond in front, with a wooden settle outside the door and a bicycle leaned against a fence to the right.140 x 90mm, sepia print on postcard.
PH/NEEDI/08A stone marking the Greenwich meridian on the footpath beside the Ouse: an upright oblong of grey stone with a vertical line down the middle, with "Greenwich Meridian Line" carved on it, so arranged that the line forms the letter "I" in each word; with grass and plants around it.150 x 80mm, colour print-out printed three times on an A4 sheet of paper.
PH/O.WES/01St Swithin's Church, Old Weston: a general view from the south-east, gravestones in churchyard, trees in leaf on either side.110 x 145mm, print on paper.
PH/O.WES/02St Swithin's Church, Old Weston: from the south-east showing chancel, nave, south aisle, porch and tower. Gravestones and long grass in churchyard, trees in leaf on either side.140 x 85mm, print on postcard.
PH/O.WES/03St Swithin's Church, Old Weston: from the south-east showing part of chancel, nave, south aisle, porch and tower. Gravestones in churchyard.145 x 100mm, print on paper.
PH/O.WES/04St Swithin's Church, Old Weston: a distant view from the north-east, trees in leaf in front of church, stone wall and rough grass in the foreground.140 x 105mm, sepia print on paper.
PH/O.WES/05St Swithin's Church, Old Weston: a distant view from the west showing the tower, with trees in leaf on either side, stone wall and rough grass in the foreground.140 x 105mm, sepia print on paper.
PH/O.WES/06St Swithin's Church, Old Weston: from the south-west showing tower (except top of spire), nave, south aisle and porch; gravestones in churchyard with trees in leaf on either side.145 x 110mm, sepia print on paper.
PH/O.WES/07a-bSt Swithin's Church, Old Weston: looking east through the nave to the chancel and showing chancel arch and nave arcades, pews in the foreground and wooden beamed roof above. Prominent stove and stove pipe in the middle of the nave.145 x 105mm, sepia prints on paper.
PH/O.WES/08St Swithin's Church, Old Weston: looking west through the nave and showing the tower arch with nave arcades on either side; wooden roof with beams, pews in the foreground, prominent stove and stove pipe in the middle of the nave.140 x 105mm, sepia print on paper.
PH/O.WES/09St Swithin's Church, Old Weston: a general view from the south-east, gravestones in churchyard, a bicycle leaning against the stone churchyard wall in the foreground, trees without leaf on either side.200 x 155mm, sepia print on paper.
PH/O.WES/10St Swithin's Church, Old Weston: looking east through the nave to the chancel and showing the chancel arch, nave arcades, part of the north and south aisles, pulpit to the left of the chancel aarch and lectern to the right. Hanging lamps in the nave and chancel, stove and stove pipe in the centre of the nave aisle.155 x 210mm, sepia print on paper.
PH/O.WES/11St Swithin's Church, Old Weston: a general view from the south-east, gravestones in churchyard, trees in leaf on either side.105 x 145mm, print on paper.
PH/O.WES/12St Swithin's Church, Old Weston: looking east through the nave to the chancel and showing the chancel arch, nave arcades, part of south aisle with the font on the right, pulpit to the left of chancel arch and lectern to the right, hanging lamps in nave arches. Stove with stove pipe now moved to the left of the central aisle. Nave aisle floor covered with hay.110 x 153mm, print on paper.
PH/OFF.C/01All Saints' Church, Offord Cluny from the south-west, showing tower, nave, south porch and chancel, surrounded by trees and hedge in leaf. Three children on rough ground in foreground.90 x 140mm, print on postcard.
PH/OFF.C/02All Saints' Church, Offord Cluny from the south-west, showing tower, nave, south aisle and south porch. Trees in leaf with path and rough grass in foreground.145 x 105mm, sepia print on paper.
PH/OFF.C/03All Saints' Church, Offord Cluny from the north-west, showing the tower, north aisle and nave. Trees in leaf on either side. Gravestones to the left with rough grass in foreground.140 x 105mm, sepia print on paper.
PH/OFF.C/04All Saints' Church, Offord Cluny from the south-east, showing the chancel, nave, south aisle, porch and tower.105 x 155mm, sepia print on paper.
PH/OFF.C/05All Saints' Church, Offord Cluny: interior view looking east down the nave, showing the chancel arch, pulpit to the left, lectern to the right, nave arcade and pews in foreground, hanging lamps110 x 150mm, print on paper.
PH/OFF.C/06All Saints' Church, Offord Cluny: a carved wooden cornice with "1629 W.S." carved on it: photographed out of doors in the churchyard..65 x 105mm, print on paper.
PH/OFF.D/01a-bSt Peter's Church, Offord Darcy from the north-east, showing the chancel, nave, north aisle and tower, gravestones and rough grass in foreground..150 x 110mm, print on paper; 145 x 105mm, sepia print on paper.
PH/OFF.D/02St Peter's Church, Offord Darcy from the south east, with part of churchyard and gravestones in foreground, showing ivy clad walls and trees in leaf. Image slightly blurred.145 x 110mm, sepia print on paper.
PH/OFF.D/03St Peter's Church, Offord Darcy: interior view from the west showing chancel arch with top of screen, nave and nave arcade, hanging lamps with shades. Pulpit to the left and pews on either side of nave.110 x 150mm, print on paper.
PH/OFF.D/04St Peter's Church, Offord Darcy: interior view from the west showing chancel arch with top of screen, nave and nave arcade, hanging lamps with shades. Pulpit to the left and pews.150 x 110mm, print on paper.
PH/OFF.D/05St Peter's Church, Offord Darcy: interior view from the west showing chancel arch, nave arcade on either side, pulpit to the right, lectern to the left and pews on either side in foreground.110 x 155mm, sepia print on paper.
PH/OFF.D/06a-bSt Peter's Church, Offord Darcy: a rubbing of the Pabenham brass showing Sir Lawrence Pabenham and his two wives, Elizabeth and Joan, bottom halves of the figures missing but inscription at bottom still there.130 x 105mm, sepia prints on paper.
PH/OFF.D/07a-bSt Peter's Church, Offord Darcy: a rubbing of the Taylard brass showing Dr William Taylard, a kneeling man in accademic robes. Written below the rubbing is "An Ecclesiastic, in Academical Dress & Doctor's Cap c.1530 Offord D'Arcy, Hunts."140 x 100mm, sepia prints on paper.
PH/OFF.D/08The Ouse at Offord Darcy showing church to left and house to right on the far bank, surrounded by trees in leaf, railway signal to right and small boat on left. The whole image of the above reflected in the water.105 x 155mm, print on paper.
PH/OFF.D/09River view at Offord Darcy showing reed bed, part of house on left foreground, with cottage and large mill building in distance.100 x 150mm, sepia print on paper.
PH/OHRST/01St Peter's Church, Oldhurst from the south, showing three windows and a door, with the carved wooden cross on the roof.110 x 150mm, print on paper.
PH/OHRST/02St Peter's Church, Oldhurst from the south-east, showing three windows and a door in the nave and the east window; cross on roof shaded by a tiny roof of its own.105 x 135mm, sepia print on paper.
PH/OHRST/03St Peter's Church, Oldhurst from the south-west, showing three windows and a door on the south wall; one window and two modern recesses for bells in the west wall; cross on roof shaded by a tiny roof.105 x 150mm, sepia print on paper.
PH/OHRST/04a-bThe Abbots Chair at Oldhurst, in open country with a road in the background.110 x 130mm, sepia prints on paper.
PH/OHRST/05The Old Barn, Oldhurst: showing barn with thatched roof, brick and beam walls. Brick building to the left behind brick walls either side of five barred gate. Unmade road in foreground.100 x 150mm, sepia print on paper.
PH/ORT.L/01Holy Trinity Church, Orton Longueville from the south, showing chancel, nave, south porch and tower. Gravestones in the foreground. Church has ivy clad walls with trees in leaf on either side.80 x 140mm, postcard.
PH/ORT.L/02a-dHoly Trinity Church, Orton Longueville from the south-east, showing chancel, nave, south porch and tower. Gravestones in the foreground, ivy clad walls, trees without leaf in background. Part of the roof of Orton Hall visible in the left background.110 x 155mm, sepia prints on paper.
PH/ORT.L/03a-bHoly Trinity Church, Orton Longueville from the east, showing chancel, north aisle and tower with a three-storey building (Orton Hall) in the background. Churchyard and trees without leaf in foreground.110 x 155mm, sepia prints on paper.
PH/ORT.L/04a-dHoly Trinity Church, Orton Longueville: part of the south side of the chancel with wooden door, tall window and niche with ivy clad walls. Path and grass in foreground.155 x 110mm, three sepia prints and one blue print on paper.
PH/ORT.L/05a-bHoly Trinity Church, Orton Longueville: exterior view of a doorway in the chancel showing wrought iron work and ivy clad wall.115 x 105mm, sepia prints on paper.
PH/ORT.L/06Holy Trinity Church, Orton Longueville: the same door as in PH/ORT.L/05 seen from a little further back, with part of window to the left with ivy clad wall. Path and grass in foreground.80 x 75mm, sepia print on paper.
PH/ORT.L/07 a-dHoly Trinity Church, Orton Longueville: the tomb of Frank Buckle, the jockey, a table tomb with iron railings round it and the church beyond. Trees without leaf in background and one evergreen tree.a) 80 x 110mm, sepia print on paper; b-d) 110 x 160mm, sepia prints on paper.
PH/ORT.L/08a-bHoly Trinity Church, Orton Longueville: interior view of the chancel showing the altar, east window and pews in foreground.110 x 155mm, sepia prints on paper.
PH/ORT.L/09a-bHoly Trinity Church, Orton Longueville: interior view looking east from the nave to the chancel, showing the arcade and chancel arch with pews, pulpit, altar etc., and hanging lamps.105 x 150mm, prints on paper.
PH/ORT.L/10Holy Trinity Church, Orton Longueville: interior view of the nave looking west to the tower arch, pews in foreground. Ladders in background. Photo blurred.105 x 150mm, sepia print on paper.
PH/ORT.L/11a-eOrton Longueville Hall: a three-storeyed building with castellated pediment and mullioned windows; part of a two-storey house behind it on the right. Hedge, road and tree trunk in foreground.a-c) 110 x 155mm, sepia prints on paper; d-e) 110 x 155mm, blue prints on paper.
PH/ORT.L/12a- gThe Rectory, Orton Longueville: two-storeyed stone and tile building with dormer in roof, sun screen covering door in centre of house. Lawn and trees in leaf in foreground.a-e) 110 x 155mm, sepia prints on paper; f-g) 110 x 155mm, blue prints on paper.
PH/ORT.L/13a-bThe Rectory, Orton Longueville: two-storeyed stone and tile building with dormer. Lawn and trees in leaf in foreground.110 x 105 mm, sepia prints on paper.
PH/ORT.L/14The Rectory, Orton Longueville: the same view as in PH/ORT.L/13 but taken from further back and very blurred on the left.110 x 140mm, sepia print on paper.
PH/ORT.L/15The Rectory, Orton Longueville: the same view as in PH/ORT.L/13.80 x 100mm, sepia print on paper.
PH/ORT.L/16a-eFrank Buckle's house, Orton Longueville, showing a row of houses on the left of a road joined by a stone wall, unmade road and grass in foreground.a-d) 110 x 155mm, sepia prints on paper; e) 75 x 155mm, sepia print on paper.
PH/ORT.L/17Holy Trinity Church, Orton Longueville from the north-east, showing the chancel, north chapel, roof of north aisle and tower. Gravestones in churchyard, trees in leaf, with rough grass in foreground.105 x 150mm, print on paper.
PH/ORT.L/18Holy Trinity Church, Orton Longueville from the south-east, showing chancel, south aisle, nave roof and part of the tower with ivy clad walls. Gravestones in churchyard, trees on either side with rough grass in foreground.105 x 150mm, print on paper.
PH/ORT.L/19Drawing of a memorial window, Holy Trinity Church, Orton Longueville, showing stained glass in three lights and trefoil above, all showing holy figures.140 x 90mm, print on paper.
PH/ORT.L/2016th-century doorway and pediment in the east front of Orton Longueville Hall: stone archway with round-topped pediment above with arms carved in relief.155 x 105mm, print on paper.
PH/ORT.L/21Orton Longueville Hall: view showing a three-storey wing on right with a two-storey hall at right angles to the main block. Numerous chimneys, decorative turret and gables on roof line. Tower of church to the right with mature trees to rear and lawn in foreground, with small hedged garden.100 x 150mm, print on paper.
PH/ORT.L/22The stables at Orton Longueville Hall: a two-storey building with a cupola, weather vane and clock. Windows, three doorways and dormer windows on facing wall. Trees in leaf on either side.100 x 150mm, print on paper.
PH/ORT.W/01a-bSt Mary's Church, Orton Waterville from the south-east showing the chancel, nave, south aisle and south porch and tower. Numerous gravestones in the churchyard with top of stone wall and wooden gate in the foreground.100 x 150mm, prints on paper.
PH/ORT.W/02a-bSt Mary's Church, Orton Waterville from the south-east: very unclear, but showing pinnacles on tower.110 x 155mm, negative sepia print and negative blue print on paper.
PH/ORT.W/03a dSt Mary's Church, Orton Waterville from the north-east showing chancel, nave, north aisle and tower with pinnacles, gravestones in foreground.110 x 155mm, one sepia print, two dark sepia prints, one blue print on paper.
PH/ORT.W/04a-bSt Mary's Church, Orton Waterville: interior view looking east and showing the nave, aisles and chancel, with pulpit, altar, chairs and a chest etc., and hanging oil lamps.110 x 155mm, prints on paper.
PH/ORT.W/05St Mary's Church, Orton Waterville: rubbing of a brass with a Latin inscription above a shield-shaped indent.100 x 95mm, sepia print on paper.
PH/ORT.W/06a-bSt Mary's Church, Orton Waterville: interior view looking east and showing the nave, aisles, and chancel, with pulpit, chairs, altar, etc., and hanging oil lamps.110 x 150mm, prints on paper.
PH/ORT.W/07St Mary's Church, Orton Waterville: the carved Elizabethan pulpit seen from the south side looking into the north aisle.150 x 90mm, print on paper.
PH/RAMSY/01a-dChurch of St Thomas of Canterbury, Ramsey from the north-east, showing chancel, north aisle and part of nave and tower in background. Numerous gravestones in churchyard. Part of brick wall and trees in leaf in foreground.95 x 140mm, 110 x 150mm, 105 x 150mm, 105 x 150 mm, sepia prints on paper.
PH/RAMSY/02Church of St Thomas of Canterbury, Ramsey from the south-east, showing chancel, south aisle, nave and tower in background. Numerous gravestones in churchyard.100 x 150mm, sepia print on paper.
PH/RAMSY/03Church of St Thomas of Canterbury, Ramsey from the south-west, showing tower, south aisle and nave with brick wall in front of church and grass in foreground.65 x 75mm, sepia print on paper.
PH/RAMSY/04Church of St Thomas of Canterbury, Ramsey from the south-west, showing tower, south aisle and roof of nave. Houses to the left of the church, trees to the right, rough grass and unmade road in foreground.55 x 80mm, print on paper.
PH/RAMSY/05a-bChurch of St Thomas of Canterbury, Ramsey: interior view looking east through the nave to the chancel, with pulpit to the right, pews in the foreground, two hymn boards on either side.110 x 150mm, sepia prints on paper.
PH/RAMSY/06a-fPrint of the lectern in Ramsey Church, (with Bury Church lecturn to the right).145 x 100mm, five sepia prints on paper; one (without the Bury lectern) 145 x 50mm, sepia print on paper.
PH/RAMSY/07Ramsey churchyard cross: a tall, plain column of stone on a wider plinth, with buildings behind and sapling in leaf to the left.140 x 95mm, sepia print on paper.
PH/RAMSY/08a-bThe ruins of Ramsey Abbey gatehouse, looking south with the road to the right; it has ivy clad walls; trees in leaf on either side in background, grass and wide unmade road in foreground with two men to right of gateway.150 x 200mm, 110 x 160 mm, sepia prints on paper.
PH/RAMSY/09The ruins of Ramsey Abbey gatehouse seen from across the road; trees in leaf on either side, rough grass and unmade road in foreground.55 x 80mm, print on paper.
PH/RAMSY/10a-bThe southern (inside) face of Ramsey Abbey gatehouse: ruined walls with decorative tracery, ivy clad wall to the right with trailing rose over gateway, with a small garden and hedgerow in foreground.200 x 150mm, prints on paper.
PH/RAMSY/11The ruins of Ramsey Abbey gatehouse seen from across the road; trees without leaf on either side, rough grass and unmade road in foreground.150 x 205mm, print on paper.
PH/RAMSY/12Ramsey Abbey House, large stone-built three-storeyed house with tall chimneys and parapets and large porch. Trees and shrubs on either side with rough grass and drive in foreground.145 x 200mm, print on paper.
PH/RAMSY/13Ramsey Abbey House: the back of the house seen from a distance, with tall chimneys and parapets, turrets and ivy clad walls. Trees in leaf on either side and in background, large expanse of rough grass in foreground.100 x 145mm, print on paper.
PH/RAMSY/14Almshouses at Ramsey: a two-storeyed range of buildings with central gable and tall chimneys, lower buildings to left and right and a wide street in the foreground.50 x 80mm, print on paper.
PH/RAMSY/15Silver Censer found at the draining of Whittlesea Mere and thought to have come from Ramsey Abbey: a vessel with elaborate decoration based on Gothic architecture and with a chain for suspension.285 x 230mm, print on paper.
PH/RAMSY/16Silver Incense Boat fonud at the draining of Whittlesea Mere and thought to have come from Ramsey Abbey: a boat-shaped vessel on a hexagonal stand with rams' heads at both ends.230 x 290mm, print on paper.
PH/RAMSY/17Church of St Thomas of Canterbury, Ramsey from the south-west, showing tower, south aisle, and nave and a little of the north aisle protruding to the left of the tower. Houses to the left of church with rough grass in foreground.75 x 105mm, sepia print on paper.
PH/RAMSY/18Church of St Thomas of Canterbury, Ramsey: interior view looking east through the nave to the chancel, showing chancel arch, nave and nave arches, with a glimpse of the north and south aisles on either side. Pews in nave, pulpit to the right and lectern and organ to the left.90 x 140mm, tinted print on postcard.
PH/RAMSY/19Ramsey Cemetery, showing gravestones and shrubs with the cemetery chapel in the background.135 x 85mm, coloured print on postcard.
PH/RAMSY/20The ruins of Ramsey Abbey gatehouse, much of it covered with ivy, seen from the north with the modern road to the right.110 x 155mm, print on paper.
PH/RAMSY/21The ruins of Ramsey Abbey gatehouse, much of it covered with ivy, seen from the north with the modern road to the right.65 x 135mm, sepia print on postcard.
PH/RAMSY/22Drawings of Whittlesea Church, the roof of March Church and Ramsey Abbey gateway, with a map of the area and the title "The Ramsey and March Roads".130 x 80mm, print on postcard.
PH/RAMSY/23a-bRamsey Abbey from the south-west: a three-storeyed building with numerous windows and chimneys, buttresses and wall arcades. Smaller two storey building to the left with ivy clad walls. Shrubs in front of Abbey with decorated stone walls and grass in foreground.90 x 140 mm, 90 x 135mm, tinted prints on postcards.
PH/RAMSY/24Ramsey Abbey: a four-storey building with buttresses, arcading. windows and chimneys. Smaller building to the left with ivy clad walls, trees and shrubs in garden with flowers. Pathways and greenery in foreground.85 x 135mm, coloured print on postcard.
PH/RAMSY/25The ruins of Ramsey Abbey gatehouse seen from the south (inside) side, with ivy clad gateway to the right. Trees in leaf on either side with lawns and drive in foreground.90 x 140mm, coloured print on postcard.
PH/RAMSY/26The grounds of Ramsey Abbey, with trees and shrubs, two urns covered with ivy and stone steps to the left with rose-covered walls on either side, lawn and gravel area in foreground.85 x 135mm, coloured print on postcard.
PH/RAMSY/27The Rose Walk in the Abbey Gardens, Ramsey, showing roses on archway with pathway down the middle.90 x 135mm, tinted print on postcard.
PH/RAMSY/28a-bThe Samuel & Nathaniel Buck 1730 engraving of Ramsey Abbey gatehouse - see PWD/RAMSY/02.70 x 120mm, prints on postcards.
PH/RAMSY/29Biggin Malting, near Ramsey, showing a derelict two-storey building with shrubbery to the right and rough grass in foreground, cloudy sky.85 x 135mm, sepia print on postcard.
PH/RAMSY/30The River Nene near Ramsey, showing houses and buildings on either side of the river with grassy banks and reflections. A boat is moored to the left, three ladies are standing outside a house to the right.85 x 140mm, tinted print on postcard.
PH/RAMSY/31Part of a drain at Old Fen, Ramsey: a small brick-built bridge over the drain with rough grassy banks on either side. Part of a brick building to the right. Horses grazing seen through the arch of the bridge.90 x 135mm, tinted print on postcard
PH/RAMSY/32The Almshouses, Ramsey: two-storey houses with windows, chimneys, rounded doorways and porches. Large area of grass in foreground with men, woman and children.85 x 135mm, tinted print on postcard.
PH/RAMSY/33Ramsey High Street, showing shops and houses on either side of the street with pavements. Horse and cart with a few men standing on either side of the street.90 x 140mm, tinted print on postcard.
PH/RAMSY/34The Great Whyte, Ramsey, showing a large area of road with houses and shops on either side, with pavement in front. Clock Memorial in centre, with small iron railings around. Men and women strolling on road.90 x 140mm, tinted print on postcard.
PH/RAMSY/35The Great Whyte, Ramsey, looking south: wide street with two and three storey houses and shops on three sides, pavements in front. Clock Memorial in the centre with raised lamps on either side of clockface. A few people in the street.85 x 140mm, tinted print on postcard.
PH/RAMSY/36a-gTwo Bronze Age spearheads, shown on a white background each with a measuring tape below it.90 x 135mm, screened prints on paper.
PH/RAMSY/37a-cA Bronze Age spearhead, shown on a white background with a measuring tape below it.110 x 200mm, prints on paper.
PH/RAMSY/38Ramsey Abbey: a four storey building with chimneys and pinnacles, trees and shrubs on either side, wall and grass in foreground.135 x 190mm, very faded photograph with added watercolour and outlined in pencil.
PH/RAMSY/39A wind powered drainage mill at Ramsey: tapering mill with boat-shaped cap and four sails, the cap supported by three props to the right; scoop wheel housing in front of it and fences in the foreground; three men in flat caps and a woman at various places in the scene.200 x 160mm, early faded photograph outlined in ink.
PH/RAMSY/40The inscriptions on the fly leaf of a book: "Anna Williams Sept. 18th. 1682. The gift of my very worth good ffriend Mr Edmond Gibbs, minister of Ramsey in the County of Huntingdon. Reginald Michell his Booke bought of Madam Carina Holly [illeg.] of of [sic] ye above named Madam Anna Williams deceased: February ye 9th 1687/8. Herbert Wakeman 1740".90 x 120mm, photographic print on postcard.
PH/RAMSY/41Lotting Fen Drainage Mill at Ramsey Heights in 1933: a tower mill with boat-shaped cap, the sails missing and the fan tail mechanism incomplete, with outbuildings around the base and cottages visible in the distance.95 x 160mm, print on paper.
PH/RAMSY/42Tractors at the Hunts Show, Ramsey, June 1921; with boy scout, bystanders, marquees.90 x 160mm, print on paper.
PH/RAMSY/43a-bThe Church of St Thomas of Canterbury, Ramsey from the south-west, showing the tower, south aisle, part of the north aisle, nave and chancel. Surrounded by open ground with houses in the distance to left and trees to the right. Large group of figures in front of the west end.60 x 85mm, prints on paper.
PH/RAMSY/44a-bRamsey Abbey: the main front of a large four-storey building with numerous windows, chimneys and pinnacles. Trees, shrubs, flower beds and lawn in the foreground.60 x 85mm, prints on paper.
PH/RAMSY/45a-bRamsey Abbey: the main front of a large four storey building with numerous windows, chimneys and pinnacles. A three storey building to the left. Trees, shrubs, flower beds and lawn with a group of figures in the foreground.60 x 85mm, prints on paper.
PH/RAMSY/46a-bRamsey Abbey Gatehouse from the north, showing a partly ruined building and an archway with ivy clad walls. Trees and shrubs behind the building and to the left. Three people in front of the building with grass and drive in foreground.60 x 85mm, prints on paper.
PH/RAMSY/47a-bRamsey Abbey Gatehouse from the north-west, showing a partly ruined building and an ivy clad archway, trees behind and to the left. Man with bicycle in front of building with grass and road in the foreground.60 x 85mm, prints on paper.
PH/S.GID/01a-dSt Andrew's Church, Steeple Gidding: a general view from the south-east, with gravestones in the foreground, chimneys of houses left of porch, trees without leaf.105 x 1400mm, 105 x 145mm, sepia prints on paper; 115 x 160mm, 110 x 155mm, blue prints on paper.
PH/S.GID/02a-bSt Andrew's Church, Steeple Gidding: a general view from the north-east, with gravestones and a single storey house on the right, trees without leaf.105 x 140mm, sepia prints on paper.
PH/S.GID/03a-bSt Andrew's Church, Steeple Gidding: a general view from the south-west, with wooden fencing and hedge in the foreground, trees without leaf.140 x 110mm, sepia prints on paper, one slightly blurred.
PH/S.GID/04St Andrew's Church, Steeple Gidding: the south porch and doorway, in round-headed arch and with large wrought iron hinges.140 x 110mm, sepia print on paper.
PH/S.GID/05a-bSt Andrew's Church, Steeple Gidding: interior view looking west through the nave, showing part of the roof, lamps and pews, stove in the background.110 x 140mm, two sepia prints on paper.
PH/S.GID/06St Andrew's Church, Steeple Gidding: a general view from the south-east, with large area of rough grass with gravestones, trees in leaf on either side.155 x 110mm, print on paper.
PH/S.GID/07St Andrew's Church, Steeple Gidding: interior view looking east from near the west end of the nave through to the chancel and chancel arch, pulpit to the left and lectern to the right, nave arcades and pews with hanging lamps in the nave, stove in the left foreground.155 x 105mm, print on paper.
PH/S.GID/08St Andrew's Church, Steeple Gidding: the south porch and doorway, in round-headed arch and with large wrought iron hinges150 x 105mm, print on paper.
PH/S.IVE (01)CARLISLE TERRACE: See Quadrnt; CROMWELL'S BARN: See Grn.End; CROWN WALK: See East.St;DARWOOD'S POND etc.: See Quadrnt; GLOBE PLACE: See West.St; GOLF CLUB: See Thicket;
PH/S.IVE (02)Dating flood pictures: there were major floods in August 1912, March 1937, February 1940 and March 1947; more recent ones at Easter 1998 and New Year 2003. There were doubtless lots of lesser floods as well. Dating pictures to particular floods can often be difficult, especially when there are floods at similar dates and people's costume isn't a guide.1940 Newspaper reports say that the 1940 flood was the worst for 40 years (Hunts Post 7.3.1940 p. 9); 1947 was the highest of the 20th century.
PH/S.IVE (03)The English Chicory Ltd Factory in Needingworth Road was actually in Needingworth parish - see PH/NEEDI.But Republic Cottage WAS in St Ives (despite the legend that it was in neither parish - see "Twentieth Century St Ives" p. 64): the parish boundary runs down the centre of Somersham Road, but just north of the road junction it leaves the road and goes do
PH/S.IVE/(2011.48)A house with bay windows and two weatherboarded gables, "SPRING VIEW" carved over the front door, wooden garden fence in front and part of the next-door house visible on the right.80 x 130mm, print on postcard.
PH/S.IVE/(2011.49)A large detached house, brick and tile with bay windows and complicated roofs; a track to the right and a bicycle leaning on the house wall, fields in the left background.75 x 130mm, print on postcard.
PH/S.IVE/(2011.50)The stables and outhouses of a large house, brick and tile, with lattice fence and gates leading into the yard, half-doors on the ground floor and a weather vane on the roof.80 x 130mm, print on postcard.
PH/S.IVE/AerialSt Ives aerial photographs are numbered according to the year they were taken. The pictures are thus catalogued in date order as far as possible. However, the date in the number may be a guess or an approximation - check the information in the rest of the record for an evaluation of the photograph's date.Where several photographs were taken in the same year, or approximate year, they are given a sequence of numbers after the year number. But these numbers don't necessarily reflect the order in which the individual photographs were taken, as this usually
PH/S.IVE/Aerial/1918PH/S.IVE/ Aerial/1918.1-5: a sequence of photographs taken on 24th March 1918 for the inquiry into the air crash the day before - showing the damaged church, but incidentally providing a very clear set of views of part of St Ives in 1918.See the photocopy of an article in the Brampton "Eagle" (in the St Ives information file) - the pictures were taken by a flying instructor named Glover and his photographer, Sgt Frost. Note that the article has part of a picture we don't have (p. 26): t
PH/S.IVE/Aerial/1918.1Aerial view of the parish church the day after the air crash of 23rd March 1918: from the south-east, showing the church with damaged spire and roofs, Holt Island and the bathing place, houses on the Waits in the foreground with the Dun Horse and part of the old Vicarage on the right.90 x 120mm, print on paper.
PH/S.IVE/Aerial/1918.2Aerial view of the parish church the day after the air crash of 23rd March 1918: from the north-east, showing the church with damaged spire and roofs, Holt Island and the bathing place, the churchyard, Barnes House and the maltings behind it, Church Lane, the Grammar School and the corner of Ramsey Road.150 x 205mm, print on paper.
PH/S.IVE/Aerial/1918.3Aerial view of the parish church the day after the air crash of 23rd March 1918: a vertical view of the damaged church, part of Holt Island with the bathing place and osier beds, Barnes House and the maltings, the churchyard and part of the brewery on the corner of Ramsey Road.160 x 210mm, print on paper.
PH/S.IVE/Aerial/1918.4Aerial view of the parish church the day after the air crash of 23rd March 1918: from the east, showing the church with damaged spire and roofs, Hemingford Meadow, Holt Island and open country west of the town, with the Grammar School and Knight's Brewery (identified by a large signboard) in the foreground.160 x 210mm, print on paper, printed from a scratched negative.
PH/S.IVE/Aerial/1918.5Aerial view of the parish church the day after the air crash of 23rd March 1918: from the south, showing the church with damaged spire and roofs, Holt Island and the bathing place in the foreground, Westwood Farm and Green End Farm behind, with what was then open fields between them, and Ramsey Road.90 x 120mm, print on paper, sharp crease almost torn across the top.
PH/S.IVE/Aerial/1919Aerial view of St Ives, taken from the south-east with snow on the ground, February 1919. Showing the meadows in the foreground, the Mill, the bridge and chapel, the cattle market and the town centre as far as Bridge Street.275 x 385mm, creased and a little torn.
PH/S.IVE/Aerial/192-Aerial view of St Ives, looking north from the south side of the river, showing most of the Broadway, Market Hill as far east as the Free Church, part of West Street and the Bridge Foot.145 x 185mm, print on paper.
PH/S.IVE/Aerial/1922Aerial view of St Ives from the south-west, probably in 1922 or thereabouts: showing the Bridge Foot in the foreground, Merryland and Crown Street but not the Broadway, the cattle market but not the railway station, with Tenterleas and Needingworth Road in the background.80 x 135mm, print on postcard.
PH/S.IVE/Aerial/1950.1 a-bAerial view of St Ives from the south-east, Monday 14th August 1950: showing parts of St Ives Meadow and Hemingford Meadow, Bridge Foot and most of the town centre apart from Needingworth Road. Marquees are standing on Hemingford Meadow for the regatta held two days earlier on Saturday 12th August.a) 610 x 610mm, b) 295 x 295mm, prints.
PH/S.IVE/Aerial/1950.2 a-cAerial view of St Ives from the west, Monday 14th August 1950: showing the whole of the town centre with countryside and railways far beyond to the south-east.a) 610 x 610mm, b) 295 x 295mm, c) 515 x 515mm, prints.
PH/S.IVE/Aerial/196-Aerial view of St Ives from the south-west, showing part of Hemingford Meadow and the New Bridges as far south as the former level crossing; also the town centre as far as the cattle market, East Street, Crown Walk and part of the Broadway. The Friday market is in progress in the Sheep Market.200 x 305mm, print on paper.
PH/S.IVE/Aerial/1961Vertical aerial photograph of almost the whole of St Ives, 19th September 1961. Showing the town centre except for a small bit on the south-east, and Ramsey Road as far north as the end of the built-up area; from the Houghton Poultry station isolation unit on the west to the Manchester Arms on the east.230 x 230mm, print on paper.
PH/S.IVE/Aerial/1966 a-bAerial view of St Ives from the south-east, 3rd June 1966: showing almost all the town apart from a few buildings on the east side, and open country beyond it to the north.350 x 430mm, prints.
PH/S.IVE/Aerial/1966 a-b (contd.)
PH/S.IVE/Aerial/1967.1Aerial view of St Ives from the south-west, June 1967: showing Bridge Foot and the town centre except for Ramsey Road and the east end of Station Road.415 x 500mm, print on board.
PH/S.IVE/Aerial/1967.2Aerial view of St Ives from the east, June 1967: showing the town centre as far south as the bridge and as far north as parts of Houghton Road.415 x 500mm, print on board.
PH/S.IVE/Aerial/1967.3Aerial view of St Ives from the north, June 1967: showing the west part of the town centre with Pig Lane and Ramsey Road, Westfield School in the foreground, meadows beyond the river and a distant view of St Ives Road, Hemingford Grey, from Victoria Terrace to the village school.415 x 500mm, print on board.
PH/S.IVE/Aerial/1967.4Aerial view of St Ives from the west, June 1967: showing the town centre and meadows to the south, with Westwood Road in the foreground and the town centre as far as the railway station; to the right is London Road and part of the Low Road, with the Boathaven.415 x 500mm, print on board.
PH/S.IVE/Aerial/1967.5Aerial view of St Ives from the south-east, 5th August 1967: showing the whole town and countryside beyond, but taken from too high up to show much detail.80 x 120mm, colour print.
PH/S.IVE/Aerial/1969Aerial view of the south-east part of St Ives, ?July 1969: seen from the south and looking north-east, with the bridge and chapel and the Mill in the foreground, the south end of Needingworth Road and the railway station, with gravel pits beyond.170 x 255mm, colour print on paper (colours deteriorating and the background fuzzy, but foreground details still useful).
PH/S.IVE/Aerial/197-Vertical aerial photograph of St Ives, c. 1975: showing the whole town and some areas round, including part of Hemingford and the Houghton Poultry Research Station; housing estates have been built along Ramsey Road, as far as Hill Rise on the west, with the first phase of the Burleigh Hill esate (east of Ramsey Road at its north end) under construction.740 x 740mm, print on card: plainly a copy from another print and not very clear in places.
PH/S.IVE/Aerial/197- (contd.)
PH/S.IVE/Aerial/1976.1Aerial view of part of St Ives from the south-west c. 1976: showing Houghton Poultry Research Station's isolation facility in the foreground, with the golf course to the right, Houghton Road behind it, and beyond the new housing estates and Thorndown Schools between Houghton Road and Ramsey Road, with fields and the sewage works in the background; Wheatfields is built but not Wheatfields School; the Albemarle Road estate is built, Edinburgh Drive is under construction.455 x 440mm, print on card.
PH/S.IVE/Aerial/1976.2Aerial view of part of St Ives from the south-west, c. 1976: showing St Ivo School and Recreation Centre, Wheatfields School and the parish church, with Noble's Field and Hemingford Meadow in the foreground, the industrial estate and Burleigh Hill Farm in the background; Burstellars is built, work has begun laying out the Erica Road estate.455 x 570mm, print on card.
PH/S.IVE/Aerial/1976.3Aerial view of part of St Ives from the south-west, c. 1976: showing Hemingford Meadow in the foreground and behind it the town centre from the parish church on the left to the cattle market on the right, with the industrial estate in the background.455 x 575mm, print on card.
PH/S.IVE/Aerial/1976.4Aerial view of part of St Ives from the south-west, c. 1976: showing the New Bridges and Jones' boatyard in the foreground, with the east side of the town, the line of the old railway and flooded gravel pits behind.455 x 570mm, print on card.
PH/S.IVE/Aerial/1980Aerial view of the opening ceremony for the St Ives bypass, 9th October 1980: the new river bridge seen from the east, with a cluster of people and a few vehicles in the middle. The Boathaven and Staunch in the foreground, the Old Mill and London Road in the background (with a furniture van on the road, a reminder of the heavy traffic that used the old bridge until 1980).280 x 380mm, print
PH/S.IVE/Aerial/1985Aerial view of St Ives town centre from the west, 24th July 1985: showing the area from Bridge Street to the bypass, from the north side of the Market Hill to part of the Dolphin site; the new Dolphin is being built and the new bus station seems to be complete but not yet open.280 x 355mm, print on paper.
PH/S.IVE/Aerial/1992Aerial view of St Ives town centre from the west, 30th June 1992: showing the Norris Museum at bottom left, the Dolphin mid-right (but not the Old Mill), the bypass and the Wilderness, offices in Meadow Lane and parts of two flooded gravel pits, part of Needingworth Road and Tenterleas, the Quadrant and East Street as far as the almshouses.280 x 410mm, colour print.
PH/S.IVE/BarnesWThe Barnes Walk Air crash, 23rd September 1917: see PH/S.IVE/NorrisM/15-16 for photographs of Norris Knight, the pilot; for information, see letters from the Irwins in the St Ives Information file, the "Crash" exhibition script, and especially David Viles' discovery of the contemporary newspaper account, referred to in my article for "The Huntsman". Also Bridget Smith's article in "Records of Hunts" 1995.
PH/S.IVE/BarnesW/01The crashed Maurice Farman Shorthorn aircraft in the garden of Barnes House, September 1917: the aircraft is nose-dived into some bushes with two schoolgirls standing to the right; glimpses of a house in the background.165 x 105mm, sepia print on paper, torn.
PH/S.IVE/BarnesW/02The crashed Maurice Farman Shorthorn aircraft in the garden of Barnes House, September 1917: a slightly different view of the scene shown in PH/S.IVE/BarnesW/01 but without the schoolgirls.165 x 105mm, sepia print on paper, creased.
PH/S.IVE/BarnesW/03The crashed Maurice Farman Shorthorn aircraft in the garden of Barnes House, September 1917: seen from outside the garden wall with a street or path - almost certainly Barnes Walk - in the foreground, and a cottage with dormer windows on the left. Schoolboys are standing about.135 x 100mm, sepia print on paper, creased.
PH/S.IVE/BarnesW/04Barnes Walk looking east: with the garden wall of Barnes House on the left and the trunks and foliage of mature trees in a row along the right.100 x 70mm, print on postcard.
PH/S.IVE/Bdge.FtSee also PH/S.IVE/Mill.
PH/S.IVE/Bdge.Ft./01Bridge Foot looking north towards the bridge, with the Dolphin Hotel on the left and the bridge chapel in the background; much traffic waiting at the traffic lights on the bridge.155 x 110mm, print on paper.
PH/S.IVE/Bdge.Ft/02Bridge Foot looking north towards the Dolphin and the White Horse: the Dolphin is on the left with its stable block still standing and the 18th-century Bridge House behind it; on the right is the White Horse Tap building. The old toll booth stands in front of the Dolphin on the left, still apparently in quite good repair.80 x 120mm, print on paper.
PH/S.IVE/Bdge.Ft/03Bridge House, the 18th-century house on the west side of Bridge Foot (since demolished), seen from the north side of the river: shows the building's bottom storey, often hidden in photographs taken from east of the bridge, and the outbuildings to the west of it. The bridge piers are on the left and a cabin cruiser is passing under the bridge; trees not in leaf.80 x 120mm, print on paper.
PH/S.IVE/Bdge.Ft/04The landing stage for the Dolphin Hotel seen from the other side of the river: river in the foreground with outbuildings of Bridge House in the background (cf PH/S.IVE/Bdge.Ft/03). Two wooden-hulled cabin cruisers are moored at the landing, which has notices saying "The Dolphin" and "Fully Licensed". Trees in leaf, including a row of them on the west of the site, against Hemingford Meadow.80 x 120mm, print on paper.
PH/S.IVE/Bdge.Ft/05A corner of the inn yard of the White Horse, on the east side of the road at Bridge Foot: the angle between two ranges of the building with a Wistaria growing over a lean-to roof; barrels and flower pots standing about, and a boot scraper.240 x 165mm, screened sepia print on paper, torn at the corners.
PH/S.IVE/Bdge.Ft/06The White Horse Inn yard, showing a range of buildings on two sides of the yard including outbuildings and a barn; part of the inn covered with a Wistaria; various people in 19th-century costume are posing for the picture, including three men sitting in an open horse-drawn carriage.150 x 200mm (top corners rounded), faded sepia print mounted on card.
PH/S.IVE/Bdge.Ft/07The left half of the Thomas Telford drawing of St Ives Bridge and the New Bridges: an elevation and section above, plan below.100 x 125mm, colour transparency.
PH/S.IVE/Bdge.Ft/07 (contd.)
PH/S.IVE/Bdge.Ft/08The right half of the Thomas Telford drawing of St Ives Bridge and the New Bridges: an elevation and section above, plan below.100 x 125mm, colour transparency.
PH/S.IVE/Bdge.Ft/08 (contd.)
PH/S.IVE/Bdge.StDating photographs of Bridge Street:The very tall telegraph poles were there by May 1908, as they appear in a picture of floods in that month (PH/HEM/G/48). They were still there in June 1953 (PH/S.IVE/Bridge/54) but gone by the time of the traffic congestion photographs (e.g. PH/S.IVE/Bdg
PH/S.IVE/Bdge.St/01An engraving of Bridge Street showing the bridge to the right, the Manor House and buildings in the background with Bridge Street in front. Boats on the river in the foreground.60 x 90mm, sepia print on paper mounted on card.
PH/S.IVE/Bdge.St/02Bridge Street looking south from near the corner of Merryland: the street is cobbled and crowded with people (many looking at the camera), horses and carts, with shop wares piled up by the kerb; one of the carts is marked "Great Eastern Railway Company". Kiddle's shop is on the left with Hill on the right, on the corner of Merryland. The bridge chapel with its extra storeys is in the background.165 x 215mm, print on paper.
PH/S.IVE/Bdge.St/03Bridge Street looking south from the same position as PH/S.IVE/Bdge.St/02, and probably taken on the same occasion as one of the horses and carts looks the same in both pictures.160 x 215mm, print on paper.
PH/S.IVE/Bdge.St/04Bridge Street seen from the bridge: a summer scene with the tree by the bridge foot in leaf (and blown by the wind); crowds of people, and horses and carts, in the street; the Crown at the far end seems to have no black cross on it and the 1887 Post Office is built; the town clock is still there.160 x 215mm, print on paper.
PH/S.IVE/Bdge.St/05Bridge Street looking south from near the corner of Merryland: people and horse traffic in the street, sunlit on the right with shadow on the left (so taken in the morning); similar to PH/S.IVE/Bdge.St/02-03 but with some differences of detail.160 x 215mm, print on paper.
PH/S.IVE/Bdge.St/06Bridge Street, looking north from near the bridge with a few people standing about; two of the shops are flying big flags - could this be shortly after or shortly before a jubilee celebration or similar? The 1887 Post Office is built. The picture is blurred round the edges and with a crack across it from the glass plate.160 x 215mm, print on paper.
PH/S.IVE/Bdge.St/07Bridge Street loking north from the bridge, showing the street decorated with flags and bunting for the 1897 Jubilee; many people and some horses and carts standing in the street. The 1887 Post Office is built (it was built in autumn 1887 so this must be the 1897 Jubilee); the Crown has its black cross with C. Smith's name painted on it in white.160 x 215mm, print on paper.
PH/S.IVE/Bdge.St/08Bryant and Bryant's shop in Bridge Street decorated for one of the Jubilees (1887 or 97): two-storey building with pediment in front of the pitched roof and a gas lamp on the pavement in front; many flags, some of which show the Queen as a young woman; women's faces at some of the upstairs windows and a boy standing on the pavement to the left of the shop.150 x 205mm, sepia print mounted on card. Given to the Museum framed - the frame removed (but kept) August 1999.
PH/S.IVE/Bdge.St/09a-bBridge Street looking north: people are standing on the cobbled street, including a child in a pram; rough shop awnings on the left (sunny) side, so the picture was taken in the morning or early afternoon. The cross on the Crown is visible and the 1887 Post Office has been built, but there are no tall telegraph poles.130 x 185mm, screened prints on paper.
PH/S.IVE/Bdge.St/10Bridge Street looking south from near the Crown: people, shop wares and horse-drawn vehicles on the cobbled street, including two lady cyclists in long skirts and blouses; a bundle of roach poles is leaning against the street lamp on the corner of Merryland with a town pump visible on the right. A horse and cart waits outside Kiddles on the left - the horse has been identified as the Kiddles' "Tommy", perhaps by Robin Kiddle but I can't remember who told me.150 x 205mm, screened print on paper.
PH/S.IVE/Bdge.St/11Bridge Street looking north from near the Manor House: horses and carts in the street and a boy on a bicycle in the foreground; a Wadsworth cart loaded with Wadsworth boxes on the left. The cross on the Crown is visible, the 1887 Post Office is built, but there are no tall telegraph poles.80 x 140mm, screened sepia print on postcard.
PH/S.IVE/Bdge.St/12Bridge Street looking north from near the south end: with people, horse-drawn vehicles and a bicycle, one man cleaning the street with a shovel, a waggon with barrels in the foreground.75 x 125mm, screened print on postcard.
PH/S.IVE/Bdge.St/13Bridge Street looking north from the bridge: people and horse-drawn vehicles in the street, a man leaning on the bridge parapet in the right foreground, the tree beside the Manor House on the left.90 x 130mm, screened print on postcard with printed colours added.
PH/S.IVE/Bdge.St/14Bridge Street looking north: bicycles, horse-drawn vehicles and people in the street; shop fronts on the east side shown quite clearly; the very tall telegraph poles have now been erected, the clock tower is still standing.80 x 135mm, screened sepia print on postcard.
PH/S.IVE/Bdge.St/15Bridge Street looking north from near the Manor House: a group of women, prams and children in the left foreground, a horse and cart in the middle of the street and a motor car parked in the left background; the Manor House has its new stone facing on the ground floor and the tall telegraph poles have been put up, the clock tower is still standing.75 x 130mm, screened sepia print on postcard.
PH/S.IVE/Bdge.St/16Bridge Street looking south from about half-way along the east side: showing the Manor House with its stone facings, advertising slogans written on the front of the Globe, and cigarette advertisements protruding from shops on the east side; tall telegraph pole by the bridge, extra storeys still on the chapel.80 x 130mm, screened sepia print on postcard.
PH/S.IVE/Bdge.St/17The Manor House and Bridge Street looking north from one of the refuges in the middle of the bridge: a horse and cart in the street and a group of children by the Manor House watching the photogapher; the tall telegraph poles are there (and the line of them beyond Crown Street can be seen clearly), the clock tower is still standing; the tree beside the Manor House has gone and the paving where it used to stand and the stone facing on the house all look very new.90 x 140mm, sepia print on postcard.
PH/S.IVE/Bdge.St/18a-cThe clock tower close to the north end of Bridge Street being demolished in August 1922: the tower is still standing but the roof has been taken off the building in front of it; a furniture showroom (Kiddle's) is on the ground floor with "Carpets Bedding and Furniture" painted on the first floor. Three demolition men stand among the roof timbers and Mr Edward Kiddle stands on the pavement in front.a) 155 x 110mm, print mounted on card; b) 150 x 115mm, print mounted on card; c) 135 x 80mm, print on postcard.
PH/S.IVE/Bdge.St/19a-bThe shop next to the town clock being demolished in August 1922: the roof and most of the upper storey gone, the shop front (marked "N.A. Waldock") still intact; Edward Kiddle standing in front, buildings and the Free Church spire behind.155 x 110mm, prints mounted on card.
PH/S.IVE/Bdge.St/20Bridge Street in the 1960s, looking north from the bridge: cyclists, vans and cars are driving north along the street while a queue of southbound traffic waits at the traffic lights; there are also traffic lights pointed down the quay.110 x 155mm, print on card.
PH/S.IVE/Bdge.St/21Firemen damping down after a fire at The Mews (nos. 24-26 Bridge Street), on the west side of the street in April 1977; wreckage on the pavement, firemen and a fire pump to the right, shop fronts along part of the street visible.195 x 240mm, print on paper.
PH/S.IVE/Bdge.St/22a-cA Bronze Age spearhead shown on a white background with a measuring tape below it.a) 145 x 210mm, print on paper; b-c) 130 x 210mm, two prints on paper.
PH/S.IVE/Bdge.St/23Barton's chemist's shop, 10 Bridge Street, soon after it closed down in 1987: three-storey brick building with restored parapet, Barton shop front still in position but bottles etc. gone from the windows, Shop For Sale sign on the first floor.205 x 150mm, print on paper.
PH/S.IVE/Bdge.St/24Bridge Street, looking north from the Bridge: the town clock has gone and the tall telegraph poles are in position; there are cars parked in the street and petrol pumps on the right side, with "Bridge Garage" painted at the top of the frontage beside them, No. 19, present-day West End DIY; as well as the telegraph poles there is a tall object above the shops on the left side - an aerial? a flagpole? The cars suggest a date c. 1930-50.85 x 135mm, sepia print on postcard.
PH/S.IVE/Bdge.St/25Bridge Street in the 1920s, from the north: looking down the street from an upper room of the Crown, with shops to left and right, the tall telegraph poles down the left side of the street, the bridge chapel (with extra storeys) at the far end, and cars, carts and bicycles on the street; in the right foreground, someone is sitting in a chair on the corner of Merryland - is it a wheelchair?65 x 80mm, print on paper.
PH/S.IVE/Bdge.St/26Bridge Street from the south c.1910, looking from the end of the bridge, with shops on either side, the tall telegraph poles and the town clock on the right side, the refaced Manor House in the left foreground; people and horses and carts in the street.85 x 135mm, screened sepia print on postcard.
PH/S.IVE/BridgeDating photographs of the bridge and chapel:The tollbooth in the bridge refuge, next-but-one south of the chapel, was there at least until October 1898 - it's referred to in the present tense in Hunts County News 29.10.1898 p.8.
PH/S.IVE/Bridge/01The bridge and chapel seen square-on from the downstream side, the chapel with the extra storeys; the toll booth with chimney is visible towards the left of the bridge and there is a small structure on the chapel balcony, perhaps a dog kennel or wood sheed. Gas lights on the bridge, the Manor House and outbuildings of the Dolphin visible behind.150 x 205mm (rounded corners), sepia print mounted on board.
PH/S.IVE/Bridge/02The bridge and chapel seen from the Quay, the chapel with the extra storeys; a wooden railing in the foreground; the tollbooth just visible.100 x 150mm, sepia print mounted on card.
PH/S.IVE/Bridge/03The bridge and chapel, upstream side, seen from the south bank, showing chapel with extra storeys; buildings on the Quay visible beyond the bridge.90 x 130mm, sepia print on paper mounted on card.
PH/S.IVE/Bridge/04The view across the river just upstream from the bridge, looking from the Dolphin to the Manor House with the bridge on the right side: ribs under the bridge arches clearly visible.100 x 150mm, sepia print mounted on card.
PH/S.IVE/Bridge/05a-bThe bridge and chapel, downstream side, seen from the far end of the Quay; chapel has extra storeys and the tollbooth is still on the bridge; buildings at either end of the bridge are visible, also those on the Quay including the Ship Inn with its sign still up; rowing boats and a punt are moored to a wooden jetty in the foreground.105 x 150mm, sepia print mounted on card; 65 x 100mm, sepia print on paper (slightly cut down version of a).
PH/S.IVE/Bridge/06a-cThe bridge and chapel, downstream side, seen from square-on perhaps from a boat, the railway bridge or the "Island"; extra storeys on the chapel and the tollbooth on the bridge; buildings to left and right of the bridge, including those on the quay, with the Ship Inn signboard just visible.a) 70 x 100mm, sepia print on paper; b-c) 60 x 95mm, sepia prints hand coloured and mounted on card.
PH/S.IVE/Bridge/07The bridge and chapel, downstream side, the chapel with extra storeys and the tollbooth on the bridge. This is probably the same image as PH/S.IVE/Bridge/01.60 x 95mm, sepia print mounted on card.
PH/S.IVE/Bridge/08The bridge and chapel, downstream side, seen square-on; extra storeys on the chapel and tollbooth on the bridge; buildings left and right of the bridge and a boat in the right foreground. Trees in leaf.60 x 95mm, sepia print mounted on card.
PH/S.IVE/Bridge/09The bridge and chapel, downstream side, seen from near the end of the Quay; the chapel has extra storeys but the tollbooth is gone from the bridge; Bridge House on the left and part of the Quay on the right. Trees in leaf.60 x 85mm, sepia print on paper.
PH/S.IVE/Bridge/10The bridge and chapel seen from the Quay, the chapel with its extra storeys; Bridge House behind and wooden railings on the edge of the Quay.60 x 85mm, sepia print on paper.
PH/S.IVE/Bridge/11The bridge and chapel seen from Hemingford Meadow, showing most of the upstream side of the bridge with buildings on the north bank of the river, including the Manor House; the chapel has its extra storeys and a tall telegraph pole is at the end of Bridge Street.65 x 80mm, print on paper.
PH/S.IVE/Bridge/12The bridge and chapel, seen from downstream on the south bank, with a cloth-capped man in a rowing boat in the foreground; the Broadway brewery chimney, the Manor House and a tall telegraph pole on the north bank, and a half-timbered ?summerhouse and fence on the south bank.60 x 80mm, print on paper.
PH/S.IVE/Bridge/13The bridge and chapel seen from the Quay, Bridge House to the left and Manor House and part of the Quay to the right; the chapel has its extra storeys, the tollbooth has gone from the bridge and there is a very tall telegraph pole at its north end.75 x 100mm, print on paper.
PH/S.IVE/Bridge/14a-bThe bridge and chapel seen from the far end of the Quay, the chapel with its extra storeys and the tollbooth still on the bridge; Manor House partly visible on the right and Bridge House and the White Horse to the left - the latter's gabled frontage very clear and with a greenhouse on the river bank.140 x 195mm, sepia prints on paper.
PH/S.IVE/Bridge/15a-bThe bridge and chapel, upstream side, showing the tollbooth, extra storeys on the chapel, houses to the left and the Free Church spire behind; timber structures in front of the bridge piers; woman wearing hat in rowing boat near bank.145 x 210mm, sepia print on paper (part of left of picture removed); 150 x 200mm, sepia print on paper.
PH/S.IVE/Bridge/16a-cThe bridge and chapel in April 1897, seen from the Quay, with extra storeys on the chapel and the tollbooth on the bridge; part of the Manor House on the right, Bridge House and part of the White Horse on the left; part of a boat in the foreground.105 x 160mm, print on paper; 105 x 150mm, two sepia prints on paper.
PH/S.IVE/Bridge/17The bridge and chapel, downstream side, seen probably from the railway bridge: chapel with extra storeys, tollbooth still on the bridge, a low telegraph pole at the right-hand end of the bridge; parish church spire and Houghton Hill in the background; prominent in the foreground is a curious punt with a large cabin on it. Washing on the chapel balcony.140 x 190mm, print on paper with colours added, mounted on card.
PH/S.IVE/Bridge/18The bridge and chapel, upstream side, seen from Hemingford Meadow; extra storeys on the chapel, tall telegraph pole at north end of bridge; rowing boat and canoe on the river.315 x 210mm, screened print on thin card.
PH/S.IVE/Bridge/19a-cThe bridge and chapel, downstream side; extra storeys on the chapel, tollbooth gone from the bridge; Bridge House on the left; what seem to be pot plants on the chapel balcony and perhaps a fishing rod.175 x 290mm, screened print on very large postcard; 65 x 140mm, screened print on postcard; 50 x 80mm, screened print on one end of a postcard.
PH/S.IVE/Bridge/20The bridge and chapel, downstream side, seen from the south bank; extra storeys on the chapel; the Manor House in the background with tall telegraph pole at the north end of the bridge; clear reflections in the still water.140 x 110mm, screened print from a newspaper mounted on card.
PH/S.IVE/Bridge/21a-dThe bridge and chapel, downstream side, seen from the "Island"; chapel with extra storeys, tollbooth gone from the bridge, low telegraph pole at north end of bridge; buildings on the river front of Wellington Street in the right foreground, with rowing boats and a jetty, people in costume of c.1900? The house at the corner of Bridge Street and the Quay has scaffolding round it and seems to be actually under construction.155 x 200mm, screened print on paper; 80 x 130mm, two prints on paper; 60 x 85mm, print cropped to a rough oval on a postcard.
PH/S.IVE/Bridge/22 a-cThe bridge and chapel from downstream with house to the left and part of the Quay and the Manor House to the right; extra storeys on the chapel, the tollbooth gone from the bridge, low telegraph pole at the north end of the bridge.a-b) 85 x 135mm, sepia prints on postcards; c) 65 x 125mm, screened print on postcard, vignette.
PH/S.IVE/Bridge/23a-dThe bridge and chapel from downstream, seen from the Quay, with the 18th-century house on the far bank and part of the Quay in the foreground with a boy on it; swans on the river. The chapel has the extra storeys, the tollbooth is gone from the bridge.a) 90 x 135mm, screened sepia print on postcard; b) the same with printed colours added; c) 80 x 135mm, screened sepia print on postcard; d) 20 x 30mm, screened print (oval) with green surround.
PH/S.IVE/Bridge/24The bridge and chapel, downstream side, seen from the "Island"; extra storeys on the chapel, tollbooth still on the bridge, low telegraph pole at north end of bridge; trees hide buildings on the south bank, Manor House and Quay visible on the right; rowing boats and sailing dinghies moored in the river in the foreground.130 x 185mm, screened print on paper.
PH/S.IVE/Bridge/25The bridge and chapel, downstream side, seen from the "Island"; extra storeys on the chapel, tollbooth gone from the bridge, low telegraph pole at its north end; buildings visible to right and left of bridge, including riverfront houses etc. behind Wellington Street; a boy poling a punt in the foreground.75 x 200mm, screened print on paper mounted on brown paper.
PH/S.IVE/Bridge/26The bridge and chapel, downstream side, seen from the railway with the "Island" in the foreground (with signs of boatbuilding on it); extra storeys on the chapel, tollbooth still on the bridge, low telegraph pole at its north end; buildings to left and right of bridge, big chimney in Wellington Street - a winter scene with bare trees.110 x 155mm, sepia print on paper.
PH/S.IVE/Bridge/27The bridge and chapel, downstream side; extra storeys on the chapel but tollbooth gone from the bridge; Bridge House to the left, two people in a rowing boat in the foreground.65 x 120mm, screened sepia print on postcard.
PH/S.IVE/Bridge/28The bridge and chapel, downstream side; extra storeys on the chapel, tollbooth gone from the bridge, very tall telegraph pole at its north end; the Manor House and part of the Quay to the right, washing hanging on the chapel balcony railings, children on the Quay.80 x 130mm, screened sepia print on postcard.
PH/S.IVE/Bridge/29The bridge and chapel, downstream side, with parts of the buildings to right and left and a bit of the Quay in the foreground; chapel has extra storeys, the tollbooth is gone from the bridge, low telegraph pole at its north end.70 x 140mm, screened print on postcard with colours added.
PH/S.IVE/Bridge/30The bridge and chapel, downstream side, seen from the Quay; Bridge House in the background; chapel has extra storeys and the tollbooth is still on the bridge; there are wooden railings along the part of the Quay nearest the bridge; a winter scene - trees without leaves and the river quite high.80 x 130mm, screened sepia print on postcard.
PH/S.IVE/Bridge/31The bridge and chapel, downstream side, seen from the Quay; chapel has extra storeys and the tollbooth is still on the bridge; Bridge House in the background; a summer scene with the river lowered and the foundations of the bridge piers exposed; there seem to be coats or clothes on the Quay wall, perhaps left by boaters or bathers.45 x 65mm, screened print on a postcard, also showing a view of Holywell.
PH/S.IVE/Bridge/32The bridge and chapel, downstream side, seen from the "Island"; extra storeys on the chapel, tollbooth on the bridge; buildings to left and right of the bridge and moored lighters across the foreground, a sailing dinghy behind them.65 x 90mm, screened oval print on paper.
PH/S.IVE/Bridge/33The bridge and chapel, upstream side, seen from Hemingford Meadow, with grass in the foreground, bare trees on the right, Manor House and houses on the Quay on the left; tall telegraph pole beside the Manor House; chapel has extra storeys; small boat moored by steps beside the Manor House.300 x 250mm, sepia print mounted on card.
PH/S.IVE/Bridge/34One of the bridge arches, seen from close to on the downstream side and with the camera very close to the water, presumably in a boat; one of the pointed-topped arches - probably the one north of the chapel; with the Holt Island and parish church behind.230 x 300mm, sepia print mounted on card.
PH/S.IVE/Bridge/35The bridge and chapel, downstream side, seen from the present-day Masonic Lodge; extra storeys on chapel, tollbooth gone from the bridge, low telegraph pole at its north end; Bridge House on the left, Manor House and part of Quay on the right; a winter scene - trees leafless and the river quite high.155 x 205mm, print on paper.
PH/S.IVE/Bridge/36The bridge and chapel, downstream side, seen from the Quay; extra storeys on chapel, tollbooth still on the bridge; Bridge House on the left and the Manor House and part of the Quay on the right, wooden railings near the bridge end of the Quay; a winter scene - trees leafless and the river high.160 x 210mm, print on paper.
PH/S.IVE/Bridge/37The bridge and chapel, downstream side, seen from the "Island"; extra storeys on the chapel, the tollbooth SEEMS to have gone from the bridge but the picture is too dark to be sure; buildings to the right including the river side of Wellington Street, the Quay and the Manor House; picture dark and with top right corner lost.160 x 210mm, print on paper.
PH/S.IVE/Bridge/38The bridge and chapel, upstream side, seen from Hemingford Meadow; extra storeys on the chapel, tall telegraph pole at the north end of the bridge; the Manor House and buildings on the Quay on the left.160 x 210mm, print on paper.
PH/S.IVE/Bridge/39The bridge and chapel, upstream side, seen from Hemingford Meadow; extra storeys on the chapel, tall telegraph pole at the north end of the bridge; grass and reeds in the foreground, the Manor House and other buildings to the left, a man in a punt just visible through one of the bridge arches.210 x 160mm, sepia print on paper.
PH/S.IVE/Bridge/40The bridge and chapel, upstream side, seen from Hemingford Meadow; extra storeys on the chapel; Manor House and other buildings on the left, part of the Dolphin outbuildings on the right.40 x 85mm, sepia print on paper mounted on card, inside a Christmas card in an envelope.
PH/S.IVE/Bridge/41a-bThe bridge and chapel, upstream side, seen from Hemingford Meadow; extra storeys on the chapel, tall telegraph pole not yet erected at end of bridge; buildings to left and right, including the Manor House and Dolphin outbuildings; punt moored in the foreground.80 x 135mm, print on postcard; 90 x 135mm, screened print on postcard.
PH/S.IVE/Bridge/42The bridge and chapel, upstream side, seen from Hemingford Meadow; extra storeys on the chapel, no tall telegraph pole at end of bridge yet; buildings to left and right including the Manor House, people in two rowing boats in the foreground.70 x 140mm, print on postcard.
PH/S.IVE/Bridge/43The bridge and chapel, upstream side, seen from Hemingford Meadow; extra storeys on the chapel, tall telegraph pole at north end of bridge; buildings on the left including the Manor House.80 x 130mm, screened sepia print on postcard.
PH/S.IVE/Bridge/44a-bThe bridge and chapel, downstream side, seen from the Quay; extra storeys on the chapel, but the tollbooth has gone; Bridge House on the left and the Quay on the right, a boy or young man in a boat on the river and a woman in floor-length dress on the Quay.200 x 250mm, screened sepia print on card; 90 x 140mm, screened print on postcard.
PH/S.IVE/Bridge/45The Cambridgeshire hounds entering St Ives across the old bridge: looking along the bridge from its north end, with base of the tall telegraph pole and a gas lamp on the left, the chapel with extra storeys and Bridge House behind; the hounds, huntsmen and onlookers filling the roadway.85 x 135mm, screened print on postcard.
PH/S.IVE/Bridge/46The bridge chapel (with extra storeys) seen from the south; looking from one of the refuges on the east side of the bridge, with two young men in the refuge next to the chapel - clear details of the construction of the chapel and its upper storeys; the Manor House and part of the Quay in the background.60 x 100mm, sepia print on paper.
PH/S.IVE/Bridge/47The doorway of the bridge chapel soon after its restoration in 1930: showing the west wall of the chapel with the door and doorway, with the 1736 date stone used as the keystone; niche with boot scraper to the right.95 x 75mm, print on paper.
PH/S.IVE/Bridge/48The bridge and chapel, downstream side, seen from the Quay - probably soon after the 1930 restoration as the stonework of the chapel parapet looks cleaner than the rest of the building; the tall telegraph pole on the south bank is visible and the river level is very low, exposing the bridge foundations and a beach in front of the Quay.80 x 95mm, print on paper.
PH/S.IVE/Bridge/49The bridge and chapel, downstream side, seen from the Quay - a doctored photograph showing the chapel before the 1930 restoration but with the upper storeys removed from the picture to resemble its appearance after 1930; the north-east window has been retouched to resemble the restored tracery, the doctoring of the upper storeys is skilful but omits the stepped higher section of the parapet at the east end (and the reflection of the full three storeys in the water is a give-away!) Bridge House in the left background, steps and railings on the Quay clear in the foreground.85 x 135mm, screened sepia print on postcard.
PH/S.IVE/Bridge/50The bridge and chapel, downstream side, seen from the Quay - probably soon after the 1930 restoration as the stonework of the chapel parapet looks cleaner than the rest of the building; Bridge House on left, part of the Manor House and the Quay on the right, tall telegraph poles on each side of the river; the water very low, showing the bridge foundations and a beach in front of the Quay (see PH/S.IVE/Bridge/48).140 x 195mm, print on paper.
PH/S.IVE/Bridge/51The bridge and chapel, downstream side, after the 1930 restoration; from near water level, presumably photographed from a boat; the Manor House and a tall telegraph pole to the right, with the wooden railings along the end of the Quay; also a boy in a rowing boat.155 x 205mm, print on paper mounted on card.
PH/S.IVE/Bridge/52Children's procession over the bridge for the fishing event organised by the Cambridge Albion Angling Society, 20th August 1936: looking north across the bridge from above, presumably from an upper storey of Bridge House; grown-ups in front with a banner bearing the Society's name, followed by a huge crowd of children with fishing rods, some with union jacks.140 x 190mm, sepia print on paper.
PH/S.IVE/Bridge/52 (contd.)
PH/S.IVE/Bridge/53The bridge and chapel, downstream side, seen from the Quay; with cabin cruiser passing under the bridge and parts of moored boats visible on the right.90 x 130mm, colour print on postcard.
PH/S.IVE/Bridge/54The bridge and chapel floodlit to celebrate the coronation of Elizabeth II, June 1953: downstream side, seen from the Quay, with Bridge House to the left and tall telegraph poles to left and right of the bridge.160 x 210mm, print on paper.
PH/S.IVE/Bridge/55The bridge and chapel, downstream side, seen from the Quay; after the 1930 restoration; with Bridge House and part of the Manor House, two pleasure boats by the Quay, one of which seems to have sunk.85 x 135mm, screened sepia print on postcard.
PH/S.IVE/Bridge/56The bridge and chapel, downstream side, presumably photographed from a boat; with the Quay on the right with moored boats, a fisherman on one of them, floating weed in the foreground; black area at top of print due to a technical fault.120 x 165mm, print on paper.
PH/S.IVE/Bridge/57The chapel and the centre of the bridge, downstream side, with a four-oared boat in the foreground heading downstream with four people in it.115 x 165mm, print on paper.
PH/S.IVE/Bridge/58The chapel and most of the bridge (except the southernmost arches), downstream side; part of the Manor House and Quay on the right, moored rowing boats and punts in the foreground, wooden railings on the Quay and children at the bottom of the steps down to the water.115 x 165mm, print on paper.
PH/S.IVE/Bridge/59The bridge and chapel, downstream side, seen from the "Island"; trees to the left, Manor House and Quay to the right, tall telegraph poles on both sides; negative scratched.120 x 165mm, print on paper.
PH/S.IVE/Bridge/60The bridge and chapel, downstream side, seen from the "Island", with moored boats to the left, Manor House and Quay to the right, tall telegraph poles on both sides and rushes in the foreground.115 x 165mm, print on paper.
PH/S.IVE/Bridge/61The bridge and chapel, downstream side, seen from the "Island"; trees to the left, Manor House and Quay to the right, tall telegraph pole at the north end of the bridge, moored rowing boats by the Quay and part of a cabin cruiser or similar in the right foreground.120 x 165mm, print on paper.
PH/S.IVE/Bridge/62The chapel and the middle of the bridge, downstream side; in the foreground a large rowing boat being rowed by a small boy in shorts and singlet; trees behind on the south bank.120 x 165mm, print on paper.
PH/S.IVE/Bridge/63The bridge and chapel seen from the Quay, with Bridge House and trees in leaf behind, and a light-coloured saloon car parked on the Quay in the foreground, registration no. BPU 576. Date about 1950?, to judge by the car.170 x 220mm, print on paper.
PH/S.IVE/Bridge/64The bridge and the Bridge Foot seen from the spire of the Free Church, January 1996: buildings in the foreground, including the Manor House; the Dolphin and White Horse beyond the bridge, with fields visible as far as Hemingford Grey; Hemingford Meadow under flood water.130 x 180mm, colour print on paper.
PH/S.IVE/Bridge/65The bridge and chapel, seen from the Quay in the floods of ?1938: Bridge House and a tall telegraph pole on the far bank; the river level very high, not far short of the chapel balcony.105 x 165mm, print on paper.
PH/S.IVE/Bridge/66The bridge and chapel, seen from the south bank and the downstream side, with trees in the left foreground and the Manor House and part of Bridge Street and the Quay behind to the right; traffic lights at the junction of the Quay and Bridge Street; the brewery chimney behind the Broadway visible in the background.80 x 135mm, print on postcard mounted on card.
PH/S.IVE/Bridge/67The bridge and chapel upstream side, from beside the Dolphin cut on Hemingford Meadow: with the Manor House on the left and Lindsells outbuildings on the right, punt moored in the foreground; the chapel has the extra storeys on top.80 x 130mm, print on postcard with colours added.
PH/S.IVE/Broad.LPH/S.IVE/Broad.L/1-4 show the demolition of the school in Broad Leas in 1994, photographs taken by Don Betts.
PH/S.IVE/Broad.L/01Demolition of the school in Broad Leas, 1994: single-storey building with two-storey wing at one end; roof tiles removed and timbers exposed; white van parked on the left.100 x 150mm, coloured print on paper.
PH/S.IVE/Broad.L/02Demolition of the school in Broad Leas, 1994, showing exposed roof timbers, part of a gabled window, two lower windows and a section of the interior; bricks and rubble in the foreground, demolition lorry on the right.100 x 150mm, coloured print on paper.
PH/S.IVE/Broad.L/03Demolition of the school in Broad Leas, 1994, showing single-storey section with two windows and part of brick wall to the left. Bricks and rubble in the foreground with two men at work in front. Trees in the background.100 x 150mm, coloured print on paper.
PH/S.IVE/Broad.L/04Demolition of the school in Broad Leas, 1994, showing a few exposed timbers, part of walls and roof line; bricks and rubble to the right of the photo with a JCB to the left in the foreground.100 x 150mm, coloured print on paper.
PH/S.IVE/Broad.L/05Part of the interior of Rheola: a panelled room with carved wooden fire surround on the right, a pair of oars hanging above the panelling in the left background; much carved furniture, candlesticks on the sideboard, pictures and knick-knacks everywhere, a decorated carpet on the floor.180 x 265mm, sepia print on paper.
PH/S.IVE/Broad.L/06Part of the interior of Rheola: the same rooom as in PH/S.IVE/Broad.L/5 but this time looking directly at the carved wooden fire surround, with tables and chairs in front of it. Above the surround is a plaque with in relief "In this house, John Bunyan was once lodged; also John Wesley, on his first visit to this place in 1770".205 x 155mm, sepia print mounted on card.
PH/S.IVE/Broadwy/01a-dCattle being sold in the Broadway in or before 1886: looking west from the upper floor of the building at the east end of the street, with a crowd of cattle, men and boys on the cobbled street and a clear view of the buildings as far as the parish church. A remarkably clear and justly famous photograph.a-c) 450 x 600mm, sepia prints mounted on card; d) 165 x 215mm, faded sepia print mounted on card.
PH/S.IVE/Broadwy/01a-d (contd.)
PH/S.IVE/Broadwy/02a-bCattle being sold in the Broadway: a similar view to Broadwy/01, taken from the same place and perhaps on the same occasion, but a lot less clear - except for the buildings on the Waits which show clearly in sunshine.a) 155 x 200mm, print on paper; b) 90 x 140mm, faded sepia print on postcard.
PH/S.IVE/Broadwy/03a-dThe Broadway, looking west from near its east end: with wooden railings along the edge of the pavements (and iron posts with chains in the right foreground), suggesting that the cattle market is still being held there or has recently closed; buildings on both sides, fading to indistinctness at the far end, though the Victoria Memorial (1902) seems not to be there; cobbled surface, a few people standing around.a) 105 x 150mm, b-d) 60 x 90mm, all sepia prints mounted on card.
PH/S.IVE/Broadwy/04The Broadway, looking west from near the entrance of Crown Street: cobbled surface, with the wooden railings for the cattle market still in position; bright sunshine, with a shadow cast by the buildings behind the camera; the Cow and Hare's sign and sign bracket are in the right foreground.105 x 150mm, sepia print mounted on card.
PH/S.IVE/Broadwy/05The Broadway, looking west from near the entrance of Crown Street: cobbled surface, with the wooden railings on each side and carpenters at work in the right foreground; also a very long pole leaning against a building on the left side.60 x 95mm, sepia print mounted on card.
PH/S.IVE/Broadwy/06The Broadway, looking west from near the east corner: cobbled surface, no wooden railings and so presumably taken after the closure of the cattle market in 1886; a crowd of children in the right foreground watch the camera, several of them blurred by movement; signs on buildings on the right include "J.G. Clarke's Albion Printing Works" and a pictorial sign for the Unicorn.120 x 170mm, sepia print mounted on card.
PH/S.IVE/Broadwy/07The Broadway, looking west from near the entrance to Crown Street: cobbled surface, people standing round including one with a pram; the Unicorn pub sign seems to have gone, which would date the picture to 1894 or later; crack in the glass plate runs across the picture.150 x 180mm, print on paper.
PH/S.IVE/Broadwy/08The back yard of Russell's grocer's business, believed to be in the Broadway: a narrow yard with outbuildings on each side and the backs of the main buildings behind, the yard filled with men in long aprons and one in a suit; some damage and a crack on the glass plate at the bottom.150 x 210mm, print on paper.
PH/S.IVE/Broadwy/09The Broadway, looking east from near the west end: the Constitutional Hall is in the left foreground and the Victoria Memorial (1902) in the background; cobbled surface, two prams near the camera.160 x 100mm, print on paper.
PH/S.IVE/Broadwy/10a-bThe east end of the Broadway showing houses on both sides and into Crown Street and Merryland, with the Victoria Memorial in the middle.a) 90 x 135mm, screened coloured print on postcard; b) 100 x 160mm, print on paper copied from a postcard owned by Mr Wright, 24 Fairfield Crescent.
PH/S.IVE/Broadwy/11The Victoria Memorial seen from the entrance to Crown Street, with buildings on the south side of the Broadway clear in the background; cobbled surface, spectators standing round watching the camera.75 x 105mm, sepia print mounted on card.
PH/S.IVE/Broadwy/12The east end of the Broadway, looking east to Crown Street from the south side of the street, and showing the Victoria Memorial and the Cow and Hare.115 x 195mm, print on paper.
PH/S.IVE/Broadwy/13The Victoria Memorial, with the Broadway and the parish church seen behind it; several boys sitting or standing on the Memorial.140 x 90mm, screened sepia print on postcard.
PH/S.IVE/Broadwy/14The Victoria Jubilee Memorial at Sandown, Isle of Wight, from which the St Ives Memorial was copied: a stone column of identical design to the St Ives version except that the lamp on top is different - perhaps a later electric replacement? It stands in the middle of the street, with the large Sandown Hotel behind it.150 x 240mm, print on paper.
PH/S.IVE/Broadwy/15A drawing or print of the two buildings at the east end of the Broadway (site of the present-day Piggott's shop), with Crown Street behind; cobbled street, railings in front of the shops and no sign of the Victoria Memorial.110 x 160mm, print on paper.
PH/S.IVE/Broadwy/16A military parade in the Broadway: looking west from the upper storey of the building at the east end of the street, past the Victoria Memorial; soldiers march east along the street with well-dressed civilians on either side; buildings on either side of the street are shown clearly.75 x 100mm, sepia print on postcard.
PH/S.IVE/Broadwy/16 (contd.)
PH/S.IVE/Broadwy/17A parade in the Broadway, ?time of the First World War, involving fund-raising for hospitals or the Red Cross: looking east from a raised position near the west end of the street (?the window of York House), at a horse and cart filled with people, some in uniform, with a banner reading "Keep the Flag Flying, Defenders of our Flag"; buildings on the north side of the street show clearly, the Victoria Memorial is at the east end.85 x 135mm, sepia print on postcard.
PH/S.IVE/Broadwy/18A parade in the Broadway: men and women, some carrying flags, walking eastwards down the north side of the street, which is decked with flags and bunting.110 x 155mm, print on paper.
PH/S.IVE/Broadwy/19Wych House: the street façade with parts of the buildings to right and left and a street lamp in front.85 x 125mm, screened print on paper.
PH/S.IVE/Broadwy/20Festival of Britain celebrations in the Broadway, 1951: children dressed as Stone Age hunters perform in front of present-day nos. 16-24 (the old Ram on the left, Wych House on the right); the street is hung with flags and bunting and there is a seated audience on the right.115 x 160mm, print on paper.
PH/S.IVE/Broadwy/21Festival of Britain celebrations in the Broadway, 1951: children dressed as Stone Age hunters pursue a Mammoth; looking east towards Crown Street, with a large crowd, some of them on seats, and flags and bunting hung around. Quite clear views of some of the buildings.160 x 210mm, print on paper.
PH/S.IVE/Broadwy/22Festival of Britain celebrations in the Broadway, 1951: teenaged boys and girls in Victorian costume with an audience sitting and standing around, the street decorated with flags and bunting; in the background are some of the buildings on the south side of the street.115 x 160mm, print on paper.
PH/S.IVE/Broadwy/23The Broadway, looking west from the entrance of Merryland, with the Victoria Memorial prominent in the foreground.100 x 150mm, coloured print on postcard.
PH/S.IVE/Broadwy/24The east end of the Broadway, looking towards Crown Street and Merryland, with the Victoria Memorial, the Cow and Hare pub and various shops visible; also one of the very tall telegraph poles in Crown Street. The Broadway mostly set with cobbles or setts but with a ?tarmac carriageway laid over part of it.80 x c.120mm, sepia screened print on postcard, damaged
PH/S.IVE/Broadwy/25Mr and Mrs George Randall standing in the auditorium of the Regal Cinema: the picture looks forward over the rows of seats to the curtained screen in the background, Mr and Mrs Randall standing among the seats facing the camera - photographed towards the end of the cinema's life in the 1980s.305 x 380mm, print on paper.
PH/S.IVE/Broadwy/26Parade of decorated bicycles, part of the Jubilee celebrations held in the Broadway on 6th May 1935: three cyclists, a child and two teenagers, push their decorated bicycles past a large crowd; in the background is the entrance of Merryland and shops on the south side of the Broadway - Richardson's "?Scooter & Cycle Depot" and Claude S. Smith's "Fine Art and Antique Galleries" (present-day nos. 7 & 9 The Broadway).85 x 135mm, print on postcard.
PH/S.IVE/Broadwy/27The "Push Ball Competition", part of the Jubilee celebrations held in the Broadway on 6th May 1935: a group of men in their shirt-sleeves reach above their heads to handle a ball about 6 feet in diameter with "DAILY MAIL" painted on it several times; a large crowd looks on, with buildings on the north side of the Broadway in the background, from Wych House (present-day nos. 16-20) eastwards.85 x 135mm, print on postcard.
PH/S.IVE/Broadwy/28The children's fancy dress parade, part of the Jubilee celebrations held in the Broadway on 6th May 1935: a group of about 20 costumed children are marshalled by a woman in glasses and a cloche hat, with buildings on the south side of the Broadway in the background, including "The Broadway Fish Saloon" and a "Boats for Hire" sign.85 x 135mm, print on postcard.
PH/S.IVE/Chur.StSee also PH/S.IVE/Pa.Chur.
PH/S.IVE/Chur.St/01a-b"The Chestnuts", Church Street, seen from the south-east across Church Street: with creeper over the front of the house, a flimsy grille fence in front of the garden, a large horse chestnut in flower to the right of the house and a man in an overcoat standing in front of it; a glimpse of Westwood Farm, on the far side of Westwood Road, in the background.90 x 140mm, prints on postcards.
PH/S.IVE/Chur.St/02The former St Ives Vicarage (since demolished): a large house with many gables and chimneys, the garden wall dilapidated and an empty site in the foreground. I think this view is from the south-west, taken from Church Street near the end of Church Lane.80 x 120mm, print on paper.
PH/S.IVE/Chur.St/03No. 3 Church Street seen from the east: an L-shaped house with peach-coloured walls, white-painted sash windows and a roof of old tiles.105 x 150mm, colour print on two pages of paper.
PH/S.IVE/Chur.St/04The opening of the bathing place on 5th July 1913: looking from one side of the basin across to the north-east side, with changing sheds, flags flying and a crowd of people on the jetty; water polo goal in the foreground, the parish church and houses on theWaits behind.80 x 130mm, print on postcard
PH/S.IVE/Chur.St/05The bathing place: looking north-eastwards towards the church, with cloth screens in front of the changing sheds and a man standing by the entrance.75 x 130mm, sepia screened print on postcard
PH/S.IVE/Corn.ExSt Ives Corn Exchange can usually be recognized by its distinctive interior - notice the hanging lamps in the pre-1937 arrangement in particular. It was modernised in early 1937 and then changed in appearance - see Hunts Post 18.2.1937 p. 16 for a photograph of the new format.Some events in the Corn Exchange are more recognizable than others. The most distinctive was probably the "Delhi Durbar" bazaar of 11th-13th February 1904, with very elaborate costumes and decorations on an Indian theme. See PH/S.IVE/Corn.Ex/04-09 and r
PH/S.IVE/Corn.Ex/01The public luncheon in the Corn Exchange before the unveiling of the Cromwell Statue on Wednesday 23rd October 1901: looking towards the south end of the main hall, with flags hanging from the ceiling and a "Welcome" banner at the far end; many people sit at long tables, with food, floral decorations, menus etc.155 x 210mm, print mounted on card.
PH/S.IVE/Corn.Ex/02The public luncheon in the Corn Exchange before the unveiling of the Cromwell Statue on Wednesday 23rd October 1901: a similar view to PH/S.IVE/Corn.Ex/01, but food has now been cleared away and wine and beer are on the tables, so this picture was presumably taken at a later stage of the proceedings. Waiters and waitresses stand between the tables.150 x 250mm, sepia print mounted on card.
PH/S.IVE/Corn.Ex/03The public luncheon in the Corn Exchange before the unveiling of the Cromwell Statue on Wednesday 23rd October 1901: a similar view to PH/S.IVE/Corn.Ex/02 but from slightly further back, evidently taken at the same time as waiters etc. are in the same places.155 x 205mm, sepia print mounted on card.
PH/S.IVE/Corn.Ex/04a-bThe Literary Institute "Delhi Durbar" bazaar, February 1904, in the Corn Exchange: the opening ceremony on 11th February, looking north to the stage. A large crowd fills the hall and dignitaries on the platform include the mayor, Mr Brownlow; stalls are visible on the right side of the hall, which is elaborately decorated on an Indian theme; good details of faces and costume.155 x 205mm, print mounted on card; 300 x 390mm, print on paper with damaged edges.
PH/S.IVE/Corn.Ex/05A stall at the Literary Institute "Delhi Durbar" bazaar, held in the Corn Exchange in February 1904: exotically dressed ladies sit and stand in front of a stall labelled "Mrs Hankin and other ladies" with an Indian backdrop visible on the wall behind.200 x 150mm, print on paper.
PH/S.IVE/Corn.Ex/06A stall at the Literary Institute "Delhi Durbar" bazaar, held in the Corn Exchange in February 1904: four ladies, two of them in exotic costume, sit or stand in front of a stall labelled "Mrs C.H. Coote, Mrs G.D. Day, Miss K. Sadler, Miss B. Sadler"; the Indian backdrop for the event is visible behind the stall.200 x 150mm, print on paper.
PH/S.IVE/Corn.Ex/07A stall at the Literary Institute "Delhi Durbar" bazaar, held in the Corn Exchange in February 1904: four ladies in exotic costume sit or stand in front of a stall marked "Mrs Wheeler, Mrs Turner and other ladies", with the Indian backdrop on the wall behind.200 x 150mm, print on paper.
PH/S.IVE/Corn.Ex/08Helpers at the Literary Institute "Delhi Durbar" bazaar, 11th-13th February 1904: ladies and girls with two men, all in Indian costumes; the backdrop behind the stage is visible in the background.150 x 200mm, priint on paper.
PH/S.IVE/Corn.Ex/09A stall at the Literary Insitute "Delhi Durbar" bazaar, held in the Corn Exchange in February 1904: two ladies sit and four girls in costume stand in front of a stall marked "Miss Pattrick and other ladies", with the painted backdrop visible behind.200 x 150mm, print on paper.
PH/S.IVE/Corn.Ex/10a-bThe Free Church Bazaar in the Corn Exchange, November 1905: a crowd of people in the main hall, which is elaborately decorated; looking south and probably taken from the stage.150 x 200mm, print mounted on card; 150 x 200mm, print on paper.
PH/S.IVE/Corn.Ex/11The Wesleyan Bazaar in the Corn Exchange, March 1906: a crowd of people in the decorated main hall, looking north to the dignitaries on the stage, who include a clergyman.150 x 200mm, print on paper.
PH/S.IVE/Corn.Ex/12The Wesleyan Bazaar in the Corn Exchange, March 1906: ladies and exotically dressed girls on the stage at the north end of the main hall.150 x 200mm, print on paper.
PH/S.IVE/Corn.Ex/13The Eastern Counties Liberal Association luncheon in the Corn Exchange, 8th October 1908: looking south through the main hall with men sitting at rows of tables and a few waitresses standing between the tables; banners across the walls and a "Welcome" banner at the far end, the surnames of various politicians on placards on the side walls.160 x 205mm, sepia print mounted on card.
PH/S.IVE/Corn.Ex/14The rehearsal for a concert in the Corn Exchange, perhaps about 1910: a small orchestra is on the stage with choral singers behind and a few solo singers in front; pot plants at the front of the stage and chairs and benches for the audience in the foreground, with one lady sitting there.110 x 150mm, faded print on paper.
PH/S.IVE/Corn.Ex/15A Hospital Fair in the Corn Exchange, 1930: stalls with bric-a-brac and produce, a large gramophone advertising Miller's, people standing around including some in costume and headdresses.85 x 135mm, print on postcard.
PH/S.IVE/Corn.Ex/16Children at a tea in the Corn Exchange on the day of the Silver Jubilee, 6th May 1935: they are sitting at long tables with bread, cakes and jubilee mugs; seen from above, presumably the upper room at the south end of the building. Adults stand in the foreground and at the bottom left is a back view of Harry Cotton standing on a desk to take photographs.85 x 135mm, print on postcard.
PH/S.IVE/Corn.Ex/16 (contd.)
PH/S.IVE/Corn.Ex/17The Hospital Fair in the Corn Exchange, 1930: a stall in an openwork polygonal framework with crockery etc., various people presiding and milling around. ?Mervyn Coote at the left edge.85 x 135mm, print on postcard.
PH/S.IVE/Corn.Ex/18a-bThe front entrance of the Corn Exchange after its refurbishment in 1996 when the old metal roller shutter was replaced by a wooden door: seen from the outside with the stonework round the door and the fanlight above it.165 x 200mm, print on paper.
PH/S.IVE/Corn.Ex/19The St Ives Musical Society on the stage of the Corn Exchange as part of the coronation celebrations in May 1937: formally dressed men and women, some holding musical instruments, with rows of cinema-style seats in the foreground and a banner behind reading "God Bless Our King GR" above them.85 x 135mm, print on postcard.
PH/S.IVE/CouncilSEE ALSO PH/S.IVE/People/8, showing mayor Sir George Askwith and other council members in 1913-14.
PH/S.IVE/Council/01Read Adams, the first mayor of St Ives (1874-5): wearing the mayor's robe and chain, seated at a desk in an ornate setting with a tapestry foot stool and potted palms.280 x 235mm, print mounted on card.
PH/S.IVE/Council/02William Sparrow Harrison, mayor of St Ives 1914-17: three-quarter length portrait, in the mayoral robes and chain carrying his hat.145 x 100mm, sepia print mounted on card.
PH/S.IVE/Council/03Mrs Emily Harrison, wife of the mayor William Sparrow Harrison: three-quarter length portrait in formal black dress with pendant and lace collar.140 x 95mm, sepia print mounted on card.
PH/S.IVE/Council/04Group portrait of St Ives Borough Council 1933-35, showing councillors and officers standing and sitting in two rows in the garden of the Priory, with the house visible behind.205 x 285mm, print mounted on card.
PH/S.IVE/Council/04 (contd.)
PH/S.IVE/Council/05St Ives Magistrates' bench sitting in a courtroom - presumably the one in Priory Road - probably around 1930: nine men and one woman sitting at a long desk, with three other men and two police officers sitting or standing in the body of the court.220 x 295mm, print on paper.
PH/S.IVE/Council/06Head-and-shoulders portrait of Alderman F.M. Warren: in three-piece pinstriped suit with moustache and metal-rimmed spectacles.210 x 155mm, print mounted on card.
PH/S.IVE/Council/07The original members of the Chesterton and St Ives Joint Water Board, October 1941: 15 men in suits and ties, standing and sitting in two rows in front of a brick building with large doorway.185 x 245mm, print mounted on card.
PH/S.IVE/Council/08Opening the Michaelmas fair in October 1948: the mayor Cllr Robb and other councillors and officials, with two policemen, stand on a roundabout-type ride and watch children scrambling for the pennies that have just been thrown - the mayor in his hat and robes but the others in plain clothes; behind is the north side of the Broadway, with Deer's newsagents (No. 26-28) visible at the back left, with Muriel Deer leaning on her bicycle.155 x 210mm, print on paper.
PH/S.IVE/Council/08 (contd.)
PH/S.IVE/Council/09Opening the Michaelmas fair in October 1948: the mayor Cllr Robb and other councillors and officials, with two policemen, the mayor and some others now having a ride on the roundabout watched by a crowd; Muriel Deer still visible behind.160 x 210mm, print on paper.
PH/S.IVE/Council/10The Mayor and council of St Ives passing through the parish churchyard in 1913-14, occasion unknown: the mayor is Sir George Askwith, elected November 1913; to the right of the mayor is Alderman Ruston, to the left Alderman Anderson (his successor in the mayoralty); the procession is on the south side of the churchyard, emerging from the south porch.130 x 80mm, print on postcard.
PH/S.IVE/Council/11Civic Sunday, 4th June 1950: the Mayor, Cllr G.P. Radford, inspects a guard of honour of RAF and WRAF; the war memorial and buildings on the south side of the Market Hill visible behind.175 x110mm, print on paper
PH/S.IVE/Council/12Civic Sunday, 4th June 1950: a march-past by RAF personnel with Mayor Radford taking the salute from the base of the Cromwell statue - the Town Hall and Golden Lion visible behind.110 x 175mm, print on paper
PH/S.IVE/Council/13Civic Sunday, 4th June 1950: march-past by policemen and a band, with the Mayor and others standing round the base of the Cromwell statue; there are onlookers in the street and in the windows of the Town Hall.150 x 230mm, print on paper, light stain near the top
PH/S.IVE/Council/14Civic Sunday, 4th June 1950: the Mayor, Cllr G.P. Radford, walking past a parade of ?RAF cadets, with the buildings of the south side of the Market Hill visible behind.165 x 230mm, print on paper
PH/S.IVE/Council/15Civic Sunday, 4th June 1950: a march-past by firemen and scouts with Mayor Radford taking the salute from the Cromwell statue; buildings on the north side of the Market Hill visible behind.165 x 230mm, print on paper
PH/S.IVE/Council/16A group portrait of St Ives Borough Council in 1953, 19 men and two women (officers as well as councillors) sitting and standing in two rows in front of a house - Burleigh House on the Waits?; with D. Bryant in the mayor's robes, Rev Ballard his chaplain.205 x 290mm, print mounted on card.
PH/S.IVE/Council/17A group portrait of St Ives Borough Council in 1972: in two rows with part of the back of the Town Hall behind: in the front row sit the mayor (Peter Anderson) and deputy mayor (Bertie James) with town clerk Neville Godfrey and aldermen Mrs E. Cuttill, H. Werba, T. Burgess and E. Dansie; behind stand ten councillors, also officers F. Newton and G. Reeson; the councillors and town clerk all robed.220 x 370mm, print mounted on card.
PH/S.IVE/Council/18A group portrait of St Ives Borough Council in 1973-74: 30 men and women (staff as well as councillors) sitting and standing at the back of the Town Hall, with Alderman Bert Burgess in the mayor's robes, Mrs S. Phipps the deputy mayor and Rev Ballard the chaplain; the mace on a table in front of the mayor.205 x 155mm, colour print on paper.
PH/S.IVE/Council/19Councillor Bert Burgess, the last mayor of St Ives before local government reorganisation in 1974: half-length seated portrait in suit and tie and wearing the mayoral chain.210 x 150mm, print mounted on card.
PH/S.IVE/Council/20a-bA group portrait of the employees of St Ives Town Council, 11th February 1997: nine men and women standing and sitting in two rows in the Corn Exchange, with the stage and mural of the bridge behind them.a) 115 x 165mm, print on paper; b) 145 x 195mm, print on paper.
PH/S.IVE/Council/21The ceremony to give the St Ives Army Cadet Force the Freedom of St Ives, November 1998: in the Market Hill mayor John Davies (with the mace bearer, army officers and other councillors) takes the salute from a march past led by a band in dress uniform (scarlet tunics etc.).100 x 150mm, colour print on paper.
PH/S.IVE/Council/22A group portrait of St Ives Town Council in 1998: ten councillors with the mayor, deputy mayor, town clerk, chaplain and mace bearer, sitting and standing in two rows in the Council Chamber, against the west wall with the board listing the mayors behind them.155 x 200mm, colour print on paper.
PH/S.IVE/Council/22 (contd.)
PH/S.IVE/Council/23A group portrait of St Ives Town Council in 2000: 12 councillors with the mayor, deputy mayor, acting town clerk, chaplain and mace bearer, sitting and standing in two rows in the Council Chamber, against the west wall with the board listing the mayors behind them.150 x 200mm, colour print on paper.
PH/S.IVE/Council/24A group portrait of St Ives Town Council in late 2000 or early 2001: ten councillors with the mayor, deputy mayor, town clerk, chaplain and mace bearer, all in their robes, sitting or standing in two rows in the council chamber.230 x 290mm, colour print on paper.
PH/S.IVE/Council/25The Mayor and Mayoress, Mr and Mrs Douglas Bryant, presenting coronation mugs to two girls in the Corn Exchange in 1953: the two pigtailed girls in double-breasted coats, Mrs Bryant in lace gloves bending to give one of them a mug and Mr Bryant standing behind with a hand on one of the girls' shoulders; a half-seen man to the left.165 x 145mm, print on paper.
PH/S.IVE/Council/26The Mayor, Councillor H.S. (Dick) Turner, talks to two children dressed as Mickey and Minnie Mouse in the fancy dress parade during the Jubilee celebrations in the Broadway, 6th May 1935.85 x 135mm, print on postcard.
PH/S.IVE/Council/27The Mayor, John Johnson, and other councillors and officials at the unveiling of the Cross of Sacrifice on 11th November 1920: standing left to right are the Borough Surveyor Harold Softly, Cllr W.S. Harrison, Town Clerk G.D. Day, former Mayor Lord Askwith, Mayor Johnson in robe & chain, and Cllrs H.F. Corbett, C.H. Coote and G.G.G. Wheeler; most are on a raised platform with a table in front of them and a large wreath leaning against it, with buildings on the south side of the Market Hill behind them: the Red House and the since demolished no. 9.155 x 205mm, print mounted on card.
PH/S.IVE/Crown.WalkCrown Walk photographs are catalogued under East Street.
PH/S.IVE/Crwn.St/01a-bCrown Street, looking west from the junction with Bridge Street, probably in the 1880s: cobbled street with crates piled outside some shops, a horse and cart and a few people, heaps of horse droppings here and there. Ellis Norris's shoe shop in the left foreground, also with a sign "Herbert E. Norris Photographer", shoes hanging outside. The Royal Oak on the right and the Bullock Market railings in the background - so this must be before the market closed in October 1886 or not long afterwards.100 x 150mm, sepia prints on card.
PH/S.IVE/Crwn.St/02a-bBuildings on the north side of Crown Street, probably in the 1880s: looking from the junction with Bridge Street at the "Stone Hall" or "Old Court House", with part of the former Crown inn on the left and no. 21 Crown Street on the right; ground floor windows of the Old Court House are boarded up; men stand around and three children with a wheelbarrow.90 x 130mm, round-cornered sepia prints on card.
PH/S.IVE/Crwn.St/02a-b (contd.)
PH/S.IVE/Crwn.St/03a-bThe Old Court Hall in Crown Street shortly before its demolition about 1887, with ground floor windows boarded up and three children standing in front with a wheelbarrow: a blown-up copy of part of PH/S.IVE/Crwn.St/02.175 x 140mm,, slightly blurred sepia prints on paper.
PH/S.IVE/Crwn.St/04Crown Street decorated for the 1897 Jubilee: looking west from Market Hill with an unnamed bank (present-day Lloyds, No. 1 The Pavement) prominent on the right and the Temperance Hotel on the left - plainly empty and with a broken window. Streams of flags everywhere and lots of people, suggesting that this is the actual day of the Jubilee (22nd June).160 x 210mm, print on paper.
PH/S.IVE/Crwn.St/05The shop front of 25 Crown Street, Ulph and Ruston, probably photographed in the 1890s: two bay windows display ironmongery and bicycles and four bicycles are stood in front on the pavement; three aproned assistants, a boy and a man (the latter's head and chest blurred by movement) stand by them; "Ulph and Ruston" is in openwork over the door, with kettles hanging from it, and a penny farthing bicycle is above the shop-front.150 x 210mm, slightly faded sepia print mounted on card.
PH/S.IVE/Crwn.St/06The back of 25 Crown Street, F.T. Ruston's ironmonger's shop, after the explosion of the gunpowder safe on 12th May 1898: piles of wreckage in the foreground, with a badly damaged gable end behind, and the back of Johnson's grocer's shop (No. 23) relatively undamaged on the right.155 x 205mm, sepia print mounted on card.
PH/S.IVE/Crwn.St/07F.T. Ruston's ironmonger's shop, 25 Crown Street, probably shown at the end of the rebulding that followed the explosion in May 1898: upper part of the building much as today, three-storeyed with elaborate pediment and round-headed windows; scaffolding round the shop front, aproned workmen pose in front of it and on top of it; a bearded man standing with them may be Ruston himself (cf. portrait in Norris St Ives cuttings, November 1896); Johnson's grocer's shop, No. 23, on the left, and the edge of No. 1 The Pavement (then and now a bank) on the right.200 x 150mm, slightly faded sepia print on card.
PH/S.IVE/Crwn.St/07 (contd.)
PH/S.IVE/Crwn.St/08F.T. Ruston's ironmonger's shop, 25 Crown Street, decorated for the coronation of Edward VII in 1902: the upper storeys of the building as they are today, with the ground-floor shop front showing ironmongery in two bay windows; flags at various points, lamps round the windows and marking out "ER" and a crown, and pot plants along the top of the shop front; "F.T. Ruston & Son" on the fascia over the windows, and over the door "Agent to the County Fire Office and Provident Life Office founded 1806".195 x 130mm, sepia print mounted on card.
PH/S.IVE/Crwn.St/09The junction of Crown Street and Bridge Street, looking towards the old Crown Inn from Bridge Street, with a glimpse of the 1887 Post Office; a Whippet coach is manoeuvring round the corner from the eastern half of Crown Street.110 x 155mm, print on paper.
PH/S.IVE/Crwn.St/10The junction of Crown Street and Bridge Street, looking east, with the market and the Cromwell statue in the background; a Bedford lorry loaded with ?milk is turning out of Bridge Street to go east along Crown Street; a signpost "B1040 Potton" points south down Bridge Street; Bryant and Bryant shoe shop on the right.110 x 155mm, print on paper.
PH/S.IVE/Crwn.St/11The junction of Crown Street and Bridge Street, looking east, with a large bulk grain lorry turning east out of Bridge Street, a policeman directing traffic, and a young man on a small motorcycle (without crash helmet) turning west.110 x 155mm, print on paper.
PH/S.IVE/Crwn.St/12The junction of Crown Street and Bridge Street, looking east to the Market Hill where a market is in progress; a policeman is directing traffic and vans are approaching from the east; Kiddles are in the corner shop on the east side of Bridge Street, the 1887 Post Office is still in use and Newbon is next to it at No. 21 Crown Street.110 x 155mm, print on paper.
PH/S.IVE/Crwn.St/13Crown Yard, before the demolition of the old Crown inn in 1975: looking south towards the back of the Crown Street frontage of the former inn, with the Public Institution in the right foreground, and two horses and riders going down the roadway towards the arch leading to Crown Street; tall telegraph pole to the right of the arch.80 x 120mm, print on paper.
PH/S.IVE/Crwn.St/14The former Crown Inn on the morning of 19th June 1975 after the fire: the Crown Street frontage seen from Bridge Street, with a fire engine in front and firemen on the roof damping down; some smoke in the roof still.150 x 200mm, print on paper.
PH/S.IVE/Crwn.St/15Part of the former Crown Inn on the morning of 19th June 1975 after the fire: looking from the Bridge Street junction to the east end of the Crown Street frontage, with the 1887 Post Office and Newbon's shop behind; damaged shop fittings are in the street in the left foreground, a man in dungarees and a fireman stand on the right, a trailer is parked against the building (the Jackdaw shop in this part of the frontage) and firemen are on the damaged roof.200 x 150mm, print on paper.
PH/S.IVE/Crwn.St/16Part of the former Crown Inn on the morning of 19th June 1975 after the fire: inside Crown Yard, looking towards the south-east corner; the range of buildings running back from Crown Street on the east side of the Yard is damaged, with most of the roof gone; part of the back of the Crown Street frontage can be seen on the right and the side of the 1887 Post Office beyond; workmen and firemen in the foreground and part of a JCB digger.150 x 200mm, print on paper.
PH/S.IVE/Crwn.St/17Part of the former Crown Inn on the morning of 19th June 1975 after the fire: the south-east corner of Crown Yard, looking towards the entrance archway into Crown Street, with firemen hosing down the smoking roof of the range of buildings leading back from Crown Street on the east side of the Yard; a shop sign advertises the St Ives Record and Tape Centre.150 x 200mm, print on paper.
PH/S.IVE/Crwn.St/18The 1887 Post Office at No. 19 Crown Street, before its closure on 23rd March 1985 and subsequent demolition: a three-storeyed red brick building with two gables, side walls of (?cheaper) yellow brick, stone plaque below the gables and "1887" and "POST OFFICE" carved in stone at the top of the ground floor; part of Woolworth's, built on the site of the former Crown Inn, is on the left.110 x 90mm, colour print on paper.
PH/S.IVE/Crwn.St/19Part of the former Crown Inn: the part of the building to the west of Crown Yard, the opening to which can just be seen on the right of the photograph. There is a small shop to the left and workman are fitting a new shop front on the right, and looking out at the camera. No Waiting sign in front.160 x 210mm, print on paper
PH/S.IVE/Crwn.St/20Johnson's Grocer's shop, 23 Crown Street: the ground floor shop front with part of the two first-floor bay windows above, slate signs reading "Grocer", "Johnson" and "Tea Dealer" over the doors and windows, six male assistants in jackets and floor-length white aprons standing in front of the shop.75 x 100mm, sepia print mounted on card, torn across and repaired with sellotape.
PH/S.IVE/Crwn.St/21George Norris standing in the doorway of his shoe shop: a bearded, middle-aged man with white apron, his name over the shop windows and K shoes advertised in it, parts of the next-door shops visible to left and right.145 x 200mm, sepia print mounted on card.
PH/S.IVE/CStatue/01a-bThe model of the Cromwell statue - presumably the full-sized sculpture from which the bronze statue was cast: showing the figure from the right front, complete down to the statue base which stands on a construction of planks - the whole light in colour, presumably clay or plaster; plain background; no indication of scale but seems to be the full size of the finished statue.280 x 175mm, sepia print mounted on card; and 205 x 130mm, print on paper.
PH/S.IVE/CStatue/02The unveiling of the Cromwell statue on 23rd October 1901: seen from an upper window on the north side of Market Hill, with the statue still covered by a union flag; wreaths at the base and greenery hung round the lamps; a crowd all round and a platform behind with "Lest we forget" written above; the Mayor sits in the middle of the platform at a round table and behind him can be seen Bateman Brown; the Free Church behind.155 x 205mm, sepia print mounted on card.
PH/S.IVE/CStatue/03The unveiling of the Cromwell statue - the same scene as in PH/S.IVE/CStatue/02 but seen from ground level looking west along the Market Hill and with the flag now removed from the statue; crowds fill the street; the buildings round the south-west corner of the Market Hill are visible behind.105 x 205mm, sepia print mounted on card.
PH/S.IVE/CStatue/04The unveiling of the Cromwell statue - a similar scene and taken from about the same position as PH/S.IVE/CStatue/03; flags blow in the wind and there is a large crowd, some of whom turn to look back at the camera.200 x 355mm, sepia print on card in window top mount.
PH/S.IVE/CStatue/05a-bThe Cromwell statue seen from the right front, with the plinth and lamps round it, cobbled street; buildings on the Pavement and Crown Street visible behind, including the Corn Exchange and the chemist's shop with its pestle and mortar.210 x 150mm, sepia print mounted on card; 200 x 110mm, sepia screened print on "Giant Post Card".
PH/S.IVE/CStatue/06The Cromwell statue seen from the right front - a very similar view to PH/S.IVE/Cstatue/05 but taken from closer up; a "Star Brewery" dray can just be seen in Crown Street.290 x 185mm, print on "Giant Post Card".
PH/S.IVE/CStatue/07a-bThe Cromwell statue seen from the left front; behind it two delivery boys (one with a basket, the other pulling a trolley) stare at the camera; shops in the south-west corner of the Market Hill in the background.205 x 135mm, screened print on paper; 110 x 90mm, screened print on postcard.
PH/S.IVE/CStatue/08The Cromwell statue seen from the left front: a fairly distant view with the buildings in the south-west corner of the Market Hill visible behind.130 x 85mm, sepia screened print on postcrd.
PH/S.IVE/CStatue/09The Cromwell statue from the front right, with Crown Street and part of the Pavement behind.105 x 80mm, screened print on postcard.
PH/S.IVE/CStatue/10The Cromwell statue seen from the right front, with Crown Street and the Pavement behind; a horse and trap parked in the street to the right.140 x 90mm, sepia screened print on postcard.
PH/S.IVE/CStatue/11The Cromwell statue seen from the front, with the west end of the Market Hill and part of the Pavement behind.135 x 90mm, screened print on postcard with printed colours added.
PH/S.IVE/CStatue/12The Cromwell statue seen from the front, showing only the statue and a small part of the plinth, house roofs behind.140 x 100mm, colour print on postcard.
PH/S.IVE/CStatue/13The Cromwell statue seen from the right front, with the lamps round it and shops behind.195 x 145mm, sepia print mounted behind glass (originally part of a decorative box - the rest discarded).
PH/S.IVE/East.St/01a-eThe Pilgrim's Rest Almshouses (present-day 26-32 East Street), photographed by Herbert Norris on the day they were opened in 1885: the one-storeyed building seen from the front and slightly to one side, with woodwork, railings and the inscription in one gable all looking bright and new; the corner property in Crown Walk just visible to the right.110 x 145mm, sepia prints on paper, c-e) mounted on board; e) is faded but seems to be the same picture.
PH/S.IVE/East.St/01a-e (contd.)
PH/S.IVE/East.St/02The Pilgrim's Rest Almshouses (present-day 26-32 East Street), seen from more directly in front than PH/S.IVE/East.St/01.100 x 155mm, sepia print mounted on card.
PH/S.IVE/East.St/03Part of East Street during the flood of August 1912: looking eastwards from near the entrance of St John's Road (which can be seen on the left, with a grocer's shop on its eastern corner) towards the Almshouses and the entrance of Crown Walk. On the right, at the entrance to Cow and Hare Yard, is one of the very tall telegraph poles. There is a few inches of water in the street, children and adults standing around (some shod, some paddling barefoot) and a cyclist.80 x 130mm, sepia print on postcard.
PH/S.IVE/East.St/04a-bEast Street during the flood of August 1912: looking west from near the Almshouses (just visible on the right), with industrial buildings and the base of a tall telegraph pole on the left. Part of a woman on the right, people and a horse and cart in the background, also a cyclist who also appears in PH/S.IVE/East.St/03.80 x 130mm, sepia print on postcard.
PH/S.IVE/East.St/05a-cEast Street during the flood of August 1912: looking west from near the Almshouses, the railings of which are visible on the right. Part of the sign for an undertaker's business can be seen on the left, also the Cow and Hare sign and another pub sign in the distance. Children are paddling, most of them barefoot, and the water is several inches deep.90 x 135mm, prints on postcards.
PH/S.IVE/East.St/06a-bCrown Walk seen during the flood of August 1912: looking north from close to the south end, with houses on the right (east) side seen most clearly - then still bare brick, not rendered. Several inches of water in the street, planks laid down on the left side, and a group of children paddling, with a pram.90 x 140mm, prints on postcards.
PH/S.IVE/East.St/07The Pilgrim's Rest Almshouses after their restoration: seen from across East Street, showing the south and part of the east sides of the building, the brickwork cleaned and part of the new extension visible on the right. New office building to the left and houses in Crown Walk on the right.100 x 150mm, colour print on paper.
PH/S.IVE/East.St/08The Pilgrim's Rest Almshouses (present-day 26-32 East Street), seen from the front and slightly to one side, with woodwork, railings and the inscription in one gable all looking bright and new; the wall on the corner of Crown Walk and a small tree visible on the right.105 x 150mm, sepia print on card.
PH/S.IVE/East.St/08 (contd.)
PH/S.IVE/Fire.BrFor details of the 1929 fire engine and of the various fire stations, see the 1971 pamphlet published when the Ramsey Road fire station was opened; also temporary exhibition scripts for "St Ives People" (1998) and "Twentieth Century St Ives" (2000).
PH/S.IVE/Fire.Br./01The St Ives fire engine of 1929 in front of the Town Hall, with George William Allin (known as "Happy") in the driver's seat.90 x 140mm, print on postcard.
PH/S.IVE/Fire.Br./02a-bThe St Ives fire engine of 1929 in front of the Town Hall, with George William Allin (known as "Happy") in the driver's seat; 11 other men standing in front of it, all but two in fire brigade uniforms. The 11 men are (l. to r.) Ald. Joe Radford, unknown, Jim Peters, Dick Reynolds, Harry Dawson, two unknown, Harry Hinds, Bill Arnold, unknown, Mr S.J. Allen.85 x 135mm, prints on postcards.
PH/S.IVE/Fire.Br./03The St Ives fire engine of 1929 in front of the Town Hall, with eight brass-helmeted fireman sitting or standing on it and two more on a ladder against the Town Hall. Top man on the ladder is unidentified, below him is Dick Reynolds; James Wallis stands at the back of the fire engine, the three men on the far side of it are (l. to r.) unidentified, Bill Arnold, Harry Hindes; sitting on side nearest the camera are (l. to r.) Harry Dawson, Jim Peters and Harry Dawson junior; the driver is George William "Happy" Allin. A notice in the right-hand window of the Town Hall advertises "King & Gifford, Auctioneer Valuers Estate Agents".295 x 235mm, print mounted on card.
PH/S.IVE/Fire.Br/04The St Ives fire engine of 1929 in front of the fire station on the corner of White Hart Lane and East Street, taken when the station opened in 1938. The fire engine now has pneumatic tyres replacing the earlier solid ones, and a basketwork filter on its hose. Three men on the far side of the engine are unidentified, sitting on its near side are (l. to r.) Jim Peters, Bill Arnold, unknown; the driver is George Allin; standing in front of the engine are (l. to r.) two unknown, Mr Lavender (architect of the fire station), Ted Wilson, Harry Dawson, S.J. Allen.80 x 130mm, print on postcard.
PH/S.IVE/Fowell/01Fowell Engine No. 9, operated by Charles Longford of Fenstanton, shown belted up to a threshing drum at Hall Green, Fenstanton, with buildings behind, wheelbarrow in front, and men standing around.65 x 90mm, screened print on paper.
PH/S.IVE/Fowell/02Fowell Engine No. 12 shown with its oval engine plate in front of it, so presumably a posed picture taken soon after it was built; a house and a fence in the background but the setting not clear.90 x 130mm, print on paper copied from an original.
PH/S.IVE/Fowell/03Fowell Engine No. 90, at the Cromwell Works with men and boys standing on the engine and in front of it; the works buildings behind with wheels etc. standing about.80 x 130mm, print on paper.
PH/S.IVE/Fowell/04Fowell Engine No. 91 at the Cromwell Works - gleaming and new with the works buildings behind it.80 x 120mm, print on paper.
PH/S.IVE/Fowell/05Fowell Engine No. 93 at the Cromwell Works, with the works buildings behind.60 x 90mm, screened print on paper.
PH/S.IVE/Fowell/06Fowell Engine No. 90 at the Cromwell Works, with two men on the engine and the works buildings behind70 x 100mm, sepia print mounted on card.
PH/S.IVE/Fowell/07A group of workmen at Fowell's in 1918, standing and sitting in front of a traction engine with part of the Cromwell Works visible behind.60 x 105mm, print on postcard.
PH/S.IVE/Fowell/08Fowell Engine No. 97 ("Ironside", built 1907) crossing St Ives bridge pulling the mayoral party on a trailer for the 1977 Michaelmas fair: crossing from south to north, the engine in the foreground and part of the trailer visible behind; passengers include the mayor, ?Peter Fraser, and Sid Fisher of the Chamber of Commerce.190 x 240mm, print on paper.
PH/S.IVE/Fowell/09Fowell Engine No. 97 ("Ironside") pulling the mayoral party on a trailer, turning east into Crown Street from Bridge Street, with Bryant and Bryant shoe shop behind and the empty site of the old Crown visible on the right.190 x 240mm, print on paper.
PH/S.IVE/Fowell/10Fowell Engine No. 93 ("The Abbot") leaving St Neots on its way to a rally: looking down from above, so some good details of the machinery; two men and a young woman on the footplate, some spectators in the background.240 x 190mm, print on paper.
PH/S.IVE/Fowell/11A Fowell traction engine standing facing the left, probably photographed at the factory: a brick-built ?workshop can be seen behind it and a small placard stands on the ground in front of it with "Fowell & Son, St Ives, Hunts, [illeg.] traction engine". The engine plate includes the date "1892".370 x 525mm, sepia print. Cut down from its original size, apparently to remove damage to the edges.
PH/S.IVE/Fowell/11 (contd.)
PH/S.IVE/Fowell/12Fowell Engine No. 103 ("Cromwell") before restoration: unpainted and plainly in a poor state of repair, beside a trailer marked "Darby".100 x 150mm, print on paper.
PH/S.IVE/Fowell/13Fowell Engine No. 103 ("Cromwell") after restoration: painted and gleaming with the nameplate "Cromwell" on the boiler, Harold Darby standing at the controls.100 x 150mm, colour print on paper.
PH/S.IVE/Fowell/14Fowell Engines No. 103 ("Cromwell") and 92 ("Roundhead") at the sale of Tom Paisley's collection at Holywell in October 1980: the two engines side-by-side in a grass field with a hedgerow in the background.100 x 150mm, print on paper.
PH/S.IVE/Fowell/15Fowell Engine No. 101 bailing for the army during the First World War: the engine in the left foreground with engine driver at the controls and an army sergeant leaning against the wheel; beyond it two other workers, a fence and a cart; a copy of a foxed and not very clear original.100 x 150mm, sepia print on paper.
PH/S.IVE/Fowell/16Fowell Engine No. 101 probably driving a threshing drum in the 1930s: the engine seen from the right side with driver at the controls, a belt running off the right edge of the photo and a ladder leaning against the engine.100 x 150mm, print on paper.
PH/S.IVE/Fowell/17Fowell Engine No. 103 being restored by Harold Darby and Bill Kirby: two men in flat caps working on wooden battens laid across two oil drums while the engine with the wood round its boiler exposed, stands on the right; an unclear copy photo.100 x 150mm, colour print on paper.
PH/S.IVE/Fowell/18Fowell Engine No. 103 being restored by Harold Darby and Bill Kirby: two men in flat caps working on the mechanism above the boiler, the partly dismantled engine seen from the left side; an unclear copy photo.100 x 150mm, colour print on paper.
PH/S.IVE/Fowell/19Fowell Engine No. 103 after restoration: seen from the front, complete and gleaming, with the numberplate AH 5456 (cf PH/S.IVE/Fowell/14).100 x 150mm, print on paper.
PH/S.IVE/Fowell/20A Fowell engine - probably No. 101 - seen from the right side with an army sergeant, Fred Darby and his daughter standing in front of it; slightly distorted copy photo.100 x 150mm, print on paper.
PH/S.IVE/Fowell/21A Fowell engine, perhaps No. 101, driving a chaff cutter: the engine on the right of the picture with its driving belt connected to the cutter and a straw stack on the left, with nine men standing and facing the camera.100 x 150mm, sepia print on paper.
PH/S.IVE/Fr.Chur/01a-bRev Isaiah Knowles Holland in old age: sitting on a chair with a book on his lap; a table with a flower vase on the left of the picture, a half-curtained sash window behind him.a) 95 x 60mm, sepia print mounted on card; b) screened print on paper.
PH/S.IVE/Fr.Chur/02Rev Thomas Lloyd: head-and-shoulders portrait, full-face with folded arms; Rev Lloyd is balding and has side whiskers, but no moustache as in later pictures; small eyeglasses, high-cut waistcoat and coat.90 x 60mm, sepia print on card.
PH/S.IVE/Fr.Chur/03Rev Thomas Lloyd: miniature portrait, head only, three-quarter facing, with bushy moustache and dog collar.25 x 20mm, print set in oval mout on card decorated with printed birds and leaves.
PH/S.IVE/Fr.Chur/04Rev Thomas Lloyd photographed by Herbert Norris: a seated half-length portrait, at a table and holding a quill pen, wearing a dog collar and heavy coat.885 x 55mm, sepia print on card.
PH/S.IVE/Fr.Chur/05Rev Thomas Lloyd photographed by Herbert Norris: a seated three-quarter length portrait, sitting at a table with legs crossed, holding a book; wearing the same clothes as in PH/S.IVE/Fr.Chur/04 and perhaps photographed on the same occasion.140 x 95mm, sepia print on card.
PH/S.IVE/Fr.Chur/06a-bThe Free Church seen from across the Market Hill: with the Golden Lion on the left and houses and shops on the right; railings in front of the church with bushes behind them; the closk showing five past nine.150 x 105mm, sepia prints on card.
PH/S.IVE/Fr.Chur/07Rev A.C. Turberville photographed by Herbert Norris: head-and-shoulders portrait, full-face, showing young man with dog collar, fair hair brushed into a quiff, moustache.80 x 50mm, oval sepia print on card.
PH/S.IVE/Fr.Chur/08The Free Church seen from across the Market Hill; with the Cromwell statue in front, the Golden Lion on the left with its cab drawn up in front of it, and other shops including Rowell's to the right; there are railings and shrubs in front of the church; the clock shows quarter past eleven.140 x 90mm, screened print on postcard.
PH/S.IVE/Fr.Chur/09A print of Rev Isaiah Knowles Holland: three-quarter length portrait, seated in an armchair holding a paper and with books on the table behind him.165 x 115mm, print on paper.
PH/S.IVE/Fr.Chur/10Rev Thomas Lloyd: head-and-shoulders full-face portrait with the background faded out all round.165 x 115mm, print on paper.
PH/S.IVE/Fr.Chur/11Rev A.C. Turberville, minister of St Ives Free Church 1887-91: head-and-shoulders portrait of a young man with fair hair and a moustache.165 x 115mm, print on paper.
PH/S.IVE/Fr.Chur/12Rev D. Macfadyen, minister of St Ives Free Church 1892-96: head-and-shoulders portrait of a youngish man with dark hair and heavy moustache, wearing a collar and tie rather than a dog collar.165 x 115mm, print on paper.
PH/S.IVE/Fr.Chur/13Rev Albert Hooper, minister of St Ives Free Church 1904-16: head-and-shoulders portrait of a man with dark hair and deep moustache, wearing a dog collar.165 x 115mm, print on paper.
PH/S.IVE/Fr.Chur/14Rev John Phillips, minister of St Ives Free Church 1917-26: head-and-shoulders portrait of a middle-aged man, balding and greying with moustache and dog collar.165 x 115mm, print on paper.
PH/S.IVE/Fr.Chur/15Rev Nelson Bitton, minister of St Ives Free Church 1937-45: head-and-shoulders portrait of a bald, moustached man.165 x 115mm, print on paper.
PH/S.IVE/Fr.Chur/16Rev J.A. Figures, minister of St Ives Free Church 1946-48: head-and-shoulders portrait of a clean-shaven man.165 x 115mm, print on paper.
PH/S.IVE/Fr.Chur/17The deacons and minister of St Ives Free Church in 1892, in two rows outside the porch of the Priory: standing at the back are (left to right) J. Bryant, J. Mills, E. Norris, E. Geeson, H. Goodman, F. Warren and G.G.G. Wheeler; seated in front are W.H. Tysoe, Rev D. Macfadyen, J.B. Ulph and H. Weston.115 x 165mm, print on paper.
PH/S.IVE/Fr.Chur/18The earliest known licence for a nonconformist meeting-house in St Ives: elaborate handwriting starting "To the Right Reverend Father In God the Lord bishop of Lincoln . . .", and dated 26th August 1691.125 x 130mm, print on paper.
PH/S.IVE/Fr.Chur/19A page from the baptism books of Rev J. Jennings, minister of the Presbyterian Meeting House at St Ives 1742-57; with date "June 1748" at the top, it records the baptism of "Grace, Daughter of John Bosquain of St Ives Gent.", etc.180 x 125mm, print on paper.
PH/S.IVE/Fr.Chur/20A poster advertising the laying of the foundation stone of the Free Church on Tuesday 6th October 1863, the stone to be laid by Samuel Morley Esq. with an address by Rev Henry Allon.180 x 125mm, print on paper.
PH/S.IVE/Fr.Chur/21The Free Church seen from across the Market Hill; with the Cromwell statue in front, the Golden Lion on the left with its cab drawn up in front of it, and other shops including Rowell's to the right; there are railings and shrubs in front of the church; the clock shows quarter past eleven.165 x 105mm, print on paper.
PH/S.IVE/Fr.Chur/22The interior of the Free Church as it was before the new floor was inserted in 1979-80: looking south towards the organ in the apse, as it then was, with pews, cast iron columns, windows and carved ceiling supports.115 x 165mm, print on paper.
PH/S.IVE/Fr.Chur/23The Free Church seen from the Market Hill c.1990: with the Golden Lion to the left and shops to the right, including Gifford's the bakers and the Jackdaw fashion shop; a few cars parked in front.200 x 150mm, print on paper.
PH/S.IVE/Fr.Chur/24The spire of the Free Church, from the top of the tower to just below the apex.140 x 90mm, print on paper.
PH/S.IVE/Fr.Chur/25A large group of children, with a few adults among whom is Rev John Ballard, carefully posed with a garden wall behind.125 x 305mm, print on paper, folded across the middle.
PH/S.IVE/Fr.Chur/26A group of children and adults, with Rev Ballard, on the same occasion and place as PH/S.IVE/Fr.Chur/25.165 x 220mm, print on paper.
PH/S.IVE/Fr.Chur/27Part of the weathervane on the spire of the Free Church: a close-up view, showing the pointer and openwork vane in gilded metal.130 x 180mm, colour print on paper.
PH/S.IVE/Fr.Chur/28The metal bracket and shaft supporting the weathervane on the spire of the Free Church: a close-up view showing the scrollwork of the bracket.180 x 130mm, colour print on paper.
PH/S.IVE/Fr.Chur/29Rev Leonard John Ballard, minister at the Free Church 1949-74: full-face head-and-shoulders portrait, taken in 1989 when he was 79.200 x 145mm, print on paper.
PH/S.IVE/Fr.Chur/30Revs Donald and Catharine (Kate) McIlhagga, ministers at the Free Church - he from 1975, she as community minister from 1981 - until the 1990s: seated together in a half-length portrait.200 x 150mm, print on paper.
PH/S.IVE/Fr.Chur/31Revs Donald and Catharine (Kate) McIlhagga, ministers at the Free Church - he from 1975, she as community minister from 1981 - until the 1990s: seated together in a half-length portrait, on the same occasion as PH/S.IVE/Fr.Chur/30.200 x 150mm, print on paper.
PH/S.IVE/Fr.Chur/32A group of Boys' Brigade members, ?from St Ives Free Church, c.1913: two rows, mostly boys with pillbox hats and bandeaux but also two young men with Glengarry-style caps, and a young woman holding a baby; behind them is a brick wall decorated with Union flags and a sign reading "[illeg.] Boys Brigade [illeg.]".85 x 140mm, sepia print on postcard.
PH/S.IVE/Grn.EndSee the 1887 25-inch Ordnance Survey (copy in the Information File under St Ives) for the alignment of Cromwell's Barn: the duck pond was to the west of it and the unencumbered side of the barn (which most photographs show) was the north side, facing the road.The map also shows the rest of the farm complex. I think the old farmhouse listed in RCHM and shown in PH/S.IVE/Grn.End/10-12 has been demolished and that the later house shown in PH/S.IVE/Grn.End/14 is still standing.
PH/S.IVE/Grn.End/01Cromwell's Barn from the north-west, with the duck pond and white ducks in the right foreground and trees in leaf to the right; a broken fence goes through the pond. Very dark print.160 x 210mm, print on paper.
PH/S.IVE/Grn.End/02a-cCromwell's Barn in 1897, from the north-west with a barbed wire fence in the near foreground, trees without leaf on the right. Blurred, gloomy and indistinct.110 x 130mm, sepia prints on paper.
PH/S.IVE/Grn.End/03The north side of Cromwell's Barn, with fence, hedge and rough grass in the foreground, farm buildings on both sides.145 x 200mm, screened print on paper.
PH/S.IVE/Grn.End/04Green End Farm: two-storeyed farmhouse with vertical lines of creepers up it (?Wistaria) and barn to the right; tree, broken fencing and rough grass in the foreground.155 x 205mm, screened print on paper.
PH/S.IVE/Grn.End/05a-bCromwell's Barn from the north-west, with fence to the left and trees to the right, farm buildings on both sides.80 x 135mm, prints on postcards.
PH/S.IVE/Grn.End/06Cromwell's Barn from the north-west, with the hedge, verge and road surface of Houghton Road in the foreground.80 x 130mm, print on postcard.
PH/S.IVE/Grn.End/07a-bCromwell's Barn from the west, with duckpond, fence and trees to the right.90 x 135mm, prints on postcards; a) has added printed colours, b) is sepia print.
PH/S.IVE/Grn.End/08Cromwell's Barn from the west and showing the building attached to its north side; the duckpond is filled in and has bushes growing in it, a broken gate lies to the left of the Barn and two cows lie in front of it.120 x 165mm, print on paper.
PH/S.IVE/Grn.End/09A buttressed brick wall with hay ricks behind - presumably part of Green End Farm but the wall looks too low to be that of Cromwell's Barn itself.115 x 165mm, print on paper.
PH/S.IVE/Grn.End/10Part of Green End Farm, showing roofs, an outbuilding, an ogee-topped window and hollyhocks in front.120 x 165mm, print on paper.
PH/S.IVE/Grn.End/11The door and window of Green End Farm - door to the left and ogee-topped window on the right.120 x 165mm, print on paper.
PH/S.IVE/Grn.End/12Part of Green End Farm, with ogee-topped door and windows and part of the garden in the foreground.120 x 165mm, print on paper.
PH/S.IVE/Grn.End/13Part of a house with tiled roof down to the ground floor, one attic window, attics extending at right angles to the main building and towards the camera; with water butt, bicycle, garden flowers - well maintained, attractive and sunny. ?Green End Farm.115 x 165mm, print on paper.
PH/S.IVE/Grn.End/14Green End Farm house, seen from the front with central front door in pedimented door case, rose beds and lawn in front, and a middle-aged lady with a pack of spaniels. About 1950 to judge by other photographs in this collection.120 x 110mm, print on paper.
PH/S.IVE/Grn.End/15Cromwell's Barn from the north-west, showing the west gable with small arched opening near the bottom and the north side with massive buttresses, some of them crumbling; gateposts of new brickwork to the right.85 x 135mm, print on card.
PH/S.IVE/Grn.End/16Cromwell's Barn: a rare view of the south side, with the east gable on the right and most of the rest of the building hidden by the lean-to outhouses on the left of the picture.90 x 140mm, print on postcard.
PH/S.IVE/Grn.End/17Cromwell's Barn from the north-west: the surrounding buildings have been demolished and the Barn itself looks dilapidated; grass and a roadway in front.80 x 115mm, colour print on paper.
PH/S.IVE/Grn.End/18A painting of Cromwell's Barn from the north-east, showing the east gable and north side, with ivy growths.100 x 150mm, colour print no paper.
PH/S.IVE/Grn.End/19Cromwell's Barn in the 1920s: the west end, with duckpond in the foreground, fence and trees to the right.60 x 80mm, print on paper.
PH/S.IVE/Markets/01St Ives Cattle Market taken at about the time of its opening in October 1886, by Herbert Norris: looking west across the pens (everything very clean - unused as yet?) towards the entrance lodges and the Market Hill, from an elevated position (?top of the boundary wall); standing in the foreground are William Wheatley the Borough Surveyor and Mr Yarrow, the contractor who built the market.100 x 150mm, sepia print on card.
PH/S.IVE/Markets/01 (contd.)
PH/S.IVE/Markets/08St Ives cattle market: looking west from just outside the east boundary wall towards the entrance lodges and the Market Hill, about the turn of the century; market day, with many people and beasts; Radford's and Golding's shops visible in Station Road and the Market Hill, the Mill with its chimney in the far background.110 x 200mm, sepia print on large postcard.
PH/S.IVE/Markets/12A parade in Station Road and Market Road during the Second World War: looking from Market Hill towards the railway station, with a contingent of RAF personnel turning out of Station Road into Market Road, carrying rifles at the high port and all with respirators slung; a civilian band is behind them in Station Road, with another military contingent of some kind beyond that; spectators in the foreground, including the fire engine with firemen in tin hats; the market pens behind, with army lorries and railway trucks beyond. Low sun and warm clothes suggest this is in winter.80 x 130mm, print on card.
PH/S.IVE/Markets/38Cattle being sold in the auction ring at St Ives market, ?1930s: two cattle, with farmers behind them and in the foreground; on the right the white-coated auctioneer on his podium with sounding board and lamp over his head and two men behind him, one of whom is Councillor Harry G. Stiles; in the background the vertical planking of the auction ring building.70 x 95mm, sepia print on paper.
PH/S.IVE/Merryld/01a-dMerryland, looking west along the street, photographed by Herbert Norris: buildings on the left (south) side have at least two pub signs sticking out - presumably the Cherry Tree at No. 3 and the Crown and Woolpack at No. 5, with perhaps the Nelson's Head at No. 7 as well; the building in the right foreground is presumably the back of the old Bridge Street Three Tuns, pulled down in 1928. Several children and adults pose for the camera, one with a pram.a) 80 x 120mm, b-d) 60 x 95mm; sepia prints mounted on card.
PH/S.IVE/Merryld/02Firemen at No. 3 Merryland, then St Ives Bookshop, when it was badly damaged by fire on the evening of 23rd May 1977: the building has two bay windows on the ground floor and a door on the right - glass is smashed, scorching rises from the door and the roof is damaged; one fireman stands on a ladder and has a hose at a first floor window.190 x 240mm, print on paper.
PH/S.IVE/Merryld/03Woolpack Lane (off Merryland) in 1934 or 1935, looking north from near the river: the slaughter house of one of the butcher's shops in Bridge Street is apparent from its slatted upper storey; three children face the camera and two bicycles lean against walls.140 x 155mm, print on paper.
PH/S.IVE/Merryld/04Woolpack Lane on 9th January 1991: the same view as PH/S.IVE/Merryld/03, looking north from near the river, but all the buildings are new or refronted since 1935.120 x 170mm, print on paper.
PH/S.IVE/Merryld/05Woolpack Lane looking south towards the river, taken in 1934-5 presumably on the same occasion as PH/S.IVE/Merryld/03: the buildings include one with a half-hipped roof in the left background, presumably part of the block running back from the Manor House in Bridge Street; there is washing hung across the lane, a gas street lamp, a man with a bucket and a dog, a woman and a child, and two bicycles.170 x 115mm, print on paper.
PH/S.IVE/Merryld/06Woolpack Lane on 9th January 1991: the same view as PH/S.IVE/Merryld/05 but all the buildings are new or refronted since 1935.120 x 170mm, print on paper.
PH/S.IVE/Merryld/07a-bThree planks from 16/18 Merryland (present-day Premier Travel) painted with a scene of bellringers: there are two long planks and one shorter one on top, the bottom edge of the lowest plank with two arched recesses; painted on them are two bellringers, with two fainter ones in profile to left and right of them; all have knee breeches and hair over their ears, with raised arms holding bell ropes; above them is a church window and parts of bell wheels.285 x 200mm, prints on paper.
PH/S.IVE/Merryld/07a-b (contd.)
PH/S.IVE/MillThe Mill chimney was shortened, from 110 feet to about 50 feet, in 1960 - Hunts Post 8th September 1960 p. 9.
PH/S.IVE/Mill/01St Ives Mill seen from near London Road, with a crowd of workers walking out down the roadway in front; house with railings on the left, newly planted trees line the roadway on the right.85 x 140mm, sepia postcard with colours printed on.
PH/S.IVE/Mill/02St Ives Mill seen from the Quay, with the railway bridge behind it to the left and outbuildings of the White Horse Hotel on the right; the river and kerbstones of the Quay in the foreground.90 x 140mm, sepia print on posctard.
PH/S.IVE/Mill/03a-bAn advertising print by Enderby's showing St Ives Mill from the north-east, with the railway bridge and a steam train in the foreground and a lighter on the river; with a decorative border round it.105 x 160mm, prints on paper.
PH/S.IVE/Mill/04The entrance path to St Ives Mill, then Enderby's, under water during a flood, perhaps 1937: some of the mill buildings can be seen in the background, with a crowd of workers in front, some of them sitting on a luggage trolley.135 x 85mm, print on postcard.
PH/S.IVE/Mill/05St Ives Mill seen from the Quay or thereabouts, with its outbuildings on the right and the railway bridge behind and to the left; the chimney still stands to its full height on the right, so this must predate 1960.80 x 120mm, print on paper.
PH/S.IVE/Mill/06St Ives Mill in 1951, seen from the east, from St Ives Meadow, with the river in the foreground and the railway bridge over it, and a distant view of buildings on the Quay, the Free Church etc. on the right.80 x 120mm, print on paper.
PH/S.IVE/Mill/07St Ives Mill seen from the east, from St Ives Meadow, in a hoar frost in the early 1990s: the mill chimney and the railway bridge have been demolished; the old bridge and the parish church steeple are visible behind.95 x 155mm, colour print on paper.
PH/S.IVE/Mill/08St Ives Mill in 1987, seen from the south, from Wilhorn Meadow; with the engine house to the left and parked cars in front.155 x 205mm, print on paper.
PH/S.IVE/Mill/09Aerial view of St Ives Mill from the south-east, with the railway in the foreground (railway bridge on the right), the Dolphin etc. to the left and the town centre behind; the mill chimney is still complete.145 x 200mm, print on paper.
PH/S.IVE/Mill/10Aerial view of St Ives Mill from the west, showing the Mill with its chimney smoking, the railway and railway bridge behind, other buildings on the Bridge Foot site in the foreground. There are lighters being built or repaired to the left of the railway bridge on the north bank of the river; two steam ploughing engines in a field beside the New Bridges in the foreground.145 x 200mm, print on paper.
PH/S.IVE/Mill/11Aerial view of St Ives Mill from the north-west, showing the Mill with its chimney smoking and ancillary buildings to its right, with the river in the foreground and Fenstanton Meadow behind; also the railway and railway bridge over the river.145 x 200mm, print on paper.
PH/S.IVE/Mill/12St Ives Mill from the west (probably from the Bridge): the whole of the building with some of the outbuildings in the foreground and a moored cabin cruiser, the bypass just visible behind.195 x 195mm, colour print laminated onto thick board.
PH/S.IVE/Miscell/01Hand-drawn hearse: elaborate bodywork with black hangings and tassels, on a light sprung chassis with four wheels; photographed in a yard with walls and outbuildings behind.240 x 300mm, print on paper.
PH/S.IVE/Miscell/02The smallpox isolation caravan: an old wooden railway carriage mounted on cart wheels, with a corrugated metal shed to the right, in a field of long grass with hedge and trees behind. To he left are tables and a deck chair and various people sitting and standing, one of them in a nurse's uniform.150 x 205mm, print on paper mounted on card.
PH/S.IVE/Miscell/02 (contd.)
PH/S.IVE/Miscell/03 a-bTen 17th-century trade tokens from St Ives etc.: obverse of Thomas Rewse (cf X.1899), reverse of Jonathan Read (I.R.R), reverse of Edward Hallsey 1663 (E.H., X.1891) and the same of 1667 (E.I.H., X.1892), two reverses of William & Job Perret (W.I.P., X.1897), reverse of Thomas Berriffe (T.M.B., X.1888), reverse of Robert Doman of St Neots (R.D.E., X.1903), reverse of John Hickman 1660 (I.E.H.), and the same of 1668 (X.1894).150 x 100mm, sepia prints mounted on card.
PH/S.IVE/Miscell/04Six photographs printed in an eight-page booklet, showing the Market Hill (PH/S.IVE/Mrkt.Hl/31), the bridge (Bridge/22), The Waits (Waits/21), the parish church (Pa.Chur/37), Bridge Street (Bdge.St/12) and the Cromwell statue (Crom.St/9).100 x 140mm overall, 8pp.
PH/S.IVE/Miscell/05Two photographs in circular frames: of Bridge Street (looking north, telegraph poles and the Town Clock are both there, horse-drawn vehicles on the street); and of the Waits (PH/S.IVE/Waits/19); with the town seal between them and above.90 x 140mm, sepia prints on postcard.
PH/S.IVE/Miscell/06Twelve photographs of St Ives and district, printed in a long strip and folding out from an imitation purse: the cattle market (PH/S.IVE/Markets/10), the church, river and Holt island (River/21), Houghton Mill from the downstream side, Market Hill (Mrkt.Hl/28), Hemingford Mill (PH/HEM.G/31), Bridge Street (as in PH/S.IVE/Miscell/05), the bridge and chapel (Bridge/23), the parish church interior (Pa.Chur/39), the parish church from the west (Pa.Chur/28), the parish church from the south east (Pa.Chur/27), the river near the Thicket (Thicket/13 without the superimposed courting couple!) and the Cromwell statue seen from the east.Each photograph 30 x 50mm, card 140 x 90mm overall.
PH/S.IVE/Miscell/06 (contd.)
PH/S.IVE/Miscell/07A map (by Batholomew) showing the area around Huntingdon and Cambridge (from Spaldwick in the west to Cambridge in the east, from Alconbury in the north to Lt Barford in the south); with inset at centre bottom, in a frame of complicated shape, a photograph of St Ives Market Hill (PH/S.IVE/Mrkt.Hl/31).75 x 130mm, print on postcard (map background printed green).
PH/S.IVE/Miscell/08Outline map of England and Wales, blue with red outline, with St Ives marked and a large arrow (brown, ?originally gold) pointing to it.140 x 90mm, postcard.
PH/S.IVE/Miscell/09The St Ives town crest: four bulls heads on a shield on backgrounds of gold and red, with the motto "Sudore non Sopore" on a scroll beneath and decorative scroll work round the edge of the card.140 x 90mm, postcard.
PH/S.IVE/Miscell/10Six scenes printed on a long strip and folding out from an envelope: the Market Hill looking east, with cars parked and pedestrians and cyclists; the Waits looking west to the parish church, showing moored cabin cruisers; the bridge and chapel (PH/S.IVE/Bridge/55); the Quay, looking east from the bridge, also with moored cabin cruisers; the Cromwell statue, with the Free Church behind and taken at the same time as the Market Hill picture, as cars and passers-by have hardly moved; and the Old River seen from the bridge at the end of Priory Road, looking west to the old bridge.Each photograph 85 x 135mm, sepia prints.
PH/S.IVE/Miscell/10 (contd.)
PH/S.IVE/Miscell/11Six scenes printed on a long strip and folding out, with gummed flap to seal it: the bridge and chapel, from downstream with boats moored by the Quay; the Waits looking east to the Norris Museum; the Quay looking east from the bridge; Market Hill and the Free Church seen from the east; the same, from slightly further back; the Old River looking west towards the old bridge.Each photograph 90 x 140mm, sepia prints with added colours.
PH/S.IVE/Miscell/11 (contd.)
PH/S.IVE/Miscell/12The ceremony of cutting the first turf for the building of the St Ives bypass, 15th December 1978: County Councillor Mike Harford digs the turf and the ceremonial spade snaps! There is a group of men behind him including St Ives Mayor Wallace Hodgson, and a background of meadows and trees.155 x 205mm, colour print (faded).
PH/S.IVE/Miscell/13Cutting the first turf for the building of the St Ives bypass, 15th December 1978: a few moments after the spade broke, Cllr Harford holds the broken handle and his audience laughs and applauds.155 x 205mm, colour print (faded).
PH/S.IVE/Miscell/14.1-3535 photographs of St Ives and surrounding areas, taken from various points on the three proposed routes for the St Ives bypass, and displayed for the Relief Road Exhibition and Enquiry in October 1972. (With map showing where and in which direction each picture was taken). 14.1-4 from near the south corner of Hemingford Meadow and showing buildings along the river bank; 5 from further north, similar; 6-8 from the river bank in Hemingford Meadow, with the Rowing Club and Cruising Club buildings; 9 in Ramsey Road, looking south past the Dun Horse pub;
PH/S.IVE/Miscell/14.1-35 (contd. 1)10 and 11 on the Waits; 12 from the Town Bridge, looking upstream; 13 from the Quay, looking downstream; 14-15 from behind London Road, showing fields and gasometer; 16-17 from St Ives Meadow, showing the town and the Boathaven; 18-22 from near the Old River in St Ives Meadow, with distant views of various buildings including the railway station; 23-28 from the footbridge at the railway station, showing the station buildings etc; 29 from the trackbed of the old Wisbech railway behind Station Road; 30-33 from various points along the trackbed, showing various buildings and the mobile home park; 34-5 from rough ground among the gravel pits.
PH/S.IVE/Miscell/14.1-35 (contd. 2)170 x 250mm, 35 prints on paper.
PH/S.IVE/Mrkt.HlSee also PH/S.IVE/Corn.Ex; PH/S.IVE/CStatue; PH/S.IVE/Fr.Chur.
PH/S.IVE/Mrkt.Hl (contd. 1)To date pictures of the Market Hill:THE FREE CHURCH was built 1863-64 (though I don't know of any pictures that predate it).
PH/S.IVE/Mrkt.Hl (contd. 2)THE BIG "BROWNLOW" SIGN on the north (Pavement) side (No. 6, next to the Fountain/Stiles) was there in 1902 but gone by 1911.PUBLIC TEAS were held for Queen Victoria's diamond jubilee, 22nd June 1897; for Edward VII's coronation, 9th August 1902 (postponed from 26th June); and George V's coronation, 22nd June 1911. To tell 1902 from 1911, No. 4 Market Hill was Rowell & Son i
PH/S.IVE/Mrkt.Hl/01An engraving of the Market Hill looking west, with Free Church on the left and parish church in the background, town pump in the middle, horse-drawn vehicle and pedestrians in the foreground.55 x 75mm, sepia print mounted on card.
PH/S.IVE/Mrkt.Hl/02The Market Hill looking west, with Stanley House, the Golden Lion and the Free Church on the left, the Parrot and the Cross Keys on the right; uprights of the wooden market pens in the foreground, the town pump behind (where the Cromwell statue now stands). Two boys lean against the pens, a horse and cart are in the left foreground.170 x 230mm, print on paper.
PH/S.IVE/Mrkt.Hl/03a-jMarket Hill looking west in about 1870, buildings on both sides including the Free Church, the wooden railings of the livestock pens in the foreground with a plump, farmer-looking man in jacket and hat standing by one of them.a-c) 100 x 150mm, sepia prints on paper mounted on card; d-e) 65 x 100mm, sepia prints on paper (clearer prints than a-c but showing a slightly smaller area); f-h) 95 x 60mm, sepia prints on paper mounted on card (portrait instead of landscape and sh
PH/S.IVE/Mrkt.Hl/03a-j (contd. 1)
PH/S.IVE/Mrkt.Hl/03a-j (contd. 2)
PH/S.IVE/Mrkt.Hl/04Market Hill looking west with buildings including the Free Church clear on both sides, the livestock pens of the pre-1886 market in the foreground (but with the west end of the street left completely clear of them) and many bystanders standing among the pens looking at the photographer.90 x 125mm, sepia print mounted on card.
PH/S.IVE/Mrkt.Hl/05The Fountain Commercial Hotel (No. 5 The Pavement, later Stiles' baker's shop): with bay windows on the ground floor and dormers in the roof, the corners of the next-door buildings to left and right and the setts of the street in front. The hotel's name is on a signboard on the roof.210 x 160mm, print on paper.
PH/S.IVE/Mrkt.Hl/06Market Hill looking west with the Free Church on the left and the parish church spire in the distance. The town pump stands on the present site of the Cromwell statue - this part of the street is clear of livestock pens. Three boys stand in the street, one wearing a white apron; horses and carts on the right.160 x 210mm, print on paper.
PH/S.IVE/Mrkt.Hl/07Market Hill looking west with the Free Church on the left and the town pump where the Cromwell statue now stands; the metal pens of the 1886 sheep market are on the right side with two girls standing against them. There are two more girls on the left, one holding a baby; horses and carts behind and a brick crossing across the street in the foreground.160 x 215mm, print on paper.
PH/S.IVE/Mrkt.Hl/08Part of the Pavement (north side of the Market Hill) decorated for the 1897 Jubilee. The shops of Brownlow, Wilson and Hankin are prominent, with flags and bunting and bystanders looking at the camera; looking west towards Crown Street in the background.160 x 210mm, print on paper.
PH/S.IVE/Mrkt.Hl/09The open air tea on the Market Hill celebrating the diamond jubilee of 1897: looking east, presumably from one of the buildings at the west end of the street, though the town pump isn't visible; the tables are on the right side of the street with many people sitting at them or standing around and watching; a string of garlands is draped on tall poles right across the street with a flag with the town crest hung prominently from it. Other details rather obscure.55 x 100mm, screened print on card.
PH/S.IVE/Mrkt.Hl/10a-bMarket Hill looking east from near its south-west corner, with the buildings clearly shown on each side, the town pump prominent in the foreground and the livestock pens behind; brick road crossing in the foreground.a) 150 x 200mm, screened print on paper, top right corner missing; b) 80 x 130mm, screened print on card.
PH/S.IVE/Mrkt.Hl/11Market Hill looking west with the buildings, including the Free Church, clear on both sides, from the Red House and the Parrot westwards. The town pump stands on the present site of the Cromwell statue, the metal livestock pens are just visible in the right foreground and there are people and horses and carts in the street, the right-hand half of which is paved with setts.150 x 200mm, screened print on paper.
PH/S.IVE/Mrkt.Hl/12Market Hill looking west from near the Robin Hood: the town pump stands on the present site of the Cromwell statue, shops have their blinds extended and there are a few people and horses and carts in the street.130 x 185mm, screened print on paper.
PH/S.IVE/Mrkt.Hl/13The proclamation of Edward VII, 30th January 1901: seven men including the mayor stand on a raised platform on the corner of Free Church Passage; the Sheriff, in uniform, is reading something out; a large crowd listens attentively. In the background are the shops of R. Giddins and Rowell & Sons, both with people watching from the upper windows.115 x 155mm, print on paper mounted on card.
PH/S.IVE/Mrkt.Hl/13 (contd.)
PH/S.IVE/Mrkt.Hl/14The open air tea held on the Market Hill to mark the coronation of Edward VII, 9th August 1902: looking east, presumably from one of the buildings at the west end of the street, with crowded tables in the foreground extending as far as the Cromwell statue, the market pens visible behind; buildings on either side of the street are decorated with flags.110 x 155mm, sepia print on paper.
PH/S.IVE/Mrkt.Hl/15Another view of the open air tea of 9th August 1902, taken from the same spot but looking more closely at the tables in the foreground.110 x 155mm, sepia print on paper.
PH/S.IVE/Mrkt.Hl/16The Market Hill looking west from near Stanley House with part of the Free Church visible and the buildings n the Pavement from the Parrot Hotel westwards; it is market day, with implements etc. on sale in the far part of the street and a flock of sheep being driven along it; sunshine, with people in summer clothes in the left foreground.160 x 215mm, print on paper.
PH/S.IVE/Mrkt.Hl/17The Market Hill seen from the same place and almost certainly (to judge by the position of the implements etc.) on the same day as PH/S.IVE/Mrkt.Hl/16. A group of cattle is being driven in the foreground and a horse and cart is on the right edge of the picture.160 x 215mm, print on paper.
PH/S.IVE/Mrkt.Hl/18The Market Hill looking west on a market day: the position and view similar but not identical to PH/S.IVE/Mrkt.Hl/16-17, probably photographed at a similar period but not on the same day. Implements are crowded into the west end of the street, a flock of sheep is being driven away from the camera, there are people and horses and carts in the street.105 x 165mm, print on paper.
PH/S.IVE/Mrkt.Hl/19The election campaign of January 1910: a cart with posters and drawn by three horses in tandem stands in the Market Hill, with the Cromwell statue behind and a big banner on the buildings behind reading "Claudie follows Georgie". A man and a boy are sitting on the leading horses and other people are standing around. The street is wet with rain.80 x 130mm, sepia print on postcard.
PH/S.IVE/Mrkt.Hl/20The election campaign of ?January 1910: the cart seen in PH/S.IVE/Mrkt.Hl/19 stands in the Market Hill with Nos. 9 and 10 The Pavement (Bryant's shop and the Cross Keys) behind. A crowd of men and boys stand on it or in front of it with rosettes and banners, one of which says "Vote for Locker Lampson" (the Conservative candidate).85 x 135mm, print on postcard.
PH/S.IVE/Mrkt.Hl/21The proclamation of George V in 1911: part of the Market Hill photographed from an upper window on the south side of the street and looking across to the Cromwell statue; between the statue and the south side of the street is a raised platform with dignitaries, including the mayor and deputy mayor; a crowd is gathered round, including bandsmen, firemen and boy scouts; there are flags hanging from some of the buildings on the Pavement.90 x 140mm, screened print on postcard.
PH/S.IVE/Mrkt.Hl/22The proclamation of George V in 1911: the same scene as in PH/S.IVE/Mrkt.Hl/21 but seen from the north side of the Market Hill with the Free Church in the background. There is a large crowd, including boys climbing on the Cromwell statue lights and pedestal.90 x 140mm, print on postcard.
PH/S.IVE/Mrkt.Hl/23An event in the Market Hill, perhaps the proclamation of George V in 1911: looking west from near the middle of the street, with flags on some of the buildings and people on a dais in the same position as in PH/S.IVE/Mrkt.Hl/21-22, but it is too small to make out if they are the same people. If it is the same event it must be at a different stage of proceedings as the crowd is less dense, the band and firemen can't be seen, and the weather is brighter.85 x 130mm, sepia print on postcard.
PH/S.IVE/Mrkt.Hl/24The open air tea held to celebrate George V's coronation, 22nd June 1911: a panoramic view made up of two photographs taken from an upstairs window on the north side of the Market Hill and looking across to the south side, which is visible for almost its whole length. Tables are drawn up from beyond the Cromwell statue nearly to the west end of the street - chairs at the ends of the tables have letters on them going up to Z, with one unlettered table beyond it, so there must be at least 26 tables. Lots of flags and bunting and many people sitting at the tables or milling around.140 x 370mm, two sepia prints joined by a zig-zag cut in the middle and mounted on card.
PH/S.IVE/Mrkt.Hl/25The 1911 coronation tea, looking east over the tables from an upstairs window in the corner of the Market Hill (probably the Rising Sun pub): rows of tables crowded with people, flags and bunting on the buildings.145 x 205mm, sepia print on paper.
PH/S.IVE/Mrkt.Hl/26The 1911 coronation tea, taken from the same place as PH/S.IVE/Mrkt.Hl/25 but a little earlier, as some of the near tables are not yet filled with people though neatly arranged cups and plates are awaiting them.145 x 205mm, slightly blurred sepia print on paper.
PH/S.IVE/Mrkt.Hl/27The 1911 coronation tea, photographed from an upstairs window close to that used for PH/S.IVE/Mrkt.Hl/25-26 and within a short time of 26 as some of the people are in very similar positions. Looking east along the street with a clear view of the people and the decorations.115 x 190mm, sepia print on paper.
PH/S.IVE/Mrkt.Hl/28Market Hill looking west on a market day, with implements etc. piled in the west end of the street and a crowd round the sheep market pens on the right, presumably for an auction; buildings visible from the Robin Hood in the left foreground and the Parrot on the right.85 x 135mm, screened print on postcard.
PH/S.IVE/Mrkt.Hl/29Market Hill looking west, the street almost empty with a clear view of the buildings on the south side from the Red House west; also sheep pens and buildings from the Parrot on the north side.85 x 135mm, screened print on postcard.
PH/S.IVE/Mrkt.Hl/30Market Hill looking west, showing the south side buildings from the Golden Lion west and on the north side westwards from the Parrot.90 x 105mm, screened print on postcard.
PH/S.IVE/Mrkt.Hl/31Market Hill looking west: Radford's shop (next to the Red House) in the left foreground; the Cross Keys and the shop east of it on the right; the street almost deserted.70 x 120mm, screened print with soft edges on postcard.
PH/S.IVE/Mrkt.Hl/32Market Hill looking east, showing buildings on the south side from No. 4 (Parker's) eastwards as far as Station Road; two large open cars parked in the foreground and a number of men are standing about.80 x 130mm, screened sepia print on postcard.
PH/S.IVE/Mrkt.Hl/33The War memorial in the Market Hill, with wreaths and flowers piled on its base, looking east to the sheep pens and Station Road.140 x 85mm, print on postcard.
PH/S.IVE/Mrkt.Hl/34Armistice Day, 11th November 1926: the Cross of Sacrifice seen from an upstairs room (?at the Town Hall) with the mayor presiding on the steps and a large crowd gathered round, including brass-helmeted firemen, scouts and guides in broad-brimmed hats, and a banner of the Independent Order of Oddfellows held up behind. In the background is a clear view of the Parrot and the White Hart, the sheep pens and the entrance of the cattle market.80 x 130mm, print on postcard.
PH/S.IVE/Mrkt.Hl/35Buildings in the south-west corner of the Market Hill, running west form Free Church passage: Senescall's Pet Shop on the corner of the Passage and two shops owned by Angood's between there and the entrance to present-day Foundry Walk.180 x 330mm, montage of prints on card.
PH/S.IVE/Mrkt.Hl/35-39A set of montages of photographs of buildings on both sides of the Market Hill - carefully photographed (with ranging poles in the pictures) and glued on strips of card. It is not known why they were taken - they were given to the Museum by the Town Council not long after local government reorganization and so may have come from the old Borough Council.They seem to date from July 1968: August events are advertised on the Town Hall and Free Church noticeboards; Miller's shop at No. 9 Market Hill is shown closed, and it stopped advertising in the Hunts Post exactly at the end of 1967.
PH/S.IVE/Mrkt.Hl/35-39 (contd.)IMAGES: We have reasonable digital camera pics of all five montages. Mrkt.Hl/35 prints out quite well on A4, the others can be printed out on perhaps two A4 sheets (landscape) each to give a general impression, but aren't sharp enough to be printed larger than that. For more detailed images, photocopies of the originals are kept in the loose-leaf folder and these can be photocopied again. The ultimate aim - and this has been done only with Mrkt.Hl/38 so far - must be to scan the pictures in small sections for printing out same-size.
PH/S.IVE/Mrkt.Hl/36Buildings on the south side of the Market Hill, from No. 9 (next to the Red House) to the Free Church: an empty shop and an office building on the site of the later supermarket; the Town Hall, the Golden Lion and the Free Church. The pinnacles on the ends of the Free Church façade, since removed, are still there.190 x 1100mm, montage of prints on card.
PH/S.IVE/Mrkt.Hl/37Buildings on the south side of the Market Hill, from the east end to the Red House: the Midland Bank, Clement's newsagents, Kennedy Drever, Rowell's outfitters, the Robin Hood and the Red House. The Robin Hood landlord stands in his doorway looking at the camera.200 x 1100mm, montage of prints on card.
PH/S.IVE/Mrkt.Hl/38Buildings on the north side of the Market Hill, from the Westminster Bank (No. 2) to Robert Bryant's (No. 9): Westminster Bank, the Corn Exchange, H.S. Turner's chemist's. Stiles baker's. Harrold's and Kitchen Garden, Foster Brothers, the Fiesta Café and Robert Bryant.190 x 1100mm, montage of prints on card.
PH/S.IVE/Mrkt.Hl/39Buildings on the north side of the Market Hill from Topham's (No. 10) to the bus shelter on the Sheep Market: Topham's newsagents, Softly's knitwear (signed as acquired for Barclay's Bank), Barclay's Bank, the White Hart, solicitors' and auctioneers' offices - then no further buildings apart from the bus shelter, flower beds and the sheep market (by now empty of pens).220 x 1100mm, montage of prints on card.
PH/S.IVE/Mrkt.Hl/40The Market Hill in the 1980s, looking west and across to the south side from near the White Hart, showing the Golden Lion and the Free Church; lots of cars in the street and a concrete swan-neck lamp post on the right.145 x 100mm, screened colour print on postcard.
PH/S.IVE/Mrkt.Hl/41The Red House, September 1991: with the Robin Hood to the left and the Locost supermarket to the right, part of the war memorial in the foreground; parked cars and a woman walking past the memorial.100 x 150mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/42The National Westminster Bank (No. 2 The Pavement) and the Corn Exchange, with telephone call boxes in front, 1992.100 x 110mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/42-57A series of photographs showing buildings on the Market Hill taken by Peggy Seamark. They are presumed to date from 1992: this is because the Red House has its memorial plaque to Watts Dunton put up again, which was missing from PH/S.IVE/Mrkt.Hl/41, taken in September 1991; but the plants in the hanging baskets on the Robin Hood are smaller than in Mrkt.Hl/41, so 42-57 must have been taken EARLIER in the FOLLOWING year. This is backed up by No. 7 the Pavement, shown here as Foster's shop boarded up and closed, but which was restored during 1992.
PH/S.IVE/Mrkt.Hl/43No. 4 The Pavement (Lloyd's chemist's shop) and No. 5 (The Baker's Oven) with parked cars in front, 1992.100 x 150mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/44No. 6 The Pavement (Mackay's clothes shop), No. 7 (Foster's shop closed and boarded up), No. 8 (Nationwide Building Society and Lady Jane clothes shop), and No. 9 (Bryant's menswear shop), with the Cromwell statue in front, 1992.100 x 150mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/45No. 8 The Pavement (Nationwide Building Society and Lady Jane clothes shop) and No. 9 (Robert Bryant menswear shop), with seats, railings and a street lamp in front, 1992.100 x 85mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/46No. 9 The Pavement (Robert Bryant menswear shop), with parking sign and ticket dispenser in front, 1992.110 x 75mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/47No. 10 The Pavement (Woolwich Building Society), 1992.120 x 75mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/48Nos. 11-12 The Pavement (Barclay's Bank), with parked car and part of the war memorial in the foreground, 1992.100 x 150mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/49The White Hart with most of No. 3 The Sheep Market (Winter's solicitors), 1992.100 x 150mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/50No. 18 Market Hill (Midland Bank) and No. 17 (Balfour News), with part of the betting shop to the left and of Nos. 15-16 (Kennedy Drever) on the right, 1992.100 x 150mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/51Nos. 15-16 Market Hill (Kennedy Drever's shop) with parked cars in front, 1992.100 x 95mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/52Nos. 13-14 Market Hill (Rowell's tailors and outfitters), 1992.100 x 100mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/53Nos. 11-12 Market Hill (the Robin Hood), 1992.100 x 120mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/54The Red House in the Market Hill, with the Watts Dunton memorial plaque to the right of the ground/first floor and the blue on white "Market Hill" street name sign on the left of the building, 1992.100 x 115mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/55Most of Nos. 8-9 Market Hill (Lo-cost supermarket), with part of the war memorial in the foreground, 1992.100 x 100mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/56The Town Hall (Stanley House) with part of Lo-cost and the Golden Lion to left and right, parking sign and ticket dispenser in front, 1992.100 x 150mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/57The Golden Lion hotel with part of the Town Hall to the left and of the Free Church to the right, railings, lamp and a seat in the foreground, 1992.100 x 150mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/58The Market Hill in 1996, seen from the spire of the Free Church: showing Barclay's Bank and the White Hart, the roof of the Town Hall, parked cars and a Friday market in progress.130 x 180mm, colour print on paper.
PH/S.IVE/Mrkt.Hl/59Open air children's tea in the Market Hill, 19th July 1919: taken from an upstairs window in the Free Church, looking over the tree in the left foreground towards the north side of the Market Hill and Crown Street; children are sitting at rows of long tables with adults standing round, a uniformed Scout and several drums from a band in the foreground, flags flying from the buildings.80 x 130mm, print on postcard.
PH/S.IVE/Mrkt.Hl/60An event in front of the Free Church, perhaps the proclamation of George V in May 1910: a very large crowd, with the Cromwell statue on the right and the Free Church in the background; on a dais a man in a cocked hat is reading from a document with the Mayor of St Ives beside him.100 x 155mm, sepia print on paper.
PH/S.IVE/Mrkt.Hl/61Mrs Evelyn Softly and her two daughters, behind their shop at 11 The Pavement: a middle-aged lady in pinstriped suit sitting on a rustic chair with two schoolgirls standing beside her, one holding a cat; railings to the right, various outbuildings in the yard behind and a tall chimney in the background.50 x 75mm, sepia print on paper.
PH/S.IVE/Mrkt.Hl/61 (contd.)
PH/S.IVE/Mrkt.Hl/62Herbert Oldman standing outside his mobile site hut in the Monday market: a middle-aged man in three-piece suit with watch chain and trilby hat, leaning against the open doorway of a wooden hut with signs on it "H.W. OLDMAN", "ENGINEERS" and "FORMERLY FOWELLS". A woman with calf-length skirt and umbrella walks past on the left, in the background are shops on the south side of the Market Hill west of Free Church Passage.115 x 75mm, sepia print on postcard.
PH/S.IVE/Ndgw.Rd/01a-bNeedingworth Road in the flood of August 1912: looking south from the west side of the road (near the present-day junction with Park Avenue) showing the terraced houses on the east side with the Prince of Wales Feathers PH jutting out, with a "Star Brewery" sign on its wall that also names its then landlord, William Freeman. The back of Cromwell Terrace is just visible at the end of the street. There is water over the road, a horse and cart in the road and women and children standing in the gardens.90 x 135mm, prints on postcards
PH/S.IVE/Ndgw.Rd/01a-b (contd.)
PH/S.IVE/Ndgw.Rd/02a-bNeedingworth Road in the flood of August 1912: terraced houses near the south end of the road (the same ones that appear in PH/S.IVE/Ndgw.Rd/01) but seen from the south instead of the north. There is water over the road, four carts and various spectators.90 x 135mm, print on postcard (2 copies).
PH/S.IVE/Ndgw.Rd/03a-bNeedingworth Road in the flood of August 1912: looking north towards the Catholic Church and its presbytery on the left and a terrace of houses on the right; trees beyond the church and no further houses visible; water over the road, a horse and card, a dog and an errand boy with a basket; milestone on the right reading (I think) "Wisbech 31 miles".90 x 140mm, print on postcard (2 copies).
PH/S.IVE/Ndgw.Rd/04Needingworth Road in the flood of August 1912: looking north from near the south end of the road to terraced houses on the east side with the Prince of Wales Feathers pub behind them (with a Star Brewery sign on it); various carts and a wagon, with boys paddling in the water on the road.65 x 70mm, small print on postcard.
PH/S.IVE/Ndgw.Rd/05Needingworth Road in the flood of March 1947: looking south down the terraced houses on the east side of the road, from near the junction with Park Avenue, with the Prince of Wales Feathers pub jutting out from the terrace; garden wall on the right, Cromwell Terrace just visible in the background; water right across the road and a removal van driving through it, painted on the front "Robert Kiddle & Son Established 1837"; traces of lying snow in the gardens on the left.60 x 105mm, print on paper.
PH/S.IVE/Ndgw.Rd/06The back (north) side of Cromwell Terrace, seen from the junction of Needingworth Road and Meadow Lane, with garden gates, walls and outbuildings, and some new building on the right.80 x 120mm, print on paper.
PH/S.IVE/Ndgw.Rd/07The Church of the Sacred Heart in 1989: seen from the south, with porch door just ajar, sevice times on a notice board to the right of it and part of the presbytery visible in the right background.150 x 190mm, print on paper.
PH/S.IVE/Ndgw.Rd/08Numbers 100 to 106 Needingworth Road: four large semi-detached houses with bay windows and half-timbered details, dwarf wall with railings in the front, carved house names over the doors.80 x 130mm, print on postcard.
PH/S.IVE/Ndgw.Rd/0941 Tenterleas: a brick-built house with half-timbered pebble dash on the two front gables, dwarf wall with railings in front, and date stone "1910" over the door.135 x 80mm, print on postcard.
PH/S.IVE/NorrisM/01Herbert Norris as a young man: sitting, leaning his elbow on the chair back and his chin on his hand, wearing a suit and waistcoat with watch chain; moustached and a bit pop-eyed.125 x 90mm, print on paper.
PH/S.IVE/NorrisM/02Herbert Norris as a young man, head-and-shoulders portrait in suit and high collar.90 x 60mm, sepia print mounted on card.
PH/S.IVE/NorrisM/03Herbert Norris as a young man, head and shoulders portrait in coat and waistcoat with tie and tie pin; older, plumper and less gawky than he appears in PH/S.IVE/NorrisM/1-2, perhaps about 30 years old?145 x 105mm, sepia print mounted on card.
PH/S.IVE/NorrisM/04Herbert Norris sitting in a chair, smoking a cigarette and playing chess on a portable board; he is now middle aged, with hair greying at the sides.140 x 90mm, print on postcard.
PH/S.IVE/NorrisM/05Herbert Norris sitting in a chair playing chess - a similar view to PH/S.IVE/NorrisM/4 and plainly taken on the same occasion, from a slightly different angle.130 x 80mm, print on postcard.
PH/S.IVE/NorrisM/06Herbert Norris, a standing, full-length portrait against a studio backcloth; he is wearing the same clothes as in PH/S.IVE/NorrisM/4-5 but with the addition of a flat cap, and the picture was presumably taken on the same occasion; he has one hand in his pocket and the slightly pop-eyed look of his early portraits can again be seen.140 x 90mm, print on postcard.
PH/S.IVE/NorrisM/07Herbert Norris towards the end of his life, sitting in a chair turning the pages of a book; his hair is grey and receding, he wears jacket and waistcoat and a check-pattern tie.170 x 220mm, prints mounted on card, some deterioration.
PH/S.IVE/NorrisM/08The front of Herbert Norris's jeweller's shop in Cirencester: window boxes above, the name "Herbert E. Norris" painted above the window and "Norris" on the shop door on the right, with a lavish display of clocks, jewellery and plate in the window.145 x 200mm, sepia print mounted on card.
PH/S.IVE/NorrisM/09The interior of Norris's jeweller's shop, showing counters, cabinets, bentwood chiars and hanging lamps.140 x 185mm, sepia print mounted on card.
PH/S.IVE/NorrisM/10A foundation stone being laid: the stone being lowered into the corner of a large stone building, with scaffolding all round it and a large crowd of spectators, including Boys Brigade ranks drawn up in the foreground; a clergyman in surplice is close to the stone.150 x 205mm, print mounted on card.
PH/S.IVE/NorrisM/11A similar photograph to PH/S.IVE/NorrisM/10 - the stone has now been laid, the clergyman is saying prayers and the congregation are bareheaded.145 x 200mm, print mounted on card.
PH/S.IVE/NorrisM/12An unknown young man, head and shoulders portrait wearing a check suit with waistcoat and tie.145 x 100mm, sepia print mounted on card.
PH/S.IVE/NorrisM/13a-bHerbert Norris's study at Cirencester, showing table and chairs, bookcase and chest of drawers, with everything piled with books and papers; a stuffed bird on the floor, numerous pictures on the walls, a chess game on a small table.155 x 210mm, prints on paper.
PH/S.IVE/NorrisM/14A different view of Norris's study, looking towards a tiled fireplace and with a similar confusion of books and papers everywhere.155 x 210mm, print on paper.
PH/S.IVE/NorrisM/15a-cNorris "Nobbler" Knight, cousin of Herbert Norris and pilot of the aircraft that crashed at Barnes Walk in September 1917: a half-length, full-face portrait, standing with hands in pockets in the uniform of the RFC or RAF with pilot's wings and peaked cap; part of a wooden hut beside him.60 x 40mm, sepia print on paper, torn; two copies 145 x 95mm, made February 1996.
PH/S.IVE/NorrisM/16a-cNorris "Nobbler" Knight, cousin of Herbert Norris and pilot of the aircraft that crashed at Barnes Walk in September 1917: a half-length, full-face portrait in flying gear with fur-lined helmet, goggles and Sam Browne belt, standing in front of the cowling and propellor of an aircraft.60 x 40mm, sepia print on paper; two copies 145 x 95mm, made February 1996.
PH/S.IVE/NorrisM/17Members of the Norris family, with dog, standing in a garden with a summer-house and sundial; they include Bridget Wallace (nee Eaton), then a teenager, and perhaps her mother Freda Eaton.85 x 135mm, print on paper.
PH/S.IVE/NorrisM/18Mrs Elsie Griffiths (nee Knight), daughter of Herbert Norris's cousin Georgina and sister of Norris Knight, the pilot in the Barnes Walk air crash: an elderly lady in slacks and jacket standing under a wooden canopy with a view to distant mountains behind her.125 x 90mm, colour print on paper.
PH/S.IVE/NorrisM/19Edward and Virginia Irwin (Virginia nee Norris): half-length portrait.90 x 80mm, colour print on paper.
PH/S.IVE/NorrisM/20The building on the site where the Norris Museum stands now, photographed in November 1919: a long, two storey building (built as a granary in the 18th century, it is said) with an arched outhouse on the left, perhaps a public urinal; a sign on the top right of the granary reads "Boats to Let"; the Waits lower than now, with an inlet beside the granary and rowing boats moored at the end; two seats on the muddy grass facing the river.240 x 360mm, print mounted on board.
PH/S.IVE/NorrisM/21a-bPart of the building on the site where the Norris Museum stands now: the end of the two-storey building with rowing boats moored next to it and the "Boats to Let" sign between two windows; in the foreground the inlet of the river beside the building and some of the grass of the Waits.215 x 155mm, print on paper; with copy 190 x 135mm, print on paper.
PH/S.IVE/NorrisM/22a-bThe Norris Museum seen from the Waits soon after it was built, with a railed-off garden running along its west side and the boiler room not yet built on the end; willows on the Waits blow in a strong wind; two women stand near the Museum entrance.80 x 130mm, prints on postcards.
PH/S.IVE/NorrisM/23The main display gallery of the Norris Museum looking south: display cases, cases of stuffed birds and framed pictures line the walls and three large brass measures are in the foreground on the floor. The wall at the far end is unbroken, with no door through to the present art gallery, and the linoleum on the floor looks quite new.85 x 135mm, print on postcard.
PH/S.IVE/NorrisM/24The Earith fire pump at the Norris Museum on 1st September 1958: it stands in the garden beside the Museum door, with a bucket hung from one handle, a hose draped over it and the long brass nozzle leaning against it; the garden towards the river can be seen behind.115 x 170mm, print on paper.
PH/S.IVE/NorrisM/25The Earith fire pump at the Norris Museum on 5th September 1958: in the same position and with the same accessories as PH/S.IVE/NorrisM/24, but this time looking towards the street door and with the paving slabs wet from rain.115 x 170mm, print on paper.
PH/S.IVE/NorrisM/26The Norris Museum seen from the Waits in 1992: a wide view with the whole of the building and the Backwater to the right; the art gallery has its pitched roof added; the old Museum lettering is still on the wall near the Library bay window.90 x 250mm, colour print mounted on card.
PH/S.IVE/NorrisM/27The entrance to the Norris Museum seen from the street outside during the floods of April 1998: the outer gate is closed with notice boards either side of it; the street and pavement are under water, with traffic cones left of the gate.150 x 100mm and 100 x 65mm, two identical colour prints on one piece of paper.
PH/S.IVE/NorrisM/28Norris Museum curator Bob Burn-Murdoch and Carenza Lewis of the television programme "Time Team", standing in the art gallery at the opening of the archaeology event there on 27th February 1999.100 x 125mm, colour print on paper.
PH/S.IVE/NorrisM/29The Norris Museum from the Waits during the 1930s: looking east from the north pavement of the Waits, with the Museum behind the railed garden; parked cars in the street, "The Bell" sign on the pub to the left and another sign beside it for "Lovesey Ladies & Gents Tailor".75 x 130mm (cut down from larger), print on postcard.
PH/S.IVE/Nrth.Rd/01Boys and teachers in a classroom at the North Road School in 1911: the boys in the foreground, sitting glum and with arms folded at rows of desk-benches; three teachers standing behind - the one on the right older, I think this is the headmaster Joseph Hazlitt (see Norris press cuttings). A window on the left, pictures on the wall behind.90 x 140mm, faded sepia print on postcard.
PH/S.IVE/Nrth.Rd/02A man delivering bread from a horse and cart to the upper window of a cottage in North Road, during the flood of August 1912: a few inches of water on the road, and a crowd of adults and barefoot children in the foreground (showing that the delivery to an upstairs window is quite unnecessary!)100 x 70mm, print on postcard.
PH/S.IVE/Nrth.Rd/03The former Boys' Board School (since demolished), seen from the cemetery on its east side.80 x 120mm, print on paper.
PH/S.IVE/Nrth.Rd/04The abbatoir in North Road at about the time of its demolition in 1963: an exterior view, showing a yard, gates and doors, tubs and barrels.100 x 120mm, print on paper.
PH/S.IVE/Nrth.Rd/04-14The old abbatoir in North Road was replaced by a new one in Meadow Lane in 1963. Gordon Reeson, the then borough surveyor, gave us these photographs of it and some of its Meadow Lane successor (PH/S.IVE/Meadow/01-04); also a collection of papers & pamphlets, in the Books collection as ST IVES BOROUGH COUNCIL, 1963-67.
PH/S.IVE/Nrth.Rd/05The abbatoir in North Road at about the time of its demolition in 1963: the "Lairage", open sheds of wood and corrugated iron, with wooden pens and a yard in front.60 x 80mm, print on paper.
PH/S.IVE/Nrth.Rd/06The abbatoir in North Road at about the time of its demolition in 1963: the "Lairage", an open shed against the back of the abbatoir building.85 x 110mm, print on paper.
PH/S.IVE/Nrth.Rd/07The abbatoir in North Road at about the time of its demolition in 1963: the rear yard, showing the outside of the building with a toilet against it and the wall of the manure pit on the right.85 x 105mm, print on paper.
PH/S.IVE/Nrth.Rd/08The abbatoir in North Road at about the time of its demolition in 1963: the corrugated iron boiler room, external view showing it against the abbatoir wall.80 x 105mm, print on paper.
PH/S.IVE/Nrth.Rd/09The abbatoir in North Road at about the time of its demolition in 1963: part of the "Lairage", inside view with corrugated iron roof, pens, much dirt, straw and cobwebs.80 x 105mm, print on paper.
PH/S.IVE/Nrth.Rd/10The abbatoir in North Road at about the time of its demolition in 1963: the cooling area, interior view showing roof beams, racks above, damaged tiled floor with central channel, carcasses hanging round the walls.120 x 95mm, print on paper.
PH/S.IVE/Nrth.Rd/11The abbatoir in North Road at about the time of its demolition in 1963: two slaughtermen at the front and rear of a bullock, with leather aprons, boots, and knife handles protruding from holsters on their hips80 x 105mm, print on paper.
PH/S.IVE/Nrth.Rd/12The abbatoir in North Road at about the time of its demolition in 1963: a bullock lying down with slaughtermen bending over it and applying a tool, on the end of a flex, to its head.85 x 100mm, print on paper.
PH/S.IVE/Nrth.Rd/13The abbatoir in North Road at about the time of its demolition in 1963: a skinned bullock carcass hanging by its hind legs and being cut down the middle by a slaughterman with a large powered saw.80 x 105mm, print on paper.
PH/S.IVE/Nrth.Rd/14The abbatoir in North Road at about the time of its demolition in 1963: part of the interior, a room with cracked floor and a channel down the middle, various hooks and racks above and a large tub in the background.125 x 100mm, print on paper.
PH/S.IVE/Nrth.Rd/15A parade passing east along North Road, seen from the upstairs window of No. 18: men wearing sashes carry a large banner and behind them are two decorated horse-drawn carts, a donkey and crowds of children.95 x 135mm, print on paper.
PH/S.IVE/Nrth.Rd/16A parade passing east along North Road, seen from the upstairs window of No. 18: presumably the same occasion as PH/S.IVE/Nrth.Rd/16, here showing two lines of boy scouts in broad-brimmed hats, with some schoolboys and a man on a bicycle.100 x 145mm, print on paper.
PH/S.IVE/Nrth.Rd/17A party of schoolchildren and some adults marching west along North Road, which has many flags flying on both sides of the road, seen from the upstairs window of No. 18.95 x 135mm, print on paper.
PH/S.IVE/Nrth.Rd/18Numbers 16 and 18 North Road (18 on the left): two semi-detached houses of brick and tile, with bay windows and the names Beulah and Brooklands carved in the lintels over the front doors. An older cottage or outbuilding in the right background, the vicarage and Westwood Farm (both since demolished) just visible in the left background.80 x 135mm, print on postcard.
PH/S.IVE/Pa.ChurTo date pictures of All Saints' parish church:OUTSIDE, the ball pinnacles on the tower were replaced by the present crocketed ones in 1879 (see Pa.Chur/4); the spire was hit by an aircraft 23rd March 1918 and rebuilt between June 1923 and June 1924;
PH/S.IVE/Pa.Chur/01a-iJames Hunter's print of All Saints' church and St Ives from the west, with ladies and gentlemen and a field of sheep in the foreground, boats on the river to the right.a-e) 55 x 90mm, sepia prints on card; f-g) 95 x 55m, sepia prints on card (showing just the middle section of the print); h) 180 x 210mm, print on paper; i) 155 x 200mm, print on paper.
PH/S.IVE/Pa.Chur/02a-gA print of All Saints' church from the south-east, with a few figures in the churchyard (dwarfed by the gravestones), poplar trees to the left and open country in the right background.60 x 80mm, sepia prints on card.
PH/S.IVE/Pa.Chur/03A print of All Saints' church interior, looking east from the west end of the nave; there is no chancel screen or saints on the nave arcade; the font is in the left foreground.85 x 55mm, sepia print on card.
PH/S.IVE/Pa.Chur/04a-bAll Saints' church seen from the south-west, before 1879: showing the steeple and west end of the church, with two poplar trees to the right, osiers and the river in the foreground.125 x 90mm, sepia prints on card.
PH/S.IVE/Pa.Chur/05a-eAll Saints' church seen from the south-west, before 1879: photographed from Hemingford meadow, showing the whole church (and houses to the right), with four tall poplars in front of it and Holt island in the foreground.a-d) 150 x 100mm, sepia prints on card but with the image in a small area in the middle; e) 95 x 55mm, sepia print on card hand coloured.
PH/S.IVE/Pa.Chur/06a-eThe steeple of All Saints' church seen from the west, with the backwater, a boathouse and Holt Island in the foreground; the tower still with the pre-1879 ball finials.a) 100 x 145mm, sepia print on card, spire edges touched up by hand; b) 95 x 145mm, sepia print on card, hand coloured; c) 85 x 50mm, sepia print mounted on Christmas card; d) 95 x 60mm, sepia print on card, hand coloured; e) 95 x 60mm, sepia print on
PH/S.IVE/Pa.Chur/06a-e (contd.)
PH/S.IVE/Pa.Chur/07a-dAll Saints' church, interior view looking east along the nave; there is an open chancel screen with pulpit to the left of it, and a crucifix and texts over the chancel arch.95 x 60mm, sepia prints on card; d) is hand coloured.
PH/S.IVE/Pa.Chur/08Rev H. Luke Paget, vicar of St Ives 1886-87: head-and-shoulders portrait of youngish clergyman in dog collar and high-buttoned coat.65 x 50mm, oval sepia print on card.
PH/S.IVE/Pa.Chur/09All Saints' church, interior view looking east along the nave: there is no chancel screen or saints on the nave arcade; the pulpit is to the left of the chancel arch and the font can just be seen in the left foreground, as in the print shown in Pa.Chur/3.150 x 200mm, sepia print mounted on card.
PH/S.IVE/Pa.Chur/10All Saints' church, interior view in 1894 looking east along the nave: the Comper screen and organ have been installed but not yet the saints on the nave arcade pillars.150 x 200mm, sepia print on paper.
PH/S.IVE/Pa.Chur/11All Saints' church from the west: a dark, underexposed silhouette of the tower with trees in front; taken after the replacement of the finials in 1879.125 x 100mm, sepia print on paper.
PH/S.IVE/Pa.Chur/12All Saints' church from the north-east, showing almost all the building, with gravestones in the foreground, large bushes and railings close to the church.110 x 150mm, sepia print on paper.
PH/S.IVE/Pa.Chur/13All Saints' church from the north, seen from Church Street, the church faint in the background but the gravestones, churchyard wall and gate clear in the foreground, with three men standing against the wall.140 x 190mm, sepia print on paper.
PH/S.IVE/Pa.Chur/14a-bAll Saints' church from the south east, showing most of the building with part of the poplar trees to the left and the churchyard wall on the left; railings alongside the churchyard paths.a) 200 x 140mm, b) 200 x 150mm, both sepia prints on paper.
PH/S.IVE/Pa.Chur/15All Saints' church from the south east in 1899, showing most of the building; railings alongside the churchyard paths; trees are leafless.145 x 110mm, blue print on paper.
PH/S.IVE/Pa.Chur/16All Saints' church from the west in 1899: taken from the end of Barnes Walk and showing the steeple and west end, with leafless treees left and right of the building, a gas light by the path and two ladies standing near it.150 x 100mm, blue pring on paper.
PH/S.IVE/Pa.Chur/17a-bAll Saints' church interior, probably in 1899, looking east along the nave, showing the Comper screen and organ, also the saints' statues on the nave arcade pillars now in position.a) 110 x 150mm, sepia print on paper; b) 115 x 155mm, blue print on paper.
PH/S.IVE/Pa.Chur/18All Saints' church interior, looking west along the nave to the tower arch; the font is to the right of the arch and the saints' statues on the arcade pillars are just visible.110 x 150mm, sepia print on paper.
PH/S.IVE/Pa.Chur/19All Saints' church interior, looking east down the nave, showing the Comper screen and organ and the saints' statues on the arcade pillars; the nave ceiling has been removed to reveal the roof.155 x 110mm, print on paper.
PH/S.IVE/Pa.Chur/20The trees of Barnes Walk with the steeple of All Saints' church at the right background; mowed grass in front, the backwater and Holt island to the right, two ladies in long skirts (?1890s fashions) walking under the trees.80 x 150mm, sepia print on paper.
PH/S.IVE/Pa.Chur/21a-bA distant view of the steeple of All Saints' church from the west, with trees, reeds and the wooden boathouse in the foreground; blurred and with two wide white streaks across the picture.80 x 55mm, sepia prints on paper.
PH/S.IVE/Pa.Chur/22a-cAll Saints' church and churchyard seen from Church Street to the north, with the churchyard wall and gates, and houses in Church Street to left and right; a boy stands by one of the house doors on the left side.a) 60 x 85mm, screened print in vignette on part of postcard; b-c) 165 x 210mm, prints on paper.
PH/S.IVE/Pa.Chur/23a-bAll Saints' church and churchyard in 1934, after the restoration of the steeple; seen from Church Street to the north, with the churchyard wall and gates, and houses in Church Street to left and right, including the Chestnuts in the right foreground.85 x 185mm, sreened sepia prints on postcards.
PH/S.IVE/Pa.Chur/24All Saints' church seen from across the river to the south, with poplar trees and the osiers on Holt Island in the foreground, and a man in a rowing boat on the river.135 x 190mm, screened print on paper.
PH/S.IVE/Pa.Chur/25a-dThe backwater and part of the wooden boathouse, looking across the water to the churchyard wall and the steeple of All Saints' church, probably in 1905; boats moored in the foreground; there seems to be no bridge across to the island at this stage.a) 280 x 225mm, screened print on giant postcard; b) 195 x 115mm, screened sepia print on (slightly smaller) giant postcard; c) 110 x 90mm, screened print on postcard; d) 50 x 80mm, screened print on part of postcard (showing more of the original pictu
PH/S.IVE/Pa.Chur/25a-d (contd.)
PH/S.IVE/Pa.Chur/26The backwater and part of the wooden boathouse, looking across the water to the steeple of All Saints' church; the Free Church spire just visible behind.60 x 130mm, screened sepia print on postcard.
PH/S.IVE/Pa.Chur/27All Saints' church from the south-east, showing the whole building (presumably taken with a special lens to get it all in); churchyard wall to the left, railings beside the churchyard path.90 x 135mm, screened sepia print on postcard.
PH/S.IVE/Pa.Chur/28The backwater and the wooden boathouse, looking across the water to the steeple of All Saints' church; there are boats moored by the boathouse and a man standing beside it; untidy stakes and pieces of wood in the foreground.85 x 135mm, screened sepia print on postcard.
PH/S.IVE/Pa.Chur/29All Saints' church seen from across the river to the south, with a house to the left, trees and a shed on the island on the right, and a man in a sailing canoe on the river in the foreground.85 x 135mm, screened print on postcard with colours added.
PH/S.IVE/Pa.Chur/30All Saints' church seen from across the river to the south in about 1908, hidden by trees except for the steeple; with the river in the foreground and a long, low shed on Holt island.90 x 140mm, screened print on postcard.
PH/S.IVE/Pa.Chur/31All Saints' church showing the interior of the south aisle after the air crash of 23rd March 1918: looking west, with lead sheet hanging from a huge hole in the roof and a mass of timbers and wreckage fallen on the pews; all trace of the aircraft itself seems to have been removed.200 x 155mm, print on card.
PH/S.IVE/Pa.Chur/32All Saints' church showing the interior of the north aisle after the air crash of 23rd March 1918: looking west, with a huge hole in the roof and a mass of timbers, lead sheet and wreckage fallen on the pews; the spiral metal staircase to the tower in the background.200 x 155mm, print on card.
PH/S.IVE/Pa.Chur/33a-bAll Saints' church from the south-east, showing the spire truncated after the air crash of 23rd March 1918; the south aisle and porch also visible.130 x 80mm, screened print on postcards.
PH/S.IVE/Pa.Chur/34The backwater, part of Holt island and the steeple of the parish church just visible behind the trees: the spire is truncated and so the picture must have been taken between 1918 and 1923.80 x 130mm, sepia print on postcard.
PH/S.IVE/Pa.Chur/35All Saints' church seen from Church Street to the north, during the rebuilding of the spire 1923-24: scaffolding all round the tower, the Spare Rib to the right and a lady walking beside it.140 x 95mm, print on paper.
PH/S.IVE/Pa.Chur/36All Saints' church seen from Church Street to the north, during the rebuilding of the spire in April 1923: scaffolding all round the tower, with houses on both sides of Church Street in the foreground; rather dark and indistinct.95 x 150mm, sepia print on paper.
PH/S.IVE/Pa.Chur/37The backwater, part of Holt island and the steeple of the parish church just visible behind the trees: there is scaffolding all round the tower, but this does NOT show the 1923-24 rebuilding - see below; wooden boathouse with moored boats in the foreground.65 x 120mm, screened print on postcard.
PH/S.IVE/Pa.Chur/38All Saints' church interior: the Comper screen and organ seen from the nave and filling most of the picture; the nave ceiling is still in position.130 x 85mm, sepia print on postcard.
PH/S.IVE/Pa.Chur/39All Saints' church interior, looking east down the nave, showing also the aisles and the screen and organ; the font in the left foreground with flowers in it; the nave ceiling not yet removed.90 x 135mm, screened sepia print on postcard.
PH/S.IVE/Pa.Chur/40All Saints' church interior, looking east down the nave, showing also the aisles, screen and organ; nave celing not yet removed.90 x 135mm, print on postcard.
PH/S.IVE/Pa.Chur/41a-bAll Saints' church interior, looking east from the west end of the south aisle, showing the nave arcade with saints' statues on the brackets, and the pews; nave ceiling not yet removed.105 x 80mm (oval vignette), prints on postcards.
PH/S.IVE/Pa.Chur/42All Saints' church interior, looking east down the nave to the screen and organ, with saints' statues on the arcade pillars; rather blurred.70 x 140mm, screened print on postcard.
PH/S.IVE/Pa.Chur/43All Saints' church interior, looking east down the nave to the screen and organ, with the aisles visible left and right and the font in the left foreground; nave ceiling still in position.140 x 185mm, screened print on paper.
PH/S.IVE/Pa.Chur/44All Saints' church interior, looking east down the nave from under the tower, showing the screen and organ and the font in the left foreground. The nave ceiling has been removed, revealing the roof timbers.210 x 160mm, print on paper.
PH/S.IVE/Pa.Chur/45All Saints' church interior in the 1920s, looking east down the nave to the screen and organ, and showing the saints' statues on the arcade pillars and the font in the left foreground.310 x 190mm, sepia print on card.
PH/S.IVE/Pa.Chur/46All Saints' church interior in the 1920s: the east wall of the chancel with the east window and Rev Wilde's reredos.310 x 185mm, sepia print on card.
PH/S.IVE/Pa.Chur/47All Saints' church interior in the 1920s: the east end of the north aisle, with an altar with statuettes of saints above it, candles, a hanging lamp and gas lamps on the walls.190 x 310mm, sepia print on card.
PH/S.IVE/Pa.Chur/48a-bAll Saints' church interior in the 1920s: the war memorial chapel in the north aisle, with an altar below one of the aisle windows - the westernmost window in the north wall, as the corner of the west wall can just be seen on the left. Behind the altar are tablets with names of the war dead. Part of the Wright Ingle wall tablet is visible at the top right.a) 190 x 310mm, sepia print on card; b) 100 x 160mm, print on paper.
PH/S.IVE/Pa.Chur/48a-b (contd.)
PH/S.IVE/Pa.Chur/49All Saints' church and the "Angler's Rest" in 1926: the house on the right with the churchyard gates in the background, the church behind almost hidden by trees on the left.135 x 85mm, print on postcard. Printed on the front "'Sunlight and Shadow,' St Ives P511 Walter Scott"; printed on the back "Real Photograph (copyright) Published by Walter Scott, Bradford" and added with a rubber stamp "Clements Series, St Ives, Hunts
PH/S.IVE/Pa.Chur/50Members of the Franciscan Brotherhood who occupied St Ives vicarage in the 1930s, photographed probably in the Vicarage garden, on a lawn with a deck chair: twelve men in cassocks or habits, sitting or standing; "Father Algy" the vicar stands on the right.80 x 120mm, print on postcard.
PH/S.IVE/Pa.Chur/51The parish church choir with the vicar (Father Algy), 1936: four rows of men and boys in surplices etc., with the vicar in cope and ?biretta in the middle, beside him a man in a suit (presumably the organist). Photographed in a garden, with glimpses of a tree and a tennis net behind.85 x 130mm, print on postcard
PH/S.IVE/Pa.Chur/52All Saints' church floodlit for the Coronation of Elizabeth II in 1953: seen from the Waits with the spire rising above the surrounding trees, water and reflections in the foreground.205 x 150mm, print on paper
PH/S.IVE/Pa.Chur/53Harry Halton, organist of the parish church, seated at the organ: an elderly man in a suit with his hands on the keyboards, three tall candles in candlesticks behind.120 x 80mm, print on card.
PH/S.IVE/Pa.Chur/54Charlie Cannon, organist at the parish church, and another man, one of them in Elizabethan costume: two men standing, looking at a booklet, the left one bearded and in theatrical costume and make-up, the right one older and in modern dress of cardigan and check jacket.155 x 115mm, print on paper.
PH/S.IVE/Pa.Chur/55All Saints' church from the east, from beside the "Angler's Rest": the house to the right, then the churchyard gates (before their restoration in 1986), with a lopped tree and wire netting fence on the left; the steeple, south aisle and porch of the church visible.145 x 100mm, colour print on postcard.
PH/S.IVE/Pa.Chur/56All Saints' churchyard gates before their restoration in 1986, rusty and with some of the gates missing: photographed from the east with the church in the background.100 x 150mm, colour print on paper.
PH/S.IVE/Pa.Chur/57All Saints' churchyard gates before their restoration in 1986, rusty and with some of the gates missing: photographed from the west with the "Angler's Rest" in the background.100 x 150mm, colour print on paper.
PH/S.IVE/Pa.Chur/58All Saints' churchyard gates after their restoration in 1986, now complete and painted in black and gold: photographed from the east with the church in the background.100 x 150mm, colour print on paper.
PH/S.IVE/Pa.Chur/59All Saints' churchyard gates after their restoration in 1986, now complete and painted in black and gold: photographed from the west with the"Angler's Rest" in the background.100 x 150mm, colour print on paper.
PH/S.IVE/Pa.Chur/60The icon of St Ivo in the parish church: showing the saint bearded and with halo and with "De Heiliges Yves yan asitania" painted to left and right of his head.195 x 145mm, print on paper.
PH/S.IVE/Pa.Chur/61a-bRev J. David Moore, vicar of St Ives 1983-2000: head and shoulders portrait in cassock and dog collar.200 x 145mm, prints on paper.
PH/S.IVE/Pa.Chur/62The Bible Dicing ceremony in All Saints' church, Whitsun 1989: two young girls throw dice on a table in the church, with copies of "The Jerusalem Bible" beside them; Rev Moore stands behind, with Deputy Mayor Jean Chandler on the right and her daughter (deputy mayoress) on the left; another man (?churchwarden) stands in the background apparently recording the results.155 x 210mm, print on paper.
PH/S.IVE/Pa.Chur/63The Bible Dicing ceremony in All Saints' church, Whitsun 1989: two young girls throw dice on a table in the church, with copies of "The Jerusalem Bible" beside them; Rev Moore stands behind, with Deputy Mayor Jean Chandler on the right and her daughter (deputy mayoress) on the left.155 x 210mm, print on paper.
PH/S.IVE/Pa.Chur/64The Bible Dicing ceremony in All Saints' church, Whitsun 1989: two young girls throw dice on a table in the church, with copies of "The Jerusalem Bible" beside them; Rev Moore stands behind, with Deputy Mayor Jean Chandler on the right and her daughter (deputy mayoress) on the left.160 x 205mm, print on paper.
PH/S.IVE/Pa.Chur/65The Bible Dicing ceremony in All Saints' church, Whitsun 1989: two young boys throw dice on a table in the church, with copies of "The Jerusalem Bible" beside them; to the right are Deputy Mayor Jean Chandler and a man.155 x 210mm, print on paper.
PH/S.IVE/Pa.Chur/66The interior of All Saints' church, looking east down the nave to the rood screen and organ with glimpses of the chancel beyond; showing part of the font in the left foreground, pews and the figures of saints on the arcade brackets.290 x 390mm, colour print on paper.
PH/S.IVE/Pa.Chur/67Painted and carved figures from the 1890 organ case by Ninian Comper in All Saints' church: crucified Christ with Mary on the left and an apostle on the right, an angel with a heraldic shield below, gilding and paintwork all around.280 x 190mm, colour print on paper.
PH/S.IVE/Pa.Chur/68Five of Ninian Comper's 1897 carved saints from the arcade at All Saints' church: SS Stephen, Andrew, Agnes, George and Thomas of Canterbury, all painted and gilded with their various attributes, standing on the original 15th-century brackets.180 x 55mm, 180 x 50mm, 180 x 55mm, 180 x 50mm, 180 x 55mm, colour prints all on one sheet of paper.
PH/S.IVE/Pa.Chur/69Five of Ninian Comper's 1897 carved saints from the arcade at All Saints' church: SS John the Baptist, Laurence, Mary Magdalen, Nicholas and Margaret, all painted and gilded with their various attributes, standing on the original 15th-century brackets.180 x 60mm, 180 x 50mm, 180 x 55mm, 180 x 55mm, 180 x 55mm, colour prints all on one sheet of paper.
PH/S.IVE/People/01Samuel Dore Ulph (1808-1866): three-quarter length full-face portrait of middle-aged man with whiskers, in white front and bow tie.60 x 45mm, sepia print on paper, crudely cut oval mounted on card.
PH/S.IVE/People/02Mr Yarrow, the builder of the new cattle market at St Ives 1885-6: head and shoulders portrait of bearded man with bow tie and flower in buttonhole.120 x 85mm, oval sepia print mounted on card.
PH/S.IVE/People/03Group portrait, perhaps of the Freston family, four men and two women sitting, standing and lying in formal dress.255 x 200mm, sepia print mounted on card.
PH/S.IVE/People/04The staffs of Coote and Warren photographed at The Priory in 1893: four rows of men of all ages, mostly in jackets, caps and bowler hats, sitting, standing or lying in front of the entrance porch and bay windows.90 x 180mm, sepia print in window mount; originally oval but with four pieces from another photograph added at the corners.
PH/S.IVE/People/05A group of men, women and children very formally dressed, sitting and standing in four rows in an inn yard or similar; late 19th century to judge from the costume; perhaps Thurston's Fair people.160 x 200mm, print on paper, copy from an original in Huntingdon Record Office.
PH/S.IVE/People/06A large group of men, women and children, possibly a temperance group, sitting and standing in rows on grass with trees behind; dressed in summer outdoor clothes, with some blazers and straw hats; one boy has a cricket bat.240 x 300mm, print on paper, copy from an original in Huntingdon Record Office.
PH/S.IVE/People/07John Birt Ulph with a group of his friends and relations in the garden of Cromwell Terrace, c.1900: 20 or so ladies and gentlemen sitting and standing with Mr Ulph and his wife in the centre; trees around and the brick wall of the garden behind.80 x 115mm, scanned copy of original owned by the donor (also a larger photocopy).
PH/S.IVE/People/08This number vacant.
PH/S.IVE/People/09St Ives Volunteer Defence Corps on parade outside the Free Church on 12th September 1915: civilians in jackets and flat caps, carrying rifles or swagger sticks, with a motorcycle and sidecar at the back right, and several onlookers.75 x 155mm, print on paper.
PH/S.IVE/People/10Group of fund-raisers, apparently dressed as gypsies: women and children and one man standing or sitting in the garden of Westwood House - the man sitting central with pipe and beer flagon.80 x 130mm, print on postcard.
PH/S.IVE/People/11A sale of work at the Priory, in aid of the Free Church: people and stalls in a garden with a thatched summerhouse and the Free Church spire in the background, Miss Lloyd of Slepe Hall in the left foreground; costume of the 1920s?145 x 210mm, print on paper.
PH/S.IVE/People/12A sale of work at the Priory, in aid of the Free Church: people and stalls in a garden with a thatched summerhouse and trees behind; costume of the 1920s?140 x 210mm, print on paper.
PH/S.IVE/People/13Members of the National Farmers' Union on an outing from St Ives with F.A. Standen, at the Ransome, Sims & Jefferies works at Ipswich, about 1931: 58 men, mostly in caps or soft hats, sitting or standing beside a large industrial building.175 x 245mm, print on paper.
PH/S.IVE/People/14"Baggy" Reynolds, cattleman of St Ives: three-quarter length portrait, dressed in waistcoat and cloth cap turned backwards, holidng a milk churn embossed "R.D. Mu…"165 x 120mm, print on paper.
PH/S.IVE/People/15"Baggy" Reynolds, cattleman of St Ives, milking a cow: he is dressed in a waistcoat and flat cap and sits on a milking stool with a bucket between his feet and is milking a cow by hand; two other cows, with fences, gate and a shelter are in the background.120 x 170mm, print on paper.
PH/S.IVE/People/16A Home Guard shooting team?, 1942: three rows of men in battledress sitting and standing, with one elderly civilian in the middle holding a rifle, a sporting trophy in the form of a shield in front of them; on mowed grass with a hedge behind.85 x 135mm, print on postcard.
PH/S.IVE/People/17Kathleen Cotton, aged 5, in fancy dress as a house at the St Ives Victory celebrations 8th June 1946: standing in a garden holding a sign reading "A peep into the future House to-let".135 x 80mm, print on postcard.
PH/S.IVE/People/18Dr and Mrs William Grove on their golden wedding in April 1947: full-length portrait, standing and sitting on the verandah of a brick built house.130 x 80mm, print on paper in a paper folder.
PH/S.IVE/People/19A group of people appparently receiving clothing sent from Canada in the aftermath of the 1947 floods: an out-of-focus picture of many women and two men, one of the women holding a bundle of clothing from an ill-defined pile at the front left.155 x 215mm, print on paper.
PH/S.IVE/People/20An open air service celebrating the feast of Corpus Christi, Sunday 11th June 1950: clergy, choristers and congregation kneeling before an outdoor altar, on a lawn with trees behind.170 x 215mm, print on paper.
PH/S.IVE/People/20 (contd. 1)
PH/S.IVE/People/20 (contd. 2)
PH/S.IVE/People/21Cricket players in the 1951 Festival of Britain match on Friday 6th July, between "1851 St Ives XXII" and "All England XI": the St Ives Festival Queen, 20-year-old Jill Mowbray, is presented to players in 1851 costume, with top hats and whiskers.85 x 135mm, print on postcard.
PH/S.IVE/People/22A woman in fancy dress, presumably for the 1953 Coronation celebrations as the decorations on the buildings in the Broadway behind her look identical to PH/S.IVE/People/24, which dates from then. She wears Edwardian costume with a sheet of "National Anthems of the Allies" in front.135 x 85mm, print on card.
PH/S.IVE/People/23Four children in fancy dress in the Broadway, presumably for the 1953 Coronation celebrations (cf. PH/S.IVE/People/24).135 x 85mm, print on card.
PH/S.IVE/People/24Three children in fancy dress: baker, beefeater and Dutch child. The latter carries a box marked "Her Majesty Dutch Bulbs 1953" so this presumably shows the Coronation celebrations in June 1953. Decorated buildings in the Broadway visible behind.135 x 85mm, print oncard.
PH/S.IVE/People/25Children's tea in the Corn Exchange on Coronation Day, Tuesday 2nd June 1953: rows of children at long tables wearing "Brooke Bond Tea" Union Jack hats and with coronation mugs; some lady helpers stand between the tables.130 x 80mm, print on card.
PH/S.IVE/People/26Children's tea in the Corn Exchange on Coronation Day, Tuesday 2nd June 1953: rows of children at long tables wearing "Brooke Bond Tea" Union Jack hats and with coronation mugs; some lady helpers stand between the tables.130 x 80mm, print on card.
PH/S.IVE/People/27Children's tea in the Corn Exchange on Coronation Day, Tuesday 2nd June 1953: rows of children at long tables wearing "Brooke Bond Tea" Union Jack hats and with coronation mugs; some lady helpers are serving squash from jugs.130 x 80mm, print on card.
PH/S.IVE/People/28Children's tea in the Corn Exchange on Coronation Day, Tuesday 2nd June 1953: rows of children at long tables wearing "Brooke Bond Tea" Union Jack hats and with coronation mugs; some lady helpers are serving from jugs.130 x 80mm, print on card.
PH/S.IVE/People/29Children's tea in the Corn Exchange on Coronation Day, Tuesday 2nd June 1953: rows of children at long tables wearing "Brooke Bond Tea" Union Jack hats and with coronation mugs, some lady helpers; part of the Corn Exchange wall is visible in the background, confirming the location.80 x 130mm, print on card.
PH/S.IVE/People/30Children's tea in the Corn Exchange on Coronation Day, Tuesday 2nd June 1953: rows of children at long tables wearing "Brooke Bond Tea" Union Jack hats and with coronation mugs.130 x 80mm, print on card.
PH/S.IVE/People/31a-bChildren's tea in the Corn Exchange on Coronation Day, Tuesday 2nd June 1953: rows of children at long tables wearing "Brooke Bond Tea" Union Jack hats and with coronation mugs, lady helpers between the tables.130 x 80mm, prints on card.
PH/S.IVE/People/32Children and adults sitting down to a public tea, date and location not known, sitting at long tables with lady helpers holding teapots.80 x 130mm, print on card.
PH/S.IVE/People/33Children and adults sitting down to a public tea, date and location not known, sitting at long tables with lady helpers holding teapots.130 x 80mm, print on card.
PH/S.IVE/People/34A presentation to Nurse Heath on her retirement: Nurse Heath with Dr Musson (holding a cigarette), Mrs Minnie Hudson and Mrs Stiles.115 x 160mm, print on paper.
PH/S.IVE/People/35The Laud brothers of Bluntisham, four boys in shorts or tracksuits, with Rowland Stiles and Andy Smith,behind a table with certificates and cups won for boxing, March 1960.160 x 205mm, print on paper.
PH/S.IVE/People/36The executive committee of St Ives Chamber of Trade, date unknown: seven men sitting at a small table holding a slightly tattered piece of cardboard with a longcase clock behind.165 x 220mm, print on paper.
PH/S.IVE/People/37A group of children with a two men standing to right and left of them, on a kerbside with a building behind against which pieces of wood and stone are leaning. 1950s or 1960s to judge by the costume.155 x 210mm, print on paper.
PH/S.IVE/People/38The mayor Mrs Cuttill, Mrs Doris Ruston and an unidentified man, with a boneshaker bicycle, occasion and location not known, 1968 or 1969.210 x 155mm, print on paper.
PH/S.IVE/People/39William L. Harrison, head and shoulders portrait in taken in May 1968.115 x 95mm, print on paper.
PH/S.IVE/People/40Group photograph of the St Ives Home Guard, at camp during the Second World War: three rows of men in battledress in front of a camouflaged tent: no clues as to the location.145 x 250mm, print mounted on card.
PH/S.IVE/People/41This number vacant
PH/S.IVE/People/42This number vacant
PH/S.IVE/People/43Miss Pattrick: head and shoulders portrait in an elaborate dress with a lace collar.45mm diam, circular sepia print mounted on thick card
PH/S.IVE/People/44St Ives scouts at Matlock in 1934: group photo with four rows of uniformed scouts standing or sitting in a grass field with trees in leaf behind.80 x 130mm, print on postcard
PH/S.IVE/People/45A group of spectators at Coronation celebrations in the Broadway, 1953: rows of men, women and children sitting and standing, with the distinctive façade of Wych House just visible behind; good period costume, many schoolboys wearing caps.80 x 130mm, print on postcard
PH/S.IVE/People/46Humphrey L. Warren rowing on the Marne, 10th September 1933: a young man in a racing boat with an out-of-focus view of the river bank with houses and spectators in the background.165 x 230mm, print on paper.
PH/S.IVE/People/46 (contd.)
PH/S.IVE/People/47Humphrey L. Warren in 1978: an informal head-and-shoulders portrait, wearing a check shirt with jacket and tie, holding a camera and with a river scene (not in focus) in the background.160 x 210mm, print on paper.
PH/S.IVE/People/48A band of children with percussion instruments (triangles, tambourines and drums) standing in two rows in a school yard or playground - the back row standing on chairs; an older girl with a baton stands on the left to conduct them.120 x 190mm, print on paper.
PH/S.IVE/People/49Iris Main, the only woman named on the St Ives war memorial: head and shoulders full-face portrait wearing miltary uniform of tunic, shirt and tie, bare-headed; a young woman with dark curly hair.120 x 90mm, print on paper.
PH/S.IVE/People/50Bill Saunders riding his tricycle/bath chair: one rear and two front wheels, with a wicker chair between the front ones; he is taking his flat cap off to the photographer while the seat is occupied by his wife in floor-length dress; photographed on the Quay with part of nos. 5 & 6 (the former Chequer pub, with the chequerwork brickwork then still extending to the ground floor on no. 6) in the background.85 x 135mm, print on postcard.
PH/S.IVE/People/50 (contd.)
PH/S.IVE/Prior.R/01The walls of the Priory Barn in 1989, showing the south corner of the building with buttresses on the left and the 19th-century Priory house behind.150 x 195mm, print on paper.
PH/S.IVE/Prior.R/02The walls of the Priory Barn in 1989: a similar picture to PH/S.IVE/Prior.R/01 but taken from further back so that the gate in the south wall can be seen.150 x 195mm, print on paper.
PH/S.IVE/Prior.R/03The Sheila-na-gig (carved stone female figure with the genitals emphasised) from St Ives Priory: the rectangular figure with genitals to the left, breasts and part of head to the right, lying on a dark cloth with the photographer's feet below and a scale (of inches) above.130 x 130mm, print on paper.
PH/S.IVE/Prior.R/03 (contd.)
PH/S.IVE/Prior.R/04The Sheila-na-gig (carved stone female figure with the genitals emphasised) from St Ives Priory: the rectangular figure with genitals to the left, breasts and part of head to the right, lying on a dark cloth with the photographer's feet below and a scale (of inches) above. A very similar picture to PH/S.IVE/Prior.R./03.130 x 130mm, print on paper.
PH/S.IVE/Prior.R/05The Sheila-na-gig (carved stone female figure with the genitals emphasised) from St Ives Priory: the rectangular figure with genitals to the left, breasts and part of head to the right, lying on a dark cloth with a scale of inches to the left. A closer view than PH/S.IVE/Prior.R/03-04.130 x 130mm, print on paper.
PH/S.IVE/Prior.R/06The Sheila-na-gig (carved stone female figure with the genitals emphasised) from St Ives Priory: the rectangular figure with genitals to the left, breasts and part of head to the right, lying on a dark cloth with a scale of inches to the left. A very similar picture to PH/S.IVE/Prior.R/05.130 x 130mm, print on paper.
PH/S.IVE/Prior.R/07The Sheila-na-gig (carved stone female figure with the genitals emphasised) from St Ives Priory: apparently standing upright with a dark cloth behind it and wooden doors or gates visible to left and right; scale of inches up its right side.130 x 130mm, print on paper.
PH/S.IVE/Prior.R/08The walls of the Priory Barn shortly before restoration in November 1995: the south corner with buttresses to the left and the hole worn by a tree on the right, the Priory house behind.100 x 150mm, print on paper.
PH/S.IVE/Prior.R/09The wall of the Priory Barn shortly before restoration in November 1995: the south-east end wall, showing the hole worn by a tree, with parked cars, and the Priory house behind.100 x 150mm, print on paper.
PH/S.IVE/Prior.R/10The wall of the Priory Barn shortly before restoration in November 1995: the south-east end wall, showing the hole worn by a tree, with Bob King standing behind it.100 x 150mm, colour print on paper
PH/S.IVE/Prior.R/11A close view of the hole in the wall of the Priory Barn shortly before restoration in November 1995.100 x 150mm, colour print on paper
PH/S.IVE/Prior.R/12The south-east end wall of the Priory Barn soon after its restoration in November 1995, showing the hole in the wall repaired and a new end and pier added to it on the right.100 x 150mm, colour print on paper
PH/S.IVE/Prior.R/13A close view of the repaired hole in the south-east end wall of the Priory Barn soon after its restoration in November 1995.100 x 150mm, colour print on paper
PH/S.IVE/Prior.R/14The south corner of the Priory Barn, seen from inside soon after its restoration in November 1995.100 x 150mm, colour print on paper
PH/S.IVE/Prior.R/15Outbuildings to the north of the Priory House, demolished before "The Cloisters" was built in 1998: a corrugated iron one-storey building on the left, part of a large warehouse on the right, parked cars in front.100 x 150mm, print on paper
PH/S.IVE/Quadrnt/01a-bThe Quadrant during the floods of August 1912: looking north-east from near the Greyhound, showing the curved row of houses on the east side of the street, fencing and trees by Darwood's Pond in the background, and houses of Carlisle Terrace just visible on the left. A few inches of water in the street, lots of people standing around.80 x 135mm, faded sepia prints on postcards.
PH/S.IVE/Quadrnt/02Carlisle Terrace during the floods of August 1912: looking north along the terrace to Darwood Cottages, with a street lamp in the foreground, trees and a fence behind. Water covering the road and lots of people standing around.80 x 130mm, sepia print on postcard.
PH/S.IVE/Quadrnt/03Part of the Quadrant during the floods of August 1912: looking west along the northern arm of the Quadrant, past the turning into Cromwell Place towards Carlisle Terrace and Darwood Cottages - a glimpse of the end of these two terraces is just visible in the background. Also the east end of the Quadrant houses on the left, the wall beside Darwood's Pond on the right. Several inches of water on the street, with people standing around, two horses and carts, and two schoolboys in a small canoe.100 x 70mm, print on postcard.
PH/S.IVE/Quadrnt/04Part of the Quadrant during the floods of August 1912: the same part of the street as in PH/S.IVE/Quadrnt/03 but seen from further east, near the railway line. Railway gates in the foreground and a house to the east side of Cromwell Place. Horses and carts as in Quadrnt/03, though with an additional one this time, and the same two boys in the canoe.70 x 100mm, print on postcard.
PH/S.IVE/Quadrnt/05A terrace of houses at Darwood Place in 1964: with hedges and trees, a variety of lampposts and cars in the foreground, also a telegraph pole.80 x 120mm, print on paper.
PH/S.IVE/Quay/01a-bThe Quay seen from the present-day Masonic Lodge at its east end, with rowing boats moored to a jetty protruding from the Quayside and the sign and sign bracket of the Ship public house clearly visible.90 x 60mm, faded sepia prints mounted on card.
PH/S.IVE/Quay/02a-bThe Quay seen from the present-day Masonic Lodge at its east end; with lighters moored near the bridge, a man sculling a boat and a boy fishing from the Quay in the foreground with a girl beside him holding a basket. A lady sits by one of the houses on the Quay, sheltering from the sun under an umbrella.a) 290 x 360mm, sepai print mounted on board; b) 150 x 210mm, print on paper.
PH/S.IVE/Quay/02a-b (contd.)
PH/S.IVE/Quay/03The Quay seen from the bridge, showing the buildings at its east end (from no. 5-6, the former Chequer public house, eastwards); also the Masonic Lodge and buildings between Wellington Street and the river; a sign by the river reads "boats" and a square chimney rises over the buildings in Wellington Street.80 x 130mm, sepia print on postcard.
PH/S.IVE/Quay/04The Quay seen from the south bank of the river, showing houses numbers 1 to 4, with the Free Church spire behind and two cabin cruisers moored in front.90 x 130mm, colour print on postcard.
PH/S.IVE/Quay/05Part of the Quay with the river in flood, probably in 1974: showing houses numbers 6 to 8 with people and cars in front and the water up to the top of the Quay; trees in the garden of number 8 are not in leaf. No. 7 The Quay has a sign "The Leather Shop".200 x 245mm, print on paper.
PH/S.IVE/Quay/06The Quay seen from the south bank of the river c.1908, showing houses numbers 3 to 8 with the Free Church spire behind and a boat with an awning over it on the river.165 x 270mm, scanned copy of postcard.
PH/S.IVE/Quay/07The Quay during the flood of Easter 1998: looking west towards the Bridge from near the corner of Free Church Passage, with water covering the whole width of the Quay in the foreground, swans standing in it and many onlookers on the Quay and the Bridge.100 x 150mm, colour print on paper.
PH/S.IVE/RailwaySee PH/S.IVE/Scotney/36 for a picture of the local LNER delivery lorry
PH/S.IVE/Railway/01St Ives from the south-east during floods, probably in 1894: the New Bridges on the left with the railway on trestles, with signal box and signal, crossing the picture to the Mill on the right; flooded meadow in the foreground, some buildings visible behind including the Free Church steeple. Trees bare.160 x 210mm, print on paper.
PH/S.IVE/Railway/02a-bTroops of the Fife and Forfar Yeomanry unloading horses at the railway station 1914-15: the horses, all greys, are being unloaded from railway wagons onto the platform; small boys sit watching on the top of the station wall; station buildings in the background.a) 80 x 130mm, print on paper; b) 130 x 200mm, print on paper.
PH/S.IVE/Railway/03The signal box at the railway station (on the end of the platform at the Cambridge end of the station) c. 1935 with signalman Sid Shipp at the top of the steps; "St Ives Statioin" nameboard over the door; telegraph pole, signal and lamp in front, signal levers visible through the windows, station platform in the foreground.200 x 150mm, sepia print on card.
PH/S.IVE/Railway/04The level crossing gates across the New Bridges closed to let through the last train to go from St Ives to Huntingdon (1959 presumably): looking north with card queuing and a short goods train being pushed by a steam engine; Free Church spire in the background.80 x 120mm, colour print on paper.
PH/S.IVE/Railway/05A train lifting sleepers on the railway across the New Bridges: looking north with the gatekeeper's cabin and a steam engine at the level crossing, with a telegraph pole behind, part of the Mill on the right and the Free Church spire in the background.80 x 120mm, colour print on paper
PH/S.IVE/Railway/21.01-5454 photographs of derelict railway buildings and equipment at St Ives and other places along the line towards Cambridge, between the closure of the line in 1970 and demolition of St Ives station in 1977. 21.01-06 St Ives station - notices, four views of the buildings, derelict signal box; 21.07-09 Swavesey station - station nameboard lying on the ground, two views of notices; 21.10-13 Longstanton station - illuminated station sign, wooden nameboard lying on platform, station buildings and signal box; 21.14-15 Oakington station - illuminated station sign and signal box; 21.16-18 Histon station - station buildings, signal box, wooden station building; 21.19-24 interiors of unidentified signal box and station buildings; 21.25-28 three views of notices and signs and one of a sack barrow, unidentified; 21.29 Histon station - derelict equipment on platform;(contd.)
PH/S.IVE/Railway/21.01-54 (contd.)21.30-33 details of buildings and equipment, unidentified; 21.34-38 St Ives station - derelict buildings and equipment; 21.39 water trailer, unidentified; 21.40 Longstanton station - gradient sign; 21.41-46 unidentified sign, signal, four views of track; 21.47 Swavesey - signal gantry with church tower behind; 21.48-49 St Ives station - views out of broken windows; 21.50-51 Longstanton station - two views of station building and signal box; 21.52 St Ives station - trucks, platform & demolished signal gantry; 21.53-54 unidentifed station building and view of track.Various sizes (c. 100 x 150mm) oval vignette sepia prints on paper.
PH/S.IVE/Repub.C/01Republic Cottage seen from the south-west: no foreground visible outside the garden fence; other houses visible behind; bushes in front of the cottage and the name board prominent on the front wall.110 x 160mm, print on paper.
PH/S.IVE/Repub.C/02Republic Cottage seen from the south-west, with wooden fence in front and trees behind.120 x 135mm, print on paper.
PH/S.IVE/Repub.C/03Republic Cottage seen from the south-west: part of the road junction visible in front of it, and houses behind it towards Needingworth; reflector posts have been added outside the garden fence.85 x 135mm, print on postcard.
PH/S.IVE/Repub.C/04a-bRepublic Cottage seen from the west, with Somersham Road in the foreground and looking down Needingworth Road on the right: similar to PH/S.IVE/Repub.C/03 except that the bushes in front of the cottage have gone, and speed limit signs have now appeared on Needingworth Road.190 x 240mm, prints on paper, two copies.
PH/S.IVE/Repub.C/05Republic Cottage in about 1929-30, with Elizabeth How (a short, stocky woman in a floor-length dress) standing in front of the garden fence with her great niece, the donor Pauline How, then a schoolgirl in light dress and white ankle socks. Trees in leaf, a puddle on the road outside, photo rather blurred.175 x 130mm, print on paper.
PH/S.IVE/Repub.C/06Eizabeth How and her distant relative Ben Rayment standing in front of the garden gate of Republic Cottage, which is partly visible behind them: she a short, stocky woman in a floor-length dress, he bald and white-bearded with a walking stick; presumably a similar date to PH/S.IVE/Repub/05, c.1930.80 x 130mm, print on postcard.
PH/S.IVE/River/01A drawing of the River Ouse at St Ives in the 18th century: looking upstream from the bridge with Hemingford Meadow, the Holt Island and Houghton Hill on the left, the parish church in the centre background and various buildings along the waterfront on the right. A lighter with towing horse is on the left and a rowing boat with fishermen using a seine net is in the centre foreground.95 x 140m, screened print on paper.
PH/S.IVE/River/02a-dA print of the River Ouse at St Ives in 1802: with Hemingford Meadow in the foreground, the parish church on the left and bridge and chapel on the right; on the meadow are felled trees, sacks and a fisherman; lighters are moored beside it (one with two men on or beside it) and a sailing boat is in midstream.a) 80 x 130mm; b-d) 60 x 90mm; sepia prints mounted on card.
PH/S.IVE/River/03a-bA print of the River Ouse at St Ives: looking across the river to the Manor House with part of the bridge on the right and Bridge Street as far as the Crown Inn (with big sign on its roof reading "Wilson") in the background; three boats on the river.60 x 95mm, sepia prints mounted on card.
PH/S.IVE/River/04The River Ouse frozen over, with a horse and trap on the ice: below the old bridge, looking towards it with the Quay and the Manor House on the right; the two-wheeled vehicle with horse, a youth holding its head and a bearded man and a boy in the trap, black dog standing behind; spectators all round, on the ice, on the bridge and the Quay, and a man and woman on the bridge chapel balcony.160 x 210mm, print on paper.
PH/S.IVE/River/05The River Ouse frozen over, with a horse and trap on the ice: very similar to PH/S.IVE/River/04 and plainly taken just moments before or after it; but fainter, with the bridge chapel hardly visible, and a large crack (glass negative) across the left of the picture.160 x 205mm, print on paper.
PH/S.IVE/River/06The River Ouse frozen over, looking towards the town and the bridge from Hemingford Meadow, with boys on the ice and a group of men in the right background; rough floes of ice all over the river, the buildings behind very clear (including the old bridge and the Free Church spire), some of the boys very well dressed with bowler hats and walking sticks.160 x 210mm, print on paper.
PH/S.IVE/River/07The River Ouse frozen over, looking towards the bridge and Quay, taken from the railway bridge over the river; many figures standing or skating on the ice; deterioration of the glass negative obscures the left side.160 x 210mm, print on paper.
PH/S.IVE/River/08The River Ouse frozen over, looking towards the Old Mill and the railway bridge from the Quay, with frozen-in lighters in the foreground and large crowds of people on the ice, a few on the railway bridge.160 x 205mm, print on paper.
PH/S.IVE/River/09The River Ouse, looking upstream from the railway bridge towards the old bridge and the Quay, with six lighters moored in the foreground and a dinghy with a small sail behind; the lighters have river names, Cam, Thames and Lark are visible; slightly dark print.160 x 210mm, print on paper.
PH/S.IVE/River/10a-bThe River Ouse looking upstream from the railway bridge to the old bridge and the Quay, with the boatyard in the foreground and a lighter, ?newly built, moored off it; a punt with cabin and a dinghy being poled by two girls is behind, with the background very clear as far as Houghton Hill.160 x 210mm & 140 x 200mm, prints on paper.
PH/S.IVE/River/11The River Ouse and Holt Island, looking from Hemingford Meadow across to the parish church, buildings on the Waits and the back of the Broadway; a summer scene with long grass on the Meadow.160 x 210mm, print on paper.
PH/S.IVE/River/12The River Ouse, looking from the cut beside the Dolphin towards Holt Island and the back of the Broadway, with a sailing dinghy in the entrance to the cut - two men are in it and the name Lily is painted on the bow.160 x 205mm, print on paper.
PH/S.IVE/River/13-15Three pictures of (presumably) Edward Collinson fishing on the Ouse: the first shows him, with a schoolboy, sculling a punt upstream from the bridge, with a sailing boat moored on the right; the second shows him sitting fishing in the punt, with buildings on the north bank (west of the bridge) behind; the third shows him in the same position but with the camera looking more easterly, showing more of the buildings on the north bank.Two prints 105 x 150mm, with circular print 95mm diam in the middle, all mounted on card.
PH/S.IVE/River/16St Ives Staunch, seem from the north bank just upstream: showing it as a "flash" lock with seven paddles, all raised, and with a curving line of posts upstream to guide boats to the lock on the right. A dinghy is grounded on the meadow on the left, two men stand on the staunch; the lock keeper's house is partly visible on the left; in the right background can just be seen the post windmill on the corner of the Low Road and the chimney of the Low Road steam mill.210 x 280mm, print on paper.
PH/S.IVE/River/17St Ives Staunch, seen from the south bank and downstream: lock on the left and weirs on the right; a man in flat cap and waistcoat stands on the river bank on the left, another man on the staunch itself; the Free Church spire can be seen in the background.150 x 250mm, screened print on paper.
PH/S.IVE/River/18Holt Island with the parish church behind, seen from Hemingford meadow; there are bundles of osiers stacked on the island, an empty lighter moored on it, and a man rowing past in a dinghy; there is a shed on the island on the left side.85 x 140mm, sepia print on postcard (rather indistinct).
PH/S.IVE/River/19The Ouse at St Ives looking upstream from the bridge, showing buildings on the north bank (including the chimney of Osborne's brewery), the Holt Island and the parish church with trees on the skyline of Houghton Hill - trees all leafless.85 x 140mm, sepia print on postcard.
PH/S.IVE/River/20The Ouse at St Ives, looking upstream from the railway bridge to the old bridge; with lighter (named "Cam") moored at the Island in the right foreground with its hatch covers off; two ladies in a rowing boat to the left.100 x 150mm, print on paper.
PH/S.IVE/River/21 a-bThe Ouse at St Ives looking upstream from the edge of the Dolphin cut, showing Holt Island, the Waits and the parish church.a) 70 x 100mm, oval screened print on postcard; b) 90 x 140mm, sepia print on postcard.
PH/S.IVE/River/22The Ouse at St Ives looking upstream from the edge of the Dolphin cut - but printed in reverse! A rowing boat moored in the right foreground, buildings on the river side and the Waits on the left, parish church in the right background.80 x 130mm, sepia screened print on postcard.
PH/S.IVE/River/23St Ives Staunch seen from downstream, with the lock keeper's house to the right and the spire of the Free Church in the background.50 x 80mm, screened print on postcard.
PH/S.IVE/River/24St Ives seen from the south bank of the Ouse at Wilhorn meadow, showing the railway bridge, houses, the Free Church behind and just the edge of the old mill on the left.115 x 165mm, print on paper, slightly blurred.
PH/S.IVE/River/25The Ouse and Holt Island seen from Hemingford Meadow, with a moored rowing boat in the foreground and another with three people in being rowed past; the parish church and the Waits in the background.120 x 165mm, print on paper.
PH/S.IVE/River/26Holt Island seen from Hemingford Meadow, almost opposite the parish church, with a lugsailed dinghy being sailed past by three men; a beached punt lies on its side on the island, the church is visible behind.120 x 165mm, print on paper.
PH/S.IVE/River/27A sailing dinghy on the Ouse beside Holt Island, the spire of the parish church just visible behind the trees; seen from Hemingford Meadow, the boat close-hauled on the port tack and heeling over, a young man at the tiller - possibly from the Cambridge University Cruising Club which kept dinghies at St Ives until the 1980s.215 x 165mm, print on paper.
PH/S.IVE/River/28A houseboat moored behind the Broadway c.1910: the boat has a flat, punt-like hull with a rectangular cabin on top, a verandah with awning at the front and a ladder leading up to the railed-in sitting area on the roof, where there are pot plants and people sitting with chairs and a table: a man, a boy and three ladies, the ladies with wide bonnets and parasols, another lady sitting in the verandah; an ensign hangs from a pole, behind are the outbuildings of Richmond House and the old bewery.355 x 455mm, print on paper mounted on card.
PH/S.IVE/River/29A houseboat moored by a grassy riverbank with saplings, c.1910: the boat is the same as in PH/S.IVE/River/28 but with a few differences in its details (no sitting area on the roof for example); sitting in it are William Osborne Peek, his wife Mercy Peek and their daughters Dora and Winifred.355 x 455mm, print on paper mounted on card.
PH/S.IVE/Rmsy.RdSee also PH/S.IVE/Slepe.H.
PH/S.IVE/Rmsy.Rd/01St Ives Grammar School (Manchester House) in 1929: looking into the courtyard from Ramsey Road, with the cloister on the left and the parish church spire in the background.80 x 130mm, print on postcard.
PH/S.IVE/Rmsy.Rd/02Ramsey Road, looking north from the corner with the Waits, showing the former Chequers pub on the right (later part of the Permanex works, demolished in 2002); on the left is part of the old Grammar School with the Dun Horse pub (later the Aviator) behind it.80 x 120mm, print on paper.
PH/S.IVE/Rmsy.Rd/03Ramsey Road jammed with cars on Easter Monday 1962: looking south from No. 9 Ramsey Road, on the west side of the road, with the Free Church spire in the distance; two solid lines of traffic, with Morris Minors and Ford Anglias noticeable.85 x 135mm, print on card
PH/S.IVE/Scotney/35a-bScotney employees taking part in a works outing to Skegness, 1930s or 1950s?? A row of six single-decker buses, the front one with "Scotney's St Ives" on a board in its front window; standing in front of them is a crowd of men women and children, with a man with a clipboard on the far right who has been identified as Scotney's salesman Mr Rook.140 x 220mm (a) & 165 x 220mm (b), prints on paper
PH/S.IVE/Scotney/35a-b (contd.)
PH/S.IVE/Scotney/36LNER delivery lorry with driver George Frederick Puckering standing beside the cab and a poultry house made by Scotney's loaded on the back of the lorry; houses behind, presumably in St Ives somewhere; the lorry has "Thorneycroft" on the radiator.155 x 195mm, print on paper, copied from an original owned by the donor
PH/S.IVE/Scotney/37The first cart made by Scotney to have pneumatic tyres, photographed in Parkhall Road, Somersham in 1931: the cart, with a heavy horse in the shafts and two curious cats watching, stands in a country lane with a house in the left background.80 x 130mm, print on postcard.
PH/S.IVE/Scotney/38A Scotney's lorry loaded with triangular wooden poultry arks, seen in London Road outside the factory: the lorry is a normal-control articulated vehicle with flat trailer, registration number EEW 671, painted on the door "Tom M. Scotney Ltd Manufacturing Woodworkers Saint Ives Huntingdon Phone 3168/9"; the arks are similar to those shown in PH/S.IVE/Scotney/12.165 x 215mm, print on paper.
PH/S.IVE/Scotney/39A Scotney's lorry loaded with Bristol Siddeley Orpheus Engine Training Units at the Siddeley aircraft factory in Bristol: a forward-control Dodge articulated vehicle with flat trailer, registration number XEW 793, painted on the door "Tom M. Scotney Ltd Saint Ives Huntingdon Phone 2421"; the two engine units are in rectangular containers painted "Bristol Siddeley Orpheus Engine Training Unit"; an aircraft hanger is in the background.155 x 200mm, print on paper.
PH/S.IVE/Scotney/40The same lorry and cargo seen in PH/S.IVE/Scotney/39, seen from behind and with an airfield runway and hanger in the background.155 x 200mm, print on paper.
PH/S.IVE/Scotney/41An Orpheus Engine Training Unit being lifted onto a lorry, presumably the same one seen in PH/S.IVE/Scotney/38-39; crane lifting the unit is on the right, with aircaft hanger behind it.200 x 155mm, print on paper.
PH/S.IVE/Slepe.HUnless otherwise indicated, all photographs show the present Slepe Hall, not Old Slepe Hall which was demolished in 1848. New Slepe Hall was built about 1850 and was a girls' school until 1965. It opened as a hotel in 1966.See also three photograph albums (bottom shelf of cupboard 3):
PH/S.IVE/Slepe.H/01a-eJames Hunter's lithograph of the west front of OLD Slepe Hall, with a tree in the foreground and figures that include Andrew Fellowson the freed slave.a) 105 x 155mm, sepia print on card; b-e) 60 x 90mm, sepia prints on card.
PH/S.IVE/Slepe.H/02a-kJames Hunter's lithograph of the east front of OLD Slepe Hall, with sheep on the grass in the foreground.a) 90 x 115mm, print mounted on card; b-c) 105 x 150mm, sepia prints on card; d) 90 x 115mm, print on paper; e-k) 60 x 95mm, sepia prints on card.
PH/S.IVE/Slepe.H/03a-cGirls at Slepe Hall School in 1961. A formal group photograph with the children sitting or standing in five rows with teachers sitting in the middle row; grass in front, hedge and trees behind.115 x 290mm, prints on paper.
PH/S.IVE/Slepe.H/04Slepe Hall: the front of the building seen from the west (Ramsey Road) side.45 x 70mm, sepia print on paper.
PH/S.IVE/Slepe.H/05Slepe Hall: the front of the building seen from the west, with gardens in the foreground (lawns, flowers and standard roses) and the sundial visible to the left.80 x 100mm, print on paper.
PH/S.IVE/Slepe.H/06Slepe Hall: the front of the building with grass, drive and standard roses in front - clear, detailed picture.110 x 170mm, sepia print on paper.
PH/S.IVE/Slepe.H/07Slepe Hall: the front of the building with garden, grass and drive in the foreground; a double exposure towards the right of the picture.110 x 155mm, print on paper.
PH/S.IVE/Slepe.H/08Slepe Hall: the front of the building with grass and drive in the foreground.75 x 95mm, print on paper.
PH/S.IVE/Slepe.H/09Slepe Hall: the front of the building seen from near its south end, with trees and shrubs around it, drive in front.90 x 140mm, screened print on postcard.
PH/S.IVE/Slepe.H/10Tennis courts behind Slepe Hall: girls in white tennis dresses are playing on two grass courts; behind them is a modern bungalow with Slepe Hall itself just visible in the left background.155 x 200mm, print on paper.
PH/S.IVE/Slepe.H/11The gymnasium at Slepe Hall: the interior of a shed-like building, open to the underside of the roof and with wooden floor, containing equipment that includes a vaulting horse and a number of hoops.155 x 200mm, print on paper.
PH/S.IVE/Slepe.H/12a-bPart of the grounds of Slepe Hall: a fence, hedge, shrubs and tree trunks, with the parish church steeple faintly visible in the right background.100 x 80mm, prints on paper.
PH/S.IVE/Slepe.H/13a-bPart of the grounds of Slepe Hall: a row of thick trunks of ?pollarded trees on the right, with flowers and a fruit or vegetable cage on the left.155 x 110mm, prints on paper.
PH/S.IVE/Slepe.H/14Part of the grounds of Slepe Hall: the same scene as in Slepe.H/13 but seen from a different angle, with the trees in the background, flowers (including lupins) and cage in the foreground.110 x 155mm, print on paper.
PH/S.IVE/Slepe.H/15Part of the grounds of Slepe Hall: probably looking from the house towards Ramsey Road but with the view obscured by plants and trees; gravel drive in the foreground, rustic wooden seat to the right.110 x 155mm, print on paper.
PH/S.IVE/Slepe.H/16Formal group photograph of the staff and students at Slepe Hall, 1898 or 1899: four rows of girls and ladies (and one boy) sitting or standing on blankets on grass with trees behind; several hold tennis rackets.150 x 210mm, sepia print mounted on card.
PH/S.IVE/Slepe.H/17A group of pupils in front of the porch at Slepe Hall, dressed in Shakespearean costume in 1901. (For a performance of "Twelfth Night" to judge by the cross-gartered character, presumably Malvolio). 15 girls sitting and standing in three rows.235 x 295mm, print on paper.
PH/S.IVE/Slepe.H/18Sundial in the grounds of Slepe Hal, 1927l: stone pillar with metal gnomon on top, standing in grass with shrubs behind.130 x 80mm, print mounted on card.
PH/S.IVE/Slepe.H/19Slepe Hall: the front of the building seen from near its south end: a winter scene with leafless trees around, part of the garden visible in front and to the left.85 x 135mm, sepia print on postcard.
PH/S.IVE/Slepe.H/20Miss Martha Lloyd (1860-1943), Principal of Slepe Hall School; photographed in old age, three-quarter face, sitting with hands clasped on a bentwood chair.Stereoscopic pair of prints, each 70 x 60mm, sepia prints on card.
PH/S.IVE/Slepe.H/21Martha Lloyd of Slepe Hall, a profile portrait plainly taken on the same occasion as Slepe.H/20.200 x 160mm, print on paper.
PH/S.IVE/Slepe.H/22Formal group portrait of staff and pupils at Slepe Hall School, June 1926: girls (and three boys) and ladies sitting and standing in four rows, on the white-lined grass of a ?tennis court with a chain link fence behind them and a large mound visible behind the fence; Martha Lloyd, Principal until 1928, is in the middle of the second row.160 x 475mm, print on paper.
PH/S.IVE/Sports/01Mr Williams of Papworth Hall's cricket team: 19 men and a boy sitting and standing in three rows, most of them in cricket whites with blazers and caps but a few in ordinary clothes; the pillars and windows of a large house behind them.150 x 200mm, sepia print on card
PH/S.IVE/Sports/02Mr Williams of Papworth Hall's cricket team: 14 men sitting and standing in three rows, almost all in cricket whites with blazers and caps, in grass with hedge and trees behind.155 x 205mm, sepia print on card with two vertical cracks.
PH/S.IVE/Sports/03A cricket team, some members of whom are in fancy dress and blacked up as "negro minstrels": sitting on a bench or standing behind it, with umpires and a scorer (not blacked or dressed up) standing at each side; a hedge behind and part of a wooden building to the right.160 x 195mm, print on paper mounted on card.
PH/S.IVE/Sports/04All Saints' parish church football team 1906: eleven men in football clothes sitting and standing in three rows, with Rev Wilde behind and to the left and another man in ordinary clothes to the right; the players include the curate, George Jordan (bearded, in the centre). The ball in front is marked "ASA Thursday 1906 7"; trees behind.155 x 205mm, print on paper mounted on card.
PH/S.IVE/Sports/05All Saints' parish church cricket team c. 1906: ten men in whites sitting or standing in two rows, some with bats and pads; Rev Wilde stands behind and Rev George Jordan is in the centre; a garden fence and a wooden outbuilding behind.160 x 205mm, print on paper mounted on card.
PH/S.IVE/Sports/06St Ives Senior Fours 1907: four oarsmen and a cox in a racing boat with their coach standing on the bank behind them, where there are also two boats sheds opening onto the water.155 x 205mm, print on paper mounted on card.
PH/S.IVE/Sports/07a-bSt Ives Senior Fours 1909: eight men standing and sitting, some in rowing clothes others in ordinary costume, on a garden seat with a small table full of trophies in front of them.a) 160 x 210mm, print on paper mounted on card; b) 85 x 135mm, print on postcard.
PH/S.IVE/Sports/08Joe Bugner: full-length portrait in boxing shorts but with bindings instead of gloves on his hands; facing the camera and on a white background, with "Best Wishes Joe Bugner" printed on the left.140 x 90mm, screened print on card
PH/S.IVE/StandenSEE ALSO PH/ALBUMS/S.IVE/Standen/1-2
PH/S.IVE/Standen/06Standen's forge in West Street: a narrow yard with a wooden shed at the back (cf. PH/S.IVE/Standen/04); a man in a suit with a stiff collar and cloth cap holds a horse's head; the clutter includes a wheeled plough and two steel wheels.75 x 100mm, sepia print on postcard.
PH/S.IVE/Standen/08Four members of the Standen family in the yard of their blacksmith's shop in West Street: Mr and Mrs Sam Standen sitting, Frank A. Standen standing on the left and Miss I. Standen standing on the right; all dressed formally (c.1900-1910?); Mrs Standen holds a book and Sam a folded paper.150 105mm, sepia print mounted on card.
PH/S.IVE/Standen/12The Standen Chain Rail Tractor towing the Hunstanton lifeboat across the beach; there are crowds of onlookers including ?lifeboatmen in lifejackets; water in the foreground, beach huts on the dunes behind. The lifeboat's name on the bows has been inked out on the photograph.150 x 195mm, sepia print (cracked across the middle) mounted on cardboard
PH/S.IVE/Standen/13The Standen Chain Rail Tractor helping to launch the Bridlington lifeboat: in an open beach with heavy surf, the tractor is on the left, the lifeboat trailer beyond it with two men leaning over it; to the right, out into the sea, is the lifeboat itself with fore-and-aft sails set and oars out.155 x 210mm, sepia print mounted on card
PH/S.IVE/Standen/14Part of the Standen Chain Rail Tractor: a man at the controls of the machine, with a boy behind him on the beach and a rough surf in the background.80 x 55mm, print on paper.
PH/S.IVE/Standen/15A distant view of the Standen Chain Rail Tractor, being driven through the surf on a beach.55 x 80mm, print on paper
PH/S.IVE/Standen/16The Standen Chain Rail Tractor towing a Danish lifeboat over sand dunes with the sea behind and a few onlookers.55 x 80mm, print on paper
PH/S.IVE/Standen/17The Standen Chain Rail Tractor on a Danish beach, with heavy surf behind; one man is at the controls and three others stand behind him (one of them also appearing in PH/S.IVE/Standen/16, hence the identification of the location).60 x 95mm, print on paper
PH/S.IVE/Standen/18The Standen Chain Rail Tractor towing the Hoylake lifeboat: the tractor on the left, the lifeboat on its trailer on the right, on the mud of an estuary landscape (Hoylake is on the Wirral, Cheshire). The word "Hoylake" can be seen on the boat's stern.60 x 105mm, print on paper
PH/S.IVE/Standen/19The Standen Chain Rail Tractor on a beach, with one man at the controls and others walking beside him. The operator and the tractor itself look very similar to the ones in PH/S.IVE/Standen/18, so this may also be at Hoylake, Cheshire.60 x 105mm, print on paper
PH/S.IVE/Standen/20a-bThe Standen Chain Rail Tractor towing the Hoylake lifeboat over a beach, with two men in the foreground looking on. "Hoylake Lifeboat" is painted on the boat's stern.60 x 105mm, prints on paper
PH/S.IVE/Standen/21The Standen Chain Rail Tractor half submerged in a river with a railway on a trestle behind - almost certainly at St Ives, next to the Old Mill. Rather blurred.60 x 105mm, print on paper
PH/S.IVE/Standen/22The Standen Chain Rail Tractor towing a lifeboat over a beach with a very large crowd of onlookers. The lifeboat is too distant to make out its design or name, so the location of this picture is not known.60 x 100mm, print on paper
PH/S.IVE/Standen/23a-bThe Standen Chain Rail Tractor helping to launch or recover the Bridlington lifeboat: the tractor is in the left foreground in the surf, with the lifeboat beyond and to the right; some men are on board her and others work on the trailer; a gentleman in breeches with a walking stick watches from the foreground.80 x 135mm, sepia prints on postcards
PH/S.IVE/StatnRdStation Road: see ALBUMS
PH/S.IVE/Thicket/01 a-dThe entrance to the Thicket, looking west into the wood, with kissing gate, horizontal-barred fence to the left and vertical fencing to the right, a cast iron and wood bench in the foreground.a-b) 100 x 150mm, sepia prints mounted on cards, a) printed as vignette; c-d) 60 x 95mm, sepia prints mounted on cards.
PH/S.IVE/Thicket/02 a-cThe Thicket path, looking east along it with bare trees on each side, the ground falling away to the right and the gate just visible in the background.100 x 150mm, sepia prints, a) only mounted on card.
PH/S.IVE/Thicket/03 a-bA scene near the Thicket, looking back towards St Ives from the river bank just east of the Thicket gate, with reeds on the left, the river and Hemingford meadow to the right, the parish church steeple and its poplar trees just visible in the background - and, very faintly, the Free Church spire and the Old Mill chimney.100 x 150mm, sepia prints mounted on card, b) printed as a vignette.
PH/S.IVE/Thicket/04 a-cThe Thicket, seen from Hemingford Meadow with the river in the foreground and showing the entrance gate with a noticeboard beside it, hedges to left and right and an open, grassy river bank in front of it.a) 115 x 200mm, sepia screened print on "Giant Post Card"; b) 65 x 140mm, print on postcard; c) 50 x 80mm, print on postcard.
PH/S.IVE/Thicket/05The Thicket gate, looking west into the wood, with the kissing gate (rebuilt with vertical slats since PH/S.IVE/Thicket/01-02 were taken), noticeboard and hedge beside it, and in the foreground two children and their straw-hatted nursemaid sitting on the bench with a large perambulator in front of them.60 x 85mm, screened print (vignette) on postcard.
PH/S.IVE/Thicket/06The Thicket gate, looking west into the wood, with the gate and its noticeboard, hedges to each side and the path and bench in the foreground, an old man with a walking stick sitting hunched on the bench.85 x 145mm, screened print on postcard.
PH/S.IVE/Thicket/07The Thicket gate, looking west into the wood, with the gate and its noticeboard, hedges to each side and the path and bench in front, a man in flat cap leans on the fence and his dog sits by the gate.85 x 140mm, print on postcard.
PH/S.IVE/Thicket/08The path from the Thicket to St Ives, looking east towards the town from near the Thicket gate, with the bench beside it visible on the right, also the river and Hemingford meadow with the parish church steeple and its poplar trees just visible in the background; a boy lies in the grass and two more are fishing on the river bank.75 x 100mm, screened print on postcard.
PH/S.IVE/Thicket/09The river near the Thicket entrance, with riverbank in the right foreground and the island to the left with the Thicket gate just visible in the background; there is a boat on the river and two boys on the bank.75 x 115mm, screened print on paper mounted on card.
PH/S.IVE/Thicket/10Barnes Walk looking east towards St Ives, with lime trees in the centre and ground falling away to the right, part of a house visible to the left and the footbridge to the Holt Island on the right; the path is closed off with gates in the background. Bicycles are leaned up left and right of the path and several young ladies sit on the grass to the right.75 x 130mm, sepia print on postcard.
PH/S.IVE/Thicket/11The Thicket path looking east from near the Thicket gate back towards St Ives, with trees and Noble's Field on the right of the path, with the river and Hemingford meadow, and the spires of the parish and Free churches in the background; there is a nursemaid with a pram on the path and several children in the grass to the right; a rowing boat on the river.85 x 130mm, print with added colours on postcard.
PH/S.IVE/Thicket/12The Thicket entrance, looking west into the wood, with the gate and its noticeboard, hedges to left and right, the river and island to the left; sitting or standing around are various children with prams, two men and a boy with a bicycle.80 x 135mm, print with added colours on postcard.
PH/S.IVE/Thicket/13The river near the Thicket entrance, looking back east towards St Ives, with two men fishing from a boat in the river and the spires of the parish and Free churches in the background; superimposed at the left of the picture are a couple sitting on a tree stump, the man with his arm round the girl's waist and their heads concealed by her enormous hat.75 x 140mm, print on postcard.
PH/S.IVE/Thicket/14The Thicket, St Ives, with the path through the middle of the wood, looking east with the ground falling away to the right. Superimposed on the left of the picture are a couple sitting embracing on a tree stump.80 x 140mm, print on postcard.
PH/S.IVE/Thicket/15The Thicket entrance looking west into the wood; the vertical slatted gate and the noticeboard are as on earlier pictures but the bench has now been replaced by a cast iron and wood seat, with a back.75 x 115mm, print mounted on card.
PH/S.IVE/Thicket/16This number vacant
PH/S.IVE/Thicket/17Part of St Ives Golf Course, looking east towards the town with the (damaged) parish church spire and that of the Free Church in the background; two golfers are playing.90 x 140mm, sepia print on postcard.
PH/S.IVE/Thicket/18St Ives Golf Course: four men with clubs and golf bags lying around look right; a green and trees in the background.80 x 130mm, print on postcard (upside-down).
PH/S.IVE/Thicket/19The Thicket path seen in 1978, before the felling of the elm trees because of Dutch Elm Disease: a tarmac path with bushes to the left and mature trees on the right.170 x 125mm, colour print on paper.
PH/S.IVE/Thicket/20The Thicket path, looking east with the Golf Course on the left and Noble's Field (with cows grazing on it) on the right; shaded by trees to the left of the path (presumably the elm trees lost to Dutch Elm disease in the 1970s).60 x 80mm, print on paper.
PH/S.IVE/Thicket/21The river and the Thicket path: looking west from the path in the right foreground, across the river (with a rowing boat and a punt on it) to Hemingford Meadow and the trees on the peninsula beside the Thicket entrance.60 x 80mm, print on paper.
PH/S.IVE/Thicket/22St Ives Golf Course: looking east towards the town from a high point on the slopes above the Thicket path, with two golfers at the bottom of the slope, the trees lining the Thicket path and the parish church spire behind.60 x 80mm, print on paper.
PH/S.IVE/WaitsNote that PH/S.IVE/Waits/27 (frost scene in 1940) shows the Waits river wall on its old line, closer to the road than nowadays and probably with an inlet from the river still running up the west wall of the Norris Museum. This line of wall also appears in fig. 9 of Ken Ballard's "Old Industries of St Ives Revisited", photograph taken in April 1935. So that wall was there by then.The present-day river wall, with sheet piling, is shown in a photograph in a St Ives Town Guide which has references to the year 1948 and must date from about then. So the new river wall must have been built between 1940 and 1948 - probably late in that
PH/S.IVE/Waits (contd.)Phil Pratt told me the river wall was built in 1938 and that it was done so that barges could unload at Scotneys. He must be wrong - the old wall was there by 1935 and the new wall wasn't there in 1940. Perhaps he means 1935 - but the barges in Ken Ballard's photo are unloading at the west end of the Waits, against another bit of wall that was always there. Phil mentioned dredging, so perhaps that took place in 1935, not wall building.Note that we have scans of some photographs taken by Jean Buckman showing the Methodist church after the fire of 10th January 1996. Julia Johnson, whom they were copied for, is going to check that Jean doesn't mind us having them. They are JPEGs, indexe
PH/S.IVE/Waits/01The Waits, looking west from near the river, with slope down to the river in the foreground and river wall beyond it, wooden steps down into the water at each end of the wall; buildings on the right of the street and the corner of Ramsey Road, the parish church and its poplars behind; various people sitting or standing, with a man climbing a ladder up the street lamp on the corner.125 x 190mm, sepia print mounted on card.
PH/S.IVE/Waits/02The Waits looking west, with rough ground in the foreground and a pump beside the road, behind it the wooden steps down to the water and the river wall, houses to the right and the parish church beyond. There is a low coping along the riverside, not there in PH/S.IVE/Waits/01 (when the water level was slightly higher) but seen more clearly in Waits/03.105 x 150mm, sepia print mounted on card.
PH/S.IVE/Waits/03 a-eThe Waits looking west from near the water's edge. In the right foreground is part of the low coping; beyond it is the river wall with Manchester House on the corner of Ramsey Road and the parish church behind; the spire and poplars reflected in the water in the foreground90 x 60mm, sepia prints mounted on card, d) is hand coloured.
PH/S.IVE/Waits/04The Waits, looking west from the water's edge, with grass in the front running down to the river, wooden steps and river wall beyond, with street and houses to the right and parish church beyond; groups of children and some grown-ups watch the camera.160 x 210mm, print on paper.
PH/S.IVE/Waits/05The Waits, looking west from near the water's edge; the low coping shows beside the grass in the foreground, the river wall and buildings behind are as in earlier photographs; a hot summer's day with children wearing summer hats, including a small boy fishing in the foreground.160 x 210mm, print on paper.
PH/S.IVE/Waits/06 a-bA crowd at the laying of the foundation stone of the Methodist church in May 1904: in the background is a brick wall with a string of flags. Very good details of costume, hats and faces.150 x 205mm, prints on paper, one mounted on card.
PH/S.IVE/Waits/07The old Methodist church just before its demolition in 1904, with people drawn up in front for the Quarterly Meeting. The brick façade of the old church is shown with posters advertising "Farewell Services" on "Sunday next" (i.e. 15th April 1904, see Norris cuttings). Two rows of formally dressed people stand in front.150 x 200mm, sepia print on paper.
PH/S.IVE/Waits/08The interior of the old Methodist church - the windows show it to be the old one, pulled down in 1904; there are no people in the picture but a clear view of the interior fittings - pews, pulpit, organ and gallery.150 x 200mm, sepia print on paper.
PH/S.IVE/Waits/09Laying the foundation stone of the new Methodist church in May 1904: a large crowd of people with a white-haired and bearded man standing up among them; in the background is a brick wall with flags and posters advertising the event.150 x 200mm, print on paper.
PH/S.IVE/Waits/10Laying the foundation stone of the new Methodist church in May 1904: a similar view to PH/S.IVE/Waits/09 but showing a different part of the crowd.150 x 200mm, print on paper.
PH/S.IVE/Waits/11The Methodist church at the time of its opening in May 1905: the façade facing the Waits, with part of the Bell pub to the left, railings and wall and street lamp in front.80 x 130mm, print on postcard.
PH/S.IVE/Waits/12The Waits in the flood of August 1912, looking west along the houses beside the road with water over the street and groups of people standing on the dry strip of pavement by the houses; more are on the corner of Ramsey Road and a rowing boat is beached beside a lamp post.90 x 135mm, print on postcard.
PH/S.IVE/Waits/13The Waits in the flood of August 1912, looking west along the houses beside the road ; a similar view to PH/S.IVE/Waits/12 and with some of the same people in it.90 x 135mm, print on postcard.
PH/S.IVE/Waits/14The Waits in the flood of August 1912, looking west from the end of the Broadway (from a raised point, probably taken from a cart in the middle of the street); there is water across the street with many people standing on the pavement and horse drawn vehicles in the road, the water level slightly lower than in PH/S.IVE/Waits/12-13. The buildings on the site of the Norris Museum are in the left foreground, with a sign reading "H. Gore Carpenter".80 x 130mm, sepia print on postcard.
PH/S.IVE/Waits/15The Waits in the flood of August 1912, looking west from near the end of the Broadway: water covering all except part of the right-hand pavement, where some women are standing; in the foreground are paddling children, a rowing boat with four men standing (I think) behind it, and two swans.70 x 100mm, print on postcard.
PH/S.IVE/Waits/16The First World War Red Cross hospital in the school room behind the Methodist church: on the left under the windows is a row of beds with soldiers in them or between them, two more beds on the right side and nurses sitting and standing.85 x 140mm, print on postcard.
PH/S.IVE/Waits/17 a-bThe Waits looking west towards the parish church: part of the grass area with its low coping is in the right foreground, behind are the wooden steps and river wall, houses to the right and parish church behind; with children, a dog and a fisherman.a) 90 x 140mm, screened print on postcard; b) 80 x 130mm, sepia print on postcard.
PH/S.IVE/Waits/18The Waits looking west from near the water's edge, the muddy slope and grass area in the foreground, behind it the river wall, houses on the right and parish church. Many people, including a boy fishing in the foreground, some in a rowing boat and more on a moored punt; a horse and trap on the roadway.85 x 135mm, print on postcard with added colours.
PH/S.IVE/Waits/19 a-bThe Waits looking west across the grass area and slope down to the river, with the river wall, roadway and houses behind, parish church in the background; various people standing about, geese on the river and several moored boats.85 x 140mm, prints on postcards, b) with added colours.
PH/S.IVE/Waits/20The Waits looking west across the grass to the river wall, houses on the right and the church behind: a summer scene with the river low and the grass long.a) 50 x 80mm, print on postcard; b) 65 x 140mm, print on postcard.
PH/S.IVE/Waits/21The Waits, looking west along the Backwater from near the steps at the end of the river wall, with houses to the right and the parish church behind; boys are sitting on the wall, with one standing below it and a moored rowing boat behind.70 x 125mm, screened print on postcard, vignette.
PH/S.IVE/Waits/22The Waits, looking west from near the water's edge, with the low coping in the foreground and the river wall, houses and parish church behind. Part of a large lighter is on the left, a boy stands on the grass on the right.55 x 80mm, screened print on postcard, vignette.
PH/S.IVE/Waits/23The Waits in flood, with uniformed soldiers pulling a gun limber along the street; another soldier pushes a bicycle on the right; parish church behind.Two stereoscopic sepia prints, each 70 x 65mm, mounted on card.
PH/S.IVE/Waits/24The Waits in deep snow, looking west across the grass area with houses to the right and the parish church behind, a punt moored in the Backwater.90 x 140mm, sepia print on postcard.
PH/S.IVE/Waits/25The Waits, with the grass area in the foreground, looking west to the river wall, houses on the right and parish church behind. A summer scene with the river low and the grass long.80 x 130mm, sepia print on postcard.
PH/S.IVE/Waits/26The children's sick bay in the schoolroom behind the Methodist church, January 1940: metal-framed beds with children in them, a Red Cross Nurse and a white-coated female doctor, a table with flowers on in the foreground.80 x 130mm, print on postcard.
PH/S.IVE/Waits/27The Backwater frozen over in the winter of 1940: photographed from the ice near the end of the Museum garden, looking west towards the Waits and the parish church, with the end of the Museum on the right. Many people standing on the ice.85 x 135mm, print on postcard.
PH/S.IVE/Waits/28The Waits in the flood of 1940, looking east towards the Broadway with houses on the left and the Norris Museum to the right; pollarded willows on the right side of the road, the Free Church spire in the background; water covers the street, a few people are walking on the raised pavement on the left.85 x 135mm, print on postcard.
PH/S.IVE/Waits/29The Waits in a high flood, looking east towards the Norris Museum with pollarded willows along the road side; water across the street, the pavement in the foreground still dry and two or three people on it.100 x 150mm, print on paper.
PH/S.IVE/Waits/30The Waits, looking west from the green towards the river wall, with moored boats, trees beside the road and the spire of the parish church behind; a summer scene in bright sunshine.90 x 130mm, coloured print on postcard.
PH/S.IVE/Waits/31Decorated tiles on Anderson's butcher's shop, No. 12 The Waits, showing a bull.115 x 175mm, print on paper.
PH/S.IVE/Waits/32Decorated tiles on Anderson's butcher's shop, No. 12 The Waits, showing the head of a pig.120 x 135mm, print on paper.
PH/S.IVE/Waits/33Decorated tiles on Anderson's butcher's shop, No. 12 The Waits, showing the head of a sheep.125 x 135mm, print on paper.
PH/S.IVE/Waits/34Burleigh House, No. 1 The Waits: the south façade, two storeyed with pediment and dormer windows, porticoed porch, lawn and flower bed with stone garden ornament in front.100 x 150mm, coloured print on paper.
PH/S.IVE/Waits/35Decorated tiles on Anderson's butcher's shop, No. 12 The Waits, showing a bull.100 x 150mm, coloured print on paper.
PH/S.IVE/Waits/36Decorated tiles on Anderson's butcher's shop, No. 12 The Waits, showing the head of a pig.100 x 150mm, coloured print on paper.
PH/S.IVE/Waits/37Decorated tiles on Anderson's butcher's shop, No. 12 The Waits, showing the head of a sheep.100 x 150mm, coloured print on paper.
PH/S.IVE/Waits/38Red Cross nurses being inspected on the Waits in 1940: looking east along the Waits to the Norris Museum, with at least three rows of nurses, in uniform and with gas mask bags over their shoulders, being inspected by another nurse and two ladies in dark Red Cross uniforms. The Museum has its extension built (then the boiler room), one of its upper windows is open (nowadays all sealed) and there are still railings between it and the Waits.80 x 130mm, print on postcard.
PH/S.IVE/Waits/39Red Cross nurses in a group photograph in front of the Norris Museum, presumably taken on the same occasion as PH/S.IVE/Waits/38: the nurses sitting and standing in three rows with the north end of the Museum's west wall behind them (with shrubs just visible in the garden between the Museum and the Waits); sitting in the middle of the front row are two senior ladies, one in a dark uniform, the other in a nurse's uniform with a cape and medal.80 x 130mm, print on postcard.
PH/S.IVE/Waits/40The Waits, looking west from the grass outside the Norris Museum towards the parish church; the grass on the Waits looks quite rough and uncut, there are small trees, staked and railinged, along the edge of the road, and the parish church spire perhaps looks cleaner than the rest of the building, suggesting this was taken soon after completion of its rebuilding in 1923-4.60 x 80mm, print on paper.
PH/S.IVE/Well.St/01a-bThe elaborate wrought iron signboard bracket of the Oliver Cromwell pub in April 1897, looking up from the corner of the pub towards the houses on the south side of Wellington Street and west towards the Quay. The Birt Lane street sign and the first-floor bow window of the pub can be seen, and the sign of the Crown and Mitre in the background.a) 105 x 160mm, blue print on paper; b) 90 x 120mm, sepia print on paper.
PH/S.IVE/Well.St/02Wellington Street, looking west from the Oliver Cromwell to the Quay. The pub's elaborate sign bracket is prominent in the foreground and it has plants in an upstairs window box. In the background can be seen the Crown and Mitre with its inn sign, the tree that stood near the corner of Free Church Passage and the very tall telegraph pole by the bridge. Handcarts, men, boys and bicycles are in the street.125 x 80mm, sepia print on postcard.
PH/S.IVE/Well.St/02 (contd.)
PH/S.IVE/Well.St/03The Old River behind Wellington Lane, looking west with back gardens on the right; on the left a covered gantry with a moored lighter, painted "J.E. Frear" and "Stanground" on each side of its bow; a man on the gantry, two on the lighter, a woman and children in a back garden opposite.90 x 140mm, sepia print on postcard.
PH/S.IVE/Well.St/03 (contd.)
PH/S.IVE/Well.St/04The Old River behind Wellington Lane, looking west from the bridge at the end of Priory Road; with the boatyard covered gantry on the left, gardens and part of a house on the right, the bridge with big telegraph pole behind; a number of houseboats on the Old River with a man on a punt in the foreground and women and children in gardens and on a jetty on the right.75 x 115mm, screened print on paper.
PH/S.IVE/Well.St/05Buildings on the south side of Wellington Street seen from the other side of the river, with boats on the water, some industrial buildings (one with a tall chimney) and the spire of the Free Church behind.120 x 165mm, print on paper.
PH/S.IVE/Well.St/06Buildings on the south side of Wellington Street and part of the Quay, seen from the other side of the river, with moored boats, an industrial building with a tall chimney and the spire of the Free Church behind.120 x 165mm, print on paper.
PH/S.IVE/Well.St/07Wellington Street, looking westwards from near the Oliver Cromwell pub in bright sunshine: the Oliver Cromwell sign ("Huntingdon Fine Ales") hangs on its wrought iron bracket in the right foreground; a shoe shop sign hangs opposite; there are good details of the buildings and in the background are a man with a walking stick and a woman.165 x 115mm, print on paper.
PH/S.IVE/Well.St/08Waterfall House, at the end of Wellington Lane and Priory Road, in 1995 with windows boarded up and showing signs of the fire that damaged it before its demolition.100 x 150mm, print on paper.
PH/S.IVE/West.StGlobe Place is included in the West Street section of the index, it not being really practicable to separate them.
PH/S.IVE/West.St/01a-bThe junction of West Street and Globe Place in the flood of August 1912: looking west along the north side of West Street, with water over the road, photographer with tripod in left foreground, a group of children paddling, and the bread delivery cart (see PH/S.IVE/Nrth.Rd/02) on the right; Eastgate's grocer's shop visible in West Street.90 x 140mm, prints on postcards - the two pictures cropped differently to show slightly different parts of the scene.
PH/S.IVE/West.St/02West Street in the flood of August 1912: looking west from near the corner of Globe Place and showing mostly the north side of the street; the Three Tuns and George pub signs are visble on the left, Eastgate's and another shop, and the end of Green Street, on the right; with a covered waggon, people, children and a bicycle; water over the street.90 x 140mm, print on postcard.
PH/S.IVE/West.St/03The junction of West Street and Globe Place in the flood of August 1912: a closer view than PH/S.IVE/West.St/01, showing the houses on the corner up to first-floor level; with a family in a horse-drawn carriage, and paddling children.90 x 140mm, print on postcard.
PH/S.IVE/West.St/04a-cThe junction of West Street and Globe Place in the flood of August 1912: looking up Globe Place from the end of East Street with houses on the left of Globe Place and the former Primitive Methodist Chapel, now C.W. Marster's stonemason's, on the right. Water over the street, two horse-drawn carts in the middle, children to the left and two men on the right.a-b) 90 x 135mm, prints on postcards; c) 110 x 165mm, print on paper
PH/S.IVE/West.St/05West Street in the flood of August 1912: looking east from the end of George Yard; houses on both sides, with the pub signs of the Three Tuns and the George (bottom of the sign only) visible on the right; the covered waggon shown on PH/S.IVE/West.St/02 is in the street, also many adults and children including a young man perched on a pillar box. Water over the street but the pavements clear.85 x 140mm, print on postcard.
PH/S.IVE/West.St/06The junction of West Street and Globe Place in the flood of August 1912: looking west down West Street with houses visible on both sides as far as the end of the street; water over the street but the pavements clear; numerous adults and children posing for the camera, one with a bicycle.80 x 130mm, sepia print on postcard.
PH/S.IVE/West.St/07a-bWest Street in the flood of August 1912: looking east from near George Yard, with the George itself visible on the right; numerous adults and children in the street, water over the street but the pavements clear.80 x 130mm, sepia prints on postcards.
PH/S.IVE/West.St/08West Street in the flood of August 1912: looking east from near George Yard; a similar view to PH/S.IVE/West.St/07 and taken at almost the same time to judge by the number of people who appear in both pictures.80 x 130mm, faded sepia print on postcard.
PH/S.IVE/West.St/09Houses in Globe Place in floods, probably in 1937 or 1947: looking north along the terrace on the west side of Globe Place, with part of Globe House and North Road behind. Belisha beacon beside the houses, group of people by a doorway, water over the street and half-melted snow on the pavement.105 x 165mm, print on paper.
PH/S.IVE/West.St/10a-bHouses in Globe Place in floods, probably in 1937 or 1947: a very similar scene to PH/S.IVE/West.St/09 and plainly taken at the same time as the people in both pictures have hardly changed their positions; one of the women in this picture is now holding a young child.155 x 200mm, prints on paper.
PH/S.IVE/West.St/11West Street in floods, perhaps 1937 or 1947: looking west down the street from the corner of Globe Place, with a little shallow water lying on the street; Three Tuns inn sign in the left foreground.50 x 75mm, print on paper, slightly blurred.
PH/S.IVE/West.St/12a-bGlobe Place in the flood of 1947: looking north from near the junction with West Street with Globe House in the background and the houses on the east of Globe Place on the right, including a shop with "A.G. Hodge" over the window. Stationary in the water covering the street is a lorry loaded with milk crates with a man and woman standing in the back, the woman in Land Army uniform.a) 105 x 160mm, print on paper; b) 85 x 135mm, print on paper.
PH/S.IVE/West.St/13a-bWest Street: looking west from the junction with Globe Place, showing most of the buildings on the north side of the street; two street lamps stand well clear of the pavement in Globe Place - a cast iron former gas type lamp and a concrete swan neck right beside it, perhaps just put up to replace it.80 x 120mm, prints on paper.
PH/S.IVE/West.St/14Globe Place in the flood of 1947, looking north from near the junction with West Street with Globe House in the background - but most of the scene hidden by the enormous tracked armoured vehicle on a low-loader in the middle of the street; on the right is the back view of a fireman with a pump.85 x 135mm, print on paper.
PH/S.IVE/West.St/15Globe Place in the flood of 1947, looking north from near the junction with West Street towards the houses on the east side of Globe Place, including Hodge's shop and the premises of Mr Cuttriss the stonemason. There are firemen with a pump and children balancing on the planks laid on bricks to provide a footing out of the water.85 x 135mm, print on paper.
PH/S.IVE/West.St/16a-bThe flood of 1947: two firemen standing by their pump in Globe Place, with the premises of Cuttriss the stonemason behind them; they wear peaked caps and waterproof leggings; children watch from behind.a) 100 x 160mm, b) 85 x 135mm, prints on paper.
PH/S.IVE/West.St/17Globe Place in a flood of the 1950s, looking north from near the junction with West Street towards the buildings on the east side of Globe Place; the street is under water, there is a road sign for a school on the left, while on the right of the street a helmeted fireman is standing by a pump towed by a van.80 x 130mm, print on paper.
PH/S.IVE/West.St/18Globe Place in the flood of 1947, looking north up Cemetery Road with part of Globe House on the left; on the right are cottages, then the woodwork/cookery building of the Girls' School behind; water right across the street.75 x 105mm, print on paper.
PH/S.IVE/Wswd.Rd/01Westwood Road, looking west towards the entrance of Church Street, with a brick wall on the left, the cottages at the Church Street entrance in the middle (very much as they are nowadays, complete with lattice fence and pollarded trees in front) and part of Westwood Farm (since demolished) on the right. One of the Wellingtonias in the grounds of Westwood House is visible in the background.160 x 210mm, print on paper.
PH/S.IVE/Wswd.Rd/02a-bWestwood House seen from the garden, with flowerbeds and lawn in the foreground, three deckchairs near the house, and one of the Wellingtonias on the right.165 x 210mm, prints on paper, a) mounted on card, b) hand-coloured.
PH/S.IVE/Wswd.Rd/03A horse and cart decorated for a hospital fund-raising event, ?at about the time of the First World War: uniformed men with rifles are on the cart, which is decorated with banners reading "Defenders of our Flag, Hospitals Need Help". In front stand men with sashes, and a woman, perhaps a nurse, with a collecting box. The cart is at the junction of Church Street and Westwood Road, with Westwood Farm in the background and the vicarage wall on the right.85 x 135mm, sepia print on postcard.
PH/S.NEO/001a-cSt Mary's Church, St Neots from the north, showing chancel, nave, north porch and tower. With gravestones in front, trees and bushes in leaf.100 x 150mm, sepia prints on paper.
PH/S.NEO/002St Mary's Church, St Neots from the north, showing chancel, nave, north porch and tower, with gravestones in front. Trees and low bushes (yew) in leaf.105 x 150mm, sepia print on paper.
PH/S.NEO/003St Mary's Church, St Neots from the north, showing chancel, nave, north porch and tower, with gravestones in front. Small bushes of yew and box amongst the gravestones, other buildings, and trees without leaf on either side in background.150 x 205mm, print on paper.
PH/S.NEO/004a-bSt Mary's Church, St Neots from the south-east, showing the church and churchyard with pollarded trees (which had gone by the time the church was photographed for VCH). A woman is pushing a pram in the street, in front of the churchyard wall.150 x 200mm, prints on paper.
PH/S.NEO/005St Mary's Church, St Neots from the north-west, showing the nave, north aisle, north porch and tower with clock. Church Walk fenced in by railings, gravestones to the left. Trees in leaf and buildings in the background.145 x 190mm, sepia print on paper.
PH/S.NEO/006a-bSt Mary's Church, St Neots from the north-west, showing the nave, north aisle, north porch and tower. Railinged walk with gravestones and shrubs behind on the left.130 x 110mm, 160 x 110mm, sepia prints on paper.
PH/S.NEO/007a-cSt Mary's Church, St Neots from the north-east, showing chancel, vestry, north aisle, nave, porch and tower. Railings in foreground with low bushes, trees without leaf in background.100 x 150mm, 105 x 145mm, 100 x 145mm, sepia prints on paper.
PH/S.NEO/008St Mary's Church, St Neots: the tower from the south, with part of nave and south aisle. Yew trees in foreground.135 x 105mm, sepia print on paper.
PH/S.NEO/009St Mary's Church, St Neots from the south-east, showing chancel, south aisle, nave, porch and tower. Gravestones and low bushes of yew and box in foreground.100 x 150mm, sepia print on paper.
PH/S.NEO/010St Mary's Church, St Neots: close-up exterior view of the tower from the south west, showing also part of the nave, and south aisle, gravestones and low bushes in foreground.140 x 110mm, sepia print on paper.
PH/S.NEO/011St Mary's Church, St Neots from the south-west, showing chancel, south aisle, porch, nave and tower. Gravestones and trees in leaf behind low churchyard wall in foreground. Buildings to the left in background.90 x 135mm, print on postcard
PH/S.NEO/012St Mary's Church, St Neots: interior view of the the nave looking east to the chancel, showing nave arcade, lectern (right) and pulpit (left), pews and hexagonal font in foreground.155 x 110mm, sepia print on paper.
PH/S.NEO/013St Mary's Church, St Neots: interior view from the chancel, of the nave looking west to the tower, west window and west door. Showing nave arcade, pews, part of screen of south aisle chapel, and lectern.150 x 110mm, sepia print on paper.
PH/S.NEO/014St Mary's Church, St Neots: the north chancel screen with chancel pews in front and organ behind.145 x 110mm, sepia print on paper.
PH/S.NEO/015St Mary's Church, St Neots: the screen, east of the north aisle, with organ behind.110 x 125mm, sepia print on paper.
PH/S.NEO/016St Mary's Church, St Neots: the south chancel screen and chancel pews.110 x 155mm, sepia print on paper.
PH/S.NEO/017St Mary's Church, St Neots: the south aisle, pews and screen, pillar in foreground.140 x 110mm, sepia print on paper.
PH/S.NEO/018St Mary's Church, St Neots: the screen of the south aisle chapel, and pews.110 x 150mm, print on paper.
PH/S.NEO/019a-bSt Mary's Church, St Neots: looking east through the nave to the chancel, showing the chancel arch, nave arcade and nave, with pews on either side looking to the east window.135 x 200mm, sepia print on paper; 135 x 195mm, darker sepia print on paper.
PH/S.NEO/020St Mary's Church, St Neots: looking west from the south aisle chancel chapel, showing south aisle and south aisle screen, nave arcade, poppyhead-topped pews and pulpit.230 x 290mm, sepia print on paper.
PH/S.NEO/021a-eSt Mary's Church, St Neots: memorial wall plaque to Archdeacon Thomas Hodgson (died 1921), with elaborate carved stone surround.a) 150 x 195mm, print mounted on card; b-e) 65 x 115mm, prints on postcards.
PH/S.NEO/022a-cSt Mary's Church, St Neots: memorial wall tablet to George Fydell Rowley Esq., for many years Chairman of the Huntingdonshire County Council, 1851-1933.130 x 80mm, prints on postcards.
PH/S.NEO/023a-bSt Mary's Church, St Neots: ornate carved wooden screen in interior of church.140 x 90mm, prints on postcards.
PH/S.NEO/024a-bHall Place, Cambridge Street, showing the street front of the house with wall and railings in front and cottages behind.100 x 150mm, sepia print on paper and blue print on paper.
PH/S.NEO/025Hall Place, St Neots, showing the garden side of the house with large lawn in foreground, flower beds, trees without leaf.100 x 150mm, sepia print on paper.
PH/S.NEO/026Hall Place, St Neots showing the garden front of the house with lawn, flower beds, and trees without leaf, railings in foreground.100 x 150mm, blue print on paper.
PH/S.NEO/027The Vicarage, St Neots, showing the garden front of two-storeyed house with tall chimneys (mock 17th-century style), rose arches, lawn, lean-to conservatory, trees in leaf.80 x 140mm, print on postcard.
PH/S.NEO/028View looking east down St Neots High street from the junction with New Street, showing shops and buildings on either side, awnings, and Freeman Hardy and Willis signboard above shop on corner in left foreground.80 x 135mm, print on postcard.
PH/S.NEO/029a-bSt Neots: north side of the Market Square, showing Cross Keys Hotel and shops, with awnings. Market Square in foreground and Market Cross to right.100 x 145mm, sepia prints on paper.
PH/S.NEO/030St Neots: north side of the Market Square, looking north-west to the Cross Keys Hotel and shops, with smoking chimneys behind. Figures of people and various boxes and crates piled up on square.110 x 160mm, sepia print on paper.
PH/S.NEO/031St Neots: the gates to Priory Park, showing large wrought iron gates with stone pillars and wooden fence on either side, trees in background.60 x 110mm, print on paper.
PH/S.NEO/032St Neots: medieval stone corn measure, on brick plinth, in open space on grass.80 x 130mm, print on postcard.
PH/S.NEO/033a-b"Bunyan's Anvil": a tinker's anvil found at St Neots in 1905. A tapering metal object with flanges at top and near the bottom, and "J. Bunyan" scratched on one side.55 x 135mm, prints on postcards.
PH/S.NEO/034Hen Brook, St Neots, looking east, showing brook reflecting the trees on either side, small boats and canoe moored on left. Wooden building on left in background, brick wall on left in foreground.145 x 105mm, sepia print on paper.
PH/S.NEO/035St Neots: the Great Ouse river, showing expanse of river with low grassy bank in foreground. Tree (without leaf) lined far bank with rising ground behind, and cottage in distance.100 x 140mm, sepia print on paper (faded).
PH/S.NEO/036a-bSt Neots: the Great Ouse river, showing large area of water with reflections of leafless trees on either bank.115 x 145mm, print on paper; 110 x 140mm, sepia print on paper.
PH/S.NEO/037a-bSt Neots: distant view of the Paper Mill across water meadows and river. Trees in leaf on either side.105 x 160mm, print on paper; 100 x 150mm, sepia print on paper.
PH/S.NEO/038a-bSt Neots: the Paper Mill from across the Ouse, showing Mill buildings to the right of picture across river and footpath, grassy bank and bench on near bank in foreground. Trees without leaf reflected in still water.115 x 145mm, print on paper; 100 x 140mm, sepia print on paper.
PH/S.NEO/039a-cThe Old Bridge, St Neots, from the south (upstream) side, showing four arches, river to the right of picture with small skiff moored by grassy bank, buildings at the right hand end of bridge. Trees in leaf on left bank.a) 80 x 130mm, sepia print on paper; b-c) 75 x 125mm, sepia prints on paper.
PH/S.NEO/040a-bThe Old Bridge, St Neots, the south side showing three arches with large expanse of river in foreground. Small area of grass bank in left foreground with trees in leaf, small boat on river with three people in it. Tall chimney on east bank behind the bridge.105 x 155mm, sepia prints on paper.
PH/S.NEO/041St Neots Bridge from the north showing the east bank and three arches, with meadow grass in the foreground, buildings behind, and trees in leaf.100 x 150mm, sepia prints on paper.
PH/S.NEO/042Old houses in Huntingdon Street, St Neots: two-storeyed buildings, the near one jettied with steep roofs and small windows. A terrace beyond, with trees and shrubs to the left behind fencing. Road with pavements in foreground.70 x 95mm, print on postcard.
PH/S.NEO/043St Mary's Church, St Neots: a distant view of the tower surrounded by trees, with a two storey house to the right and rough grass in foreground.95 x 75mm, print on paper.
PH/S.NEO/044The procession for Queen Victoria'a Diamond Jubilee in the High Street, looking west from the Cross: elaborately decorated horse-drawn vehicles with many spectators on foot, flags and bunting on the houses.150 x 205mm, sepia print on board.
PH/S.NEO/045St Mary's Church, St Neots: interior view looking east down the nave with the north arcade, part of the north aisle, pews with poppyheads and the font in the foreground.145 x 95mm, sepia print on paper in mount.
PH/S.NEO/046St Mary's Church, St Neots: a stained glass window of four lights in Perpendicular tracery with figures.140 x 95mm, sepia print mounted on card with decorated border.
PH/S.NEO/047The Wesleyan School, St Neots: a two-storey building with central block and two wings, with roof lights, decorative chimneys and coin work. Fencing and rough grass in foreground. Several people standing and sitting in front of school.115 x 155mm, sepia print on paper mounted on card.
PH/S.NEO/048A view of St Neots from the south, presumably taken from the tower of Eynesbury Church: streets, houses and greenhouses in the foreground with St Neots Parish Church prominent behind. Clear and detailed.110 x 155mm, sepia print on paper.
PH/S.NEO/049St Neots Market Square looking east from near the north-west corner, with two and three storey buildings on either side, the parish church tower on the right in the background. Pony and traps with people walking, some furniture stacked on pavement on left.110 x 155mm, sepia print on paper.
PH/S.NEO/050A print of St Neots Market Place, looking east with the Cross Keys sign in the left foreground and the parish church tower visible in the background. Elaborate lamp standard in the centre.105 x 150mm, sepia print on paper.
PH/S.NEO/051A yard in South Street, St Neots, showing the entrance under a built-over arch, with two-storey house to the right with tiled roof, woman on bicycle entering under the arch, two boys playing in the foreground watched by a man in breeches and bowler hat.100 x 75mm, print on paper.
PH/S.NEO/052High Street, St Neots, looking along the north side from No. 1 in the foreground to the Assembly Rooms on the corner of Huntingdon Street in the background. Awnings shade the shop windows and there are passers-by and two hand carts in the street.95 x 140mm, sepia print ON GLASS with gold edging.
PH/S.NEO/053 St Neots Market Place looking east from near the north-west corner, with the parish church tower in the background on the right. Ponies, carts and people walking on square.80 x 115mm, screened print on postcard.
PH/S.NEO/054The New Inn, St Neots: a two-storey building with a boarded sign running along the top, with buildings either side and carriage entrance on the right. Horse-drawn vehicle standing in front of inn, driven by a man and two horses' heads held by man in cloth cap, waistcoat and shirt sleeves. Man with a dog on the pavement.55 x 80mm, print on postcard.
PH/S.NEO/055The Weir, St Neots: a horse and cattle in a pond, partly fenced, beside a raised fenced roadway, with a man standing beside the water.75 x 130mm, print on postcard.
PH/S.NEO/056Priory Hill, St Neots: a tree-lined avenue with two women with prams and two children standing in the middle.75 x 135mm, print on postcard.
PH/S.NEO/057St Neots Common: grass and an unmade road with buildings in the background, including "The Cannon Inn", and the parish church tower. Trees behind a fence on the left, girls in pinafores and bonnets, boys in caps.75 x 140mm, screened print on postcard.
PH/S.NEO/058St Neots Bridge from the south, showing three arches with decorative small arches under the parapet. Some buildings to the right at the river's edge, with water, rough grass and reeds in the foreground.140 x 205mm, sepia print on paper.
PH/S.NEO/059St Neots Bridge from the south, showing three arches with decorative small arches under the parapet. Some buildings on the water's edge to the right, and behind the bridge, a tall chimney in background. Man in a boat on the river. Rough grass and reeds in foreground.105 x 155mm, sepia print on paper.
PH/S.NEO/060a-bSt Neots Spa, showing the river with trees and bushes on either side, a man standing on the path by the river with a long fence behind.105 x 155mm, sepia print on paper; 90 x 140mm, print on postcard.
PH/S.NEO/061St Neots Bridge from the north, showing three arch span with decorative small arches under parapet; small building to left (boathouse?), men in rowing boat approaching centre arch, large expanse of water in foreground with trees in leaf on either side, several people standing on bridge.90 x 140mm, tinted print on postcard.
PH/S.NEO/062A houseboat on the river, decked with flags and with an awning over the upper storey.80 x 70mm, sepia print on paper.
PH/S.NEO/063St Neots Bridge: a view along the roadway towards the Market Square, with the parapet walls on either side, a gas lamp on the left side, and beyond the bridge (and partly hidden by it) the tops of buildings on the north side of the Market Square.115 x 155mm, sepia print mounted on card.
PH/S.NEO/064Plaster wall with decorative design - complicated curvilinear scrolls - with two vertical beams.150 x 105mm, sepia print on paper.
PH/S.NEO/065Gates of the original Hall Place, St Neots: a pair of decorative wrought iron gates with two stone piers supported by a capped brick wall. View of gardens through gates.120 x 110mm, sepia print on paper.
PH/S.NEO/066A drawing by Francis Stukeley of enamelled medieval reliquary: roofed shape like a miniature house with pictures along the sides.100 x 160mm, print on paper.
PH/S.NEO/067Two views of the Alfred Jewel: oval jewel with picture ?of St Neot in enamel: two photographs showing the front and back.75 x 70mm, prints on paper.
PH/S.NEO/068Rev Harker: head-and-shoulders full-face portrait of a moustached man with spectacles wearing a collar and tie.100 x 90mm, print on paper.
PH/S.NEO/069A garden with trees and shrubs, path lined with low hedge to the right, with a row of small trees leading to an open gate, iron railings in background. Brick wall of building on left. Man seated in deckchair and woman standing in doorway of summer house.105 x 150mm, sepia print on paper.
PH/S.NEO/070Charles Percival Rowley: three-quarter length portrait, seated holding papers in right hand and stick in left, wearing waistcoat and jacket with lighter coloured trousers.145 x 100mm, sepia print on paper.
PH/S.NEO/071Rev F. Newman: head-and-shoulders portrait of a man dressed all in black with a full beard and moustache.130 x 85mm, print on postcard.
PH/S.NEO/072A group of musicians with wind instuments, in fancy dress costume including false noses and moustaches and various hats.80 x 130mm, print on postcard.
PH/S.NEO/073Joseph Wright of St Neots: head-and-shoulders full-face portrait of a middle-aged man with moustache and pionted beard.50 x 35mm (oval vignette), sepia print on paper.
PH/S.NEO/074Mrs. J. Middleton: full-length portrait of a middle-aged lady in a wide, dark-coloured crinoline and a bonnet tied with wide lappets under her chin, holding a parasol, and seated beside a small table.90 x 60mm, sepia print mounted on card.
PH/S.NEO/075J. Ibbets: a young man in a garden standing against an ivy covered wall or hedge with houses in the background.105 x 75mm, sepia print on paper.
PH/S.NEO/076Rev. Studdey: head-and-shoulders full-face portrait of a bearded man wearing a high buttoned jacket.90 x 60mm, sepia print on card.
PH/S.NEO/077Miss Fisher: head-and-shoulders full-face portrait of a lady wearing a high-necked dress with a brooch at the throat.90 x 60mm, sepia print on card.
PH/S.NEO/078Thomas Huckle: head-and-shoulders full-face portrait of a young man with moustache and side whiskers, wearing a high-buttoned jacket and cravat.90 x 60mm, sepia print mounted on card.
PH/S.NEO/079Joseph Wilcox: half-length seated portrait of a bearded man wearing a high-buttoned waistcoat and a jacket.95 x 60mm, sepia print mounted on card.
PH/S.NEO/080Rev James Gunn: full-length seated portrait showing an elderly bearded man sitting on a chair in the garden, wearing a bow tie, waistcoat and hat. Trees and a building in the background.90 x 60mm, sepia print on paper.
PH/S.NEO/081Group photograph of boys at the Wesleyan School: four rows of boys sitting and standing with two men in the back row.100 x 135mm, sepia print mounted on card.
PH/S.NEO/082a-bDavid R. Tomson: an old man with a white beard on a seat in a garden, against a wooden building with plants growing up the walls, a pile of leather bound books on the seat beside him and one on his lap, and a water butt against the wall to his left.140 x 90mm, prints on postcards.
PH/S.NEO/083David R. Tomson: an elderly man with a white beard wearing a long jacket, standing in profile in a book-lined room, with piles of books on the floor beside him.125 x 75mm, print on postcard.
PH/S.NEO/084Tom Spencer: an old man sitting on the grass holding a pipe, shrubs and trellis in the background.125 x 75mm, print on postcard.
PH/S.NEO/085A painting perhaps of George Dawson Rowley: a young man with bushy side whiskers, shown three-quarter length with check trousers and waistcoat with a dark coat over them, a double-barrelled shotgun leaning up to the right.120 x 95mm, sepia print mounted on paper.
PH/S.NEO/086Mrs Thomas Huckle: full-face portrait of an old lady wearing a lace mob cap and lace jabot at the neck of a dark dress.140 x 100mm, sepia print mounted on card.
PH/S.NEO/087Group photograph of Bowling Club members, showing five rows of men, some sitting or standing, outside a wooden building with four windows, rough grass in the foreground.150 x 200mm, sepia print mounted on card.
PH/S.NEO/088a-bThe opening of St Neots Spa in 1905: industrial buildings in the background and the river in front, with many people in boats or on the river bank. A structure of wooden poles beside the parapet is decorated with flags and bunting.105 x 160mm, sepia prints mounted on card.
PH/S.NEO/089The Spa Football Team, St Neots: fifteen men standing or sitting, and a man in the middle holding a ball. Wooden building with tiled roof in the background.150 x 200mm, sepia print on paper, mounted on card.
PH/S.NEO/090Stained glass window in memory of Harriet Goodgames, 1922: two cinquefoil lights with a quatrefoil above, the design in the main lights showing the presentation of the child Jesus to Simeon; inscription below gives details of Miss Goodgames.195 x 125mm, sepia print mounted on card.
PH/S.NEO/091a-cSt Neots Football Team 1894-1895: eleven men in football strip with a linesman in plain clothes, standing and sitting in front of a ?pavilion with a trophy cup in front of them.160 x 205mm, three sepia prints mounted on card.
PH/S.NEO/092St Neots Football Team, showing fourteen men sitting and standing, one with a football at his feet. A cup and a shield in foreground. A small hut with a tree to the left in the background.155 x 205mm, print on paper mounted on paper, which is mounted on card.
PH/S.NEO/093St Neots Football Team, showing eleven men sitting and standing, one with a football between his knees. A hut in the background with a boy on the left and boys on the right.155 x 205mm, print on paper, mounted on paper on card.
PH/S.NEO/094St Neots Homing Pigeon Society, showing a group of men, some with hats and caps on, three of them in a car behind the group. Building with three windows and a door behind, with houses to the right.145 x 195mm, print on paper mounted on card.
PH/S.NEO/095A sports team (football perhaps, but the boots and socks seem lighter-weight than those of other football teams in these pictures, so could perhaps be runners or the like?): 26 men, mostly young, sitting and standing in three rows, mostly wearing striped shirts with shorts, some with badges pinned to their shirts; some men in normal clothes, including a clergyman in the back row. Behind them is a house with a bay window and latticing155 x 210mm, sepia print mounted on card.
PH/S.NEO/096The procession for Queen Victoria's Diamond Jubilee in the High Street, looking west from the Cross: a brass band in the foreground, bicycles and decorated horse-drawn vehicles behind, many spectators, flags and bunting on the houses.150 x 205mm, sepia print on board.
PH/S.NEO/097The procession for Queen Victoria's Diamond Jubilee in the High Street, showing various horse-drawn vehicles with spectators on either side and the houses decorated with flags and bunting.150 x 205mm, sepia print on board.
PH/S.NEO/098St Neots Bridge from the south, showing span with three arches over river. Buildings with tall chimneys and houses in the background. Trees to the left, area of grass in the foreground.155 x 210mm, sepia print on paper, mounted on card.
PH/S.NEO/099New Street Baptist Chapel showing a large two-storey building with two doors and notice boards on either side. Attached to the Chapel is a two-storey building with bay windows and a smaller house attached. Iron railings and gates in front of the buildings and a street in the foreground.220 x 275mm, sepia print on paper mounted on card.
PH/S.NEO/100The Cannon Inn, St Neots, showing a large building with several windows and chimneys, houses on either side. A man, woman and baby standing in doorway with bicycles resting against the wall. Ivy-clad walls to the side, inn sign to the left.150 x 205mm, sepia print on paper mounted on card.
PH/S.NEO/101St Neots Market Square in the flood of November 1894: looking down from some high vantage point on the south side of the square towards the north-east corner, with water covering much of the street, and some spectators in the foreground.125 x 190mm, print on paper, bottom right corner of the print blacked out.
PH/S.NEO/102S. Wright's pork butcher's shop at No. 6 Huntingdon Street: a pair of cottages with a signboard above the window of the right-hand one: "S. Wright, Sly's Noted Sausages". A girl in a gym slip leans on the corner of the building to the left.165 x 230mm, print on paper.
PH/S.NEO/103Mill Lane, St Neots, showing snow-covered trees, hedgerows and ground. Two men sitting on bridge wall with woman walking in centre of lane.155 x 205mm, print on paper mounted on card.
PH/S.NEO/104William Ratchelous: a bearded man wearing a top hat and holding a plant in a flower pot, standing in a doorway near a cold frame. Ivy-clad walls behind him and plant pots to the left.150 x 205mm, sepia print on paper.
PH/S.NEO/105An oak tree, St Neots, showing a large tree standing beside a road, by a grass verge, hedgerow behind. Roadway stretching into the background with a man just visible to the right in the foreground.145 x 200mm, print on paper.
PH/S.NEO/106-19Photographs of the handwriting exhibits in the trial of Walter Horsford for the St Neots murder - the trial taking place at Huntingdon on Wednesday 1st to Monday 6th June 1898: see special editions of the Hunts County News.These photographs are presumably some of the actual ones used at the trial. See evidence by the photographer Frederick Hinde, called early in the proceedings on Wednesday. He said the photographs were taken on 8th February and were unretouched, slightly
PH/S.NEO/106a-bThe notorious "Dear Annie" letter, photographed as an exhibit in the trial of Walter Horsford: the full text on one side of a folded piece of paper, with a note by PC J.A. Purser and the initials of Benjamin Horsford Mash (brother of the victim and cousin of the murderer) authenticating the handwriting.150 x 205mm, sepia prints on board.
PH/S.NEO/107a-bThe note - "Take in a little water, etc." sent by Walter Horsford with the poison to his victim Annie Holmes and photographed as an exhibit at his trial.205 x 150mm, sepia prints on board.
PH/S.NEO/108a-bPart of the account of the Coroner's proceedings at the inquest into the death of Annie Holmes, including the statement by Walter Horsford that he had never written to her or sent her anything, with Horsford's signature against this paragraph. This photograph used as one of the exhibits in the trial.150 x 205mm, sepia prints on board.
PH/S.NEO/109An unfinished letter by Walter Horsford asking someone to see to some repairs, presumably photographed as an exhibit - no doubt to prove his hand writing - at his trial.205 x 150mm, sepia print on board.
PH/S.NEO/110A scrap of paper with a pencilled address on it (a surgeon at Raunds), and marked by PC Purser that he received it from B.H. Mash - presumably photographed as an exhibit at Walter Horsford's murder trial in 1898.205 x 150mm, sepia print on board.
PH/S.NEO/111A piece of blotting paper with the imprint of a message about bringing and fixing a copper for Mrs Horsford - photographed as an exhibit at Walter Horsford's murder trial.145 x 205mm, sepia print on board.
PH/S.NEO/112a-bA piece of blotting paper with imprints of addresses and messages on it, photographed as an exhibit at Walter Horsford's murder trial.205 x 150mm, sepia prints on board.
PH/S.NEO/113A letter from Walter Horsford sent in November 1897 - the recipient and subject not clear from the contents - and presumably photographed as an exhibit at his murder trial.205 x 150mm, sepia print on board.
PH/S.NEO/114A letter written by Walter Horsford, referring to "the claim for damage to furniture" and "The goods manager", photographed as an exhibit at his trial for murder.150 x 200mm, sepia print on board.
PH/S.NEO/115A bill to B. Mash from Walter Horsford's father, but receipted and signed by Walter Horsford and photographed as an exhibit for his trial for murder.205 x 150mm, sepia print on board.
PH/S.NEO/116a-bOne side of a letter from Walter Horsford to his cousin Benjamin Mash, referring to a sheep of Horsford's that he says has got mixed up with Mash's flock - photographed as an exhibit at Horsford's murder trial.150 x 205mm, sepia prints on board.
PH/S.NEO/117a-bThe other side of the letter shown in PH/S.NEO/116.150 x 205mm, sepia prints on board.
PH/S.NEO/118The piece of paper marked "1 dose Take as told", with the initials of B.H. Mash and PC J. Purser, photographed as an exhibit at the trial of Walter Horsford.150 x 200mm, sepia print on board.
PH/S.NEO/119A swine fever certificate bearing the signature of Walter Horsford and photographed as an exhibit at his trial for murder.205 x 145mm, sepia print on board.
PH/S.NEO/120a-bThe interior of the Congregational Church at? St Neots: showing pulpit below traceried window with pulpit to the right and pews in the foregroud; hanging lamps under the elaborate woodwork of the roof.220 x 270mm, two sepia prints mounted on card with a red printed border.
PH/S.NEO/121The Cannon Inn, St Neots, showing three mounted huntsmen with a pack of hounds outside a two-storey building with four chimneys, street in foreground.250 x 300mm, print on paper, mounted on card.
PH/S.NEO/122St Neots and District F.C. showing men seated and standing, some dressed in football kit and some wearing suits. Trophies and a ball in the centre of the group. Trees in the background with rough grass in foreground.230 x 280mm, print on paper mounted on card.
PH/S.NEO/123St Neots and District F.C. showing men seated and standing, some dressed in football kit and two wearing suits. A trophy and stand with football in the foreground. A building and glasshouse in the background.230 x 280mm, print on paper mounted on card.
PH/S.NEO/124St Neots and District F.C. showing men kneeling and standing, some dressed in football kit and others dressed in suits and hats. A trophy on stand and eleven small trophies in foreground. A large building surrounded by trees in the background.235 x 290mm, print on paper mounted on card.
PH/S.NEO/125St Neots and District F.C. showing men seated and standing, some dressed in football kit, others dressed in suits in front of picture. Fence with hedging and trees in the background. Two trophies on stands with ball in front of players with a sign "St Neots F.C. 1932-33".220 x 265mm, print on paper mounted on card.
PH/S.NEO/126St Neots and District F.C. showing men seated and standing, some dressed in football kit, others dressed in suits, one holding a ball. A trophy on stand with a sign "St Neots 2nd. XI 1927-8. Winners Beds League 2nd Div." in the foreground. With hedge in the background.145 x 190mm, prnt on paper mounted on card.
PH/S.NEO/127St Neots football team of 1888-89: eleven players in football kit, sitting and standing with a ball and a table holding the Fellowes Cup; hedge and trees behind.160 x 210mm, sepia print in arched window mount.
PH/S.NEO/128This number not used.
PH/S.NEO/129St Neots Cricket Club, showng men seated and standing, most wearing whites and four in dark clothes. A trophy on a stand in front, with buildings in the background.225 x 270mm, print on paper mounted on card.
PH/S.NEO/130St Neots and District Football Club 1921-22, showing the team, six standing and five sitting, with two officials on either side. Trophy and ball in front of centre player. Greenhouse to the right, house surrounded by trees in the background.235 x 285mm, sepia print on paper mounted on card.
PH/S.NEO/131St Neots and District football team photgraph, showing players and members standing, some seated on chairs, some sitting on grass. Two trophies and ball in front of centre player. Greenhouses to the right, house surrounded by trees in the background.235 x 285mm, sepia print on paper mounted on card.
PH/S.NEO/132St Neots and District Football Club, showing team and manager. Three trophies and ball in front of centre player, spectator stand in background with emblem on roof.235 x 285mm, sepia print on paper mounted on card.
PH/S.NEO/133St Neots Bowling Club team, showing members standing and sitting with trophy on a box in the foreground surrounded by woods.280 x 230mm, sepia print on paper mounted on card.
PH/S.NEO/134This number not used.
PH/S.NEO/135St Neots & District Local Defence Volunters during the First World War: a group photograph of many men in uniform, with a few youngsters in civilian clothes to the right and a boy scout in the centre front; sitting and standing on grass with mature trees behind.155 x 280mm, sepia print mounted on card.
PH/S.NEO/136St Neots Market Square on Market Day about 1935: looking east from a raised position near the north-west corner, with stalls, cars and lorries in the Square, the church tower visible behind. Cars, costume and a pram give a fine sense of the period.150 x 205mm, print on paper mounted on card.
PH/S.NEO/137Shops on the north side of St Neots High street (nos. 33 & 35) the left-hand one with "Moore and Son" over the door but with blinds drawn and "To Let" signs; the right-hand one (35) a newsagent with the name "M.J. Buxton". In a terrace of 19th-century houses with the tower of the Congregational Chapel behind.150 x 200mm, print mounted on card in a paper folder.
PH/S.NEO/138Green End, showing unmade road with pavement to the right and raised grass bank to the left. Houses on either side with children and perambulators to the left. Men with dog to the right, one sitting on split rail fence. Trees everywhere.155 x 205mm, print on paper mounted on paper, backed with paper-covered card.
PH/S.NEO/139A painting of George Dawson Rowley: a young man with side whiskers dressed in checked trousers and waistcoat and dark overcoat, holding a walking stick and with a gun leaning up on his left: three-quarter length portrait.335 x 265mm, sepia print on paper mounted on paper.
PH/S.NEO/140 a-eSt Mary's Church, St Neots: the tower screen, elaborately carved wooden screen with memorial wall plaques visible behind.285 x 235mm, five prints on paper, a) and e) mounted on card.
PH/S.NEO/141a-bSt Mary's Church, St Neots: a stained glass window (seen from inside the church) with figures in the panels.295 x 215mm, sepia prints mounted on light card, torn.
PH/S.NEO/142St Mary's Church, St Neots: interior view showing part of a side wall with part of a stained glass window, doors behind and pews in the foreground.185 x 120mm, sepia print mounted on paper, some retouching in ink.
PH/S.NEO/143St Mary's Church, St Neots: interior view looking up into arches with parts of two carved wooden screens visible.195 x 120mm, sepia print mounted on paper.
PH/SAWTY/01a-dSt Andrew's Church, Sawtry (demolished 1879): general view from the south-east, showing dormer windows above the nave, the building evidently in a poor state of repair. A crack presumably from an original glass negative runs across the left of the picture.160 x 200mm, two prints on paper; 140 x 200mm, print on paper; 125 x 200mm, print on paper (this print touched up for publication, with some foreground foliage and the crack obscured.).
PH/SAWTY/02a-dAll Saints' Church, Sawtry (demolished 1879): from the west, showing the tower, with part of the nave and south transept, trees and fencing in front.215 x 160mm, print on paper; 200 x 150mm, sepia print on paper; 165 x 120mm, two prints on paper.
PH/SAWTY/03a-dAll Saints' Church, Sawtry (demolished 1879): from the north-east showing the chancel, north transept and tower, with churchyard in the foreground - recently mowed with heaps of grass cuttings around; some damage to the original picture from which these prints were taken, at the left side.165 x 210mm, print on paper; 145 x 200mm, sepia print on paper; 120 x 160mm, two prints on paper.
PH/SAWTY/04The new All Saint's Church, Sawtry: from the west showing west wall of nave with two-light windows with a buttress between and a gable above with bellcote. Trees in leaf on either side, wooden fencing and gates in the foreground.150 x 100mm, print on paper.
PH/SAWTY/05The new All Saint's Church, Sawtry: interior view looking east down the nave to the chancel, chancel arch and nave arcade (left side only) and the north aisle. Pulpit to the right, lectern to the left of chancel arch, prie dieu in front of chancel with hanging lamps in nave110 x 155mm, print on paper.
PH/SAWTY/06All Saint's Church, Sawtry, a distant view from the north with gravestones in the foreground.75 x 120mm, print on postcard.
PH/SAWTY/07All Saint's Church, Sawtry: a 13th-century window reset in the Victorian building, two-light with roundel at the top, seen from the outside.105 x 70mm, print on postcard.
PH/SAWTY/08a-dAll Saint's Church, Sawtry (demolished 1879): looking east from the end of the nave into the chancel, with the south transept to the right; furnished with pews throughout.a-b) 165 x 215mm, prints on paper; c) 145 x 200mm, sepia print on paper; d) 145 x 200mm, print on paper.
PH/SAWTY/09The new All Saint's Church, Sawtry: interior view looking east through the nave to the chancel, showing chancel arch, nave arches and part of the north aisle to the left. Pews in foreground.80 x 130mm, print on postcard.
PH/SAWTY/10The new All Saint's Church, Sawtry: interior view showing the organ, with chancel arch and nave arches in background. Lamp and pews in foreground.80 x 130mm, print on postcard.
PH/SAWTY/11All Saint's Church, Sawtry: a rubbing of the brass of Sir William le Moyne and his wife Mary, man in armour with camail and bascinet, his wife in veiled head dress, tight buttoned sleeves, mantle etc. With part of marginal inscription. Part of the knight's helm not rubbed but marked in in black.160 x 90mm, two prints on paper; 145 x 85mm, four sepia prints on paper.
PH/SAWTY/12All Saint's Church, Sawtry: the brass of Sir William le Moyne and his wife Mary, set in a stone slab which is fastened upright to the wall, with pews to the right.110 x 80mm, print on postcard.
PH/SAWTY/13a-dAll Saint's Church, Sawtry: the brass of Sir William le Moyne and his wife Mary, set in a stone slab which is fastened upright to the wall, with part of a pew to the right.140 x 90mm, prints on postcards.
PH/SAWTY/14a-bAll Saint's Church, Sawtry: the brass of Sir William le Moyne and his wife Mary, standing upright with the stone slab fastened to the wall by brackets.140 x 85mm, 150 x 90mm, prints on paper.
PH/SAWTY/15Stones, presumably from Sawtry Abbey, at Sawtry Rectory: a carefully stacked-up heap of carved stones, on grass with tree trunks and a metal fence behind.155 x 110mm, print on paper.
PH/SAWTY/16Stones, presumably from Sawtry Abbey, at Sawtry Rectory: a stack of various carved stones, on grass with shrubbery behind.155 x 110mm, print on paper.
PH/SAWTY/17Stones, presumably from Sawtry Abbey, at Sawtry Rectory: carved stones from columns and arcades, carefully stacked up on grass with trees and rustic seats in the background.155 x 110mm, print on paper.
PH/SAWTY/18Stones, presumably from Sawtry Abbey, at Sawtry Rectory: a carefully stacked-up heap of carved stones from pillars and columns, on grass with shrubbery behind.155 x 110mm, print on paper.
PH/SAWTY/19Stones, presumably from Sawtry Abbey, at Dr Newton's house: a heap of carved stones, similar to those shown at the Rectory in PH/SAWTY/15-18, with part of the outside wall of a house behind.140 x 100mm, print on paper.
PH/SAWTY/20Carved stones, the same ones or very similar to those shown in PH/SAWTY/19, at Dr Garrood's house: the stones arranged on grass with shrubbery and the house visible behind them.155 x 110mm, print on paper.
PH/SAWTY/21Stones, presumably from Sawtry Abbey, at Whitehall, Sawtry: carved stones arranged on a gravel path with a flower bed behind.155 x 110mm, print on paper.
PH/SAWTY/22a-bImpressions of three seals of Sawtry Abbey.210 x 145mm, prints on paper.
PH/SAWTY/23Sawtry Rectory: house with ivy-clad walls, church to the right, expanse of grass and railings in foreground.120 x 75mm, print on postcard.
PH/SAWTY/24Abbey Farm, Sawtry: the end of a half-timbered and stone building with trees in leaf to the right.100 x 75mm, print on paper.
PH/SAWTY/25Half a broken beehive quern.90 x 140mm, sepia print on postcard.
PH/SAWTY/26Carved stones from Sawtry Abbey, on grass with trees and a motor car in the background.60 x 90mm, print on paper.
PH/SAWTY/27An elaborately decorated clock and two urns, presented by tenants at Sawtry and elsewhere, 1877; with classical motifs, the clock with two female figures reclining on the top.145 x 190mm, sepia print mounted on card.
PH/SKATESee also PH/ALBUMS/SKATE/01; also PH/BLUNT/24 & 29, which show the Bury Fen Bandy Club. Photographs originally in the Tebbutt collection (see PP/SKATE/01-14) have been moved to the photograph collection but haven't yet been indexed or given PH/SKATE numbers.
PH/SKATE/01a-dAn engraving of the 1823 speed skating championships at Carter's Bridge near Chatteris, 1823: the quarter-final, as John Young beats John Gittam; showing also the large crowd of spectators including the Wisbech "Day" coach on the far bank, men with brooms for sweeping snow and ropes to hold back spectators, two men holding flags representing the winning post and the Chatteris town band playing in a lighter beside the bridge on the right.100 x 145mm, two sepia prints mounted on card; 60 x 90mm, two sepia prints mounted on card.
PH/SKATE/01a-d (contd.)
PH/SKATE/02The champion skater James Smart, wearing a white top with his initials "JS" across the chest, knee breeches and skates, standing with arms folded against a studio backdrop snow scene.100 x 60mm, sepia print mounted on card, the ties at his knees hand-painted blue.
PH/SKATE/03The Norwegian skater Carl Werner: wearing a fur hat, fur-trimmed jacket with medals, and skates, posing with hands behind him against a snow scene painted backdrop.140 x 100mm, sepia print mounted on card.
PH/SKATE/04The champion skater Joseph Donoghue: a head-and-shoulders portrait, looking very young and wearing numerous medals on his knitted top.135 x 95mm, sepia print mounted on card.
PH/SKATE/05Two skaters on outdoor ice: a man with a fur hat and medals on his jacket, and a younger and taller man wearing Norwegian racing skates.140 x 100mm, sepia print mounted on card.
PH/SOMER/01Somersham parish church from the south-west, showing the tower, nave, south aisle and porch and part of the chancel. Trees, gravestones and rough grass in the foreground.130 x 85mm, print on postcard.
PH/SOMER/02Somersham parish church from the south, showing the tower, nave, south aisle, porch and chancel. Long path to the left with gravestones and trees in the background, rough grass in the foreground.90 x 140mm, print on postcard.
PH/SOMER/03Somersham parish church from the south, showing the tower, nave, south aisle, porch and chancel; a tree and gravestones in the foreground.100 x 150mm, print on paper.
PH/SOMER/04Somersham parish church from the south, showing the tower, nave, south aisle, porch and chancel; a tree and gravestones in the foreground.100 x 150mm, print on paper.
PH/SOMER/05Somersham parish church from the south-east, showing the tower, nave, south aisle, chancel and part of the porch; gravestones in the foreground, foliage to the right.105 x 150mm, print on paper.
PH/SOMER/06Somersham parish church from the south-west, showing the tower, nave, south aisle and porch and part of the chancel; trees to left and right and gravestones in the churchyard.105 x 150mm, print on paper.
PH/SOMER/07Somersham parish church from the north-west, showing the chancel, nave, north aisle and porch and the tower, the latter partly hidden by a tree in the right foreground; path leading from the north porch, gravestones all round.105 x 150mm, sepia print on paper.
PH/SOMER/08Somersham parish chuch from the south-west, showing the tower, nave, south aisle and porch and part of the chancel, gravestones in the foreground.105 x 80mm, sepia print on paper.
PH/SOMER/09a-bSomersham parish church: interior view in 1929-30 looking east down the nave and into the chancel, showing the nave arcades, especially the north one, and the font prominent in the foreground.155 x 110mm, prints on paper.
PH/SOMER/10Somersham parish church: interior view in 1929-30, very similar to PH/SOMER/09.150 x 110mm, print on paper.
PH/SOMER/11Somoersham parish church: interior view looking east down the nave and into the chancel, showing pews and the font in the foreground.160 x 140mm, print on paper.
PH/SOMER/12Rubbing of a brass from Somersham parish church: priest in mass vestments holding chalice and wafer.145 x 80mm, sepia print on paper.
PH/SOMER/13Somersham railway station, looking north up the Chatteris road, with footbridge and signal.150 x 210mm, print on paper.
PH/SOMER/14The George Inn on the south-west corner of the Cross in Somersham High Street: advertising "Marshall Bros. Noted Ales" with "Palmer Butler" given as the licensee's name.150 x 210mm, print on paper.
PH/SOMER/15Part of Somersham High Street, looking west from the corner of Rectory Lane: the King William IV visible on the right.140 x 210mm, print on paper.
PH/SOMER/16The Rose and Crown Hotel on the north-west corner of the Cross in Somersham High Street: notice board on the end wall reads "Rose and Crown Hotel, Free House, Clement Lamb Proprietor, Ind Coopes Romford Ales and Stout in Bottles and Casks, Wines and Spirits, Posting in all Branches".150 x 210mm, print on paper.
PH/SOMER/17Somersham High Street, looking east from nearly opposite Goodenough's chemist's shop (present-day Andersons). The Six Bells visible on the north side of the street, next to the railings of Wistaria House; the Lamb shown on the south side.140 x 210mm, print on paper.
PH/SOMER/18The south side of the Cross and the west side of Church Street, Somersham, with the church tower in the background.210 x 150mm, print on paper.
PH/SOMER/19Church Street, Somersham, looking south with the churchyard trees and wall in the right foreground.210 x 150mm, print on paper.
PH/SOMER/20Somersham High Street looking west from the Cross with the George Inn in the foreground.250 x 85mm, print on paper.
PH/SOMER/21Somersham High Street looking west from the corner of Rectory Lane, taken from a point opposite where PH/SOMER/15 was taken: "A. Cox, Boots Shoes & Clothier" in the foreground, on the corner of Rectory Lane, the King William IV further back along the High Street.210 x 150mm, print on paper.
PH/SOMER/22A street scene in Somersham, location unknown.210 x 140mm, print on paper.
PH/SOMER/23Part of Somersham High Street, exact location unknown, with the Prince of Wales Feathers pub on the right.210 x 145mm, print on paper.
PH/SOMER/24Part of Somersham High Street, exact location unknown, with the Rising Sun pub in the left foreground - presumably taken looking west to judge by the shadows.210 x 90mm, print on paper.
PH/SOMER/25Parkhall Road, Somersham, looking north from near the Cross.150 x 210mm, print on paper.
PH/SOMER/26An isolated cottage with trees round it, location unknown, presumably on the outskirts of Somersham.210 x 150mm, print on paper.
PH/SOMER/27The "St Ives 5 Miles" milestone on the road leading towards Pidley, here shown open and tree-lined but nowadays completely built up. A windmill with sails is visible in the background, presumably close to the Windmill pub on the junction of the St Ives and Pidley roads.210 x 80mm, print on paper.
PH/SOMER/28Somersham railway station in September 1974: looking along the track bed between the platforms with building to left and right, each with a wooden canopy, the main building on the left of wood and the smaller building on the right of brick; in the distance (presumably north of the station) is a signal box.160 x 225mm, print on paper.
PH/SOMER/29 a-bPart of Somersham railway station in September 1974: one of the station buildings, brick-built with a wooden canopy, standing on the platform and seen from the track bed.160 x 225mm, 175 x 230mm, prints on paper.
PH/SOMER/30The remains of Somersham signal box in September 1974: a brick building with wooden upper storey and pitched roof, windows empty of glass and all fittings (including the name board) plainly removed; the weed-grown track bed in the foreground.160 x 225mm, print on paper.
PH/SOMER/31 a-bSomersham High Street in 1916: looking along the street, presumably somewhere east of the Cross, with buildings on both sides including at least one with a pub signboard; a flagpole and a telegraph pole; a group of men in their shirt sleeves and two horses and carts.95 x 150mm, prints on paper.
PH/SOUTH/01a-bSt Leonard's Church, Southoe: a general view from the south-east, showing chancel, nave, south aisle, porch and part of tower. Gravestones in churchyard with stone wall and wooden gate inn foreground. Trees in leaf in background.90 x 140mm, prints on postcards.
PH/SOUTH/02St Leonard's Church, Southoe: a general view from the north-west showing tower, nave, north aisle and chancel, gravestones in the foreground.90 x 140mm, print on postcard.
PH/SOUTH/03St Leonard's Church, Southoe: a general view from the south-east, showing chancel, nave, south aisle, porch and part of tower. Gravestones in churchyard with stone wall and wooden gate in foreground. Trees without leaf in background.105 x 150mm, print on paper.
PH/SOUTH/04a-bSt Leonard's Church, Southoe: a general view from the north-east showing chancel, part of nave, north aisle and tower. Houses to the left in background, gravestones in churchyard with hedge and stone wall in foreground, trees in leaf behind.100 x 140mm, 105 x 155mm, sepia prints on paper.
PH/SOUTH/05a-bSt Leonard's Church, Southoe: a general view from the south-east, showing chancel, nave, south aisle, porch and part of tower. Gravestones in churchyard, stone wall wih wooden construction against it in foreground, trees in leaf .105 x 150mm, 100 x 145mm, sepia prints on paper.
PH/SOUTH/06a-bSt Leonard's Church, Southoe, from the west showing tower and nave. House to the right in background, evergreen tree in foreground.105 x 155mm, 105 x 160mm, sepia prints on paper.
PH/SOUTH/07St Leonard's Church, Southoe: a close view from the north showing parts of chancel, nave, tower with clock and north aisle. Gravestones in foreground.110 x 150mm, print on paper.
PH/SOUTH/08St Leonard's Church, Southoe: a close view from the north showing parts of chancel, nave, tower with clock, north aisle and north doorway. Railings and headstone cross in left foreground.105 x 155mm, sepia print on paper.
PH/SOUTH/09a-cSt Leonard's Church, Southoe, showing the Norman door with carved stone columns and arch.145 x 100mm, 155 x 125mm, 150 x 105mm, sepia prints on paper.
PH/SOUTH/10a-eSt Leonard's Church, Southoe, showing the Norman door with carved stone columns and arch.150 x 105mm, three prints on paper; 150 x 110mm, sepia print on paper; 150 x 110mm, blue print on paper.
PH/SOUTH/11St Leonard's Church, Southoe: an interior view looking east down the nave to the chancel showing the nave arcade, pulpit on the left, lectern on the right with pews in foreground.110 x 160mm, sepia print on paper.
PH/SOUTH/12St Leonard's Church, Southoe: an interior view looking west in the nave showing the south arcade, south door with round-headed arch and zig-zag carving and small door at west end; pews in foreground.100 x 150mm, sepia print on paper.
PH/SOUTH/13Houses in Southoe village, with a pub to the left, church in background, and trees in leaf to the right, man with dog on road.90 x 140mm, print on postcard.
PH/SOUTH/14Houses in Southoe village, showing a house and cottage on the left, the church in the background, a horse and cart and a small boy on the road; village green in foreground to right, trees in leaf.85 x 135mm, print on postcard.
PH/SOUTH/15a-bA large and rambling old house with several wings, with tiled roofs and complicated chimneys; an open door towards the right has "Southoe Post Office" on a sign over it and two girls in pinafores standing in front of it. Barns etc. in the right background; trees in leaf.90 x 140mm, prints on postcards.
PH/SOUTH/16a-cSouthoe, showng a farmhouse set in a wide grass area with white gates leading to the drive in the foreground. End of barn on right in foreground, hedge on left.75 x 100mm, sepia print on paper; 75 x 90mm, sepia print on paper; 75 x 100mm, blue print on paper.
PH/SOUTH/17a-bThe Great North Road near Southoe, showing the "Huntsman Thorn" on the right; on the left is a two-storey cottage with a single storey rear extension, surrounded by hedged garden, rough grass and telegraph pole in foreground.105 x 150mm, prints on paper.
PH/SOUTH/18The Stores at Southoe in about 1910: a long thatched cottage, single storey but with two dormer windows; a few items can be seen on display in a window to the left of the door and a small advertisement to the right; a lady in floor-length dress stands in the door, an elderly couple to the left and on the right a man holding the head of a horse and trap with a boy sitting in it holding the reins.145 x 205mm, sepia print on paper mounted on card.
PH/SPALD/01a-bSt James's Church, Spaldwick from the north-west, showing tower and lower part of spire, nave and part of chancel. Gravestones in foreground.150 x 105mm, sepia prints on paper.
PH/SPALD/02a-fSt James's Church, Spaldwick: a general quite distant view from the south-east showing the chancel, nave, south aisle and steeple. Churchyard is surrounded by a fence, rough grass in the foreground.140 x 90mm, tinted prints on postcards.
PH/SPALD/03a-eSt James's Church, Spaldwick: a general view from the north showing the chancel, nave and steeple. Gravestones and rough grass in foreground.135 x 110mm, two prints on paper; 150 x 100mm, blue print on paper; 135 x 105mm, two sepia prints on paper.
PH/SPALD/04a-bSt James's Church, Spaldwick from the east showing the chancel, part of the south aisle, porch and steeple. Gravestones and rough grass in foreground.150 x 105mm, prints on paper.
PH/SPALD/05a-bSt James's Church, Spaldwick: a general view from the north-east showing the chancel, nave and steeple. Gravestones with iron railings in background, with bushes and outer railings in foreground.135 x 85mm, prints on postcards.
PH/SPALD/06a-bSt James's Church, Spaldwick: a general view from the south showing the chancel, nave, south aisle and steeple. Bushes or overgrown hedge and fence in foreground.145 x 105mm, sepia prints on paper.
PH/SPALD/07a-bSt James's Church, Spaldwick: a general view from the south-east showing the chancel, part of nave, south aisle, porch and steeple. Gravestones in front of church, with rough grass in foreground.140 x 100mm, prints on paper.
PH/SPALD/08St James's Church, Spaldwick: a general view from the north-east showing the chancel, nave and steeple. Trees on either side with gravestones and grass in foreground.150 x 110mm, print on paper.
PH/SPALD/09a-dSt James's Church, Spaldwick: the porch and part of the south aisle. Railings to the left foreground with rough grass and gravestones.110 x 155mm, prints on paper.
PH/SPALD/10St James's Church, Spaldwick from the north-east showing the chancel, nave, and tower up to the base of the spire. Gravestones and grass in foreground.100 x 150mm, sepia print on paper.
PH/SPALD/11St James's Church, Spaldwick from the south-east showing the chancel, nave and the tower up to the base of the spire105 x 155mm, sepia print on paper.
PH/SPALD/12St James's Church, Spaldwick: the steeple and the roof of the nave, from the south-west.120 x 65mm, blue print on paper.
PH/SPALD/13St James Church, Spaldwick: a general view from the south-west showing the steeple, nave and the south aisle. Trees in leaf in foreground.135 x 105mm, sepia print on paper.
PH/SPALD/14St James's Church, Spaldwick from the east, showing the east end of the chancel and part of the steeple, with railings and gravestones in foreground.90 x 60mm, sepia print on paper.
PH/SPALD/15St James's Church, Spaldwick: a general view from the east showing the chancel, south aisle, porch and steeple, with railings and gravestones in foreground.145 x 100mm, sepia print on paper.
PH/SPALD/16a-bSt James's Church, Spaldwick: a distant view from the south-west with houses and trees to the right and left of the church, large expanse of grass in foreground.100 x 140mm, 105 x 150mm, sepia prints on paper.
PH/SPALD/17a-kSt James's Church, Spaldwick: exterior view of a doorway with round-headed arch and distinctive carving on the arch and columns.105 x 80mm, blue print on paper; 100 x 75mm, six sepia prints on paper; 150 x 110mm, sepia print on paper; 155 x 115mm, three prints on paper.
PH/SPALD/18a-dSt James's Church, Spaldwick: an interior view looking west to the south side of the nave, showing part of the south aisle, lamps and wrought iron screen.105 x 150mm, sepia print on paper; 115 x 155mm, three prints on paper.
PH/SPALD/19St James's Church, Spaldwick: an interior view looking east through the nave to the chancel, showing screen, pulpit on the left and pews.105 x 150mm, sepia print on paper.
PH/SPALD/20St James's Church, Spaldwick: an interior view looking east along the south aisle with screen and curtains to the Lady Chapel. Lamps and pews in foreground.110 x 150mm, print on paper.
PH/SPALD/21St James's Church, Spaldwick: an interior view looking west along the nave to the tower arch, showing tower screen, pews and lamps in foreground.110 x 150mm, sepia print on paper.
PH/SPALD/22St James's Church, Spaldwick: an interior view looking into the east end of the south aisle showing the chantry screen and pews.110 x 150mm, sepia print on paper.
PH/SPALD/23St James's Church, Spaldwick: showing chalice and paten.100 x 65mm, sepia print on paper.
PH/SPALD/24St James's Church, Spaldwick: chalice with cover, paten and plate, and another chalice.105 x 145mm, sepia print on paper.
PH/SPALD/25a-dSpaldwick Vicarage: a large house with tall chimneys and elaborately carved barge boards behind a brick wall. Trees are in leaf, and grass in foreground.100 x 150mm, two sepia prints on paper; 180 x 225mm, print on paper; 80 x 115mm, blue print on paper.
PH/SPALD/26a-eSpaldwick Vicarage: a large house with tall chimneys and six dormer windows, decorated barge boards and large window over doorway. Rough ground and rustic fencing in foreground. Trees without leaf.115 x 160mm, sepia prints on paper.
PH/SPALD/27a-bA two-storey house, showing a pair of chimneys and one dormer window behind a brick wall, with wooden gates. Trees are in leaf on road with houses to the right in the background.70 x 100mm, sepia prints on paper.
PH/SPALD/28Part of a the same house as in PH/SPALD/27, showing one chimney and one dormer window, with wooden fence in foreground, trees in leaf.105 x 55mm, sepia print on paper.
PH/SPALD/29The same house as in PH/SPALD/27-8, showing sash windows with centre gable, wall and fence in foreground, with trees in leaf.110 x 100mm, sepia print on paper.
PH/SPALD/30The same picture as PH/SPALD/29 but with more of the house (shown much darker - part of a different photograph?) on the right side.105 x 150mm, sepia print on paper.
PH/SPALD/31a-bThe same house as in PH/SPALD/27-30, largely hidden behind trees and a fence with road in foreground.100 x 150mm, sepia print on paper and blue print on paper.
PH/SPALD/32Another view of the house seen in PH/SPALD/27-31, with hipped roof, ivy-clad front wall, chimney and another building attached to the rear. Trees and shrubs on either side. Brick wall and picket fence with road in foreground.100 x 145mm, sepia print on paper.
PH/SPALD/33The usual two storey house, with ivy-clad front wall, chimney and a building attached to the rear. Trees and shrubs on either side. Part of a brick wall and picket fence with two gates, and road in foreground.100 x 150mm, blue print on paper.
PH/SPALD/34A distant view of a house, showing chimney; wrought iron railings and trees in leaf on either side.100 x 155mm, sepia print on paper.
PH/SPALD/35a-dSpaldwick Bridge, three-arched with wooden fence in foreground, tree to the right of picture.105 x 155mm, sepia print on paper and three prints on paper.
PH/SPALD/36a-bSpaldwick Bridge, three-arched with stone cutwaters, with water in foreground, trees in background.100 x 130mm, 110 x 140mm, sepia prints on paper.
PH/SPALD/37Spaldwick Bridge, three-arched with trees in leaf in background.105 x 150mm, sepia print on paper.
PH/SPALD/38Spaldwick Mill: brick-built tower mill with ogee wooden cap, sails missing and fantail broken. Three doors and a window in the building.140 x 90mm, print on postcard.
PH/SPALD/39a-cSpaldwick Village, showing road with houses on either side and church steeple in background. Pump with wooden fence around in foreground.90 x 140mm, coloured prints on postcards.
PH/SPALD/40Spaldwick Village, showing road with houses on either side and church steeple in background, and green in foreground.85 x 140mm, print on postcard.
PH/SPALD/41a-bSpaldwick Village, showing road with houses on either side and church steeple in background. Water pump on the Green in the foreground.100 x 150mm, print on paper and blue print on paper.
PH/SPALD/42Spaldwick Village, showing road with houses on either side and church steeple in background, water pump on the Village Green in the foreground.65 x 85mm, screened print on paper.
PH/SPALD/43Three areas of fresco at the George Inn, Spaldwick, April 1938.120 x 165mm, print on paper.
PH/STANG/01a-bSt John the Baptist's Church, Stanground: a general view from the south, showing chancel, nave, south aisle, south porch and tower. Lamp to the left of porch, gravestones in churchyard, brick wall with double gate in foreground. Trees in leaf on either side.90 x 140mm, prints on postcards.
PH/STANG/02St John the Baptist's Church, Stanground: from the south, showing chancel, nave, south aisle, south porch and tower, gravestones in foreground.150 x 110mm, print on paper.
PH/STANG/03St John the Baptist's Church, Stanground: from the south, showing chancel, nave, south aisle, south porch and tower, numerous gravestones in churchyard in the foreground, and brick wall.145 x 105mm, print on paper.
PH/STANG/04St John the Baptist's Church, Stanground: from the south-west, showing part of nave, south aisle, south porch and tower, gravestones in foreground.145 x 110mm, sepia print on paper.
PH/STANG/05St John the Baptist's Church, Stanground: a general view from the south, showing chancel, nave, south aisle, south porch and tower, gravestones in front of the church.100 x 145mm, sepia print on paper.
PH/STANG/06a-cSt John the Baptist's Church, Stanground: an interior view showing font, pews, some of the nave arches and lamps.140 x 90mm, prints on postcards.
PH/STANG/07a-cSt John the Baptist's Church, Stanground: an interior view looking east into the chancel, showing east window and altar, part of the nave with pews on either side, and a small kneeling desk in front of altar steps.140 x 90mm, prints on postcards.
PH/STANG/08St John the Baptist's Church, Stanground: an interior view looking east down the nave, showing nave arcarde, with chancel in background. Pews on either side of nave, and font to the left in foreground.110 x 155mm, print on paper.
PH/STANG/09St John the Baptist's Church, Stanground: the west end of the church in the backgound with a free-standing Anglo-Saxon cross, much weathered.155 x 100mm, print on paper.
PH/STANG/10St John the Baptist's Church, Stanground: four bells lying on path in churchyard, with the Vicar and two elderly men behind them, churchyard and gravestones behind.110 x 155mm, print on paper.
PH/STANG/11a-bBronze age beaker.120 x 80mm, prints on postcards.
PH/STANG/12St John the Baptist's Church, Stanground: brass inscriptions to Vicar, Elias Petit died 1634, and to Robert Smith died 1558.80 x 165mm, blue print on paper.
PH/STANG/13St John the Baptist's Church, Stanground: from the south-east, showing chancel, nave, south aisle, south porch and tower. Stone wall to the right of photograph with trees behind. Numerous gravestones in churchyard, and rough grass in foreground.150 x 110mm, print on paper.
PH/STANG/14St John the Baptist's Church, Stanground: an interior view looking east through the nave, showing chancel, chancel arch, nave and nave arches, and part of both aisles. Pulpit to the left of chancel arch, lectern to the right, and prie-dieu in front of chancel steps. Pews in foreground with poppy head terminals.110 x 155mm, print on paper.
PH/STANG/15St John the Baptist's Church, Stanground: the Anglo-Saxon cross in the churchyard, in front of church. Other gravestones visible, including table tomb with railings behind the cross.150 x 85mm, print on paper.
PH/STIBB/01a-bSt John the Baptist's Church, Stibbington: from the east, showing the chancel, vestry and south porch. Gravestones in churchyard, trees in leaf on either side.105 x 150mm, prints on paper.
PH/STIBB/02St John the Baptist's Church, Stibbington: an external view of the Norman doorway, surrounded by ivy-clad walls and showing the lower part of two windows above.120 x 85mm, print on postcard.
PH/STIBB/03St John the Baptist's Church, Stibbington: an exteranl view of the Norman doorway, with ivy-clad walls surrounding it.150 x 110mm, print on paper.
PH/STIBB/04a-gStibbington Hall: the front of the house, built in stone with gable at either end, and central smaller gable with front door. Stone wall with iron gates in foreground and ornate entrance arch to the left.75 x 110mm, five sepia prints on paper; 110 x 150mm, sepia print on paper; 110 x 150mm, blue print on paper.
PH/STIBB/05 a.bThe Haycock, Wansford (in Stibbington Parish): large two-storeyed building with dormers in the roofs and two gabled wings at each side.100 x 150mm, 110 x 160mm, sepia prints on paper.
PH/STIBB/06Wansford Bridge from the west, showing bridge with five arches and large area of meadow in foreground.110 x 140mm, print on paper.
PH/STIBB/07a-bWansford Bridge from the west, showing numerous arches with large expanse of river in foreground, trees in leaf.110 x 160mm, prints on paper.
PH/STIBB/08Wansford (in Stibbington Parish), showing the Haycock Inn in left foreground and houses stretching into the distance on the left side of the road; horse and rider in foreground and man standing in front of inn.90 x 140mm, print on postcard.
PH/STIBB/09St John the Baptist's Church, Stibbington: looking east through the nave and showing chancel, chancel arch, nave and nave arches (Norman to the left and Gothic to the right); part of north aisle with clerestory visible. Pews in foreground with hanging lamps down centre of aisle.105 x 155mm, print on paper.
PH/STIBB/10St John the Baptist's Church, Stibbington: an exterior view of the Norman door with pillars and decorative stonework on arch and capitals of pillars. Protective wire mesh covering door, decorated iron hinges, ivy-clad walls.150 x 105mm, print on paper.
PH/STIBB/11Wansford Bridge, (in Stibbington parish), showing several round arches, cutwaters and plain parapet. Trees in leaf to the right behind the bridge, church spire and buildings to the left reflected in the river in foreground.105 x 155mm, print on paper.
PH/STIBB/12Wansford High Street (in Stibbington parish), showing car with driver in foreground. Varied styles of houses with different roof lines and building materials, including thatch, tile, slate and stone. Unmade road winding into the distance with no pavements.105 x 150mm, print on paper.
PH/STIBB/13Wansford Bridge (in Stibbington parish), looking along the bridge with arch and several cutwaters visible to the left. Car and driver approaching viewer on bridge. Trees in leaf, wooden telegraph pole to right. Wansford Church, buildings and a large mature conifer in left background.80 x 135mm, print on paper.
PH/STILT/01St Mary's Church, Stilton: from the north-east, showing chancel, north vestry, aisle, nave and tower. Walls partly clad with ivy and shrubs on either side. Trees without leaf. Gravestones and stone wall in foreground.90 x 140mm, print on postcard.
PH/STILT/02St Mary's Church, Stilton: from the north-east, showing chancel, north vestry beside it, roof of nave and part of tower. Trees in leaf. Gravestones with stone wall in foreground.90 x 135mm, print on postcard.
PH/STILT/03St Mary's Church, Stilton: a distant view from the east, showing chancel, north vestry, aisle, nave and tower. Trees in leaf with gravestones in churchyard. Stone wall with wooden fencing and gate to the left, iron railings to the right. Track and rough grass in foreground.80 x 130mm, print on postcard.
PH/STILT/04St Mary's Church, Stilton: from the north-east, showing chancel, north vestry, aisle, nave and tower, partly ivy-clad. Stone wall in foreground.75 x 100mm, print on paper.
PH/STILT/05St Mary's Church, Stilton: from the south-east, showing chancel, nave, south aisle, porch and part of tower. Gravestones in foreground.75 x 100mm, print on paper.
PH/STILT/06St Mary's Church, Stilton: looking east through the nave and showing chancel, chancel window, pulpit to the left, lectern to the right, nave arches and pews on either side.90 x 140mm, print on postcard.
PH/STILT/07St Mary's Church, Stilton: looking east through the nave and showing chancel, chancel window, pulpit to the left, lectern to the right, nave arches and pews on either side, part of timber roof of nave.115 x 155mm, print on paper.
PH/STILT/08a-bA rubbing of the brass of Thomas and John Curthoyse from St Mary's Church, Stilton, showing two men in 17th-century costume with large inscription in English below.135 x 105mm, 120 x 100mm, sepia prints on paper.
PH/STILT/09a-cA rubbing of the brass of Richard and Anne Curthoyse from St Mary's Church, Stilton, showing man and woman in 17th-century costume with large inscription in English below, and outline of a scroll marked in above. 140 x 105mm, sepia prints on paper.
PH/STILT/10Stilton Rectory, showing house with mullioned windows and tall chimneys, amidst trees with rough grass in foreground.90 x 135mm, print on postcard.
PH/STILT/11A house at Stilton: three-storey flat-roofed building, brick with stone quoins and window surrounds. Trees and shrubs around the house with iron railings and road in foreground.110 x 160mm, 110 x 150mm, prints on paper.
PH/STILT/12a-cThe Bell, Stilton: exterior view showing the whole width of the stone-built inn, with inn sign and road in foreground.90 x 140mm, coloured print on postcard.
PH/STILT/13a-bThe Bell, Stilton: exterior view showing the whole width of the stone-built inn, with inn sign and road in foreground.90 x 140mm, sepia print on postcard.
PH/STILT/14The Bell, Stilton: exterior view showing the whole width of the stone-built inn, with inn sign and road in foreground.90 x 140mm, print on postcard.
PH/STILT/15The Bell, Stilton: exterior view showing the whole width of the stone-built inn, with inn sign and road in foreground. Left-hand ground-floor bay window has sign "Reading Room" over it. Small butcher's shop to the left with sign "L. Coles, Family Butcher, All kinds of animals".100 x 150mm, print on paper.
PH/STILT/16The inn sign of the Bell, Stilton, with elaborate wrought iron work on the bracket, sign reading "Marshall Bros. Huntingdon Ales." cobbled pavement in front of the inn, houses and trees in background.140 x 90mm, print on postcard.
PH/STILT/17a-bThe inn sign of the Bell, Stilton, with elaborate wrought iron work on the bracket, sign reading "Marshall Bros. Huntingdon Ales." Cobbled pavement in front of the inn, houses and trees in background.130 x 80mm, prints on postcards
PH/STILT/18Looking south along the Old North Road at Stilton, with the Bell on the left and the Angel on the right, both with their inn signs; large telegraph poles along the right (west) side of the street, and a good impression of the very wide street with some large buildings along it.100 x 150mm, sepia print on paper.
PH/STILT/19The Bell, Stilton: with inn sign and small board advertising "Breakfasts, Luncheons, Teas, Accomodation". Two ponies and traps and open cab lorry in front of Inn. Metalled road in foreground.105 x 150mm, print on paper.
PH/STILT/20The Bell, Stilton: exterior view showing the whole width of the stone-built inn, with inn sign and road in foreground.110 x 160mm, print on paper.
PH/STILT/21The inn sign of the Bell, Stilton, looking up at it and its wrought iron bracket from close-to and ground-level.110 x 160mm, print on paper.
PH/STILT/22A drawing of St Mary's Church, Stilton, made in 1824 by Rev Alfred Fox Suckling before later restorations: from the east showing chancel, north vestry, south aisle with tower in the background; wall, gate and path in front.190 x 150mm, print on card.
PH/STILT/23A sketch of architectural details in Stilton Church, made by Rev T. Kettick in about 1826 before later restorations: showing an arcade and various capitals.95 x 160mm, print on card.
PH/STILT/24St Mary's Church, Stilton: from the north-east with snow on it, showing chancel, north vestry, north aisle, nave and tower. Gravestones in churchyard, trees without leaf on either side. Stone wall in foreground.80 x 125mm, print on postcard.
PH/STILT/25St Mary's Church, Stilton: looking east through the nave and showing chancel, chancel arch, nave with nave arches, pulpit to the left, lectern to the right, and part of both aisles. Hanging lamps in nave arches.110 x 150mm, print on paper.
PH/STILT/26The Bell Inn, Stilton: showing ornate wrought iron support for inn sign, several small children by doorway, open car parked outside on street.145 x 105mm, print on paper.
PH/STILT/27The Bell, Stilton: exterior view showing the whole width of the stone-built inn, with inn sign and road in foreground, open cab delivery lorry parked outside.110 x 150mm, print on paper.
PH/STILT/28The Bell, Stilton: exterior view showing the whole width of the stone-built inn, with inn sign and road in foreground.80 x 130mm, print on postcard.
PH/STILT/29The inn sign of the Bell, Stilton, with elaborate wrought iron work on the bracket, sign reading "Marshall Bros. Huntingdon Ales." Cobbled pavement in front of the inn, houses and trees in background.130 x 80mm, print on postcard.
PH/STILT/30The Bell, Stilton: exterior view showing the whole width of the stone-built inn, with inn sign and road in foreground.80 x 130mm, print on postcard.
PH/STILT/31The village pump at Stilton, showing pump to the right of photograph surrounded by post and chain link fencing; houses and unmade road to left of pump.80 x 130mm, print on postcard.
PH/STILT/32Stilton: a street scene showing two and three storey houses, pub with sign and balcony, several men and bicycle, double telegraph pole to the right, unmade road in foreground.90 x 140mm, print on postcard.
PH/STILT/33Stilton: looking north up the High Street with the Bell on right, with several people standing in front with bicycles. To the left more buildings, pony and trap, and telegraph poles receding into background. Unmade road in foreground.90 x 135mm, print on postcard.
PH/STO.L/01a-bSt Botolph's Church, Stow Longa: a general view from the south; gravestones in foreground with trees in leaf on either side.105 x 155mm, print on paper, sepia print on paper.
PH/STO.L/02a-dSt Botolph's Church, Stow Longa: a general view from the south, with part of churchyard and a wooden fence in the foreground. Trees in leaf on either side.105 x 150mm, two prints on paper, sepia print on paper, blue print on paper.
PH/STO.L/03a-bSt Botolph's Church, Stow Longa: a general view from the south; small wooden fence in the foreground.105 x 155mm, sepia prints on paper.
PH/STO.L/04a-fSt Botolph's Church, Stow Longa: a general view from the south-east; overgrown hedge in foreground, small fields in the background on either side.105 x 155mm, three prints on paper, three sepia prints on paper.
PH/STO.L/05a-cSt Botolph's Church, Stow Longa: from the south-east showing chancel, south aisle, nave roof and tower.105 x 155mm, two sepia prints on paper, print on paper.
PH/STO.L/06St Botolph's Church, Stow Longa: a general view from the south; graveyard with headstones in foreground, trees in leaf on either side.110 x 155mm, blue print on paper.
PH/STO.L/07St Botolph's Church, Stow Longa: a general view from the south, wooden fence in foreground.105 x 150mm, sepia print on paper.
PH/STO.L/08a-dSt Botolph's Church, Stow Longa: a general view from the north-east, part of churchyard in the foreground and trees in leaf on either side.105 x 155mm, print on paper, three sepia prints on paper.
PH/STO.L/09a-bSt Botolph's Church, Stow Longa: from the north showing north aisle with doorway, nave roof and part of tower.105 x 155mm, print on paper, sepia print on paper.
PH/STO.L/10a-bSt Botolph's Church, Stow Longa: a general view from the north-west, before the reconstruction of the nave; there seems to be a heap of rubble of some kind between the tower and the north aisle; churchyard in foreground.110 x 150mm, print on paper, sepia print on paper.
PH/STO.L/11a-bSt Botolph's Church, Stow Longa: from the south-west showing tower, south aisle, grass and gravestones in foreground.135 x 105mm, print on paper, sepia print on paper.
PH/STO.L/12a-cSt Botolph's Church, Stow Longa: a general view from the south-west showing tower, south aisle, and roof of nave (before reconstruction) and chancel. In foreground part of churchyard with gravestones and rough grass.145 x 100mm, print on paper, two sepia prints on paper.
PH/STO.L/13a-oSt Botolph's Church, Stow Longa: a general view from the south-west with gravestones and grass in foreground.105 x 80mm, 13 sepia prints on paper, two blue prints on paper.
PH/STO.L/14a-dSt Botolph's Church, Stow Longa: looking east through the nave and showing the chancel, chancel arch, screen and nave (before reconstruction), arcade and pews in foreground, beams of early roof showing.105 x 155mm, two prints on paper, two sepia prints on paper.
PH/STO.L/15St Botolph's Church, Stow Longa: looking east through the nave and showing the chancel, chancel arch, screen, nave arcade (before reconstruction) and pews, part of font in foreground, early roof beams visible.150 x 105mm, print on paper.
PH/STO.L/16a-hSt Botolph's Church, Stow Longa: looking west from the chancel and showing the font, west door and window in the background, with screen, choir pews and kneeling desk in foreground. Nave before reconstruction shown.150 x 110mm, four sepia prints on paper, three prints on paper, one blue print on paper.
PH/STO.L/17a-cSt Botolph's Church, Stow Longa: looking west along the nave and showing the tower arch, west window and font, beams of early roof and unreconstructed nave, arcade; chairs in the foreground, oil lamp hanging from the roof.150 x 110mm, print on paper, sepia print on paper, blue print on paper.
PH/STO.L/18a-bSt Botolph's Church, Stow Longa: looking west from the chancel through the screen to the nave, showing the early roof, kneeling desk in the foreground, with font and west doorway in background.145 x 110mm, sepia prints on paper.
PH/STO.L/19a-cSt Botolph's Church, Stow Longa: looking west through the nave, showing beams of early roof, unreconstructed nave windows, arcade, font, west door and window. Chairs stacked on either side of aisle.110 x 145mm, print on paper, two sepia prints on paper.
PH/STO.L/20St Botolph's Church, Stow Longa: looking east through the nave into the chancel, showing the chancel arch and screen, with kneeling desk in the foreground, pulpit to the left, nave arcade, and unreconstructed nave windows above.110 x 150mm, print on paper.
PH/STO.L/21St Botolph's Church, Stow Longa: looking west through the nave to the chancel, showing screen, chancel arch, nave arcade, unreconstructed clerestorey windows, and early roofs beams.110 x 150mm, sepia print on paper.
PH/STO.L/22St Botolph's Church, Stow Longa: looking east into the chancel from near the screen, showing chancel screen in the foreground, altar and east window.110 x 155mm, sepia print on paper.
PH/STO.L/23St Botolph's Church, Stow Longa: looking east into the chancel from near the screen, showing chancel screen in the foreground, altar and east window.110 x 150mm, sepia print on paper.
PH/STO.L/24a-bSt Botolph's Church, Stow Longa: looking south-east through the nave to the south aisle, showing part of the chancel arch and screen, the south nave arcade and unreconstructed windows above, font with cover in foreground to the right, chairs in foreground.110 x 150mm, prints on paper.
PH/STO.L/25a-bSt Botolph's Church, Stow Longa: looking north-west through the nave to the north aisle, showing the north nave arcade and unreconstructed windows above, pulpit to the right with large bible, and chairs in foreground.110 x 150mm, prints on paper.
PH/STO.L/26St Botolph's Church, Stow Longa: looking south across the nave to the south aisle, showing the south nave arcde, piscina to the left of south aisle, chairs in foreground.110 x 145mm, sepia print on paper.
PH/STO.L/27a-mSt Botolph's Church, Stow Longa: looking east from the nave through the screen to the chancel, showing altar and east window, pulpit to the left and kneeling desk in foreground, chairs on either side of aisle.75 x 100mm, 11 sepia prints and one blue print on paper.
PH/STO.L/28a-kSt Botolph's Church, Stow Longa: looking east from the nave through the screen to the chancel, showing altar and east window, pulpit to the left. Blurred and overexposed.75 x 100mm, nine sepia prints and one blue print on paper.
PH/STO.L/29a-bSt Botolph's Church, Stow Longa: from the south-east, showing chancel, nave, south aisle and part of tower, numerous trees and plants in leaf in foreground; after reconstruction, with the nave roof higher and new clerestorey windows.85 x 140mm, prints on postcards.
PH/STO.L/30St Botolph's Church, Stow Longa: a distant view from the south-east, showing church across fields, with newly raised nave roof and new clerestorey windows, chancel and tower. Trees and hedgerows in leaf with rough pastures in foreground.90 x 140mm, print on postcard.
PH/STO.L/31a-bSt Botolph's Church, Stow Longa: a general view from the south-east, after reconstruction with higher nave roof and new clerestorey windows. Overgrown hedge and trees in leaf.105 x 150mm, prints on paper.
PH/STO.L/32St Botolph's Church, Stow Longa: a general view from the south, after reconstruction with higher nave roof and new clerestorey windows. Churchyard and large wooden gate in foreground.110 x 155mm, print on paper.
PH/STO.L/33St Botolph's Church, Stow Longa: from the south, showing chancel, part of newly raised nave roof, south aisle and tower. Trees in leaf and long grass in churchyard in foreground.105 x 150mm, print on paper.
PH/STO.L/34a-dSt Botolph's Church, Stow Longa: from the east, showing chancel, part of newly raised nave roof, north aisle and tower; hedge in foreground with trees in leaf on either side.110 x 150mm, prints on paper.
PH/STO.L/35a-bSt Botolph's Church, Stow Longa: a general view from the north, after reconstruction with higher nave roof and new clerestorey windows.110 x 155mm, prints on paper.
PH/STO.L/36St Botolph's Church, Stow Longa: a general view from the north-west, after reconstruction with higher nave roof and new clerestorey windows; trees and shrubs on either side in the background.110 x 150mm, print on paper.
PH/STO.L/37St Botolph's Church, Stow Longa: a distant view from the north, after reconstruction with higher nave roof and new clerestorey windows; hedge and rough pasture in foreground, trees in leaf to the right.105 x 145mm, print on paper.
PH/STO.L/38St Botolph's Church, Stow Longa: from the north-west, showing tower, part of newly raised nave roof and north aisle.145 x 110mm, print on paper.
PH/STO.L/39St Botolph's Church, Stow Longa: from the south-west, showing tower, south aisle, part of newly raised nave roof and chancel. Churchyard with gravestones in the foreground.145 x 110mm, print on paper.
PH/STO.L/40a-cSt Botolph's Church, Stow Longa: looking east from the chancel through the screen to the nave, showing newly raised nave roof and font, with chancel pews in foreground.150 x 110mm, prints on paper.
PH/STO.L/41a-cSt Botolph's Church, Stow Longa: looking east through the nave to the chancel, showing the new nave roof, nave arcades, chancel arch, screen with altar in the distance, and font in foreground.150 x 110mm, prints on paper.
PH/STO.L/42St Botolph's Church, Stow Longa: looking east through the nave to the chancel, showing the new nave roof, nave arcades, chancel arch, screen with altar in the distance, pulpit to the left of the screen, rows of chairs in the foreground.105 x 150mm, print on paper.
PH/STO.L/43a-dSt Botolph's Church, Stow Longa: a close-up view of the altar, reredos and east window (altar without altar frontal).150 x 105mm, print on paper; 155 x 115mm, three sepia prints on paper.
PH/STO.L/44a-bSt Botolph's Church, Stow Longa: a close-up view of the altar, reredos and bottom of the east window, curtains each side of altar, piscina to the right.110 x 150mm, prints on paper.
PH/STO.L/45a-jSt Botolph's Church, Stow Longa: a close-up view of the altar, reredos and bottom of the east window, very similar to PH/STO.L/44.105 x 145mm, two prints on paper; 115 x 160mm, seven sepia prints on paper.
PH/STO.L/46a-fSt Botolph's Church, Stow Longa: a close-up view of the altar, reredos and bottom of the east window, identical to PH/STO.L/45.100 x 145mm, two prints on paper; 115 x 160mm, four sepia prints on paper.
PH/STO.L/47a-bSt Botolph's Church, Stow Longa: a close-up view of the altar, reredos and bottom of the east window, very similar to PH/STO.L/44-5 but showing the bottom of the altar as well.155 x 105mm, prints on paper.
PH/STO.L/48a-bSt Botolph's Church, Stow Longa: a close-up view of the altar, reredos and bottom of the east window, very similar to PH/STO.L/47.155 x 110mm, prints on paper.
PH/STO.L/49a-gSt Botolph's Church, Stow Longa: the altar, reredos and bottom of the east window.145 x 105mm, two prints on paper; 155 x 110mm, five sepia prints on paper.
PH/STO.L/50a-cSt Botolph's Church, Stow Longa: looking east along the south aisle to the altar of the south chapel, chairs in the foreground, wooden roof.155 x 110mm, prints on paper.
PH/STO.L/51a-bSt Botolph's Church, Stow Longa: the underside of the paten.100 x 100mm, 85 x 85mm, prints on paper.
PH/STO.L/52a-cSt Botolph's Church, Stow Longa: the underside of the paten.110 x 155mm, prints on paper.
PH/STO.L/53a-bSt Botolph's Church, Stow Longa: the upper face of the paten.105 x 110mm (cut down), 110 x 155mm, prints on paper.
PH/STO.L/54a-dSt Botolph's Church, Stow Longa: the upper face of the paten.100 x 100mm, three prints on paper; 110 x 120mm, print on paper.
PH/STO.L/55a-dSt Botolph's Church, Stow Longa: the paten and chalice, the chalice standing upright.80 x 70mm, print on paper; 75 x 70mm, 80 x 55mm, 95 x 80mm, three sepia prints on paper.
PH/STO.L/56a-cSt Botolph's Church, Stow Longa: the paten and chalice, the chalice on its side with its mouth facing the camera.80 x 75mm, print on paper; 80 x 75mm, sepia print on paper; 60 x 70mm, sepia print on paper.
PH/STO.L/57The patens and chalices of Easton and Stow Longa churches.110 x 150mm, print on paper.
PH/STO.L/58a-cSt Botolph's Church, Stow Longa: a rubbing of a memorial inscription to Sir Thomas Maples, Baronet.25 x 75mm, two sepia prints on paper; 35 x 95mm, sepia print on paper.
PH/STO.L/59a-bSt Botolph's Church, Stow Longa: most of the west door (exterior view) with carved shields in the stonework above and the bottom of a window.145 x 95mm, print on paper and sepia print on paper.
PH/STO.L/60a-cSt Botolph's Church, Stow Longa: the south door seen from outside with archway and pediment above it.155 x 110mm, sepia prints on paper.
PH/STO.L/61a-cSt Botolph's Church, Stow Longa: the Priest's door, seen from outside, with round-headed arch with zigzag carving on it and tympanum carved with strange figures.150 x 105mm, sepia prints on paper.
PH/STO.L/62St Botolph's Church, Stow Longa: the Priest's door seen from outside, the door open and with a wire grille over the doorway; part of a window visible on the left.145 x 95mm, print on paper.
PH/STO.L/63a-gSt Botolph's Church, Stow Longa: the Priest's door, seen from outside, with round-headed arch with zigzag carving on it and tympanum carved with strange figures.150 x 100mm, three prints on paper, three sepia prints on paper, one blue print on paper.
PH/STO.L/64a-bSt Botolph's Church, Stow Longa: a close-up view of stonework on the tower (exterior), one of the stones with a carved inscription.110 x 145mm, 110 x 115mm, sepia prints on paper.
PH/STO.L/65a-cThe Vicarage, Stow Longa: a square brick-built house with four sash windows on first floor and four french windows opening onto the lawn, which has croquet hoops, figures seated on a garden seat and an empty deck chair with canopy. Ivy clad walls with trees in leaf.100 x 150mm, sepia print on paper; 95 x 110mm, print on paper; 70 x 100mm, blue print on paper.
PH/STO.L/66The Vicarage, Stow Longa: as described in PH/STO.L/65, with lawn in foreground laid out as a tennis court. Two seated women and a man standing in front of the house.100 x 145mm, sepia print on paper.
PH/STO.L/67a-cThe Manor House, Stow Longa: the back view of a many-gabled and chimneyed building in poor state of repair with plaster peeling from the walls.150 x 210mm, print on paper; 140 x 200mm, print on paper; 150 x 200mm, sepia print on paper.
PH/STO.L/68a-cThe Manor House, Stow Longa: the back view of a many-gabled and chimneyed building in poor state of repair with plaster peeling from the walls; an outhouse in the left foreground, a girl in front of the house and an apronned woman standing in a doorway.150 x 210mm, print on paper; 140 x 200mm, print on paper; 150 x 205mm, sepia print on paper.
PH/STO.L/69a-bThe Manor House, Stow Longa: the back view of the building from a distance with a fence and gate in front of it, grass and a rough track in foreground. Thatched barns or farm buildings to the right.110 x 145mm, print on paper and sepia print on paper.
PH/STO.L/70a-cThe Manor House, Stow Longa: the front view of the house with trees partly obscuring the building, a raised bank topped by hedge and wall in the foreground, small wooden outbuilding to the left.110 x 150mm, print on paper, sepia print on paper, blue print on paper.
PH/STO.L/71a-eThe Manor House, Stow Longa: a distant view with the house to the left with raised bank and hedge at the side of the lane in the foreground. Outbuildings to right and left of the house.75 x 100mm, print on paper, 80 x 110mm, print on paper, 65 x 95mm, two sepia prints on paper, 75 x 100mm, blue print on paper.
PH/STO.L/72a-bThe Manor House, Stow Longa: an interior view showing a fireplace with cupboard to the left, in poor state of repair.110 x 150mm, print on paper and sepia print on paper.
PH/STO.L/73a- eA distant view across pasture of a house (is this the Manor House?), with outbuildings to the left and large haystack, hedge in the foreground and trees in leaf.75 x 100mm, print on paper, 80 x 110mm, print on paper, 70 x 100mm, two sepia prints on paper, 40 x 95mm, blue print on paper.
PH/STO.L/74a-fThe Village Cross at Stow Longa, before its restoration by Ladds in 1902, showing stone column topped by ball and metal weather vane in the shape of a fox, in the centre of the village green with an inn and an old thatched building in the background, other buildings on either side.110 x 155mm, 100 x 145mm, two prints on paper; 100 x 145mm, 105 x 155mm, 100 x 145mm, three sepia prints on paper; 75 x 100mm, sepia print on paper.
PH/STO.L/75a-bThe Village Cross at Stow Longa, after its restoration by Ladds in 1902, now standing on a stone, stepped plinth, in triangle of grass with unmade road in foreground. Thatched cottages in the background.110 x 155mm, prints on paper.
PH/STO.L/76a-dThe Village Cross at Stow Longa, after its restoration by Ladds in 1902, showing the cross with a new carved crucifix on top and standing on a stone, stepped plinth, with a house in the background, also outbuildings and a garden wall, trees in leaf to the right.155 x 110mm, prints on paper, a-b) shiny, c-d) matt.
PH/STO.L/77The Village Cross at Stow Longa, after its restoration by Ladds in 1902, showing the cross with a new carved crucifix on top and standing on a stone, stepped plinth in the middle of the green with unmade road on either side and thatched cottages in the background.90 x 145mm, print on postcard (blurred).
PH/STO.L/78The Village Cross at Stow Longa, after its restoration by Ladds in 1902, with cottages and outbuildings behind, the village green in the foreground.90 x 145mm, print on postcard.
PH/STO.L/79Houses at Stow Longa, with unmade lane in the centre and thatched cottages and buildings lining the right-hand side; hedges and trees in leaf to the left.90 x 145mm, print on postcard.
PH/STO.L/80St Botolph's Church, Stow Longa: a general view from the south-west before the restoration (clear and detailed), with gravestones and hedge in the foreground.150 x 200mm, sepia print on paper.
PH/STO.L/81St Botolph's Church, Stow Longa: looking east through the nave to the chancel and showing the chancel arch with screen, nave arcades and part of the north and south aisles. Chairs in the nave and aisles. Hanging lamps in nave arches, with font in foreground.105 x 155mm, print on paper.
PH/STO.L/82St Botolph's Church, Stow Longa: exterior view of the south door with stone arches and colonettes on either side, oak door, and brick pathway leading to the doorway.145 x 105mm, print on paper.
PH/STO.L/83St Botolph's Church, Stow Longa: exterior view of the south door of the chancel with round-headed arch with zig-zag carving and sculpture relief in tympanum; stone colonette on either side; part of window to the left of doorway, with rough grass in front.145 x 100mm, print on paper.
PH/STO.L/84The Village Cross at Stow Longa, after its restoration by Ladds in 1902, now standing on three steps and with crucifix on top. Brick wall in the background with trees in leaf behind.150 x 90mm, print on paper.
PH/SWINS/01a-cSt Nicholas' Church, Swineshead: a general view from the north, gravestones in churchyard, brick wall in foreground.110 x 160mm, two prints on paper; 110 x 150mm, sepia print on paper.
PH/SWINS/02a-cSt Nicholas' Church, Swineshead: from the north-east, showing the chancel, part of the nave, north aisle, tower and spire; gravestones and rough grass in churchyard.155 x 110mm, two prints on paper; 150 x 105mm, sepia print on paper.
PH/SWINS/03a-dSt Nicholas' Church, Swineshead: a general view from the south-east, gravestones in churchyard, stone wall in foreground.150 x 110mm, print on paper; 150 x 105mm, three sepia prints on paper.
PH/SWINS/04a-cSt Nicholas' Church, Swineshead: a general view from the south-west, lamp in churchyard with small monument to the left, stone wall with gate in front of church with an unmade road in the foreground; part of a wooden building to the left.155 x 110mm, two prints on paper; 150 x 105mm, sepia print on paper.
PH/SWINS/05St Nicholas' Church, Swineshead: from the south-east showing the chancel, nave, south aisle, south porch, tower with spire. Stone wall with two wooden gates in front of the church, unmade road in foreground with trees in leaf on either side.140 x 90mm, print on postcard.
PH/SWINS/06a-gThe War Memorial at Swineshead: a stone structure added to the corner of the churchyard wall with an inscription cut at the back of an arched alcove; the church porch is visible behind and to the left.a) 190 x 140mm, print mounted in a large paper folder; b-f) 190 x 140mm, prints on card; g) 130 x 80mm, print on postcard (picture cropped).
PH/SWINS/07a-cSt Nicholas' Church, Swineshead: looking east through the nave to the chancel, showing the east end of the nave with pews and aisle arcades, the chancel and chancel screen with pulpit to the left, hanging lamp in the middle of the nave.150 x 115mm, two prints on paper; 145 x 105mm, sepia print on paper.
PH/SWINS/08St Nicholas' Church, Swineshead: looking west through the nave to the tower arch and west window, nave arcade and pews in the foreground.150 x 105mm, sepia print on paper.
PH/SWINS/09A close-up view of the War Memorial on the churchyard wall, looking straight in to the back of the arched alcove so that the inscription is visible.195 x 145mm, print mounted in a large paper folder.
PH/TETWO/01St James's Church, Everton-cum-Tetworth: from the west showing tower with west window and clock, gravestones in churchyard and trees in the background.145 x 105mm, sepia print on paper.
PH/TETWO/02St James's Church, Everton-cum-Tetworth: from the south-west showing tower, part of nave, south aisle and porch. Gravestones in the churchyard and wall with wooden gate in the foreground. Trees in leaf on either side. A lamp behind the wall to the right.145 x 105mm, sepia print on paper.
PH/TETWO/03St James's Church, Everton-cum-Tetworth: a general view from the north-west; gravestones in the churchyard with shrubbery to the right.110 x 145mm, sepia print on paper.
PH/TETWO/04St James's Church, Everton-cum-Tetworth: a general view from the south, trees without leaf and top of churchyard wall in the foreground.110 x 150mm, sepia print on paper.
PH/TETWO/05St James's Church, Everton-cum-Tetworth: looking east through the nave to the chancel, showing chancel arch, pulpit to the left and lectern to the right, with nave arches and pews in the foreground. Several hanging lamps in the nave and aisles.110 x 150mm, print on paper.
PH/THURN/01a-bSt James's Church, Thurning: a general view from the south-east, with the tree-grown churchyard and a path in the foreground.105 x 145mm, 90 x 145mm, prints on paper.
PH/THURN/02St James's Church, Thurning: a general view from the north, stone wall and hedge in the foreground, tree in leaf to the left of the gate.90 x 140mm, print on postcard.
PH/THURN/03a-bSt James's Church, Thurning: a general view from the north-west with stone wall and hedge around the churchyard, unmade road and rough ground in the foreground.80 x 130mm, prints on postcards.
PH/THURN/04a-bSt James's Church, Thurning: from the north showing tower (except for the top of the spire), nave, north aisle, and chancel with stone wall and hedge in the foreground, several trees in churchyard.80 x 130mm, prints on postcards.
PH/THURN/05a-cSt James's Church, Thurning: a general view from the south-east, trees and hedge in the churchyard.80 x 110mm, 50 x 110mm, 45 x 105mm, sepia prints on paper.
PH/THURN/06St James's Church, Thurning: a general view from the north-east, trees and shrubs in the churchyard.80 x 110mm, sepia print on paper.
PH/THURN/07a-bSt James's Church, Thurning: looking east to the chancel arch and screen with organ above and pulpit, lectern and pews in the foreground.130 x 80mm, prints on postcards.
PH/THURN/08St James's Church, Thurning: looking east through the chancel arch and screen with organ above. A priest's desk in the centre with pews on either side.130 x 80mm, print on postcard.
PH/THURN/09St James's Church, Thurning: an interior view of the west end with an oak chest, table and chairs, a clock and pictures on the wall and part of a window in the background.130 x 80mm, print on postcard.
PH/THURN/10St James's Church, Thurning: looking east to the chancel arch, and screen, pulpit to the left and lectern to the right, with a priest's desk in the centre, pews on either side.90 x 140mm, print on postcard.
PH/THURN/11Thurning Rectory: a two-storey house with thatched roof and two large chimneys, a flat-roofed extension in front. A lawn in the foreground.85 x 130mm, print on postcard.
PH/THURN/12Thurning Rectory: a two-storey house with thatched roof and chimneys, dormer windows and a flat-roofed extension in the foreground. A garden with shrubs and trees in front, the church visible behind and to the left.85 x 130mm, print on postcard.
PH/THURN/13Thurning Rectory: a house with thatched roof, tall chimneys and a flat-roofed extension, ivy-clad walls. A lawn in the foreground with trees in leaf on either side, three women and a baby in a pram in front of the house.90 x 140mm, print on postcard.
PH/THURN/14Presentation to Rev H.B. Gottwaltz: people in a garden around a table with something being handed to the clergyman.80 x 120mm, print on postcard
PH/THURN/15A thatched cottage and barn, brick with a weatherboarded gable and one chimney, trees in leaf to the left with rough grass in the foreground.85 x 130mm, print on postcard.
PH/THURN/16a-bThurning village: a street scene with thatched cottages to the right and other houses in the background, an unmade road in the foreground.80 x 130mm, prints on postcards.
PH/THURN/17St James's Church, Thurning: a general view from the south, trees and hedging in the churchyard with a pathway leading up to the church.90 x 145mm, print on paper.
PH/TILBR/01All Saints' Church, Tilbrook: a general view from the south-east, gravestones in the churchyard and trees in leaf in the background.105 x 145mm, print on paper.
PH/TILBR/02All Saints' Church, Tilbrook: a general view from the south-east, gravestones in the churchyard and trees in leaf.110 x 145mm, print on paper.
PH/TILBR/03All Saints' Church, Tilbrook: a general view from the south-east, gravestones in the churchyard and trees in leaf.110 x 145mm, print on paper.
PH/TILBR/04All Saints' Church, Tilbrook: looking east through the nave to the chancel, showing chancel arch and screen, pulpit on the right with nave arcade to the left, font in the foreground to the right, and pews.110 x 150mm, print on paper.
PH/TILBR/05a-bAll Saints' Church, Tilbrook: the chancel screen in detail, with pulpit on the right with a few pews in the foreground.110 x 155mm, prints on paper.
PH/TILBR/06All Saints' Church, Tilbrook: a general view from the south, gravestones in the churchyard, with rough grass and fence in the foreground, trees in the background.210 x 155mm, sepia print on paper.
PH/TOSEL/01St Michael's Church, Toseland: a general view from the south-east, with a few gravestones in the churchyard, rough grass in the foreground, trees in leaf on either side.110 x 150mm, print on paper.
PH/TOSEL/02St Michael's Church, Toseland: a general view from the south-west, gravestones in the churchyard with hedge and trees in the foreground.75 x 100mm, print on postcard.
PH/TOSEL/03St Michael's Church, Toseland: from the south-east showing chancel and nave with bell turret, partly ivy-clad walls with gravestones and rough grass around the church.100 x 120mm, sepia print on paper.
PH/TOSEL/04St Michael's Church, Toseland: from the south-west showing the windows of the west end, also part of the chancel and nave, gravestones in the churchyard with rough grass in the foreground.110 x 120mm, sepia print on paper.
PH/TOSEL/05St Michael's Church, Toseland: from the north-west showing nave with bell turret, part of chancel, rough grass in the foreground, with a cottage to the right behind church.100 x 110mm, sepia print on paper.
PH/TOSEL/06a-bSt Michael's Church, Toseland: the south door, from outside, with ornately carved round-headed arch and pillars on either side.150 x 110mm, prints on paper.
PH/TOSEL/07The south front of Toseland Hall: three-storey house with three gables, three attic windows and three double bay windows on the ground and first floor, brick with stone windows, numerous tall chimneys; someone standing in the central front doorway, white picket fence in the foreground, outbuildings to the left.95 x 110mm, sepia print on paper.
PH/TOSEL/08The south front of Toseland Hall: three storey house, brick with stone-framed windows, three gables with three attic windows beneath, three bay windows on the first floor, and two bays with a central doorway on the ground floor, someone standing in the door, tall ornate chimneys. White picket fence in the foreground, with hedge growing within. Unmade road in the foreground, with various outbuildings to the left.100 x 115mm, sepia print on paper.
PH/TOSEL/09a-cThe south front of Toseland Hall: identical to PH/TOSEL/07 but with less cropping at left and bottom.110 x 120mm, two sepia prints on paper; 80 x 115mm, blue print on paper.
PH/TOSEL/10a-bThe south front of Toseland Hall: three-storey house, built of brick with ivy clad walls; gables, roof and tall ornate chimneys. White picket fence in the foreground, with a hedge inside, trees on either side and outbuildings on the left.110 x 160mm, prints on paper.
PH/TOSEL/11a-bThe south front of Toseland Hall: three-storey house with three gables, three attic windows and two lots of three bays on first and ground floors, ornate, tall chimneys above. White picket fence in the foreground with hedge within, trees on either side.115 x 160mm, prints on paper.
PH/TOSEL/12a-bThe south and west fronts of Toseland Hall: three-storey house, two gables on the west side and three on the south, ivy clad walls. Hedge and wooden fence to the right and steps up to door on the west side. Trees in leaf on either side.110 x 160mm, prints on paper.
PH/UPTON/01St Margaret's Church, Upton: a general view from the north-west, rough grass in the foreground with trees in leaf on either side.145 x 110mm, sepia print on paper.
PH/UPTON/02St Margaret's Church, Upton: a general view from the north-east, wooden fence and hedge in the foreground, trees in leaf to right.110 x 150mm, sepia print on paper.
PH/UPTON/03St Margaret's Church, Upton: a general view from the south-west, gravestones to the left and small shrubs to the right, rough grass in the foreground.150 x 110mm, sepia print on paper.
PH/UPTON/04St Margaret's Church, Upton: from the east, showing chancel, nave, south aisle, tower and part of the south porch; gravestones in churchyard, with trees in leaf and wooden fence in the foreground.140 x 105mm, sepia print on paper.
PH/UPTON/05St Margaret's Church, Upton: looking south-east through the nave to the east end of the south aisle, showing nave arches, part of the chancel screen to the left behind pillar with lectern and pews in the foreground, hanging lamp in the middle.110 x 150mm, sepia print on paper, blurred.
PH/UPTON/06St Margaret's Church, Upton: looking west through the nave to the tower arch and north aisle, showing part of the nave arcade and pews.140 x 110mm, sepia print on paper.
PH/UPTON/07St Margaret's Church, Upton: the font with cover, tiled floor in the foreground, pulpit and a few pews partially visible to the left.150 x 110mm, sepia print on paper.
PH/UPTON/08St Margaret's Church, Upton: the font with cover, tiled floor in the foreground, curtains draped to the right, pulpit and a few pews partially visible to the left.145 x 100mm, print on paper.
PH/UPTON/09St Margaret's Church, Upton: a general view from the north-west, stone cross in churchyard with wooden picket fencing and rough grass in the foreground.145 x 105mm, print on paper.
PH/UPTON/10St Margaret's Church, Upton: looking east through the nave to the chancel, showing chancel arch, nave arcades, pulpit to the left, lectern to the right, small chapel visible in the south aisle, pews in the foreground with hanging lamps.105 x 150mm, print on paper.
PH/UPWOD/01St Peter's Church, Upwood: a general view from the south-west, gravestones in the churchyard with shrubs to the right and centre.110 x 135mm, sepia print on paper.
PH/UPWOD/02St Peter's Church, Upwood: a general view from the south, gravestones in the churchyard .110 x 155mm, sepia print on paper.
PH/UPWOD/03St Peter's Church, Upwood: a general view from the north-east, gravestones in the foreground.110 x 150mm, sepia print on paper.
PH/UPWOD/04St Peter's Church, Upwood: a general view from the north-west, gravestones in the churchyard with trees in leaf to the right.110 x 145mm, sepia print on paper.
PH/UPWOD/05St Peter's Church, Upwood: a general view from the south, gravestones and rough grass in the foreground, with trees in leaf on either side.110 x 150mm, print on paper.
PH/UPWOD/06St Peter's Church, Upwood: a general view from the north-west, gravestones in the churchyard with an unmade road and brick churchyard wall with wooden gates in the foreground.55 x 85mm, print on paper.
PH/UPWOD/07a-eSt Peter's Church, Upwood: looking west through the nave to the tower arch, showing the nave arcade on each side, the organ in the background with window in tower, pews on either side with stove in the middle of the aisle.115 x 160mm, three prints on paper; 110 x 145mm, two sepia prints on paper.
PH/UPWOD/08St Peter's Church, Upwood: looking east through the nave to the chancel and showing chancel arch with screen, north arcade, pews and hanging lamps.150 x 110mm, print on paper.
PH/UPWOD/09St Peter's Church, Upwood: looking east through the nave to the chancel and showing chancel arch with screen, north arcade, pulpit to the left and lectern to the right, pews and hanging lamps.105 x 150mm, print on paper.
PH/UPWOD/10a-bSt Peter's Church, Upwood: looking east through the nave to the chancel and showing south arcade, chancel arch with screen, pulpit to the left and lectern to the right, and pews in the foreground, stove and stovepipe in the central aisle.110 x 150mm, sepia prints on paper.
PH/UPWOD/11Carlton House, Upwood: from the south-east, showing house in poor state with thatched roof, chimney in centre of building, small buildings to the right, rough grass in foreground.90 x 125mm, print on paper.
PH/UPWOD/12Carlton House, Upwood: showing pedimented west porch with dormer window and window to the right of door.90 x 125mm, print on paper.
PH/UPWOD/13Carlton House, Upwood: showing west door pedimented porch and inscription above the door, "M R E 1677".80 x 55mm, print on paper.
PH/UPWOD/14Upwood Manor House: the back of the house, much of it hidden by trees in leaf, lawns in the foreground.95 x 140mm, sepia print on paper.
PH/UPWOD/15Fragment of a chimney piece.160 x 115mm, sepia print on paper.
PH/UPWOD/16A shoe found in the roof of Upwood Manor House in 1987: black leather with a narrow toe, now twisted and broken.100 x 150mm, colour print on paper.
PH/UPWOD/16-24These photographs by David Cozens show objects found in the roof of Upwood Manor House during repairs in 1987 - presumably a ritual deposit. See David's article in "Records of Hunts" vol. 3 no. 5 (1996).
PH/UPWOD/17A shoe found in the roof of Upwood Manor House in 1987: the same object as in PH/UPWOD/16, but here seen more from the side.100 x 150mm, colour print on paper.
PH/UPWOD/18A small glass bottle found with other items in the roof of Upwood Manor House in 1987: small, round-bottomed and shouldered, of dark green glass.100 x 150mm, colour print on paper.
PH/UPWOD/19Parts of two clay pipes found with other items in the roof of Upwood Manor House in 1987: the upper pipe broken in two pieces, the other in one piece, but broken off at the mouthpiece end.100 x 150mm, colour print on paper.
PH/UPWOD/20A wooden bat found with other items in the roof of Upwood Manor House in 1987: the same shape as a table tennis bat and presumably for a broadly similar purpose, now whitened.100 x 150mm, colour print on paper.
PH/UPWOD/21A small stone ball found with other items in the roof of Upwood Manor House in 1987: roughly spherical, grey and about 4cms in diameter (scale at bottom of photo) - it looks like a fossil sponge or similar.100 x 150mm, colour print on paper.
PH/UPWOD/22A piece of wooden panelling found with other items in the roof of Upwood Manor House in 1987: about 36 x 15cms with carved decoration of arched niches.100 x 150mm, colour print on paper.
PH/UPWOD/23A piece of wooden panelling found with other items in the roof of Upwood Manor House in 1987: the plain back side of the object shown in PH/UPWOD/22.100 x 150mm, colour print on paper.
PH/UPWOD/24A silver spoon found with other items in the roof of Upwood Manor House in 1987: half of the bowl is broken off, and this picture shows the underside of the spoon with the hallmark.100 x 150mm, colour print on paper.
PH/UPWOD/25Upwwod House: a three-storey house with two prominent wings and door in the left wing; varied roof lines with chimneys, ivy-clad walls, trees and shrubs, a lawn in the foreground, bisected by a path. Three children sit or stand by an open French window.90 x 140mm, coloured print on postcard.
PH/W.NEW/01a-cSt Remigius' Church, Water Newton: a general view from the south-east, walls of the chancel and south aisles ivy-clad, gravestones in front, trees in leaf behind.90 x 120mm, prints on postcards.
PH/W.NEW/02a-cSt Remigius' Church, Water Newton: a general view from the north, area of rough grass and two wooden gates (hurdles) in the foreground, trees without leaf on either side.155 x 110mm, sepia prints on dark paper.
PH/W.NEW/03a-bSt Remigius' Church, Water Newton: a general view from the south-east; walls of the chancel, south aisle and porch are ivy-clad, gravestones in the churchyard with trees in leaf on either side.105 x 150mm, prints on paper.
PH/W.NEW/04a-eSt Remigius' Church, Water Newton: from the south-east showing the chancel, nave, south aisle, part of porch, and tower, gravestones in the churchyard .140 x 110mm, 135 x 110mm, 115 x 110mm, 110 x 110mm, 140 x 105mm, sepia prints on paper.
PH/W.NEW/05St Remigius' Church, Water Newton: looking east through the nave to the chancel and showing the chancel arch with screen, nave arcade on either side, with pews in the foreground, and hanging lamps.110 x 155mm, print on paper.
PH/W.NEW/06St Remigius' Church, Water Newton: looking east through the nave to the chancel and showing the chancel arch and screen, nave arcade on either side, with pews in the foreground.110 x 150mm, print on paper.
PH/W.NEW/07St Remigius' Church, Water Newton: a general view from the south-east, gravestones in churchyard, trees in leaf on either side.110 x 150mm, print on paper.
PH/W.NEW/08St Remigius' Church, Water Newton: looking east through the nave to the chancel and showing showing chancel arch and screen, nave and nave arcades, pulpit to the right and lectern to the left with prie-dieu in centre; organ to the left in north aisle protruding into the nave; pews in the foreground.110 x 155mm, print on paper.
PH/W.NEW/09St Remigius' Church, Water Newton: the steeple seen through the arch of the water mill, with house to the right and chimneys to the left seen through trees; unmade road and rough grass in the foreground.110 x 155mm, print on paper.
PH/W.WAL/01St. Andrew's Church, Wood Walton: a general view from the south, gravestones in the churchyard with rough grass in the foreground, trees on leaf on either side.105 x 155mm, print on paper.
PH/W.WAL/02St. Andrew's Church, Wood Walton: a distant view from the south-west, gravestones in the churchyard and fence round it, with rough grass in the foreground, trees without leaf in front of the church.95 x 145mm, print on paper.
PH/W.WAL/03St. Andrew's Church, Wood Walton: a general view from the south, wooden fence and gate in front of the church, trees in leaf on either side.110 x 155mm, sepia print on paper.
PH/W.WAL/04St. Andrew's Church, Wood Walton: a general view from the south-east, gravestones in the churchyard, with trees in leaf on either side (left side of photograph slightly blurred).110 x 150mm, sepia print on paper.
PH/W.WAL/05St. Andrew's Church, Wood Walton: a distant view from the west showing the tower through trees in leaf in hedgerow in front of church, rough pasture in the foreground.100 x 150mm, sepia print on paper.
PH/W.WAL/06St. Andrew's Church, Wood Walton: a general view from the north-east, gravestones in the churchyard, trees in leaf .105 x 150mm, sepia print on paper.
PH/W.WAL/07a-bSt. Andrew's Church, Wood Walton: looking east through the nave to the chancel and showing chancel arch, nave arcades, pulpit to the left, lectern to the right, prayer desk in the centre of the aisle, pews in the foreground.110 x 150mm, prints on paper.
PH/W.WAL/08St. Andrew's Church, Wood Walton: looking east through the nave to the chancel and showing chancel arch, nave arcades, pews in the foreground: some differences from PH/W.WAL/07, so plainly taken at a different date.110 x 150mm, sepia print on paper.
PH/W.WAL/09St. Andrew's Church, Wood Walton: looking west through the nave to the tower arch and west window, showing nave arcades, pews, and font in the centre.110 x 145mm, sepia print on paper.
PH/W.WAL/10Part of a chimney piece in a cottage at Wood Walton: carved stone slab with a shield with a rampant lion on it, foliage on each side and a motto beneath.95 x 140mm, sepia print on paper.
PH/W.WAL/11Part of a chimney piece from a cottage at Wood Walton: carved stone slab with a shield, the quartered arms including a rampant lion, foliage on each side and a motto beneath.110 x 155mm, sepia print on paper.
PH/W.WAL/12St. Andrew's Church, Wood Walton: a general view from the south, gravestones in the churchyard, with rough grass in the foreground, trees in leaf on either side.105 x 150mm, print on paper.
PH/W.WAL/13Higney Drainage Mill: a tower mill with wooden scoop wheel housing below it and building with chimney behind; four sails, wooden fence in front with a man standing to the right. The print has been doctored, apparently to clear up the sky area and leave it blank.155 x 115mm, print on paper.
PH/WANSFORDWansford is in STIBBINGTON parish.
PH/WARBO/01Warboys parish church from the south, showing all the church apart from the east end of the chancel, with gravestones in rough grass in the foreground.205 x 155mm, print on paper.
PH/WARBO/02a-bWarboys parish church from the south, showing the whole building (the chancel clad with ivy), with gravestones in rough grass in the foreground, trees in leaf on either side.a) 115 x 160mm, print on paper; b) 105 x 150mm, print on paper.
PH/WARBO/03a-cWarboys parish church in 1898, from the south, showing the whole building (the chancel now cleaned of ivy), with gravestones and a path in the foreground, trees in leaf on either side.a) 110 x 160mm, print on paper; b) 100 x 145mm, sepia print on paper; c) 100 x 135mm, sepia print on paper.
PH/WARBO/04Warboys parish church in 1897, from the south-west, showing the bottom of the tower, nave, south aisle and porch; gravestones in the foreground, leafless tress in the background.105 x 155mm, sepia print on paper.
PH/WARBO/05Warboys parish church in 1897, from the north-west, showing the bottom of the tower, nave, north aisle and porch, leafless tree to the left.105 x 145mm, sepia print on paper.
PH/WARBO/06Warboys parish church in 1897, from the west, showing most of the steeple, the west end of the aisles and part of the clerestory on the south side of the nave; leafless trees behind.145 x 110mm, sepia print on paper.
PH/WARBO/07Warboys parish church from the north-east, showing almost all the building although partly hidden by trees in leaf in the foreground; gravestones around it.110 x 150mm, sepia print on paper.
PH/WARBO/08Warboys parish church in 1897, from the north-east, showing most of the building but with the top of the spire cut off and everything partly obscured by a double exposure.100 x 125mm, sepia print on paper, faded.
PH/WARBO/09Warboys parish church: the bottom of the tower from the west, with part of the west wall of the aisles and the nave clerestory, gravestones in the foreground.105 x 80mm, blue print on paper.
PH/WARBO/10Warboys parish church in 1897, the interior looking west from the chancel to the tower arch.145 x 105mm, sepia print on paper.
PH/WARBO/11Warboys parish church, the interior looking east from the nave into the chancel, showing pews, altar and reredos and east window, hanging lamps in the middle of the nave.85 x 140mm, print on postcard.
PH/WARBO/12Warboys parish church, the interior looking east from the nave into the chancel, from a little further south than PH/WARBO/11, with pews, east window and hanging lamps.150 x 105mm, sepia print on paper.
PH/WARBO/13Warboys parish church, the interior (after the restoration of the 1920s) looking east from the nave into the chancel, showing pews, the font, altar, reredos and east window, with hanging lamps in different positions from before.150 x 110mm, print on paper.
PH/WARBO/14a-cWaboys Manor House in 1897, a two-storeyed brick building with two Dutch gables and tall chimneys; a barn to the right and part of the churchyard in the foreground.105 x 150mm, prints on paper, b) is sepia and c) is blue.
PH/WARBO/15a-bWarboys Manor House in 1898, seen from a distance, with the church partly hidden by a row of trees to the left and a green with a wall in front in the foreground; the Manor House with Dutch gables and tall chimneys, part of its outbuildings visible to the right.a) 120 x 155mm, print on paper; b) 90 x 135mm, sepia print on paper.
PH/WARBO/16The dug-out boat from Warboys Fen: looking along the trench with the boat in the bottom, with farm buildings and a haystack behind.155 x 115mm, sepia print on paper.
PH/WARBO/17The dug-out boat from Warboys Fen, looking along the trench with the boat in the bottom, workmen and a wheeled pump behind.160 x 115mm, sepia print on paper, faded.
PH/WARBO/18The clock tower at Warboys, surrounded by railings and with rows of houses behind, trees to the left.90 x 140mm, print on postcard, coloured.
PH/WARBO/19a-cThe clock tower at Warboys, with shop and a lorry behind, street lamp to the left.170 x 115mm, prints on paper.
PH/WARBO/20a-bThe top of the clock tower at Warboys, showing the clock faces, the roof and the witch weathervane.165 x 115mm, prints on paper.
PH/WARBO/21The top of the clock tower at Warboys, showing the witch-on-a-broomstick weathervane with the apex of the roof below.165 x 115mm, print on paper.
PH/WARBO/22The top of the clock tower at Warboys, showing the witch-on-a-broomstick weathervane with the apex of the roof below.165 x 115mm, print on paper.
PH/WARBO/23Two scenes of destruction after the 1900 fire: an empty scene with burnt trees and a framework of some kind in the foreground; and a scene of brick rubble and collapsed houses.Two screened prints each 55 x 80mm, on postcard
PH/WARBO/24View of Warboys from above, presumably from the church tower, looking north towards the junction with the clock tower; farm buildings in the foreground, countryside behind.80 x 140mm, screened print on postcard
PH/WDHUR/01St John the Baptist's Chapel, Woodhurst: from the south-east showing nave, south aisle, south porch, bell turret and most of chancel, gravestones in churchyard.110 x 155mm, print on paper.
PH/WDHUR/02St John the Baptist's Chapel, Woodhurst: a general view from the south-west, gravestones in churchyard with trees without leaf on either side.100 x 150mm, print on paper.
PH/WDHUR/03St John the Baptist's Chapel, Woodhurst: a general view from the south-east, gravestones in churchyard.100 x 150mm, sepia print on paper.
PH/WDHUR/04St John the Baptist's Chapel, Woodhurst: a general view from the north with leafless hedge in the foreground.100 x 150mm, sepia print on paper.
PH/WDHUR/05St John the Baptist's Chapel, Woodhurst: the bell turret and west end of the building seen from the south-west, gravestones in the churchyard.95 x 60mm, blue print on paper.
PH/WDHUR/06a-dSt John the Baptist's Chapel, Woodhurst: looking east through the nave to the chancel and showing the chancel arch with altar in the background, nave arcade to the right, pews in the foreground, several hanging lamps.105 x 150mm, sepia prints on paper.
PH/WDHUR/07St John the Baptist's Chapel, Woodhurst: looking west through the nave and showing nave arcade, part of chancel arch, pews, with lectern in the foreground.105 x 150mm, sepia print on paper.
PH/WDHUR/08Manor Farm, Woodhurst: a large L-shaped house, rendered and with a tiled roof, brick outbuilding to the right, wooden fence in front and an unmade track in the foreground.100 x 150mm, sepia print on paper.
PH/WDHUR/09A house in Woodhurst, large and brick-built, ?18th century, with a double exposure of the Abbot's Chair.100 x 125mm, sepia print on paper (dark).
PH/WDHUR/10A large farmhouse in Woodhurst, brick-built with hipped roof on the front wing, piteched roof and four tall chimneys on the wing going back from the front (older than the front to judge from the windows), with barns behind that. Hedge in the foreground.105 x 155mm, blue print on paper.
PH/WDHUR/11The Woodhurst and Oldhurst Church String Band, in about 1888-89: fifteen men, women and children grouped with their instruments in front of the porch of what looks like a village hall or school. Standing on the left is Walter Cooper, the parish clerk, with his three-stringed double bass; also in the back row is a clergyman in dog collar, probably Rev Kilburn, the curate of Woodhurst who started the band.130 x 180mm, print on paper.
PH/WDHUR/12Ivy Reynolds: a young woman with dark, bobbed hair, sitting in an elbow chair painting a portrait, wearing a long overall.150 x 105mm, sepia print mounted on card.
PH/WDSTO/01a-bSt Augustine of Canterbury's Church, Woodston: a general view from the north-east, gravestones in the churchyard, pollarded trees without leaf and an unmade road to the left.145 x 200mm, 130 x 195mm, sepia prints on paper.
PH/WDSTO/02a-cSt Augustine of Canterbury's Church, Woodston: a general view from the south-east, shrubs and rough grass in front, unmade road and trees without leaf to the right.95 x 145mm, print on paper; 100 x 140mm, 85 x 150mm, sepia prints on paper, one very faded.
PH/WDSTO/03St Augustine of Canterbury's Church, Woodston: the Saxon window in the west wall of tower - looking up to it from an awkard angle with a doorway below and a buttress to the right.130 x 110mm, print on paper; 130 x 105mm, sepia print on paper; 120 x 60mm, print on paper.
PH/WDSTO/04St Augustine of Canterbury's Church, Woodston: looking east through the nave to the chancel and showing chancel arch, nave arcades, pulpit to the right and lectern to the left, prie-dieu in the centre, pews in the foreground.130 x 195mm, sepia print on paper.
PH/WDSTO/05St Augustine of Canterbury's Church, Woodston: a general view from the south, gravestones in the churchyard with rough grass and a tree in leaf.105 x 150mm, print on paper.
PH/WDSTO/06St Augustine of Canterbury's Church, Woodston: looking east through the nave to the north aisle and chancel and showing the chancel arch, nave arcades, lectern to the left of chancel arch, pulpit to the right, prie-dieu in the centre of the aisle with open-backed pews in the foreground, hanging lamps throughout.110 x 150mm, print on paper.
PH/WINWK/01All Saints' Church, Winwick: a general view from the south, gravestones in the churchyard, trees in leaf on either side.110 x 150mm, print on paper.
PH/WINWK/02All Saints' Church, Winwick: a general view from the south, gravestones in the churchyard, trees in leaf on either side.100 x 145mm, print on paper.
PH/WINWK/03All Saints' Church, Winwick: from the south-east showing chancel, south transept, part of nave roof and tower; gravestones in the churchyard.135 x 105mm, sepia print on paper.
PH/WINWK/04All Saints' Church, Winwick: the north aisle seen from the north-west, with clerestorey and part of the tower.105 x 145mm, sepia print on paper.
PH/WINWK/05All Saints' Church, Winwick: from the south-west showing tower, nave, south aisle, south porch and south transept; hedge in the foreground hides some of the building, with trees in leaf on either side.135 x 100mm, sepia print on paper.
PH/WINWK/06All Saints' Church, Winwick: the steeple from the west, with clock, brick wall in front of church, small wooden gate to the right, and a tree in leaf on either side of the church.130 x 105mm, sepia print on paper.
PH/WINWK/07a-cAll Saints' Church, Winwick: a distant view from the south, with gravestones in the churchyard, rough grass with wooden gate and fence in the foreground.95 x 70mm, sepia prints on paper.
PH/WINWK/08All Saints' Church, Winwick: the south doorway seen from outside..140 x 105mm, sepia print on paper.
PH/WINWK/09All Saints' Church, Winwick: looking west through the nave to the tower arch, nave arcades on either side with pews in the foreground.110 x 145mm, sepia print on paper.
PH/WINWK/10All Saints' Church, Winwick: looking south-east through the nave to the chancel and the east end of the south transept, showing part of the chancel and chancel arch, south nave arcade, with pews in the foreground.110 x 135mm, sepia print on paper.
PH/WINWK/11All Saints' Church, Winwick: interior view of the east side of the south transept and the south side of the chancel arch, with lectern and pews in the foreground, two hanging lamps.70 x 95mm, sepia print on paper.
PH/WINWK/12a-cAll Saints' Church, Winwick: rubbing of a rectangular inscription: "Here lyeth the body of Edward Collins the son of Edward Collin of Winwick Gen. who departed this life the 28th day of January 1685 in the 49th year of his age and left issue Edmund his only child".15 x 55mm, blue prints on paper.
PH/WINWK/13All Saints' Church, Winwick: looking east through the nave to the chancel and showing the chancel arch, nave arcades and parts of the north and south aisles; pulpit to the left of chancel arch and lectern to the right, hanging lamps suspended from the timber roof.105 x 150mm, print on paper.
PH/WISTO/01a-eSt John the Baptist's Church, Wistow: a general view from the south-east, brick churchyard wall in front with unmade road in the foreground, trees in leaf on either side.110 x 150mm, four prints on paper, one sepia print on paper.
PH/WISTO/02St John the Baptist's Church, Wistow: a general view from the south-east, gravestones in the churchyard with brick churchyard wall in the foreground.110 x 150mm, print on paper.
PH/WISTO/03a-bSt John the Baptist's Church, Wistow: a distant view from the south-west, gravestones in the churchyard, churchyard wall and a hedge in the foreground.100 x 120mm, 100 x 145mm, sepia prints on paper.
PH/WISTO/04St John the Baptist's Church, Wistow: from the north-east showing chancel, nave, north aisle and part of the tower, all partly hidden by trees and shrubs in leaf in the foreground.100 x 145mm, sepia print on paper.
PH/WISTO/05St John the Baptist's Church, Wistow: from the north-west showing tower, nave, and north aisle, gravestones in the churchyard with brick churchyard wall in the foreground.150 x 110mm, sepia print on paper.
PH/WISTO/06St John the Baptist's Church, Wistow: a distant view from the south-west, gravestones in the churchyard inside a brick wal, hedge and a wooden gate in the foreground.55 x 80mm, print on paper.
PH/WISTO/07St John the Baptist's Church, Wistow: a stone from a tympanum, rectangular with carved decoration, resting on top of the churchyard wall.120 x 160mm, print on paper.
PH/WISTO/08St John the Baptist's Church, Wistow: a rectangular carved stone from a tympanum resting on the churchyard wall, with gravestones and the base of the tower visible behind.60 x 110mm, print on paper.
PH/WISTO/09 a-cSt John the Baptist's Church, Wistow: looking east through the nave to the chancel and showing chancel arch with altar in the background, pulpit to the left, nave arcades on either side, pews in the foreground and hanging lamps in the centre.110 x 150mm, prints on paper.
PH/WISTO/10St John the Baptist's Church, Wistow: an interior view from the west showing chancel arch with pulpit to the left and south aisle screen. A hanging lamp in the centre.110 x 140mm, sepia print on paper.
PH/WISTO/11St John the Baptist's Church, Wistow: An interior view looking north-east from the nave and showing easternmost nave arch, the east end of the north aisle and part of the chancel arch, with pulpit in the centre and hanging lamps.140 x 105mm, sepia print on paper.
PH/WISTO/12St John the Baptist's Church, Wistow: looking west from the chancel arch to the tower arch, with nave arcades on either side and pews in the foreground.145 x 110mm, sepia print on paper.
PH/WISTO/13St John the Baptist's Church, Wistow: the west window in the south aisle, seen from inside, Perpendicular tracery and some pieces of stained glass.125 x 60mm, 110 x 60mm, 115 x 60mm, 100 x 65mm, sepia prints on paper.
PH/WISTO/14Wistow Rectory: a large, square, brick-built house, extended blinds shading the ground floor windows, climbing shrubs on the walls, trees in leaf to the left, with a lawn in the foreground.110 x 150mm, sepia print on paper.
PH/WISTO/15Uriah Harris's house, Wistow: house with two gabled wings, tiled roofs and, two chimneys, trees in leaf on either side, hedge in the foreground.110 x 145mm, sepia print on paper.
PH/WISTO/16The Three Horsehoes, Wistow: a thatched house with several wings, ivy-clad walls and several chimneys, inn sign on post and unmade road in the foreground.55 x 85mm, print on paper.
PH/WISTO/17Mr. Dorrington's house, Wistow: a house with tiled roof and dormer windows, brick wall in front, with wooden fence and gates to the left, unmade road in the foreground.55 x 80mm, print on paper.
PH/WISTO/18Wistow Bridge: stone-built with three arches, no parapet but wooden fencing along both sides; a ford across the stream to the right.115 x 155mm, print on paper.
PH/WOOLY/01St Mary's Church, Woolley: a general view from the south-east, gravestones in the churchyard and rough grass in the foreground, trees in leaf on either side.150 x 105mm, print on paper.
PH/WOOLY/02St Mary's Church, Woolley: a general view from the south, wooden picket fence in the foreground, with trees in leaf.135 x 110mm, sepia print on paper.
PH/WOOLY/03St Mary's Church, Woolley: a general view from the north-east through trees (without leaves) in the foreground, with picket fence.130 x 105mm, sepia print on paper.
PH/WOOLY/04St Mary's Church, Woolley: a general view from the south-east, gravestones in the churchyard, wooden picket fence and rough grass and unmade road in the foreground, trees in leaf on either side.135 x 110mm, sepia print on paper.
PH/WOOLY/05a-bSt Mary's Church, Woolley: a distant view from the north-west showing nave and steeple through trees, with rough grass in the foreground. Very dark.95 x 70mm, sepia prints on paper.
PH/WOOLY/06St Mary's Church, Woolley: a general view from the south-east during restoration work, with scaffolding round the steeple and workmen on the scaffolding; gravestones in the churchyard, rough grass in the foreground, two bicycles propped up against the church wall.275 x 200mm, print on paper.
PH/WOOLY/07a-fSt Mary's Church, Woolley: the same photograph as PH/WOOLY/06.130 x 90 mm, prints on postcards.
PH/WOOLY/08a-fSt Mary's Church, Woolley: the nave and steeple seen during the same restoration work shown in PH/WOOLY/06-07, but slightly more from the south, with scaffolding round the spire, gravestones in the churchyard, rough grass in the foreground, bicycles propped up against the church wall.135 x 85mm, prints on postcards.
PH/WOOLY/09St Mary's Church, Woolley: looking south-east through the nave to the chancel and showing the chancel arch with a screen consisting of planking filling most of the archway, nave arcades on either side, pulpit to the left, with pews on either side, font with conical cover in the foreground.110 x 145mm, sepia print on paper.
PH/WOOLY/10a-cSt Mary's Church, Woolley: looking north-east through the nave to the chancel and showing the chancel arch largely boarded in with planking apart from a small door, pulpit to the left, with pews on either side, font with conical cover in the foreground.105 x 140mm, 115 x 150mm, 110 x 140mm, sepia prints on paper.
PH/WOOLY/11St Mary's Church, Woolley: looking west through the nave to the tower arch and screen, showing part of the beamed roof, nave arcades on either side, with font in the centre.110 x 140mm, sepia print on paper.
PH/WOOLY/12St Mary's Church, Woolley: an interior view of the north-east corner of the chancel, with altar and altar rails, and pews in the foreground.110 x 140mm, sepia print on paper.
PH/WOOLY/13a-fSt Mary's Church, Woolley: looking east through the nave to the chancel and showing the chancel arch (now without its planking screen), nave arcades and pews, pulpit to the left and lectern to the right, standard candle holders on either side, stonework of interior walls revealed.85 x 135mm, prints on postcards.
PH/WOOLY/14a-dWoolley Rectory: L-shaped house with ivy-clad walls and lawn in the foreground, two women standing outside the arched front doorway; trees in leaf.105 x 150mm and 110 x 145mm, two sepia prints on paper; 100 x 150mm and 110 x 150mm, two blue prints on paper.
PH/WOOLY/15St Mary's Church, Woolley: a general view from the south-east, gravestones in the churchyard, with rough grass in the foreground, trees in leaf at the back and sides of the church.150 x 105mm, print on paper.
PH/WOOLY/16St Mary's Church, Woolley: looking east through the nave to the chancel and showing the chancel arch, nave arcades, part of the north aisle, north transept and part of the south transept; pulpit to the left of the chancel arch, lectern to the right, a prie-dieu in the centre aisle, pews in the nave, with font (now without its cover) in the foreground, stove and stove pipe to the right.110 x 150mm, print on paper.
PH/WYTON/01All Saints' Church, Wyton: a general view from the north-east, ivy-clad walls, with rose bushes in the churchyard, grass in the foreground.100 x 150mm, print on paper
PH/WYTON/02All Saints' Church, Wyton: a general view from the north, ivy-clad walls, with gravestones in the churchyard and rough grass in the foreground.110 x 155mm, sepia print on paper.
PH/WYTON/03All Saints' Church, Wyton: from the south-east, showing nave, south porch and steeple, gravestones in the churchyard.145 x 110mm, sepia print on paper.
PH/WYTON/04All Saints' Church, Wyton: the north door, from the outside, showing archway and decorative ironwork on the door.150 x 110mm, sepia print on paper.
PH/WYTON/05All Saints' Church, Wyton: looking east through the nave to the chancel and showing chancel arch, north nave arcade to the left with pews in the foreground and pulpit to the left of chancel arch.110 x 155mm, sepia print on paper.
PH/WYTON/06a-cWyton Rectory (nowadays the "Old Rectory"): a large brick-built house with gables at each end of the front, tall chimneys, a large conservatory to the right and a pond in the foreground.90 x 140mm, prints on postcards with colour added; a) is sepia only.
PH/WYTON/07A house at Wyton (opposite the Three Jolly Butchers): large two-storeyed house with slate roof and large sash windows, an elderly couple standing in front of the door (in costume of about the 1890s) and with garden wall and gate piers in the foreground.115 x 155mm, print on paper, torn across the top.
PH/WYTON/08Part of Wyton village in about 1930: looking east from the junction of Ware Lane towards Houghton, with the Three Jolly Butchers visible on the right; old man with a beard and walking stick in the foreground, car parked in the right background.95 x 150mm, sepia print mounted in card.
PH/YAXLY/01St Peter's Church, Yaxley: a general view from the south-west, with gravestones in the churchyard and stone churchyard wall, trees in leaf on either side, rough grass in the foreground.150 x 105mm, print on paper.
PH/YAXLY/02St Peter's Church, Yaxley: a general view from the south-west, with gravestones in the churchyard and stone churchyard wall, rough grass in the foreground.125 x 75mm, sepia print on paper mounted on postcard.
PH/YAXLY/03St Peter's Church, Yaxley: a general view from the south-west, with gravestones in the churchyard surrounded by a stone wall, trees in leaf on either side, rough grass in the foreground.150 x 110mm, sepia print on paper.
PH/YAXLY/04St Peter's Church, Yaxley: a general view from the north, gravestones in the churchyard behind a stone wall, path and rough grass in the foreground.150 x 110mm, sepia print on paper (blurred).
PH/YAXLY/05a-cSt Peter's Church, Yaxley: from the east showing the east end of the chancel and the north and south aisles, part of the nave roof, south transept and tower; stone churchyard wall and blurred figure in the foreground.145 x 110mm, sepia prints on paper, a) is torn at top left corner.
PH/YAXLY/06a-bSt Peter's Church, Yaxley: a general view from the south-east, stone churchyard wall in front, rough grass in the foreground.70 x 65mm, sepia prints on paper.
PH/YAXLY/07a-eSt Peter's Church, Yaxley: looking into the chancel from the east end of the nave and showing the chancel arch and screen decorated with ivy, pulpit to the right also decorated with ivy, box pews on either side of nave, lectern in the central aisle, square hatchment above chancel arch.150 x 110mm, sepia prints on paper.
PH/YAXLY/08a-bSt Peter's Church, Yaxley: looking east through the nave to the chancel and showing the chancel arch with screen and organ pipes above, pulpit with canopy to the right, brass eagle lectern to the left, nave arcade on either side, pews.100 x 150mm, prints on paper.
PH/YAXLY/09a-bSt Peter's Church, Yaxley: looking east through the nave to the chancel and showing the chancel arch with screen and organ pipes above, nave arcade on either side, pews in the foreground.110 x 145mm, 110 x 155mm, prints on paper.
PH/YAXLY/10St Peter's Church, Yaxley: looking east through the nave to the chancel and showing the chancel arch with screen and organ pipes above, pulpit to the right and lectern to the left, with several oil lamps hanging above.155 x 110mm, print on paper.
PH/YAXLY/11St Peter's Church, Yaxley: looking east through the nave to the chancel and north aisle and showing chancel arch with screen and organ pipes above, pulpit with canopy to the right, lectern in the form of an eagle to the left, north nave arcade, pews in the foreground.155 x 110mm, print on paper.
PH/YAXLY/12St Peter's Church, Yaxley: an interior view showing the west wall of the nave with archway at the bottom and above it a faint wall painting of figures and texts.145 x 110mm, print on paper.
PH/YAXLY/13St Peter's Church, Yaxley: a drawing of the church from the south east.75 x 115mm, print on paper.
PH/YAXLY/14St Peter's Church, Yaxley: identical to PH/YAXLY/01.150 x 105mm, print on paper.
PH/YAXLY/15St Peter's Church, Yaxley: looking east through the nave to the chancel and showing the chancel arch and screen with rood loft and organ above, nave arcades, lectern to the left of screen and pulpit to the right, pews in the foreground.110 x 155mm, print on paper.
PH/YAXLY/16St Peter's Church, Yaxley: a watercolour of the 14th-century frescoes in the north chapel, showing three men with long robes and walking sticks (apparently representing the road to Emmaus), with quatrefoil decorations dotted about them and part of an arch at the bottom right.175 x 235mm, print on paper.
PH/YAXLY/17a-bSt Peter's Church, Yaxley: drawing of the frescoes shown in PH/YAXLY/16: shown here in negative, white on blue.110 x 160mm, negative blue prints on paper.
PH/YAXLY/18St Peter's Church, Yaxley: drawings of architectural details - gargoyles, corbels and a piscina.115 x 155mm, blue print with drawings in white.
PH/YAXLY/19St Peter's Church, Yaxley: drawings of architectural details - piscinae and aumbreys, piscina and sedilia, font.115 x 155mm, blue print with drawings in white.
PH/YAXLY/20St Peter's Church, Yaxley: drawings of architectural details - corbels, capitals and a pier.160 x 110mm, blue print with drawing in white.
PH/YAXLY/21St Peter's Church, Yaxley: drawing of part of a fresco in the North chapel - a design of leaves and curls with a Latin inscription near the bottom.155 x 110mm, blue print with drawing in white.
PH/YAXLY/22St Peter's Church, Yaxley: A very faded drawing of frescoes in the north chapel - or could it be an actual photograph? Showing the group of figures shown in PH/YAXLY/16 & 17, with above them the decoration shown in PH/YAXLY/21.150 x 115mm, blue print on paper.
PH/YAXLY/23St Peter's Church, Yaxley: a very faint early photograph, outlined in pencil and with colour wash added, showing the church from the west, with the tower and north aisle prominent; churchyard wall, trees and a pond in the foreground.195 x 155mm, print on paper with pencil and colour washes, mounted on card.
PH/YELLG/01The Church of the Holy Cross, Yelling: a general view from the south-east, with gravestones in rough grass in the churchyard.105 x 150mm, print on paper.
PH/YELLG/02The Church of the Holy Cross, Yelling: looking east through the nave to the chancel and showing the chancel arch with screen, nave arcades on either side, pews in the foreground.105 x 155mm, print on paper.
PH/YELLG/03Yelling Rectory: a building in two parts, the right part apparently 18th-century with dormer windows, the left part later, two-storeyed with less steeply pitched roof; a group of ladies in dress of about 1900 standing in front, with hedges and fences in front of them and church tower in the right background behind a leafless tree.85 x 140mm, screened print on paper.
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